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List Of Musical Instruments By Hornbostel–Sachs Number
The following lists contain musical instruments, musical instrument classification, categorized according to the Hornbostel–Sachs system by how they make sound. Idiophones #List of idiophones by Hornbostel–Sachs number Membranophones #List of membranophones by Hornbostel–Sachs number Chordophones #List of chordophones by Hornbostel–Sachs number Aerophones #List of aerophones by Hornbostel–Sachs number Electrophones Electrophones are instruments in which sound is generated by electrical means. While it is not officially in any published form of the Hornbostel–Sachs system, and hence, lacking proper numerical subdivisions, it is often considered a fifth main category. *Croix Sonore *Denis d'or *Drum machine *Hammond organ *Keyboard bass *Kraakdoos (or Cracklebox) *Mellotron *Ondes Martenot *Synclavier *Synthesizer *Tannerin (a.k.a. Electro-Theremin) *Telharmonium *Theremin Instruments that do not fit into any of the above five categories A number of instruments nei ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Instrument
A musical instrument is a device created or adapted to make musical sounds. In principle, any object that produces sound can be considered a musical instrument—it is through purpose that the object becomes a musical instrument. A person who plays a musical instrument is known as an instrumentalist. The history of musical instruments dates to the beginnings of human culture. Early musical instruments may have been used for rituals, such as a horn to signal success on the hunt, or a drum in a religious ceremony. Cultures eventually developed composition and performance of melodies for entertainment. Musical instruments evolved in step with changing applications and technologies. The date and origin of the first device considered a musical instrument is disputed. The oldest object that some scholars refer to as a musical instrument, a simple flute, dates back as far as 50,000 - 60,000 years. Some consensus dates early flutes to about 40,000 years ago. However, most historians be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kraakdoos
A kraakdoos or cracklebox is a custom-made instrument, in the form of a noise-making electronic device. It is a small box with six metal contacts on top, which generate various unusual sounds and tones when pressed by the performer's fingers. The human body becomes a part of the circuit and determines the range of sounds possible, thus different people–or the same person at different times–shall generate different results. While there are certain configurations of one's digits that result in more or less recallable results the preferred way of playing it is led by listening to how the instrument responds to manipulation and then maintaining and modifying one's contact points. The player thus enters into a tactile and sonic dialogue with the instrument. The concept was first conceived by Michel Waisvisz and Geert Hamelberg in the 1960s, and developed further in the 1970s when Waisvisz joined the STEIM foundation in Amsterdam, Netherlands. The kraakdoos is a simple device, ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plasmaphone
In organology, the study of musical instruments, many methods of classifying instruments exist. Most methods are specific to a particular cultural group and were developed to serve that culture's musical needs. Culture-based classification methods sometimes break down when applied outside that culture. For example, a classification based on instrument use may fail when applied to another culture that uses the same instrument differently. In the study of Western music, the most common classification method divides instruments into the following groups: * String instruments (often subdivided between plucked and bowed instruments); * Wind instruments (often subdivided between woodwinds and brass); * Percussion instruments; and * Electronic instruments Classification criteria The criteria for classifying musical instruments vary depending on the point of view, time, and place. The many various approaches examine aspects such as the physical properties of the instrument (shape, co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hydraulic Fluid
A hydraulic fluid or hydraulic liquid is the medium by which power is transferred in hydraulic machinery. Common hydraulic fluids are based on mineral oil or water. Examples of equipment that might use hydraulic fluids are excavators and backhoes, hydraulic brakes, power steering systems, automatic transmissions, garbage trucks, aircraft flight control systems, lifts, and industrial machinery. Hydraulic systems like the ones mentioned above will work most efficiently if the hydraulic fluid used has zero compressibility. Functions and properties The primary function of a hydraulic fluid is to convey power. In use, however, there are other important functions of hydraulic fluid such as protection of the hydraulic machine components. The table below lists the major functions of a hydraulic fluid and the properties of a fluid that affect its ability to perform that function: Composition Base stock The original hydraulics fluid, dating back to the time of ancient Egypt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hydraulophone
A hydraulophone is a tonal acoustic musical instrument played by direct physical contact with water (sometimes other fluids) where sound is generated or affected hydraulically."Fluid Melodies: The hydraulophones of Professor Steve Mann" In WaterShapes, Volume 10, Number 2, Pp 36–44, New York, NY, USA. Volume 10, No 2, 2008 February Oct 27, 2006 The hydraulophone was described and named by Steve Mann in 2005, and patented in 2011. Typically, sound is produced by the same hydraulic fluid in contact with the player's fingers. It has been used as a sensory exploration device for low-vision individuals. Types and basic operation The term may be applied based on the interface used to play the instrument, in which a player blocks the flow of water through a particular hole in order to sound a particular note, or based on a hydraulic sound production mechanism. Hydraulophones use water-flow sound-producing mechanisms. They have a user interface, which is blocking water jets to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theremin
The theremin (; originally known as the ætherphone/etherphone, thereminophone or termenvox/thereminvox) is an electronic musical instrument controlled without physical contact by the performer (who is known as a thereminist). It is named after its inventor, Leon Theremin, who patented the device in 1928. The instrument's controlling section usually consists of two metal antenna (radio), antennas which sense the relative position of the thereminist's hands and control oscillation, oscillators for frequency with one hand, and amplitude (Loudness, volume) with the other. The electric signals from the theremin are amplifier, amplified and sent to a loudspeaker. The sound of the instrument is often associated with wikt:eerie, eerie situations. The theremin has been used in movie soundtracks such as Miklós Rózsa's ''Spellbound (1945 film), Spellbound'' and ''The Lost Weekend (film), The Lost Weekend'', Bernard Herrmann's ''The Day the Earth Stood Still (soundtrack), The Day the E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Telharmonium
The Telharmonium (also known as the Dynamophone) was an early electrical organ, developed by Thaddeus Cahill c. 1896 and patented in 1897. , filed 1896-02-04. The electrical signal from the Telharmonium was transmitted over wires; it was heard on the receiving end by means of "horn" speakers. An authoritative history of the Telharmonium. Weidenaar produced a 29-minute documentary video, also called (Sewebsitefor extensive additional documentation) Like the later Hammond organ, the Telharmonium used tonewheels to generate musical sounds as electrical signals by additive synthesis. It is considered to be the first electromechanical musical instrument. History Cahill built three versions: The Mark I version weighed 7 tons. The Mark II version weighed almost 210 tons, as did the Mark III. Each was a considerable advancement over the features of its predecessor. A small number of performances in front of a live audience were given in addition to the telephone transmissions. Pe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electro-Theremin
The Electro-Theremin is an electronic musical instrument developed by trombonist Paul Tanner and amateur inventor Bob Whitsell in the late 1950s to produce a sound to mimic that of the theremin. The instrument features a tone and portamento similar to that of the theremin, but with a different control mechanism. It consisted of a sine wave generator with a knob that controlled the pitch, placed inside a wooden box. The pitch knob was attached to a slider on the outside of the box with some string. The player would move the slider, thus turning the knob to the desired frequency, with the help of markings drawn on the box. This contrasts with the theremin, which a performer plays without touching as two antennae sense the position and movement of the performer's hands. Background The instrument was custom-built at Tanner's request. Tanner appreciated the theremin's sound, but wanted greater control of pitch and attack. The Electro-Theremin uses mechanical controls, a long sli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tannerin
The Electro-Theremin is an electronic musical instrument developed by trombonist Paul Tanner and amateur inventor Bob Whitsell in the late 1950s to produce a sound to mimic that of the theremin. The instrument features a tone and portamento similar to that of the theremin, but with a different control mechanism. It consisted of a sine wave generator with a knob that controlled the pitch, placed inside a wooden box. The pitch knob was attached to a slider on the outside of the box with some string. The player would move the slider, thus turning the knob to the desired frequency, with the help of markings drawn on the box. This contrasts with the theremin, which a performer plays without touching as two antennae sense the position and movement of the performer's hands. Background The instrument was custom-built at Tanner's request. Tanner appreciated the theremin's sound, but wanted greater control of pitch and attack. The Electro-Theremin uses mechanical controls, a long slide ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Synthesizer
A synthesizer (also spelled synthesiser) is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and frequency modulation synthesis. These sounds may be altered by components such as filters, which cut or boost frequencies; envelopes, which control articulation, or how notes begin and end; and low-frequency oscillators, which modulate parameters such as pitch, volume, or filter characteristics affecting timbre. Synthesizers are typically played with keyboards or controlled by sequencers, software or other instruments, and may be synchronized to other equipment via MIDI. Synthesizer-like instruments emerged in the United States in the mid-20th century with instruments such as the RCA Mark II Sound Synthesizer, RCA Mark II, which was controlled with Punched card, punch cards and used hundreds of vacuum tubes. The Moog synthesizer, d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Synclavier
The Synclavier is an early digital synthesizer, polyphonic digital sampling system, and music workstation manufactured by New England Digital Corporation of Norwich, Vermont. It was produced in various forms from the late 1970s into the early 1990s. The instrument has been used by prominent musicians. History The original design and development of the Synclavier prototype occurred at Dartmouth College with the collaboration of Jon Appleton, Professor of Digital Electronics, Sydney A. Alonso, and Cameron Jones, a software programmer and student at Dartmouth's Thayer School of Engineering. Synclavier I First released in 1977–78, it proved to be highly influential among both electronic music composers and music producers, including Mike Thorne, an early adopter from the commercial world, due to its versatility, its cutting-edge technology, and distinctive sounds. The early Synclavier I used FM synthesis, re-licensed from Yamaha, and was sold mostly to universities. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ondes Martenot
The ondes Martenot ( ; , "Martenot waves") or ondes musicales ("musical waves") is an early electronic musical instrument. It is played with a keyboard or by moving a ring along a wire, creating "wavering" sounds similar to a theremin. A player of the ondes Martenot is called an ondist. The ondes Martenot was invented in 1928 by the French inventor Maurice Martenot. Martenot was inspired by the accidental overlaps of tones between military radio oscillators, and wanted to create an instrument with the expressiveness of the cello. The ondes Martenot is used in more than 100 orchestral compositions. The French composer Olivier Messiaen used it in pieces such as his 1949 symphony ''Turangalîla-Symphonie,'' and his sister-in-law Jeanne Loriod was a celebrated player of the instrument. It appears in numerous film and television soundtracks, particularly science fiction and horror films. Jonny Greenwood of the English rock band Radiohead is credited with bringing the ondes to a large ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
