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List Of Historical Opera Characters
This is a list of historical figures who have been characters in opera or operetta. Historical accuracy in such works has often been subject to the imperatives of dramatic presentation. Consequently, in many cases: * historical characters appear alongside fictional characters * historical characters who never met, or whose lives did not even overlap, appear on stage together * historical events depicted are transported to earlier or later times or to different places * historical people are seen participating in entirely fictional events, or vice versa * the actions of historical people are attributed to other persons For the purposes of this list, Biblical characters are generally taken to be fictional, unless there is clear evidence of their historicity. Operas appear in bold when the historical figure is also the title role. Where a character appears in more than opera, the entries are sorted by composer. List of historical figures A Abdisho IV Maron, Patriarch of the C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaetano Donizetti
Domenico Gaetano Maria Donizetti (29 November 1797 – 8 April 1848) was an Italian composer, best known for his almost 70 operas. Along with Gioachino Rossini and Vincenzo Bellini, he was a leading composer of the '' bel canto'' opera style during the first half of the nineteenth century and a probable influence on other composers such as Giuseppe Verdi. Donizetti was born in Bergamo in Lombardy. At an early age he was taken up by Simon Mayr who enrolled him with a full scholarship in a school which he had set up. There he received detailed musical training. Mayr was instrumental in obtaining a place for Donizetti at the Bologna Academy, where, at the age of 19, he wrote his first one-act opera, the comedy ''Il Pigmalione'', which may never have been performed during his lifetime. An offer in 1822 from Domenico Barbaja, the impresario of the Teatro di San Carlo in Naples, which followed the composer's ninth opera, led to his move to Naples and his residency there until productio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heinrich Cornelius Agrippa
Heinrich Cornelius Agrippa von Nettesheim (; ; 14 September 1486 – 18 February 1535) was a German polymath, physician, legal scholar, soldier, theologian, and occult writer. Agrippa's ''Three Books of Occult Philosophy'' published in 1533 drew heavily upon Kabbalah, Hermeticism, and neo-Platonism. His book was widely influential among occultists of the early modern period, and was condemned as heretical by the inquisitor of Cologne. Life Agrippa was born in Nettersheim, near Cologne on 14 September 1486 to a family of middle nobility.Valente, Michaela "Agrippa, Heinrich Cornelius". In: ''Dictionary of Gnosis and Western Esotericism'' (Wouter J. Hanegraaff, ed.), pp. 4–8. Brill, 2006. . Many members of his family had been in the service of the House of Habsburg. Agrippa studied at the University of Cologne from 1499 to 1502, (age 13–16) when he received the degree of ''magister artium''. The University of Cologne was one of the centers of Thomism, and the faculty of art ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Attila (opera)
''Attila'' is an opera in a prologue and three acts by Giuseppe Verdi to an Italian libretto by Temistocle Solera, based on the 1809 play ' (''Attila, King of the Huns'') by Zacharias Werner. The opera received its first performance at La Fenice in Venice on 17 March 1846. Ezio's act 2 aria of heroic resolution "" (My lot is cast, I am prepared for any warfare) is a fine example of a characteristic Verdian ''genre'', and it achieved fame in its own time with audiences in the context of the adoption of a liberal constitution by Ferdinand II.Stamatov, Peter, "Interpretive Activism and the Political Uses of Verdi's Operas in the 1840s" (June 2002). ''American Sociological Review'', 67 (3): pp. 345–366. Other contemporary comment praised the work as suitable for the "political education of the people", while, in contrast, others criticised the opera as "Teutonic" in nature. Composition history Verdi had read the ultra-Romantic play in April 1844, probably introduced to it by his fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ezio (Latilla)
''Ezio'' is an opera eroica or "heroic" opera in 3 acts by Gaetano Latilla. The opera uses an Italian-language libretto by Pietro Metastasio. Metastasio's libretto was partly inspired by Jean Racine's play ''Britannicus'' and had earlier been set to music by George Frideric Handel in 1732. The work's protagonist is the fifth-century AD Roman general Flavius Aetius (Ezio in Italian), returned from his victory over Attila. Latilla's version premiered at the Teatro di San Carlo in Naples on 10 July 1758. The composer both directed and conducted the production and Vincenzo Re designed the sets used in the premiere. The cast included Giovanni Carestini in the title role, Caterina Gabrielli as Fulvia, Maddalena Galli as Onoria, Caterina Galli as Valentiniano III (Valentinian III), Gregorio Babbi Gregorio Babbi (6 November 1708, Cesena – 2 January 1768) was an Italian operatic tenor. He performed in the premieres of numerous operas, including works by Girolamo Abos, Pietro Auletta, A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaetano Latilla
__NOTOC__ Gaetano Latilla (12 January 1711 – 15 January 1788) was an Italian opera composer, the most important of the period immediately preceding Niccolò Piccinni (his nephew). Latilla was born in Bari, and studied at the Loreto Conservatory in Naples. He began writing comic operas for the Teatro dei Fiorentini in Naples in 1732, and is best known for his settings of ''Gismondo'' (Rome, 1737) and ''Madama Ciana'' (Rome, 1738). These two works, along with two by Rinaldo da Capua, formed the core of the traveling Italian comic opera repertory of the 1740s and early 1750s. He also wrote some opere serie, the first of which was a setting of ''Demofoonte'' (Venice, 1738). He died in Naples. See also * List of operas by Gaetano Latilla This is a list of the complete operas of the Italian composer Gaetano Latilla __NOTOC__ Gaetano Latilla (12 January 1711 – 15 January 1788) was an Italian opera composer, the most important of the period immediately preceding Niccolò Picci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ezio (Handel)
''Ezio'' ("Aetius", HWV 29) is an opera seria by George Frideric Handel to a libretto by Metastasio. Metastasio's libretto was partly inspired by Jean Racine's play ''Britannicus''. The same libretto had already been set by many other composers, first of all Nicola Porpora who managed to preempt the official Rome premiere of Pietro Auletta's setting for 26 December 1728 with his own version (of a slightly edited copy of the libretto) for Venice on 20 November, a month earlier. The libretto continued to be set and reset for another 50 years, including two versions of ''Ezio'' by Gluck. Handel's ''Ezio'' is considered one of the purest examples of opera seria with its absence of vocal ensembles. The story of the opera is a fictionalisation of events in the life of the fifth-century AD Roman general Flavius Aetius (Ezio in Italian), returned from his victory over Attila. Performance history The opera received its first performance at the King's Theatre, London on 15 Januar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Frideric Handel
George Frideric (or Frederick) Handel (; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque music, Baroque composer well known for his opera#Baroque era, operas, oratorios, anthems, concerto grosso, concerti grossi, and organ concertos. Handel received his training in Halle (Saale), Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and Handel's Naturalisation Act 1727, became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphony, polyphonic choral tradition and by composers of the Italian Baroque. In turn, Handel's music forms one of the peaks of the "high baroque" style, bringing Italian opera to its highest development, creating the genres of English oratorio and organ concerto, and introducing a new style into English church music. He is consistently recognized as one of the greatest composers of his age. Handel started three c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Gazzaniga
Giuseppe Gazzaniga (5 October 1743 – 1 February 1818) was a member of the Neapolitan school of opera composers. He composed fifty-one operas and is considered to be one of the last Italian opera buffa composers. Biography Born in Verona, Gazzaniga was initially intended for the priesthood at the urging of his devout parents. He eventually convinced his father to allow him to pursue a career in music and began studies first in Venice and then at the Conservatorio di Sant'Onofrio a Porta Capuana in Naples. While there, he was a pupil of Niccolò Piccinni and Nicola Porpora. Gazzaniga presented his first opera, '' Il barone di Trocchia'', at the Teatro di San Carlo in 1768. He would spend the next several decades writing mostly operas in Italy with the exception of a few trips to Dresden, Vienna, and Prague. His most successful opera was his ''Don Giovanni Tenorio'' written in 1787 to a libretto by Giovanni Bertati, possibly an inspiration for the libretto of Mozart's ''Don Gi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flavius Aetius
Aetius (also spelled Aëtius; ; 390 – 454) was a Roman general and statesman of the closing period of the Western Roman Empire. He was a military commander and the most influential man in the Empire for two decades (433454). He managed policy in regard to the attacks of barbarian federates settled throughout the West. Notably, he mustered a large Roman and allied (''foederati'') army in the Battle of the Catalaunian Plains, ending a devastating invasion of Gaul by Attila in 451, though the Hun and his subjugated allies still managed to invade Italy the following year, an incursion best remembered for the ruthless Sack of Aquileia and the intercession of Pope Leo I. Aetius has often been called, "Last of the Romans". Edward Gibbon refers to him as "the man universally celebrated as the terror of Barbarians and the support of the Republic" for his victory at the Catalaunian Plains. J.B Bury notes, "That he was the one prop and stay of the Western Empire during his life time ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Simon Boccanegra
''Simon Boccanegra'' () is an opera with a prologue and three acts by Giuseppe Verdi to an Italian libretto by Francesco Maria Piave, based on the play ''Simón Bocanegra'' (1843) by Antonio García Gutiérrez, whose play ''El trovador'' had been the basis for Verdi's 1853 opera, ''Il trovatore''. ''Simon Boccanegra'' was first performed at Teatro La Fenice in Venice on 12 March 1857. Given the complications of the original plot and the generally poor popular response – although the critical one was more encouraging – the opera dropped out of favour after 1866. Finally, 23 years later, Verdi's publisher persuaded the composer to revise the opera, with text changes to be prepared by Arrigo Boito, the librettist who aspired to work with the aging composer on a project which eventually became a new opera, ''Otello'', but to which Verdi had not totally committed at that time. The revised version of ''Simon Boccanegra'', with the now-famous Council Chamber scene, was first perfor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Verdi
Giuseppe Fortunino Francesco Verdi (; 9 or 10 October 1813 – 27 January 1901) was an Italian composer best known for his operas. He was born near Busseto to a provincial family of moderate means, receiving a musical education with the help of a local patron. Verdi came to dominate the Italian opera scene after the era of Gioachino Rossini, Gaetano Donizetti, and Vincenzo Bellini, whose works significantly influenced him. In his early operas, Verdi demonstrated a sympathy with the Risorgimento movement which sought the unification of Italy. He also participated briefly as an elected politician. The chorus "Va, pensiero" from his early opera ''Nabucco'' (1842), and similar choruses in later operas, were much in the spirit of the unification movement, and the composer himself became esteemed as a representative of these ideals. An intensely private person, Verdi did not seek to ingratiate himself with popular movements. As he became professionally successful, he was able ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
