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List Of Former Teachers At The Conservatoire De Paris
This is a partial list of former teachers at the Conservatoire de Paris. Brass * Joseph Jean Baptiste Laurent Arban (Cornet, 1869–1874) * Merri Franquin (Trumpet, 1894–1925) Composition, harmony, and music theory * Adolphe Adam (Composition, 1849–1856) * Claude Ballif (Professor of analysis) * François Bazin (harmony) * Marcel Bitsch (Professor of Counterpoint/Fugue, 1956–1988) * François-Joseph Fétis (Professor of composition and harmony, 1821–1832) * Charles Gounod (composition) * Jules Massenet (composition, harmony) * Jules Mazellier (composition) * Olivier Messiaen (Professor of Harmony, 1941, Professor of Composition, 1966) * Serge Nigg (Professor of Orchestration) * Pierre Pincemaille (Professor of Counterpoint, 1956–2018) * Henri Reber Professor of Harmony, 1851–1862; Professor of Composition, 1862–1871) * Paul Rougnon (Professor of music theory, 1873–1921) Conducting and ensemble directors * Jean-Sébastien Béreau (Professor of Orchestra C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conservatoire De Paris
The Conservatoire de Paris (), also known as the Paris Conservatory, is a college of music and dance founded in 1795. Officially known as the Conservatoire National Supérieur de Musique et de Danse de Paris (CNSMDP), it is situated in the avenue Jean Jaurès in the 19th arrondissement of Paris, France. The Conservatoire offers instruction in music and dance, drawing on the traditions of the 'French School'. Formerly the conservatory also included drama, but in 1946 that division was moved into a separate school, the Conservatoire National Supérieur d'Art Dramatique (CNSAD), for acting, theatre and drama. Today the conservatories operate under the auspices of the Ministry of Culture and Communication and are associate members of PSL University. The CNSMDP is also associated with the Conservatoire National Supérieur de Musique et de Danse de Lyon (CNSMDL). History École Royale de Chant On 3 December 1783 Papillon de la Ferté, ''intendant'' of the Menus-Plaisirs du Roi, pro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Monde
''Le Monde'' (; ) is a French daily afternoon newspaper. It is the main publication of Le Monde Group and reported an average circulation of 323,039 copies per issue in 2009, about 40,000 of which were sold abroad. It has had its own website since 19 December 1995, and is often the only French newspaper easily obtainable in non-French-speaking countries. It is considered one of the French newspapers of record, along with '' Libération'', and ''Le Figaro''. It should not be confused with the monthly publication '' Le Monde diplomatique'', of which ''Le Monde'' has 51% ownership, but which is editorially independent. A Reuters Institute poll in 2021 in France found that "''Le Monde'' is the most trusted national newspaper". ''Le Monde'' was founded by Hubert Beuve-Méry at the request of Charles de Gaulle (as Chairman of the Provisional Government of the French Republic) on 19 December 1944, shortly after the Liberation of Paris, and published continuously since its first edit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marcel Dupré
Marcel Jean-Jules Dupré () (3 May 1886 – 30 May 1971) was a French organist, composer, and pedagogue. Biography Born in Rouen into a wealthy musical family, Marcel Dupré was a child prodigy. His father Aimable Albert Dupré was titular organist of Saint-Ouen Abbey from 1911 til his death and a friend of Aristide Cavaillé-Coll, who built an organ in the family house when Marcel was 10 years old. His mother Marie-Alice Dupré-Chauvière was a cellist who also gave music lessons, and his paternal uncle Henri Auguste Dupré was a violinist and violist. Both of his grandfathers, Étienne-Pierre Chauvière (maître de chapelle at Saint-Patrice in Rouen and an operatic bass) and Aimable Auguste-Pompée Dupré (who was also a friend of Cavaillé-Coll) were also organists. Having already taken lessons from Alexandre Guilmant (due to him appealing to his father), he entered the Paris Conservatoire in 1904, where he studied with Louis Diémer and Lazare Lévy (piano), Guilmant an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucette Descaves
Lucette Descaves (1 April 1906 – 15 April 1993) was a French pianist and teacher, whose pupils included Jean-Yves Thibaudet, Geneviève Joy, Brigitte Engerer, Pascal Rogé, and Katia and Marielle Labèque. Biography Born in Paris, daughter of the police commissioner Eugène Descaves (brother of the writer Lucien Descaves) and goddaughter of Camille Saint-Saëns, Lucette Descaves studied piano, encouraged by her mother. She entered the Paris Conservatoire while Gabriel Fauré was the director, in the class of Marguerite Long. Having won first prize for piano in 1923, she was herself put in charge of Long's preparatory class (during the Second World War, she taught the young student Michel Legrand, who in 1988 asked her to appear in his autobiographical film ''Cinq Jours en Juin''). Subsequently, she became Yves Nat's teaching assistant. Lucette Descaves was regarded by Marguerite Long as her spiritual heir. In 1941, Descaves was made a piano professor at the Conservatoire. A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michel Chapuis (organist)
Michel Léon Chapuis () (15 January 1930 – 12 November 2017) was a French classical organist and pedagogue. He was especially known as an interpreter of the French and the German Baroque masters and dedicated to historically informed performances. Biography Chapuis was born in Dole, Jura, and had his early training there, on the organ of the Cathedral of Dole. In 1943, he studied the piano with Émile Poillot in Dijon. In 1945 came his first serious study of the organ with Jeanne Marguillard, organist of the Besançon Cathedral. He then studied at the École César Franck in Paris under René Mahlherbe (composition) and Édouard Souberbielle (organ). He had further studies with Marcel Dupré at the Conservatoire de Paris and won prizes in organ and improvisation in 1951 (the Prix Périlhou et Guilmant). Chapuis was organist for the Paris churches of St Germain l'Auxerrois 1951-54 and St Nicolas des Champs 1954-72, accompanied at Notre Dame 1955-64, and was titular organi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François Benoist
François Benoist (10 September 1794 – 6 May 1878) was a French organist, composer, and pedagogue. Benoist was born in Nantes. He took his first music lessons under Georges Scheuermann. Benoist studied music at the Conservatoire de Paris and won the Prix de Rome in 1815 for his cantata ''Œnone''. In 1819, he became organist (''organiste du roi'') and professor of organ at the Conservatoire; he held the latter post for half a century. His students included César Franck, Camille Saint-Saëns, Charles Lecocq, Georges Bizet, Louis Lefébure-Wely, Léo Delibes, and Adolphe Adam. As composer, he was comparatively unimportant, but he wrote two operas, four ballets, one Requiem Mass, and numerous works for organ. He died in Paris. Selected compositions * ''Léonore et Félix'', opéra-comique, 1821 * ''Chœur d'adieu'', 1836 * ''La Gipsy'', ballet, 1839 * '' Le Diable amoureux'', ballet, 1840 * ''Bibliothèque de l'organiste'', 12 volumes, 1841–1861 * ''Messe de Requiem pou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ambroise Thomas
Charles Louis Ambroise Thomas (; 5 August 1811 – 12 February 1896) was a French composer and teacher, best known for his operas ''Mignon'' (1866) and ''Hamlet'' (1868). Born into a musical family, Thomas was a student at the Conservatoire de Paris, winning France's top music prize, the Prix de Rome. He pursued a career as a composer of operas, completing his first opera, ''La double échelle'', in 1837. He wrote twenty further operas over the next decades, mostly comic, but he also treated more serious subjects, finding considerable success with audiences in France and abroad. Thomas was appointed as a professor at the Conservatoire in 1856, and in 1871 he succeeded Daniel Auber as director. Between then and his death at his home in Paris twenty-five years later, he modernised the Conservatoire's organisation while imposing a rigidly conservative curriculum, hostile to modern music, and attempting to prevent composers such as César Franck and Gabriel Fauré from influencing t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francisco Salvador-Daniel
Francisco Salvador-Daniel (Bourges 17 February 1831 - Paris 24 May 1871) was a French composer and ethnomusicologist of Spanish origin.Arlette Millard, ''Félicien David et l'aventure saint-simonienne en Orient'', Paris, les Presses franciliennes, 2005, p93 Biography His father was a Spanish musician of Jewish origin who came to France as a refugee. After studies at the Paris Conservatory of Music, Francisco Salvador-Daniel became a violin teacher at Algiers in 1853. He transcribed and translated songs from North Africa, and adapted them for western instruments. After his return to Paris, he was music critic for ''La Lanterne'', the satirical magazine of Henri Rochefort. During the Commune of Paris The Paris Commune (french: Commune de Paris, ) was a revolutionary government that seized power in Paris, the capital of France, from 18 March to 28 May 1871. During the Franco-Prussian War of 1870–71, the French National Guard had defended ..., he became director of the Conser ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gabriel Fauré
Gabriel Urbain Fauré (; 12 May 1845 – 4 November 1924) was a French composer, organist, pianist and teacher. He was one of the foremost French composers of his generation, and his musical style influenced many 20th-century composers. Among his best-known works are his ''Pavane (Fauré), Pavane'', Requiem (Fauré), Requiem, ''Sicilienne (Fauré), Sicilienne'', Fauré Nocturnes, nocturnes for piano and the songs Trois mélodies, Op. 7 (Fauré), "Après un rêve" and Clair de lune (Fauré), "Clair de lune". Although his best-known and most accessible compositions are generally his earlier ones, Fauré composed many of his most highly regarded works in his later years, in a more harmony, harmonically and melody, melodically complex style. Fauré was born into a cultured but not especially musical family. His talent became clear when he was a young boy. At the age of nine, he was sent to the École Niedermeyer de Paris, Ecole Niedermeyer music college in Paris, where he w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théodore Dubois
Clément François Théodore Dubois (24 August 1837 – 11 June 1924) was a French Romantic composer, organist, and music teacher. After study at the Paris Conservatoire, Dubois won France's premier musical prize, the Prix de Rome in 1861. He became an organist and choirmaster at several well-known churches in Paris, and at the same time was a professor in the Conservatoire, teaching harmony from 1871 to 1891 and composition from 1891 to 1896, when he succeeded Ambroise Thomas as the Conservatoire's director. He continued his predecessor's strictly conservative curriculum and was forced to retire early after a scandal erupted over the faculty's attempt to rig the Prix de Rome competition to prevent the modernist Maurice Ravel from winning. As a composer, Dubois was seen as capable and tasteful, but not strikingly original or inspired. He hoped for a career as an opera composer, but became better known for his church compositions. His books on music theory were influential, and rem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luigi Cherubini
Luigi Cherubini ( ; ; 8 or 14 SeptemberWillis, in Sadie (Ed.), p. 833 1760 – 15 March 1842) was an Italian Classical and Romantic composer. His most significant compositions are operas and sacred music. Beethoven regarded Cherubini as the greatest of his contemporaries. His operas were heavily praised and interpreted by Rossini. Early years Cherubini was born Maria Luigi Carlo Zenobio Salvatore Cherubini in Florence in 1760. There is uncertainty about his exact date of birth. Although 14 September is sometimes stated, evidence from baptismal records and Cherubini himself suggests the 8th is correct. Perhaps the strongest evidence is his first name, Maria, which is traditional for a child born on 8 September, the feast-day of the Nativity of the Virgin. His instruction in music began at the age of six with his father, Bartolomeo, '' maestro al cembalo'' ("Master of the harpsichord", in other words, ensemble leader from the harpsichord). Considered a child prodigy, Cherubini st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chamber Music
Chamber music is a form of classical music that is composed for a small group of instruments—traditionally a group that could fit in a palace chamber or a large room. Most broadly, it includes any art music that is performed by a small number of performers, with one performer to a part (in contrast to orchestral music, in which each string part is played by a number of performers). However, by convention, it usually does not include solo instrument performances. Because of its intimate nature, chamber music has been described as "the music of friends". For more than 100 years, chamber music was played primarily by amateur musicians in their homes, and even today, when chamber music performance has migrated from the home to the concert hall, many musicians, amateur and professional, still play chamber music for their own pleasure. Playing chamber music requires special skills, both musical and social, that differ from the skills required for playing solo or symphonic works. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
