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List Of Dance Styles
This is a list of dance categories, different types, styles, or genres of dance. For older and more region-oriented vernacular dance styles, see List of ethnic, regional, and folk dances by origin.'' African and American *Bolojo *Cakewalk *Patting juba * Stepping * Stick dance *Tap dancing *Kizomba *Kompa *Jazz dance *Moonwalk Ceremonial dance * Haka * Kagura * Ritual dances of China * Sacred dance * Cham dance *Drametse Ngacham *Prophetic dance *Rejang dance *Sanghyang *Sufi whirling *Worship dance Disco / Electronic dance * Boogaloo and Electric boogaloo (Electric boogie) * Bump * Cutting shapes * Waacking * Free step * Hustle * Jumpstyle * Penguin * Robot * Watergate * Go-go Free and improvised dance * Contact improvisation * Dance improvisation * Ecstatic dance * Free dance * Fusion dance * Interpretive dance * Bogo lelo dance Historical dance * Ballet * Baroque dance * Medieval dance * Regency dance * Renaissance dance * Ultapulta Latin / Rhythm * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Genre
Genre () is any form or type of communication in any mode (written, spoken, digital, artistic, etc.) with socially-agreed-upon conventions developed over time. In popular usage, it normally describes a category of literature, music, or other forms of art or entertainment, whether written or spoken, audio or visual, based on some set of stylistic criteria, yet genres can be aesthetic, rhetorical, communicative, or functional. Genres form by conventions that change over time as cultures invent new genres and discontinue the use of old ones. Often, works fit into multiple genres by way of borrowing and recombining these conventions. Stand-alone texts, works, or pieces of communication may have individual styles, but genres are amalgams of these texts based on agreed-upon or socially inferred conventions. Some genres may have rigid, strictly adhered-to guidelines, while others may show great flexibility. Genre began as an absolute classification system for ancient Greek literature, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Haka
Haka (; plural ''haka'', in both Māori and English) are a variety of ceremonial performance art in Māori culture. It is often performed by a group, with vigorous movements and stamping of the feet with rhythmically shouted or chanted accompaniment. Haka are performed to welcome distinguished guests, or to acknowledge great achievements, occasions, or funerals. Haka have been traditionally performed by both men and women and for a variety of social functions within Māori culture. Kapa haka groups are common in schools. The main Māori performing arts competition, Te Matatini, takes place every two years. New Zealand sports teams' practice of performing a haka before their international matches has made haka more widely known around the world. This tradition began with the 1888–89 New Zealand Native football team tour and has been carried on by the New Zealand rugby union team (known as the All Blacks) since 1905. Although popularly associated with the traditional battl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electric Boogaloo (dance)
Electric boogaloo (sometimes referred to as electric boogie on the East Coast) is a dance style closely related to the earlier Boogaloo street dance performed in Oakland and popping; it combines modern popping techniques and earlier boogaloo forms. It became the signature style of the mid-1970s dance group, the Electric Boogaloos and also performed by the bush. Along with electric boogaloo, they also popularized popping and many of its related styles. It is characterized as a fluid leg-oriented style danced to funk music, utilizing rolls of the hips, knees, legs, and head, which was later combined with popping. Dance steps ;Creepin : A foundational step of Boogaloo done in Oakland inspired by cartoons Goofy, typically done as an entry and exit step with arms out, legs extended. Sometimes the Creep can be combined with a physical pointing hand gesture to challenge an opponent. ;Crazy legs :A footwalk that was created by Poppin Pete. He invented "Crazy Legs" by watching a boy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boogaloo (funk Dance)
Boogaloo is a freestyle, improvisational street dance movement of soulful steps and robotic movements which make up the foundations of popping dance and turfing; boogaloo can incorporate illusions, restriction of muscles, stops, robot and/or wiggling. The style also incorporates foundational popping techniques, which were initially referred to as "Posing Hard".Fuhrer, M. (2014) American Dance: The Complete Illustrated History. Voyaguer Press It is related to the later electric boogaloo dance.Guzman-Sanchez, T. (2012) "Oakland Funk Boogaloo to Popping". Underground Dance Masters: Final History of a Forgotten Era. Social dance Chicago Record Hops The Boogaloo was initially a social dance within the African American community in Chicago that had crossover appeal to white teenagers. Between 1965 and 1966, it was described as "a total new look compared to previous (social) dances...the entire body moved in a pulsating motion from side to side. The rhythmic impulse seemed to have ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Disco Dance
Disco is a genre of dance music and a subculture that emerged in the 1970s from the United States' urban nightlife scene. Its sound is typified by four-on-the-floor beats, syncopated basslines, string sections, brass and horns, electric piano, synthesizers, and electric rhythm guitars. Disco started as a mixture of music from venues popular with Italian Americans, Hispanic and Latino Americans and Black Americans "'Broadly speaking, the typical New York discothèque DJ is young (between 18 and 30) and Italian,' journalist Vince Lettie declared in 1975. ..Remarkably, almost all of the important early DJs were of Italian extraction .. Italian Americans have played a significant role in America's dance music culture .. While Italian Americans mostly from Brooklyn largely created disco from scratch .." in Philadelphia and New York City during the late 1960s and early 1970s. Disco can be seen as a reaction by the 1960s counterculture to both the dominance of rock music and the st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Worship Dance
Worship dance or liturgical dance take on several forms of sacred dance in Christianity and Messianic Judaism, and is usually incorporated into liturgies or worship services. Some liturgical dance was common in ancient times or non-Western settings, with precedents in Judaism beginning with accounts of dancing in the Old Testament. An example is the episode when King David danced before the Ark of the Covenant (), but this instance is often considered to be outside of Jewish norms and Rabbinic rituals prescribed at the time. Dance has historically been controversial within Christianity. Many records exist of prohibitions by leaders of most branches of the Christian Church, for such reasons as the association of dance with paganism, the use of dance for sexual purposes, and a Greek-influenced belief in the separation of soul and body. Beginning in the second half of the 20th century, and especially following the Second Vatican Council, there was a significant growth in the use of d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sufi Whirling
Sufi whirling (or Sufi turning) ( tr, Semazen borrowed from Persian Sama-zan, Sama, meaning ''listening'', from Arabic, and zan, meaning doer, from Persian) is a form of physically active meditation which originated among certain Sufi groups, and which is still practiced by the Sufi Dervishes of the Mevlevi order and other orders such as the Rifa'i-Marufi. It is a customary meditation practice performed within the sema, or worship ceremony, through which dervishes (also called ''semazens'', from Persian ) aim to reach the source of all perfection, or dharma. This is sought through abandoning one's nafs, ego or personal desires, by listening to the music, focusing on God, and spinning one's body in repetitive circles, which has been seen as a symbolic imitation of planets in the Solar System orbiting the sun. The Mevlevi practice gave rise to an Egyptian form, ''tanoura'', distinguished by the use of a multicolored skirt. This has also developed into a performance dance by non-S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanghyang
( ban, ᬲᬂᬳ᭄ᬬᬂ) is a traditional sacred Balinese dance originated from the Indonesian island of Bali, it is based on the premise that an unseen force enters the body of an entranced performer. The force, identified as ''hyang'', is an important type of spiritual entity in ancient Indonesian mythology. The ''sanghyang'' dances are considered sacred ritual dances and are performed exclusively at Balinese religious ceremonies. Variants ''Sanghyang bojog'' The dancer is a man dressed like a monkey (''bojog'') and accompanied by a chorus of chanting ''sanghyang''. Before it begins, the dancer goes through the phases of summoning ape spirits. After conceding, the dancer will jump into a tree and mimic the behavior of an ape. This dance is only found in Bugbug, Karangasem. ''Sanghyang celeng'' This is a ''sanghyang'' dance variant only found in Duda, Karangasem, danced by a man wearing palm fiber clothing. The dancer mimics the movements of a pig. ''Sanghyang ded ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rejang Dance
''Rejang'' dance ( ban, ᬋᬚᬂ) is a sacred Balinese dance, a sacrificial dance in which the girls offer themselves to the gods. It is usually held at the Hindu temple's of Klungkung Regency and Karangasem Regency in Bali, Indonesia. “Rejang” means “offering”, a dance to greet the gods that come down to the Earth. This dance is part of the sacred offering ceremonies, which all happen around about the same time on Bali's ceremonial calendar. The main occasion is arranged as a three-day ceremony at the village hall of Bale Agung. The dancers required no prior training, in a believe that the spirit of ngayah would guide them to perform the dance movements harmoniously. Girls as young as two or three can be included in the procession. The dance is also known as ''ngeremas'', ''Simi'' or ''sutri''. See also *Pendet * Joged * Janger *Balinese dance Balinese dance ( id, Tarian Bali; ban, ᬇᬕᬾᬮᬦ᭄ᬩᬮᬶ) is an ancient dance tradition that is part ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prophetic Dance
Prophetic dance is a ritual dance in which the purpose is to obtain a communication from or to God (gods) spirits in order to receive a favorable response (rain and good harvests, for example). Is also present in a section of the modern charismatic movement of Christianity, in which the term is fixed. See also * Sacred dance * Worship dance Worship dance or liturgical dance take on several forms of sacred dance in Christianity and Messianic Judaism, and is usually incorporated into liturgies or worship services. Some liturgical dance was common in ancient times or non-Western settin ... References Ritual dances Sacred dance {{dance-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drametse Ngacham
The Drametse Ngacham (meaning "mask dance of the drums from Drametse", ''nga'' means "drum" and ''cham'' means "mask dance") is a sacred dance performed in the village of Drametse in eastern Bhutan. It is performed twice a year during the Drametse festival, which occurs on the fifth and tenth months of the Bhutanese calendar. The festival is organized by the Ogyen Tegchok Namdroel Choeling Monastery to honor Padmasambhava, an 8th-century Buddhist master. A performance of the dance features sixteen masked male dancers and ten musicians. The dancers wear monastic robes and wooden masks with features of animals, both real and mythical. The musicians play "cymbals, trumpets and drums, including the ''bang nga'', a large cylindrical drum, the ''lag nga'', a small hand-held circular flat drum, and the ''nga chen'', a drum beaten with a bent drumstick." They first perform a prayer dance in the ''soeldep cham'', the main shrine, before appearing one by one in the courtyard of the monastery. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
