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List Of Compositions By Michael Haydn
This article is a list of the musical compositions of Michael Haydn sorted by genre, and then chronologically when year of composition is indicated, otherwise alphabetically. The numbering in parentheses starting with the capital letter P refers to Perger catalogue. The MH numbers refer to the Sherman & Thomas catalog of 1993. Instrumental music Symphonies All of Michael Haydn's symphonies have at least 2 oboes, 2 bassoons, 2 horns and strings (first and second violins, violas and basses, but no cellos). Some symphonies add more instruments, such as trumpets and timpani in some of the C major symphonies. They are usually either in three or four movements. Continuo is explicitly called for only in the earlier works, and the modern editions usually follow the old practice of putting the bassoons, basses and the left hand of the continuo on a single staff below the violas' staff. Many of Michael Haydn's symphonies were at first attributed to Joseph Haydn. Only one of them was fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Haydn Litho
Michael may refer to: People * Michael (given name), a given name * Michael (surname), including a list of people with the surname Michael Given name "Michael" * Michael (archangel), ''first'' of God's archangels in the Jewish, Christian and Islamic religions * Michael (bishop elect), English 13th-century Bishop of Hereford elect * Michael (Khoroshy) (1885–1977), cleric of the Ukrainian Orthodox Church of Canada * Michael Donnellan (1915–1985), Irish-born London fashion designer, often referred to simply as "Michael" * Michael (footballer, born 1982), Brazilian footballer * Michael (footballer, born 1983), Brazilian footballer * Michael (footballer, born 1993), Brazilian footballer * Michael (footballer, born February 1996), Brazilian footballer * Michael (footballer, born March 1996), Brazilian footballer * Michael (footballer, born 1999), Brazilian footballer Rulers =Byzantine emperors= *Michael I Rangabe (d. 844), married the daughter of Emperor Nikephoros I *Mich ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphony No
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Beethoven's Ninth Symphony). Etymology and origins The word ''symphony'' is derived from the Greek word (), meaning "agreement or concord of sound", "concert of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Requiem Survey (website)
''Requiem Survey'', a website established in 2003 by Reformed Christian rector, literary scholar and author Kees van der Vloed (born 9 June 1960 in the Netherlands), endeavors to categorize all composers and works relating to the Mass for the dead. As of 2019 the repository includes 3,294 composers and 5,266 works. The specialized encyclopedia also lists Vloed's personal music library, which is "focused on work directly related to the Latin text and its implementation excluding evocative work, but as promiscuous as Henze’s ''Requiem'' (a cycle of nine sacred concerts), Hindemith (on texts by Whitman) and Weinberg (on texts by various poets, e.g., Lorca and Fukagawa)."RC"Messe da Requiem e oltre / Requiem masses and beyond" ''Classica Senza Frontiere'', April 28, 2013. The alphabetical survey itself recognizes classical, vocal requiems and their composers, including fragments and unfinished works in the original Latin text as well as in other languages (e.g., German requie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georg Von Pasterwitz
__NOTOC__ Georg Robert von Pasterwitz (7 June 1730 – 26 January 1803) was an Austrian composer and teacher. He was born in Bierhütten, near Passau. First educated at Niederaltaich, he entered the Benedictine monastery in Kremsmünster in 1749. He then enrolled at the University of Salzburg, studying theology, law and mathematics. It was during this time that he met Johann Ernst Eberlin, who became his music teacher. Pasterwitz completed his studies in 1759 and soon started teaching philosophy at the monastery's Ritterakademie, eventually rising to teach courses in mathematics, physics, economics, and political science; since about 1755 he was also active as composer, producing stage works for the monastery almost every year. Between 1767 and 1783 Pasterwitz served as the monastery's choir director. Due to reforms started by Joseph II, he had to give up some of his duties and became instead the monastery's treasurer and eventually official representative, when it was threate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Offertory
The offertory (from Medieval Latin ''offertorium'' and Late Latin ''offerre'') is the part of a Eucharistic service when the bread and wine for use in the service are ceremonially placed on the altar. A collection of alms (offerings) from the congregation, which may take place also at non-Eucharistic services, often coincides with this ceremony. The Eucharistic theology may vary among those Christian denominations that have a liturgical offertory. In the Roman Rite, the term "Preparation of the Gifts" is used in addition to the term "Offertory" (both capitalized) or, rather, the term "Preparation of the Gifts" is used for the action of the priest, while the term "Offertory" is used for the section of the Mass at which this action is performed in particular when speaking of the accompanying chant. In Baptist churches, the offertory refers to the part of the service of worship in which collection plates or baskets are distributed by ushers, with the tithes and offerings subse ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Missa Tempore Quadragesimae (Michael Haydn)
The (Mass for the time of Lent), Klafsky 1:19, , is a mass without a Gloria by Michael Haydn. The work in was written in 1794 in Salzburg, scored for a four-part choir and organ. It is suitable also for Advent. History Michael Haydn composed the mass as a director of music in Salzburg under archbishop Colloredo. According to a recording's notes, the "Missa is perfectly in accord with the then current ideals for reform in the Catholic Church: functional, short, simple, modest and linked to the Gregorian tradition." Scoring and structure The autograph is titled: "" (Mass for Lent for four voices, with organ by Giov. Michele Haydn). In the following table of the movements, the markings, keys and time signatures are taken from the choral score of the Carus edition, using the symbol for alla breve (2/2). Publication The mass was first published around 1820, possibly 1827, in Augsburg by Anton Böhme, titled ''Missa in tempore Adventus et Quadragesimae'' and supplemented ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Missa In Honorem Sanctae Ursulae
Michael Haydn completed the Missa in honorem Sanctae Ursulae, Klafsky-Verzeichnis, Klafsky 1:18, MH 546, on August 5, 1793, probably for use at the ceremony in which Ursula Oswald, the daughter of a friend, professed her religious vows at the Benedictine Abbey of Frauenwörth Chiemsee (as Saint Ursula was her name day saint). Because of that fact, the Mass is sometimes known as the Chiemsee Mass.Sherman (1980), p. viii The score calls for a quartet of vocal soloists, mixed choir, 2 bassoons, 2 trumpets in C, timpani, and strings with an organ to play basso continuo. Additionally, Haydn would have expected three trombones to double "the lower voices in choral tuttis," a second organ to play continuo during choral tuttis, as described by Leopold Mozart.Sherman (1980), p. ix # "Kyrie" Un poco Adagio, C major, common time # "Gloria" Allegro, C major, 3/4 # "Credo" Allegro, C major, common time #:—"Et incarnatus est..." Adagio, A minor, 3/4 #:—"Et resurrexit..." Vivace assai # "San ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Missa Hispanica
Austrian composer, Michael Haydn's Missa Hispanica or Missa a due cori, Klafsky I:17, MH 422, was presumably written for Spain, but there is no evidence of its ever having been performed there during Haydn's lifetime. The mass is scored for 2 oboes, 2 bassoons, 2 horns in low C, F and G, 2 trumpets in C, timpani, strings, basso continuo, SATB soloists, and two mixed choirs. The mass setting is divided into the usual six movements: # "Kyrie" Largo, C major, common time #:—"Kyrie eleison" Allegro, 3/4 # "Gloria" Allegro con spirito, C major, common time #:—"Qui tollis peccata mundi..." Adagio, F major, 3/4 #:—"Quoniam tu solus sanctus..." Vivace, C major, common time # "Credo" Vivace, C major, 3/4 #:—"Et incarnatus est..." Adagio molto, G major, 2/4 #:—"Et resurrexit..." Allegro spiritoso, C major, 3/4 # "Sanctus" Andante con moto, C major, common time # "Benedictus" Allegro moderato, C major, 3/4 #:—"Osanna..." Allegro, C major, common time # "Agnus Dei" Largo, C m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deutsches Hochamt (Michael Haydn)
(German High Mass) is the title common to several mass compositions by Michael Haydn, setting the mass ordinary in German by Franz Seraph von Kohlbrenner. Three of the works require trained singers and orchestra, while a fourth is kept simple to be sung by the congregation, as a Deutsche Singmesse (''Betsingmesse''). His best-known German High Mass is catalogued as MH 560. Haydn's masses in German are also known by the incipit of the first of ten songs, "Hier liegt vor deiner Majestät". History Johann Michael Haydn set several times a German text published in Landshut in 1777 in the hymnal ''Landshuter Gesangbuch'' by Franz Seraph von Kohlbrenner. The full title of the hymnal is ''Der heilige Gesang zum Gottesdienste in der römisch-katholischen Kirche'' (The holy singing for the divine service in the Roman Catholic Church). It promoted liturgical singing in German. Haydn's masses are also known by the incipit of the first of ten songs, "Hier liegt vor deiner Majestät" (Here l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iste Confessor
Iste confessor is a Latin hymn used in the Divine Office at Lauds and Vespers on feasts of confessors. It exists in two forms. ''Iste confessor Domini sacratus'' is the original 8th Century hymn and ''Iste confessor Domini colentes'' is a 1632 edition, published by Pope Urban VIII with improved Latin style. The hymn is written in Sapphic and Adonic meter. History The earliest versions of the hymn can be found in 8th century manuscripts for the feast of St Martin of Tours (d.397) and this is reflected in the third verse which originally referred to the shrine of St Martin which was an extremely popular pilgrimage site for the sick. Although St Martin was a bishop and confessor, the hymn was gradually extended and came to be used for all confessors, including non-bishops in the Roman Breviary and other Latin liturgical rites. In the reforms following the Second Vatican Council, the 1974 Liturgy of the Hours has attempted to restore the hymn for primary use with bishop confessors, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gradual
The gradual ( la, graduale or ) is a chant or hymn in the Mass, the liturgical celebration of the Eucharist in the Catholic Church, and among some other Christians. It gets its name from the Latin (meaning "step") because it was once chanted on the step of the ambo or altar. In the Tridentine Mass, it is sung after the reading or chanting of the epistle and before the Alleluia, or, during penitential seasons, before the tract. In the Mass of Paul VI, the gradual is usually replaced with the responsorial psalm. Although the Gradual remains an option in the Mass of Paul VI, its use is extremely rare outside monasteries. The gradual is part of the proper of the Mass. A gradual can also refer to a book collecting all the musical items of the Mass. The official such book for the Roman Rite is the Roman Gradual (). Other such books include the Dominican Gradual. History The Gradual, like the Alleluia and Tract, is one of the responsorial chants of the Mass. Responsorial chants de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antiphon
An antiphon (Greek ἀντίφωνον, ἀντί "opposite" and φωνή "voice") is a short chant in Christian ritual, sung as a refrain. The texts of antiphons are the Psalms. Their form was favored by St Ambrose and they feature prominently in Ambrosian chant, but they are used widely in Gregorian chant as well. They may be used during Mass, for the Introit, the Offertory or the Communion. They may also be used in the Liturgy of the Hours, typically for Lauds or Vespers. They should not be confused with Marian antiphons or processional antiphons. When a chant consists of alternating verses (usually sung by a cantor) and responds (usually sung by the congregation), a refrain is needed. The looser term antiphony is generally used for any call and response style of singing, such as the kirtan or the sea shanty and other work songs, and songs and worship in African and African-American culture. Antiphonal music is that performed by two choirs in interaction, often singing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
