List Of Compositions By Joseph Haydn
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List Of Compositions By Joseph Haydn
Joseph Haydn was a prolific composer of the classical period. He is regarded as the "father of the symphony" and the "father of the string quartet" for his more than 100 symphonies and almost 70 string quartets. Haydn also produced numerous operas, masses, concertos, piano sonatas and other compositions. Haydn's works were catalogued by Anthony van Hoboken in his Hoboken catalogue. Unlike most other catalogues which sort works chronologically, the Hoboken catalogue sorts by musical genre. Symphonies Overtures Divertimentos in 4 and more Parts String Quartets Unlike the majority of Haydn's compositions which are known by their Hoboken numbers, his string quartets are best known by their opus number. Divertimentos in 3 Parts String Trios Various Duos Concertos for various instruments Marches Dances Works for various instruments with Baryton Trios for Baryton, Violin or Viola and Cello Duos with Baryton Concertos for Baryton Divertimentos with ke ...
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Franz Joseph Haydn 1732-1809 By John Hoppner 1791
Franz may refer to: People * Franz (given name) * Franz (surname) Places * Franz (crater), a lunar crater * Franz, Ontario, a railway junction and unorganized town in Canada * Franz Lake, in the state of Washington, United States – see Franz Lake National Wildlife Refuge Businesses * Franz Deuticke, a scientific publishing company based in Vienna, Austria * Franz Family Bakeries, a food processing company in Portland, Oregon * Franz-porcelains, a Taiwanese brand of pottery based in San Francisco Other uses * ''Franz'' (film), a 1971 Belgian film * Franz Lisp, a dialect of the Lisp programming language See also * Frantz (other) * Franzen (other) * Frantzen (other) Frantzen or Frantzén is a surname. It may refer to: * Allen Frantzen (born 1947/48), American medievalist * Björn Frantzén (born 1977), Swedish chef and owner of the Frantzén restaurant * Jean-Pierre Frantzen (1890–1957), Luxembourgian gym ...
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Sinfonia Concertante (Haydn)
The Sinfonia Concertante in B flat major (Hob. I/105), by Joseph Haydn was composed in London between February and March 1792. The work is a sinfonia concertante with four instruments in the solo group: violin, cello, oboe and bassoon. It is believed to be a response to similar works composed by Ignaz Pleyel, a former student of Haydn's who London newspapers were promoting as a 'rival' to Haydn. In addition to the solo group the Sinfonia Concertante is scored for flute, 2 oboes, 2 bassoons, 2 horns, 2 trumpets, timpani and strings. Background The composition was written during the first of the composer's two visits to London. It is believed that Johann Peter Salomon asked Haydn to compose the work because of the success of similar works written by Pleyel and performed in a rival concert series. Manuscript evidence indicates that the work was written in some haste and Haydn is known to have complained of eyestrain while working on it. The first performance was given on 9 March 1 ...
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Il Mondo Della Luna
' (''The World on the Moon''), Hoboken-Verzeichnis, Hob. XXVIII:7, is an opera buffa by Joseph Haydn with a libretto written by Carlo Goldoni in 1750, first performed at Eszterháza, Hungary, on 3 August 1777. Goldoni's libretto had previously been set by six other composers, Il mondo della luna (Galuppi), first by the composer Baldassare Galuppi and performed in Venice in the Carnival of Venice, carnival of 1750. It was then adapted for Haydn's version of the opera, which would be performed during the wedding celebrations of Count Nikolaus Esterházy, the younger son of Haydn's patron, Prince Nikolaus Esterházy, and the Countess Maria Anna Wissenwolf. It is sometimes performed as a singspiel under its German title '. Roles The roles of Ecclitico and Lisetta were written for Guglielmo Jermoli and his wife Maria Jermoli, but they left Eszterháza shortly before the premiere. The opera is scored for two oboes, two bassoons, two French horn, horns, two trumpets, timpani, string s ...
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La Fedeltà Premiata
' (''Fidelity Rewarded''), Hob. XXVIII/10, is an opera in three acts by Joseph Haydn first performed at the Eszterháza palace in Fertőd, Hungary, on 25 February 1781 to celebrate the reopening of the court theatre after a fire. The opera was revised for a new version first performed in 1782. Composition and performance history The main opera house adjoining the palace at Eszterháza had been destroyed by fire in November 1779; ''La fedeltà premiata'', composed in 1780, inaugurated the new state-of-the-art theatre in the grounds which opened after major delays 15 months later. The opera was written during the most prolific period of Haydn's operatic composition between 1773 and 1783 when he composed eight Italian operas. The libretto was adapted by Haydn and an anonymous colleague from Giambattista Lorenzi's ''L'infedeltà fedele'', which had been set by Cimarosa in 1779. Haydn had access to Cimarosa's score, Rice J. A., ''La fedeltà premiata'' in ''Haydn (Oxford Composer ...
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Lo Speziale
''Lo speziale'' (''The Apothecary''), Hob. 28/3, is a three-act opera buffa by Joseph Haydn, with a libretto by Carlo Goldoni. A love triangle between the poor apprentice Mengone, the rich and assured dandy Volpino, and the local apothecary's ward, Grilletta, ''Lo speziale'' is a comedy of great warmth and ebullience. ''Lo speziale'' prefigures Mozart. It opens with an aria complaining about an apprentice apothecary's job, much like Leporello's opening aria in '' Don Giovanni''. The trouser role of Volpino reminds one of Cherubino in ''Le nozze di Figaro'' and the young lovers' use of disguises will call '' Così fan tutte'' to mind. The opera is scored for two flutes, two oboes, bassoon, two horns, strings, continuo. Performance history It was composed and first performed to popular and critical acclaim at Eszterháza Eszterháza is a palace in Fertőd, Hungary, built by Prince Nikolaus Esterházy. Sometimes called the "Hungarian Versailles", it is Hungary's grandest Ro ...
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Malapropism
A malapropism (also called a malaprop, acyrologia, or Dogberryism) is the mistaken use of an incorrect word in place of a word with a similar sound, resulting in a nonsensical, sometimes humorous utterance. An example is the statement attributed to baseball player Yogi Berra, regarding switchhitters, "He hits from both sides of the plate. He's amphibious." Malapropisms often occur as errors in natural speech and are sometimes the subject of media attention, especially when made by politicians or other prominent individuals. Philosopher Donald Davidson has said that malapropisms show the complex process through which the brain translates thoughts into language. Humorous malapropisms are the type that attract the most attention and commentary, but bland malapropisms are common in speech and writing. Etymology The word "malapropism" (and its earlier form, "malaprop") comes from a character named "Mrs. Malaprop" in Richard Brinsley Sheridan's 1775 play ''The Rivals''. Mrs. Malapro ...
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L'incontro Improvviso
''L’incontro improvviso'' (The unexpected encounter) (Hob. XXVIII:6) is an opera in three acts by Joseph Haydn first performed at Eszterháza on 29 August 1775 to mark the four-day visit of Archduke Ferdinand, Habsburg governor of Milan and his consort Maria Beatrice d'Este. The opera is designated a ''dramma giocoso'' (a comic opera) and is an example of the then Austrian fascination with Turkish subjects. Composition and Performance History The libretto by Carl Friberth was adapted and translated from a French opéra comique by L. H. Dancourt, already set by Gluck in 1764 as the ''La rencontre imprévue''. In keeping with Italian practice, Friberth constructed longer buffo finale texts at the end of Acts I and II. It is not known if any further performances followed the Eszterháza production, although a German translation was made for Bratislava. Danish musicologist Jens Peter Larsen discovered the autograph score in Leningrad in 1954, and the opera was subsequently broad ...
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L'anima Del Filosofo
''L'anima del filosofo, ossia Orfeo ed Euridice'' (''The Soul of the Philosopher, or Orpheus and Euridice''), Hob. 28/13, is an opera in Italian in four acts by Joseph Haydn, the last he wrote. The libretto, by Carlo Francesco Badini, is based on the myth of Orpheus and Euridice as told in Ovid's ''Metamorphoses''. Composed in 1791, the opera was never performed during Haydn's lifetime. Background After his patron Prince Nikolaus Esterházy had died in 1790, Haydn travelled to London where he received a commission to write several symphonies. The impresario John Gallini offered him a contract to write an opera for The King's Theatre but due to a dispute between King George III and the Prince of Wales he was refused permission to stage it in May 1791. There are some uncertainties about why the opera was banned at the time. The score was nearly completed but was not published in its complete form before the 20th century. It was partially published by Breitkopf & Härtel in c ...
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Il Ritorno Di Tobia
' (''The Return of Tobias'') is an oratorio in two parts composed in 1775 by Joseph Haydn ( Hob. XXI:1). The work is the first oratorio the composer wrote and, according to Jones, was "his most extended and ambitious composition up to that time".Jones (2009:166) The Italian-language libretto of the work is by , brother of the composer Luigi Boccherini. This libretto is harshly criticized by Olleson, who notes that the author de-dramatizes vivid episodes in the source (the story of Tobit in the Apocrypha), depriving Haydn of the opportunity for highly dramatic musical utterance. The work was premiered in Vienna on 2 April 1775, under the sponsorship of the Tonkünstler-Societät, a musician's benevolent society. The musical forces were substantial: Smither writes: "characteristic of the large forces used for the Tonkünstler-Societät concerts, the orchestra, chorus, and soloists possibly numbered more than 180 performers." He adds that the premiere was "enormously successful."Sm ...
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L'infedeltà Delusa
''L'infedeltà delusa'' (''Deceit Outwitted''), Hob. 28/5, is an operatic ''burletta per musica'' in two acts by Joseph Haydn. The Italian libretto was by Marco Coltellini. Performance history The earliest recorded performance, which may have been the premiere, was at Eszterháza (in modern Hungary) on 26 July 1773. This was the name day of the Dowager Princess Estaházy and this date is given in the printed libretto. It was revived for the visit of Empress Maria Theresa on 1 September 1773, and again on 1 July 1774. University of Kent in collaboration with Kent Opera staged the opera in English at the Gulbenkian Theatre in 1978, conducted by Harry Newstone and directed by Christopher Webber. In 2014, it was performed by New Chamber Opera at New College, Oxford. Roles Synopsis The opera is set in the Tuscan countryside. Act 1 Filippo, brother and sister Nanni and Vespina, and rich farmer Nencio admire the beauty of the summer evening. Filippo is concluding a deal with Nen ...
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Adalbert Gyrowetz
Vojtěch Matyáš Jírovec (Adalbert Gyrowetz) (20 February 1763 – 19 March 1850) was a Bohemian composer. He mainly wrote instrumental works, with a great production of string quartets and symphonies; his operas and singspiele numbered more than 30, including ''Semiramide'' (1791), ''Der Augenarzt'' (1811), and ''Robert, oder Die Prüfung'' (1815). Biography Gyrowetz was born 20 February 1763 in České Budějovice (Budweis). His father was the choirmaster in the cathedral there, and Adalbert first studied with him. He then travelled to Prague, where he studied law but continued to learn music. At around this time Gyrowetz was in the employ of Count Franz von Fünfkirchen in Brno, whose employees were all musicians. Here he started composing (among other things) symphonies, of which he was eventually to write more than 60. In 1785 he moved to Vienna and met Wolfgang Amadeus Mozart, who performed one of Gyrowetz's symphonies in the same year. From 1786 to around 1793, h ...
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Johann Baptist Wanhal
Johann Baptist Wanhal (12 May 1739 – 20 August 1813) was a Czech classical music composer. He was born in Nechanice, Bohemia, and died in Vienna. His music was well respected by Mozart, Haydn, Beethoven and Schubert. He was an instrumental performer as well. While being a proficient organist, he also played the violin and cello. Name Wanhal and at least one of his publishers used the spelling Waṅhal, the dot being an archaic form of the modern háček. Other attested variants include Wanhall, Vanhal and Van Hall. The modern Czech form Jan Křtitel Vaňhal was introduced in the 20th century."He himself spelt his name Johann Baptist Waṅhal; his Viennese contemporaries and most scholars until World War II used the spelling Waṅhal, but later in the 20th century a modern Czech form, Jan Křtitel Vaňhal, was erroneously introduced." Paul Robey Bryan, "Vanhal, Johann Baptist an Křtitel in ''The New Grove Dictionary of Music and Musicians'', second edition, edited by Stanley ...
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