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List Of Compositions By James MacMillan
This is a list of compositions by James MacMillan (born 1959), a Scottish composer of contemporary classical music. MacMillan's music is published by Boosey & Hawkes, and his diverse catalogue of music currently numbers over 200 works. Opera or music theatre *''Búsqueda'' (1988) **music theatre work, setting texts from the Latin Mass and poems by the Argentinian Mothers of the Disappeared, translated by Gilbert Markus; premiered on 6 December 1988 at Queen's Hall, Edinburgh, by ECAT Ensemble under the baton of the composer. *''Inés de Castro'' (1990–95) **opera in two acts; libretto after the play Inés de Castro by John Clifford; premiered by Scottish Opera on 23 August 1996 as part of the Edinburgh International Festival. *''Visitatio Sepulchri'' (1992–93) **music theatre work, setting texts from a 14th-century Easter Day liturgical drama and the Te Deum; premiered on 20 May 1993 by Scottish Chamber Orchestra directed by Francisco Negrin and conducted by Ivor Bolton at ...
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James MacMillan
Sir James Loy MacMillan, (born 16 July 1959) is a Scottish classical composer and conductor. Early life MacMillan was born at Kilwinning, in North Ayrshire, but lived in the East Ayrshire town of Cumnock until 1977. His father is James MacMillan and his mother is Ellen MacMillan (née Loy). He studied composition at the University of Edinburgh with Rita McAllister and Kenneth Leighton, and at Durham University with John Casken, where he gained an undergraduate degree and then a PhD degree in 1987. At Durham he was a member of the College of St Hild and St Bede as an undergraduate student and the Graduate Society while studying for his PhD. He was a lecturer in music at the Victoria University of Manchester from 1986 to 1988. After his studies, MacMillan returned to Scotland, composing prolifically, and becoming Associate Composer with the Scottish Chamber Orchestra, often working on education projects. As a young man he was briefly a member of the Young Communist League. R ...
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Te Deum
The "Te Deum" (, ; from its incipit, , ) is a Latin Christian hymn traditionally ascribed to AD 387 authorship, but with antecedents that place it much earlier. It is central to the Ambrosian hymnal, which spread throughout the Latin Church with other parts of the Milanese Rite in the 6th to 8th centuries. It is sometimes known as the Ambrosian Hymn, although authorship by Saint Ambrose is unlikely. The term Te Deum can also refer to a short religious service (of blessing or thanks) based upon the hymn. History Authorship of the hymn is traditionally ascribed to Saint Ambrose (died 397) or Saint Augustine (died 430). In 19th-century scholarship, Saint Hilary of Poitiers (died 367) and Saint Nicetas of Remesiana (died 414) were proposed as possible authors. In the 20th century, the association with Nicetas has been deprecated, so that the hymn, while almost certainly dating to the 4th century, is considered as being of uncertain authorship. Authorship of Nicetas of R ...
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Royal Opera House
The Royal Opera House (ROH) is an opera house and major performing arts venue in Covent Garden, central London. The large building is often referred to as simply Covent Garden, after a previous use of the site. It is the home of The Royal Opera, The Royal Ballet, and the Orchestra of the Royal Opera House. The first theatre on the site, the Theatre Royal (1732), served primarily as a playhouse for the first hundred years of its history. In 1734, the first ballet was presented. A year later, the first season of operas, by George Frideric Handel, began. Many of his operas and oratorios were specifically written for Covent Garden and had their premieres there. The current building is the third theatre on the site, following disastrous fires in 1808 and 1856 to previous buildings. The façade, foyer, and auditorium date from 1858, but almost every other element of the present complex dates from an extensive reconstruction in the 1990s. The main auditorium seats 2,256 people, mak ...
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ROH2
ROH2 was the contemporary arm of the Royal Opera House until 2012, commissioning and producing dance and contemporary opera works in the Linbury Studio Theatre, Clore Studio Upstairs, Paul Hamlyn Hall, and various other locations situated both within the Royal Opera House and outside. ROH2 also provided additional artistic resources to partners and associate artists in order to help the organisation realise its strategic aims. Scope ROH2 focused on developing art forms, creating opportunities for emerging artists, and attracting new and diverse audiences to the Royal Opera House. Since the start of the 2012/13 season, the work of ROH2 has been undertaken by the studio programs of the Royal Opera and the Royal Ballet. ROH2 had a multi-layered approach, which included: * New productions and commissions in the Linbury Studio Theatre and Clore Studio Upstairs * Co-productions and co-commissions with partner organizations and companies * A contemporary opera development program * A ...
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Katie Mitchell
Katrina Jane Mitchell (born 23 September 1964) is an English theatre director. Life and career Mitchell was born in Reading, Berkshire, raised in Hermitage, Berkshire, and educated at Oakham School. Upon leaving Oakham, she went up to Magdalen College, Oxford, to read English. She began her career behind the scenes at the King's Head Theatre in London before taking on work as an assistant director at theatre companies including Paines Plough (1987) and the Royal Shakespeare Company (RSC) (1988 - 1989). Early in her career in the 1990s, she directed five early productions under the umbrella of her company Classics On A Shoestringincluding Women of Troy for which she won a Time Out Award. In 1989, she was awarded a Winston Churchill Travel Fellowshito study director’s training in Russian, Georgia, Lithuania and Poland and the work she saw there, including productions by Lev Dodin, Eiumentas Nekrosius and Anatoly Vasiliev, influenced her own practice for the next twenty yea ...
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Welsh National Opera
Welsh National Opera (WNO) ( cy, Opera Cenedlaethol Cymru) is an opera company based in Cardiff, Wales; it gave its first performances in 1946. It began as a mainly amateur body and transformed into an all-professional ensemble by 1973. In its early days the company gave a single week's annual season in Cardiff, gradually extending its schedule to become an all-year-round operation, with its own salaried chorus and orchestra. It has been described by ''The New York Times'' as "one of the finest operatic ensembles in Europe". For most of its existence the company lacked a permanent base in Cardiff, but in 2004 it moved into the new Wales Millennium Centre, Cardiff Bay. The company tours nationally and internationally, giving more than 120 performances annually, with a repertoire of eight operas each year, to a combined audience of more than 150,000 people. Its most frequent venues other than Cardiff are Llandudno in Wales and Bristol, Birmingham, Liverpool, Milton Keynes, Oxfo ...
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Wales Millennium Centre
Wales Millennium Centre ( cy, Canolfan Mileniwm Cymru) is an arts centre located in the Cardiff Bay area of Cardiff, Wales. The site covers a total area of . Phase 1 of the building was opened during the weekend of the 26–28 November 2004 and phase 2 opened on 22 January 2009 with an inaugural concert. The centre has hosted performances of opera, ballet, contemporary dance, theatre comedy, pop stars, and musicals. The Wales Millennium Centre comprises one large theatre and two smaller halls with shops, bars and restaurants. It houses the national orchestra and opera, dance, theatre and literature companies, a total of eight arts organisations in residence. The main theatre, the Donald Gordon Theatre, has 2,497 seats, the BBC Hoddinott Hall 350 and the Weston Studio Theatre 250. In 2001 Lord Rowe-Beddoe was appointed chairman of Wales Millennium Centre, a company limited by guarantee. Board members include Sir Michael Checkland. Background The failed Cardiff Bay ...
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Mabinogion
The ''Mabinogion'' () are the earliest Welsh prose stories, and belong to the Matter of Britain. The stories were compiled in Middle Welsh in the 12th–13th centuries from earlier oral traditions. There are two main source manuscripts, created c. 1350–1410, as well as a few earlier fragments. The title covers a collection of eleven prose stories of widely different types, offering drama, philosophy, romance, tragedy, fantasy and humour, and created by various narrators over time. There is a classic hero quest, "Culhwch and Olwen"; a historic legend in "Lludd and Llefelys," complete with glimpses of a far off age; and other tales portray a very different King Arthur from the later popular versions. The highly sophisticated complexity of the Four Branches of the Mabinogi defies categorisation. The stories are so diverse that it has been argued that they are not even a true collection. Scholars from the 18th century to the 1970s predominantly viewed the tales as fragmentary p ...
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The Sacrifice (opera)
''The Sacrifice'' is an opera in three acts composed by James MacMillan with a libretto by the poet Michael Symmons Roberts based on the Branwen story of the Welsh mythology collection, the ''Mabinogion''. The world premiere took place on 22 September 2007 at the Donald Gordon Theatre of the Wales Millennium Centre, Cardiff. The production was staged by Welsh National Opera, directed by Katie Mitchell and conducted by the composer. Instrumentation The orchestra consists of 2 flutes, 2 piccolos, 2 oboes, cor anglais, 2 clarinets, bass clarinet, 2 bassoons, contrabassoon, 5 horns, 3 trumpets, 3 trombones, tuba, timpani (five drums in total) with a large percussion section for 3 players as well as 12 first violins, 10 second violins, 8 violas, 6 cellos, 4 double basses. The first percussionist plays glockenspiel, vibraphone (with two double bass bows), triangle, whistle, geophone, whip, tambourine, 1 bodrán, bass drum, 2 Peking gongs. The second percussionist plays the same glocke ...
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Britten Sinfonia
Britten Sinfonia is a chamber orchestra ensemble based in Cambridge, UK. It was created in 1992, following an initiative from Eastern Arts and a number of key figures including Nicholas Cleobury, who recognised the need for an orchestra in the East of England. It is a flexible ensemble composed of chamber musicians in Europe. The players are freelance musicians who are employed on a project-by-project basis and the ensemble performs around 70 concerts per year and works with hundreds of people in the communities where the orchestra is resident. The orchestra is named after the composer Benjamin Britten, who lived in the East of England. It is a not-for-profit organisation, and a registered charity. Background The orchestra does not have a principal conductor but works with a range of international guest artists from across the musical spectrum as suited to each project. Recent seasons have included projects with Brad Mehldau, Thomas Adès, Pierre-Laurent Aimard, James MacM ...
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Michael Symmons Roberts
Michael Symmons Roberts FRSL (born 1963 in Preston, Lancashire) is a British poet. He has published eight collections of poetry, all with Cape (Random House), and has won the Forward Prize, the Costa Book Award and the Whitbread Prize for Poetry, as well as major prizes from the Arts Council and Society of Authors. He has been shortlisted for the T. S. Eliot Prize, the Griffin Poetry Prize and the Ondaatje Prize. He has also written novels, libretti and texts for oratorios and song cycles. He regularly writes and presents documentaries and dramas for broadcasting and is Professor of Poetry at Manchester Metropolitan University. Life and career Michael Symmons Roberts spent his childhood in Lancashire before moving south with his family to Newbury in Berkshire in the early '70s. He went to comprehensive school in Newbury, then to Regent's Park College, Oxford to read Philosophy and Theology. After graduating, he trained as a newspaper journalist before joining the BBC in Cardiff ...
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Concert Aria
A concert aria is normally a free-standing aria or opera-like scene (''scena'') composed for singer and orchestra, written specifically for performance in concert rather than as part of an opera. Concert arias have often been composed for particular singers, the composer always bearing that singer's voice and skill in mind when composing the work. Apart from only denoting arias for singer and orchestra, the term is also used to indicate arias which were specifically composed as insertion arias for already-existing operas, either as additions to the score or as substitutions for other arias. These are sometimes performed in concerts because they are no longer required for their original purpose, though they were not, strictly speaking, composed for performance in concert. The concert arias which are most commonly performed today were written by Wolfgang Amadeus Mozart, but there are many examples by other composers, such as: *"Son qual nave ch'agitata" by Riccardo Broschi (written f ...
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