|
List Of Compositions By Charles Gounod
This is a list of musical compositions by the 19th-century French composer Charles Gounod (1818–93), sorted by musical work category and date. Operas *'' Sapho'' (Opera in 3 acts, premiered 16 April 1851 at Salle Le Peletier of the Paris Opera, revised to 2 acts on 26 July 1858, and revised again to 4 acts at the Palais Garnier on 2 April 1884). Libretto by Émile Augier after the life of the poetess Sappho of Lesbos. The creation of the work was given an impetus by, and provided a central role for, the mezzo-soprano Pauline Viardot. *'' La nonne sanglante'' ''(The Bloody Nun)'' (Opera in 5 acts, premiered 18 October 1854 at the Salle Le Peletier). The libretto was by Eugène Scribe and Germain Delavigne, after an episode in '' The Monk'', a gothic novel by Matthew Gregory Lewis. *''Le médecin malgré lui'' ''(The Doctor in spite of himself)'' (Opéra comique in three acts, premiered at the Théâtre Lyrique on 15 January 1858). Libretto by Jules Barbier and Michel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Gounod 001
Charles is a masculine given name predominantly found in English and French speaking countries. It is from the French form ''Charles'' of the Proto-Germanic name (in runic alphabet) or ''*karilaz'' (in Latin alphabet), whose meaning was "free man". The Old English descendant of this word was '' Ċearl'' or ''Ċeorl'', as the name of King Cearl of Mercia, that disappeared after the Norman conquest of England. The name was notably borne by Charlemagne (Charles the Great), and was at the time Latinized as ''Karolus'' (as in '' Vita Karoli Magni''), later also as '' Carolus''. Some Germanic languages, for example Dutch and German, have retained the word in two separate senses. In the particular case of Dutch, ''Karel'' refers to the given name, whereas the noun ''kerel'' means "a bloke, fellow, man". Etymology The name's etymology is a Common Germanic noun ''*karilaz'' meaning "free man", which survives in English as churl (< Old English ''ċeorl''), which developed it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Médecin Malgré Lui (opera)
(''The Doctor in spite of himself''; sometimes also called ''The Mock Doctor'') is an opéra comique in three acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré after Molière's play, also entitled ''Le Médecin malgré lui''. Performance history It premiered at the Théâtre Lyrique, Paris, on 15 January 1858. As the work uses spoken dialogue and verse taken directly from Molière's play, the Comédie-Française tried unsuccessfully to block performance of the opera.Haubner, ''Grove'', 1997 It was revived at the Opéra-Comique in 1872, 1886, 1902 and 1938; was seen in Hamburg, Stockholm and Warsaw in 1862; and in England between 1865 and 1891. On 25 November 1978 the opera received its 100th performance at the Opéra-Comique, conducted by Sylvain Cambreling and with Jean-Philippe Lafont, Jocelyne Taillon and Jules Bastin among the cast. In June 1923, Sergei Diaghilev commissioned Erik Satie to compose recitatives to replace the spoken dialogue. Acc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean De La Fontaine
Jean de La Fontaine (, , ; 8 July 162113 April 1695) was a French fabulist and one of the most widely read French poets of the 17th century. He is known above all for his ''Fables'', which provided a model for subsequent fabulists across Europe and numerous alternative versions in France, as well as in French regional languages. After a long period of royal suspicion, he was admitted to the French Academy and his reputation in France has never faded since. Evidence of this is found in the many pictures and statues of the writer, later depictions on medals, coins and postage stamps. Life Early years La Fontaine was born at Château-Thierry in France. His father was Charles de La Fontaine, maître des eaux et forêts – a kind of deputy-ranger – of the Duchy of Château-Thierry; his mother was Françoise Pidoux. Both sides of his family were of the highest provincial middle class; though they were not noble, his father was fairly wealthy. Jean, the eldest child, was educa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baucis And Philemon
In Ovid's moralizing fables collected as ''Metamorphoses'' is his telling of the story of Baucis and Philemon, which stands on the periphery of Greek mythology and Roman mythology. Baucis and Philemon were an old married couple in the region of Tyana, which Ovid places in Phrygia, and the only ones in their town to welcome disguised gods Zeus and Hermes (in Roman mythology, Jupiter and Mercury respectively), thus embodying the pious exercise of hospitality, the ritualized guest-friendship termed '' xenia'', or ''theoxenia'' when a god was involved. Story Zeus and Hermes came disguised as ordinary peasants, and began asking the people of the town for a place to sleep that night. They had been rejected by all, "so wicked were the people of that land," when at last they came to Baucis and Philemon's simple rustic cottage. Though the couple was poor, their generosity far surpassed that of their rich neighbors, among whom the gods found “doors bolted and no word of kindness." Af ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opéra-Comique
The Opéra-Comique is a Paris opera company which was founded around 1714 by some of the popular theatres of the Parisian fairs. In 1762 the company was merged with – and for a time took the name of – its chief rival, the Comédie-Italienne at the Hôtel de Bourgogne. It was also called the Théâtre-Italien up to about 1793, when it again became most commonly known as the Opéra-Comique. Today the company's official name is Théâtre national de l'Opéra-Comique, and its theatre, with a capacity of around 1,248 seats, sometimes referred to as the Salle Favart (the third on this site), is located at Place Boïeldieu in the 2nd arrondissement of Paris, not far from the Palais Garnier, one of the theatres of the Paris Opéra. The musicians and others associated with the Opéra-Comique have made important contributions to operatic history and tradition in France and to French opera. Its current mission is to reconnect with its history and discover its unique repertoire to ensu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philémon Et Baucis
(''Philemon and Baucis'') is an opera in three acts by Charles Gounod with a libretto by Jules Barbier and Michel Carré. The opera is based on the tale of Baucis and Philemon as told by La Fontaine (derived in turn from Ovid's ''Metamorphoses'' Book VIII). The piece was intended to capitalize on the vogue for mythological comedy started by Offenbach's ''Orpheus in the Underworld'', but ''Philémon et Baucis'' is less satirically biting and more sentimental. Originally intended as a two-act piece for the music festival at Baden-Baden, it was instead first performed at the Théâtre Lyrique The Théâtre Lyrique was one of four opera companies performing in Paris during the middle of the 19th century (the other three being the Opéra, the Opéra-Comique, and the Théâtre-Italien). The company was founded in 1847 as the Opér ..., Paris, on 18 February 1860 because of the political situation in 1859. The new version added a middle act with chorus depicting Jupiter's de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Faust, Part One
''Faust: A Tragedy'' (german: Faust. Eine Tragödie, links=no, , or aust. The tragedy's first part is the first part of the tragic play ''Faust'' by Johann Wolfgang von Goethe, and is considered by many as the greatest work of German literature. It was first published in 1808. Synopsis The first part of ''Faust'' is not divided into acts, but is structured as a sequence of scenes in a variety of settings. After a dedicatory poem and a prelude in the theater, the actual plot begins with a prologue in Heaven, where the Lord bets Mephistopheles, an agent of the Devil, that Mephistopheles cannot lead astray the Lord's favorite striving scholar, Dr. Faust. We then see Faust in his study, who, disappointed by the knowledge and results obtainable by science's natural means, attempts and fails to gain knowledge of nature and the universe by magical means. Dejected in this failure, Faust contemplates suicide, but is held back by the sounds of the beginning Easter celebrations. He joins ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Wolfgang Von Goethe
Johann Wolfgang von Goethe (28 August 1749 – 22 March 1832) was a German poet, playwright, novelist, scientist, statesman, theatre director, and critic. His works include plays, poetry, literature, and aesthetic criticism, as well as treatises on botany, anatomy, and colour. He is widely regarded as the greatest and most influential writer in the German language, his work having a profound and wide-ranging influence on Western literary, political, and philosophical thought from the late 18th century to the present day.. Goethe took up residence in Weimar in November 1775 following the success of his first novel, ''The Sorrows of Young Werther'' (1774). He was ennobled by the Duke of Saxe-Weimar, Karl August, in 1782. Goethe was an early participant in the ''Sturm und Drang'' literary movement. During his first ten years in Weimar, Goethe became a member of the Duke's privy council (1776–1785), sat on the war and highway commissions, oversaw the reopening of silver min ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Faust (opera)
''Faust'' is an opera in five acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré from Carré's play ''Faust et Marguerite'', in turn loosely based on Johann Wolfgang von Goethe's ''Faust, Part One''. It debuted at the Théâtre Lyrique on the Boulevard du Temple in Paris on 19 March 1859, with influential sets designed by Charles-Antoine Cambon and Joseph Thierry, Jean Émile Daran, Édouard Desplechin, and Philippe Chaperon. Performance history The original version of Faust employed spoken dialogue, and it was in this form that the work was first performed. The manager of the Théâtre Lyrique, Léon Carvalho cast his wife Caroline Miolan-Carvalho as Marguerite and there were various changes during production, including the removal and contraction of several numbers. The tenor Hector Gruyer was originally cast as Faust but was found to be inadequate during rehearsals, being eventually replaced by a principal of the Opéra-Comique, Joseph-Théodore ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Médecin Malgré Lui
''Le Médecin malgré lui'' (; "The doctor/physician in spite of himself") is a farce by Molière first presented in 1666 (published as a manuscript in early 1667) at le théâtre du Palais-Royal by la Troupe du Roi. The play is one of several plays by Molière to center on Sganarelle, a character that Molière himself portrayed, and is a comedic satire of 17th century French medicine. The music composed by Marc-Antoine Charpentier is lost. Characters *Sganarelle, ''an alcoholic, gluttonous woodcutter'' (The title character) *Martine, ''Sganarelle's wife'' *Lucinde, ''Sganarelle's patient; daughter of Geronte'' *Léandre, ''Lucinde's lover'' *Geronte, ''a wealthy bourgeois; father of Lucinde'' *Valère, ''Geronte's educated servant'' *Lucas, ''Geronte's non-educated servant'' *Jacqueline, ''Lucas's wife and Geronte's non-educated feeder'' *Monsieur Robert, ''Sganarelle's neighbor'' *Thibaut, ''a country person'' *Perrin, ''a country person; son of Thibaut'' Synopsis Sganare ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Molière
Jean-Baptiste Poquelin (, ; 15 January 1622 (baptised) – 17 February 1673), known by his stage name Molière (, , ), was a French playwright, actor, and poet, widely regarded as one of the greatest writers in the French language and world literature. His extant works include comedies, farces, tragicomedies, comédie-ballets, and more. His plays have been translated into every major living language and are performed at the Comédie-Française more often than those of any other playwright today. His influence is such that the French language is often referred to as the "language of Molière". Born into a prosperous family and having studied at the Collège de Clermont (now Lycée Louis-le-Grand), Molière was well suited to begin a life in the theatre. Thirteen years as an itinerant actor helped him polish his comedic abilities while he began writing, combining Commedia dell'arte elements with the more refined French comedy. Through the patronage of aristocrats including ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michel Carré
Michel Carré (20 October 1821, Besançon – 27 June 1872, Argenteuil) was a prolific French librettist. He went to Paris in 1840 intending to become a painter but took up writing instead. He wrote verse and plays before turning to writing libretti. He wrote the text for Charles Gounod's ''Mireille'' (1864) on his own, and collaborated with Eugène Cormon on Bizet's ''Les pêcheurs de perles''. However, the majority of his libretti were completed in tandem with Jules Barbier, with whom he wrote the libretti for numerous operas, including Camille Saint-Saëns's ''Le timbre d'argent'' (libretto written in 1864, first performed in 1877), Gounod's ''Faust'' (1859), '' Roméo et Juliette'' (1867), and Offenbach's ''Les contes d'Hoffmann'' (1881). As with the other libretti by Barbier and himself, these were adaptations of existing literary masterworks. His son, Michel-Antoine (1865–1945), followed in his father's footsteps, also writing libretti, and later directing silent films. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Molière")
.jpg "Click for more on -> Michel Carré")