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List Of Compositions And Writings By Hector Berlioz
The French romantic composer Hector Berlioz produced significant musical and literary works. Berlioz composed mainly in the genres of opera, symphonies, choral pieces and songs. As well as these, Berlioz also produced several works that fit into hybrid genres, such as the "dramatic symphony" Roméo et Juliette and Harold in Italy, a symphony with a large solo part for viola. Berlioz's compositions are listed both by genre and by the catalogue developed by the musicologist D. Kern Holoman. Opus numbers were assigned to compositions when they published. However, they were only given to a fraction of Berlioz's work and are not in chronological order. Berlioz's writings include memoirs, technical studies and music criticism. Musical compositions by genre Many of Berlioz's works resist easy categorisation and assigning them to a genre is often impossible. The genres given below should be regarded as merely a guideline. Orchestral works Symphonies * ''Symphonie fantastique'' (1830) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hector Berlioz, Les Troyens Vocal Score Cover - Restoration
In Greek mythology, Hector (; grc, Ἕκτωρ, Hektōr, label=none, ) is a character in Homer's Iliad. He was a Trojan prince and the greatest warrior for Troy during the Trojan War. Hector led the Trojans and their allies in the defense of Troy, killing countless Greek warriors. He was ultimately killed in single combat by Achilles, who later dragged his dead body around the city of Troy behind his chariot. Etymology In Greek, is a derivative of the verb ἔχειν ''ékhein'', archaic form * grc, ἕχειν, hékhein, label=none ('to have' or 'to hold'), from Proto-Indo-European *'' seɡ́ʰ-'' ('to hold'). , or as found in Aeolic poetry, is also an epithet of Zeus in his capacity as 'he who holds verything together. Hector's name could thus be taken to mean 'holding fast'. Description Hector was described by the chronicler Malalas in his account of the ''Chronography'' as "dark-skinned, tall, very stoutly built, strong, good nose, wooly-haired, good beard, s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Messe Solennelle (Berlioz)
''Messe solennelle'' is a setting of the Catholic Solemn Mass by the French composer Hector Berlioz. It was written in 1824, when the composer was twenty and first performed at the Church of Saint-Roch in Paris on 10 July 1825, and again at the Church of Saint-Eustache in 1827. After this, Berlioz claimed to have destroyed the entire score, except for the "Resurrexit", but in 1991 a Belgian schoolteacher, Frans Moors, came across a copy of the work in an organ gallery in Antwerp and it has since been revived. Elements of Berlioz's ''Requiem'' and ''Symphonie fantastique'' appear in the ''Messe solennelle'' in somewhat altered versions. Themes from the ''Messe solennelle'' occur in the first half of his opera ''Benvenuto Cellini''. Forces and structure Scored for soprano, tenor, (prominent) bass, mixed chorus, and large orchestra, including Piccolo (opt.), 2 flutes, 2 oboes, 2 clarinets (C) 2 bassoons, 4 horns, 4 trumpets, 3 trombones (ATB), serpent, buccin (or ophicleide), timp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christoph Willibald Gluck
Christoph Willibald (Ritter von) Gluck (; 2 July 1714 – 15 November 1787) was a composer of Italian and French opera in the early classical period. Born in the Upper Palatinate and raised in Bohemia, both part of the Holy Roman Empire, he gained prominence at the Habsburg court at Vienna. There he brought about the practical reform of opera's dramaturgical practices for which many intellectuals had been campaigning. With a series of radical new works in the 1760s, among them '' Orfeo ed Euridice'' and '' Alceste'', he broke the stranglehold that Metastasian '' opera seria'' had enjoyed for much of the century. Gluck introduced more drama by using orchestral recitative and cutting the usually long da capo aria. His later operas have half the length of a typical baroque opera. Future composers like Mozart, Schubert, Berlioz and Wagner revered Gluck very highly. The strong influence of French opera encouraged Gluck to move to Paris in November 1773. Fusing the traditions ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Invitation To The Dance (Weber)
''Invitation to the Dance'' (''Aufforderung zum Tanz''), Op. 65, J. 260, is a piano piece in rondo form written by Carl Maria von Weber in 1819. It is also well known in the 1841 orchestration by Hector Berlioz. It is sometimes called ''Invitation to the Waltz'', but this is a mistranslation of the original. Background Weber dedicated ''Invitation to the Dance'' to his wife Caroline (they had been married only a few months). He labelled the work "rondeau brillante", and he wrote it while also writing his opera ''Der Freischütz''. It was the first concert waltz to be written: that is, the first work in waltz form meant for listening rather than for dancing. John Warrack calls it "the first and still perhaps the most brilliant and poetic example of the Romantic concert waltz, creating within its little programmatic framework a tone poem that is also an apotheosis of the waltz in a manner that was to remain fruitful at least until Ravel's choreographic poem, '' La valse''…". It ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Der Freischütz
' ( J. 277, Op. 77 ''The Marksman'' or ''The Freeshooter'') is a German opera with spoken dialogue in three acts by Carl Maria von Weber with a libretto by Friedrich Kind, based on a story by Johann August Apel and Friedrich Laun from their 1810 collection ''Gespensterbuch''. It premiered on 18 June 1821 at the Schauspielhaus Berlin. It is considered the first German Romantic opera. The opera's plot is mainly based on August Apel's tale "Der Freischütz" from the ''Gespensterbuch'' though the hermit, Kaspar and Ännchen are new to Kind's libretto. That Weber's tunes were just German folk music is a common misconception. Its unearthly portrayal of the supernatural in the famous Wolf's Glen scene has been described as "the most expressive rendering of the gruesome that is to be found in a musical score". Performance history The reception of ''Der Freischütz'' surpassed Weber's own hopes and it quickly became an international success, with productions in Vienna the same year f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carl Maria Von Weber
Carl Maria Friedrich Ernst von Weber (18 or 19 November 17865 June 1826) was a German composer, conductor, virtuoso pianist, guitarist, and critic who was one of the first significant composers of the Romantic era. Best known for his operas, he was a crucial figure in the development of German ''Romantische Oper'' (German Romantic opera). Throughout his youth, his father, , relentlessly moved the family between Hamburg, Salzburg, Freiberg, Augsburg and Vienna. Consequently he studied with many teachers – his father, Johann Peter Heuschkel, Michael Haydn, Giovanni Valesi, Johann Nepomuk Kalcher and Georg Joseph Vogler – under whose supervision he composed four operas, none of which survive complete. He had a modest output of non-operatic music, which includes two symphonies; a viola concerto; bassoon concerti; piano pieces such as Konzertstück in F minor and '' Invitation to the Dance''; and many pieces that featured the clarinet, usually written for the virtuoso c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Marseillaise
"La Marseillaise" is the national anthem of France. The song was written in 1792 by Claude Joseph Rouget de Lisle in Strasbourg after the declaration of war by France against Austria, and was originally titled "Chant de guerre pour l'Armée du Rhin" ("War Song for the Army of the Rhine"). The French National Convention adopted it as the Republic's anthem in 1795. The song acquired its nickname after being sung in Paris by volunteers from Marseille marching to the capital. The song is the first example of the "European march" anthemic style. The anthem's evocative melody and lyrics have led to its widespread use as a song of revolution and its incorporation into many pieces of classical and popular music. History As the French Revolution continued, the monarchies of Europe became concerned that revolutionary fervor would spread to their countries. The War of the First Coalition was an effort to stop the revolution, or at least contain it to France. Initially, the French arm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Claude Joseph Rouget De Lisle
Claude Joseph Rouget de Lisle (), sometimes spelled de l'Isle or de Lile (10 May 1760 – 26 June 1836), was a French army officer of the French Revolutionary Wars. He is known for writing the words and music of the ''Chant de guerre pour l'armée du Rhin'' in 1792, which would later be known as ''La Marseillaise'' and become the French national anthem. Early life Rouget de Lisle was born at Lons-le-Saunier, reputedly on a market day. His parents lived in the neighbouring village of Montaigu. A plaque was placed at the precise spot of his birth and a statue erected in the town's center in 1882. He was the eldest son of Claude Ignace Rouget (5 April 1735 – 6 August 1792) at Orgelet and Jeanne Madeleine Gaillande (2 July 1734 – 20 March 1811). In 1784, he was initiated into "Les Frères discrets", a masonic lodge in Charleville, just after being promoted officer. Career He enlisted into the army as an engineer and attained the rank of captain. A royalist like his father, h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Nuits D'été
''Les nuits d'été'' (''Summer Nights''), Opus number, Op. 7, is a song cycle by the French composer Hector Berlioz. It is a setting of six poems by Théophile Gautier. The cycle, completed in 1841, was originally for soloist and piano accompaniment. Berlioz orchestrated one of the songs in 1843, and did the same for the other five in 1856. The cycle was neglected for many years, but during the 20th century it became, and has remained, one of the composer's most popular works. The full orchestral version is more frequently performed in concert and on record than the piano original. The theme of the work is the progress of love, from youthful innocence to loss and finally renewal. Background Berlioz and the poet Théophile Gautier were neighbours and friends. Gautier wrote, "Berlioz represents the romantic musical idea ... unexpected effects in sound, tumultuous and Shakespearean depth of passion." It is possible that Berlioz read Gautier's collection ''La comédie de la mort'' (Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Félix Nadar 1820-1910 Portraits Hector Berlioz
Felix may refer to: * Felix (name), people and fictional characters with the name Places * Arabia Felix is the ancient Latin name of Yemen * Felix, Spain, a municipality of the province Almería, in the autonomous community of Andalusia, Spain * St. Felix, Prince Edward Island, a rural community in Prince County, Prince Edward Island, Canada. * Felix, Ontario, an unincorporated place and railway point in Northeastern Ontario, Canada * St. Felix, South Tyrol, a village in South Tyrol, in northern Italy. * Felix, California, an unincorporated community in Calaveras County Music * Felix (band), a British band * Felix (musician), British DJ * Félix Award, a Quebec music award named after Félix Leclerc Business * Felix (pet food), a brand of cat food sold in most European countries * AB Felix, a Swedish food company * Felix Bus Services of Derbyshire, England * Felix Airways, an airline based in Yemen Science and technology * Apache Felix, an open source OSGi framewo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Chant Des Chemins De Fer
''Le Chant des chemins de fer'' (The Song of the Railways) is a cantata in B minor by Hector Berlioz for tenor solo, choir and orchestra composed in June 1846 on lyrics by Jules Janin and premiered June 14 1846 for the inauguration of the gare de Lille. Circumstances of the composition The work was commissioned by the city of Lille. According to his correspondence, Berlioz composed it in a hurry in three nights, interrupting the writing of '' La Damnation de Faust''. Berlioz, who travelled on the inaugural train, spent eight days in Lille and conducted ''Le Chant des chemins de fer'' and at the same time the finale of his ''Grande symphonie funèbre et triomphale'' leading a military orchestra of 150 wind instrumentalists and singers from the Conservatoire de Lille. Berlioz had asked that the final chord be punctuated by a cannonade that could not take place. Lyrics The text is by Jules Janin, a friend of Berlioz and Saint-Simonian. Berlioz supposedly had been enthusiastic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tristia (Berlioz)
''Tristia'', Op. 18 is a musical work consisting of three short pieces for chorus and orchestra by the French composer Hector Berlioz. Apart from its title, it has nothing to do with the collection of Latin poems by Ovid (the word ''tristia'' in Latin means 'sad things'). The individual works were composed at different times and published together in 1852. Berlioz associated them in his mind with Shakespeare's ''Hamlet ''The Tragedy of Hamlet, Prince of Denmark'', often shortened to ''Hamlet'' (), is a tragedy written by William Shakespeare sometime between 1599 and 1601. It is Shakespeare's longest play, with 29,551 words. Set in Denmark, the play depicts ...'', one of his favourite plays. They were never performed during the composer's lifetime. Details of the work The three movements are: References *David Cairns: ''Berlioz: Servitude and Greatness'' (the second volume of his biography of the composer) (Viking, 1999) *Hugh Macdonald: ''Berlioz'' ("The Master Mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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