List Of The Tale Of Genji Characters
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List Of The Tale Of Genji Characters
The characters of '' The Tale of Genji'' do not possess birth names. Instead they are assigned sobriquets derived from poetic exchanges (e.g. Murasaki takes her name from a poem by Genji), from the particular court positions they occupy (in the Tyler translation, characters are often referred to by such terms as His Highness of War, Her Majesty the Empress, His Grace, the Palace Minister and so on), from their geographical location (e.g. Lady Akashi who lived on the Akashi coast before meeting Genji), or from the name of their residence (e.g. Lady Rokujō, whose mansion is on the Sixth Avenue, ''rokujō'', or Fujitsubo, literally ''wisteria pavilion'', the part of the Imperial Palace where this particular lady resided). Out of the two most recent translations into English, Seidensticker’s tends to systematically employ the same names (e.g. Genji, Murasaki, Akashi, Utsusemi, etc.), whereas Tyler’s, a more textually accurate translation, tends to change sometimes characters’ a ...
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Suzuki Harunobu 002
is a Japanese multinational corporation headquartered in Minami-ku, Hamamatsu, Japan. Suzuki manufactures automobiles, motorcycles, all-terrain vehicles (ATVs), outboard marine engines, wheelchairs and a variety of other small internal combustion engines. In 2016, Suzuki was the eleventh biggest automaker by production worldwide. Suzuki has over 45,000 employees and has 35 production facilities in 23 countries, and 133 distributors in 192 countries. The worldwide sales volume of automobiles is the world's tenth largest, while domestic sales volume is the third largest in the country. Suzuki's domestic motorcycle sales volume is the third largest in Japan. History In 1909, Michio Suzuki (1887–1982) founded the Suzuki Loom Works in the small seacoast village of Hamamatsu, Japan. Business boomed as Suzuki built weaving looms for Japan's giant silk industry. In 1929, Michio Suzuki invented a new type of weaving machine, which was exported overseas. The company's fi ...
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Wisteria
''Wisteria'' is a genus of flowering plants in the legume family, Fabaceae (Leguminosae), that includes ten species of woody twining vines that are native to China, Japan, Korea, Vietnam, Southern Canada, the Eastern United States, and north of Iran. They were later introduced to France, Germany and various other countries in Europe. Some species are popular ornamental plants. The aquatic flowering plant commonly called wisteria or 'water wisteria' is in fact ''Hygrophila difformis'', in the family Acanthaceae. Etymology The botanist Thomas Nuttall said he named the genus ''Wisteria'' in memory of the American physician and anatomist Caspar Wistar (1761–1818). Both men were living in Philadelphia at the time, where Wistar was a professor in the School of Medicine at the University of Pennsylvania. Questioned about the spelling later, Nuttall said it was for "euphony", but his biographer speculated that it may have something to do with Nuttall's friend Charles Jones Wister S ...
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Uji River
The , also called the Seta River (瀬田川 ''Seta-gawa'') and the Uji River (宇治川 ''Uji-gawa'') at portions of its route, is the principal river in Osaka Prefecture on Honshu, Japan. The source of the river is Lake Biwa in Shiga Prefecture to the north. The Yodo River, usually called the Seta River in Shiga Prefecture, begins at the southern outlet of the lake in Ōtsu. There is a dam there to regulate the lake level. Further downstream, the Seta flows into Kyoto Prefecture and its name changes to the Uji River. It then merges with two other rivers, the Katsura River and the Kizu River in Kyoto Prefecture. The Katsura has its headwaters in the mountains of Kyoto Prefecture, while the Kizu comes from Mie Prefecture. From the three-river confluence, the river is called the Yodo River, which flows south, through Osaka, and on into Osaka Bay. In Osaka, part of the river has been diverted into an artificial channel; the old course in the heart of Osaka is called the Kyū-Yodo ...
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Murasaki
''Murasaki'' refers to the heroine of '' The Tale of Genji'' (), after whom the book's author, Murasaki Shikibu, was named by her contemporaries. She was a lady in waiting at the Imperial Court of Japan, around the year 1000. Murasaki Shikibu's given name remains unknown to this day. The word Shikibu is actually no name, but refers to the rank of her father, who was in the Emperor's service as provincial governor. The Name Murasaki The name remained a pseudonym, as due to court manners of the author's time (the Heian period, 794–1185), it was considered unacceptably familiar and vulgar to freely address people by either their personal or family names; within the novel, the character herself, too, is unnamed, as most of the book's characters are never identified by any name, but by their rank and title (in the case of male persons), the rank and title of their male relatives (in the case of female persons), or after the name of their habitation (in the case of the great cou ...
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Lady Rokujō
is a fictional character in '' The Tale of Genji'' (''Genji Monogatari''). She is a mistress of the novel's protagonist, Hikaru Genji, with whom she becomes infatuated with and jealous of his other lovers. Her jealousy subconsciously causes her ''ikiryō'' (wandering spirit) to become a Shiryo (also known as a ''Yūrei'') that attacks and murders multiple other mistresses and wives of Genji. Lady Rokujō is a relatively minor character in the novel. She appears in chapters Kiritsubo, Hana no En, Sakaki, Miotsukushi and Wakana. Outside of these chapters, Lady Rokujō has little mention or influence on the novel. Lady Rokujō is also the protagonist of two Nōh dramas. In ''Nonomiya'' ("The Shrine in the Fields")'','' Lady Rokujō pretends to be a village woman who tells a traveling monk of Lady Rokujō’s story. In ''Aoi no Ue'' ("Lady Aoi"), Lady Rokujō possesses Genji's wife, Lady Aoi, out of jealousy, causing Lady Aoi to fall ill. ''Aoi no Ue'' was later adapted into a mode ...
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Aoi No Ue
is a fictional character in '' The Tale of Genji'' (''Genji Monogatari''). Daughter of the Minister of the Left (Tō no Chūjō's sister) and Genji's first principal wife, she marries Genji when she is sixteen and he is only twelve. Proud and distant from her husband, Aoi is constantly aware of the age difference between them and very much hurt by Genji's philandering. For a short while, after giving birth to Genji's son, Yūgiri, and suffering episodes of spirit possession, Aoi becomes appealing in Genji's eyes. The episode of spirit possession itself ('' mono no ke'') is extremely controversial and brings forward two female characters of the tale: Aoi (Genji's wife) and Lady Rokujō (Genji's mistress). The relationship between the two women may be that between victim and aggressor, if one follows the traditional interpretation of spirit possession, or that between accomplices expressing their discontent with the Heian system of polygynous marriage (and with Genji, obviously). Aoi ...
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Suetsumuhana
is the archaic Japanese word for the safflower. It is known now as . It is also the name of a female character in Murasaki Shikibu's epic novel ''The Tale of Genji''. The sixth chapter of it is named after her. She is also known as the Safflower Princess. In some English translations she appears as Princess Hitachi. Prince Genji was briefly attracted to her, until she lowered her fan to reveal her nose. However, he eventually felt sorry for her and helped support her. She is noted to be one of the most loyal ladies in the ''Tale of Genji'', pining and waiting for Genji till he reciprocates her love. This is in part due to her unending loyalty to him, and that he is her first, and possibly, last man. She is invited to the palace, known also as the "Palace in the Sixth Ward", that Genji has built for all his women, and is taken care of for the rest of her life. The incident with the Safflower Princess's nose has always been a source of comic relief for readers of the "Tale of Ge ...
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Tō No Chūjō
Multi-storied pagodas in wood and stone, and a ''gorintō'' Pagodas in Japan are called , sometimes or and historically derive from the Chinese pagoda, itself an interpretation of the Indian ''stupa''. Like the ''stupa'', pagodas were originally used as reliquaries but in many cases they ended up losing this function. Pagodas are quintessentially Buddhist and an important component of Japanese Buddhist temple compounds but, because until the Kami and Buddhas Separation Act of 1868, a Shinto shrine was normally also a Buddhist temple and vice versa, they are not rare at shrines either. The famous Itsukushima Shrine, for example, has one. After the Meiji Restoration the word ''tō'', once used exclusively in a religious context, came to mean also "tower" in the western sense, as for example in . Of the Japanese pagoda's many forms, some are built in wood and are collectively known as , but most are carved out of stone (. Wood pagodas are large buildings with either two stor ...
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Fujiwara Clan
was a powerful family of imperial regents in Japan, descending from the Nakatomi clan and, as legend held, through them their ancestral god Ame-no-Koyane. The Fujiwara prospered since the ancient times and dominated the imperial court until the Meiji Restoration in 1868. They held the title of Ason. The abbreviated form is . The 8th century clan history ''Tōshi Kaden'' (藤氏家伝) states the following at the biography of the clan's patriarch, Fujiwara no Kamatari (614–669): "Kamatari, the Inner Palace Minister who was also called ‘Chūrō'',''’ was a man of the Takechi district of Yamato Province. His forebears descended from Ame no Koyane no Mikoto; for generations they had administered the rites for Heaven and Earth, harmonizing the space between men and the gods. Therefore, it was ordered their clan was to be called Ōnakatomi" The clan originated when the founder, Nakatomi no Kamatari (614–669) of the Nakatomi clan, was rewarded by Emperor Tenji with the honori ...
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Lady Fujitsubo
is a fictional character in Murasaki Shikibu's '' The Tale of Genji'' (). Biography Daughter of a previous emperor and thus imperial princess, Fujitsubo enters the service of Kiritsubo Emperor at age 16, mainly because of her resemblance to the deceased Kiritsubo Consort. She soon becomes an imperial favorite, but also Genji's childhood crush and later lifelong obsession. By chapter seven, it becomes obvious that Fujitsubo and Genji are already involved in an illicit love affair (although the author does not describe it, but rather implies the beginning of the relationship), the result of which is the birth of Reizei (the future emperor) whom everyone, except the two lovers, believes to be the son of the Kiritsubo Emperor. Elevated to the rank of Empress and having her son named Heir Apparent (Reizei is supposed to succeed Suzaku), Fujitsubo gradually grows more and more troubled by guilt and the fear of having her secret exposed. Once Genji's advances intensify and, in the pu ...
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