List Of German Plays
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List Of German Plays
This is a list of German plays: A * ' (1807), by Heinrich von Kleist * '' Der aufhaltsame Aufstieg des Arturo Ui'' (1941) by Bertolt Brecht * '' Aufstieg und Fall der Stadt Mahagonny'' (1927–1930), by Bertolt Brecht B * ''Baal'' (1918/1923), by Bertolt Brecht * '' Die Hermannsschlacht'' (1808), by Heinrich von Kleist * ''Der Biberpelz'' (1893), by Gerhart Hauptmann * ''Der Bogen des Odysseus'' (1914), by Gerhart Hauptmann * ''The Burghers of Calais'' (''Die Bürger von Calais'', 1913) by Georg Kaiser C * ''Der kaukasische Kreidekreis'' (1943–45/1948), by Bertolt Brecht * ' (1892), by Gerhart Hauptmann D * '' Don Karlos, Infant von Spanien'' (1787), by Friedrich Schiller * ''Don Juan'' (1952/1954), by Bertolt Brecht E * '' Egmont'' (1787), by Johann Wolfgang von Goethe * ''Elga'' (1896), by Gerhart Hauptmann * ''Emilia Galotti'' (1772), by Gotthold Ephraim Lessing * ''Erwin und Elmire'' (1775), by Johann Wolfgang von Goethe F * ', 1803), by Heinrich von Kleist * ...
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Heinrich Von Kleist
Bernd Heinrich Wilhelm von Kleist (18 October 177721 November 1811) was a German poet, dramatist, novelist, short story writer and journalist. His best known works are the theatre plays ''Das Käthchen von Heilbronn'', ''The Broken Jug'', ''Amphitryon'' and ''Penthesilea'', and the novellas ''Michael Kohlhaas'' and '' The Marquise of O.'' Kleist died by suicide together with a close female friend who was terminally ill. The Kleist Prize, a prestigious prize for German literature, is named after him, as was the Kleist Theater in his birthplace Frankfurt an der Oder. Life Kleist was born into the von Kleist family in Frankfurt an der Oder in the Margraviate of Brandenburg, a province of the Kingdom of Prussia. After a scanty education, he entered the Prussian Army in 1792, served in the Rhine campaign of 1796, and retired from the service in 1799 with the rank of lieutenant. He studied law and philosophy at the Viadrina University, and in 1800, received a subordinate post in the ...
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Faust (Goethe)
''Faust'' is a tragic play in two parts by Johann Wolfgang von Goethe, usually known in English as ''Faust, Part One'' and ''Faust, Part Two''. Nearly all of Part One and the majority of Part Two are written in rhymed verse. Although rarely staged in its entirety, it is the play with the largest audience numbers on German-language stages. ''Faust'' is considered by many to be Goethe's ''magnum opus'' and the greatest work of German literature. The earliest forms of the work, known as the ''Urfaust'', were developed between 1772 and 1775; however, the details of that development are not entirely clear. ''Urfaust'' has twenty-two scenes, one in prose, two largely prose and the remaining 1,441 lines in rhymed verse. The manuscript is lost, but a copy was discovered in 1886. The first appearance of the work in print was ''Faust, a Fragment'', published in 1790. Goethe completed a preliminary version of what is now known as ''Part One'' in 1806. Its publication in 1808 was followed ...
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The Maid Of Orleans (play)
''The Maid of Orleans'' (german: Die Jungfrau von Orleans, links=no, ) is a tragedy by Friedrich Schiller, premiered on 11 September 1801 in Leipzig. During his lifetime, it was one of Schiller's most frequently-performed pieces. Plot The play loosely follows the life of Joan of Arc. It contains a prologue introducing the important characters, followed by five acts. Each dramatizes a significant event in Joan's life. Up to act 4 the play departs from history in only secondary details (e.g. by having Joan kill people in battle, and by shifting the reconciliation between the Armagnacs and the Burgundians from 1435 to 1430). Thereafter, however, the plot is entirely free. Joan is about to kill an English knight when, on removing his helmet, she at once falls in love with him, and spares him. Blaming herself for what she regards as a betrayal of her mission, then, when at Reims she is publicly accused of sorcery, she refuses to defend herself, is assumed to be guilty, and dismissed fr ...
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The Assumption Of Hannele
''The Ascension of Little Hannele'' (german: Hanneles Himmelfahrt), also known simply as ''Hannele'', is an 1893 play by the German playwright Gerhart Hauptmann.Hartnoll (1983, 377). In contrast to Hauptmann's naturalistic dramas, ''The Assumption of Hannele'' adopts a more symbolist dramaturgy and includes a dream sequence. The play is the first in recorded world literature with a child as its heroine. The play tells the story of a neglected and abused peasant child, who, on her deathbed, experiences a vision of divine powers welcoming her into the afterlife. It was first published in 1894. Hauptmann was awarded the Grillparzer Prize in 1896 for the play. Production history The play received its première under the title ''Hannele'' at the Königliches Schauspielhaus in Berlin, opening on 14 December 1893. The production was directed by Max Grube, with music by Max Marschalk. The cast included Adalbert Matkowsky. The play was directed by the seminal Russian theatre practit ...
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The Robbers
''The Robbers'' (', ) is the first drama by German playwright Friedrich Schiller. The play was published in 1781 and premiered on 13 January 1782 in Mannheim, Germany, and was inspired by Leisewitz' earlier play ''Julius of Taranto''. It was written towards the end of the German ''Sturm und Drang'' ("Storm and Stress") movement, and many critics, such as Peter Brooks, consider it very influential in the development of European melodrama. The play astounded its Mannheim audience and made Schiller an overnight sensation. It later became the basis for Verdi's opera of the same name, '' I masnadieri''. Plot and description The plot revolves around the conflict between two aristocratic brothers, Karl and Franz Moor. The charismatic but rebellious student Karl is deeply loved by his father. The younger brother, Franz, who appears as a cold, calculating villain, plots to wrest away Karl's inheritance. As the play unfolds, both Franz's motives and Karl's innocence and heroism are ...
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Adolphe L'Arronge
Adolphe L'Arronge (8 March 1838 – 25 May 1908) was a German playwright and theatre director A theatre director or stage director is a professional in the theatre field who oversees and orchestrates the mounting of a theatre production such as a play, opera, dance, drama, musical theatre performance, etc. by unifying various endeavors a .... His best known work is the 1873 comedy play '' My Leopold'' which has been adapted into numerous films.Dennis Kennedy (2010). ''The Oxford Companion to Theatre and Performance''. Oxford University Press. p. 335. Selected works * '' My Leopold'' (1873) * '' Hasemann's Daughters'' (1877) * '' The Lonei Household'' (1880) References 1838 births 1908 deaths Writers from Hamburg {{Germany-playwright-stub ...
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Götz Von Berlichingen (Goethe)
' is a successful 1773 drama by Johann Wolfgang von Goethe, based on the memoirs of the historical adventurer-poet Gottfried or Götz von Berlichingen (). It first appeared in English in 1799 as ''Goetz of Berlichingen of the Iron Hand'' in a rather free version by Walter Scott. Goethe's plot treats events freely: while the historical Götz died in his eighties, Goethe's hero is a free spirit, a maverick, intended to be a pillar of national integrity against a deceitful and over-refined society, and the way in which he tragically succumbs to the abstract concepts of law and justice shows the submission of the individual in that society. ' was one of Goethe's early successes but its large cast size, frequent quick scene changes, and long running time caused the original version to eventually fall out of favour. The play has been re-arranged and cut many times, including two versions by Goethe that were published posthumously. A 1925 silent film ''Goetz von Berlichingen of the Iro ...
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Die Gewehre Der Frau Carrar
''Die Gewehre der Frau Carrar'' was a 1953 East German live television production of the 1937 play ''Señora Carrar's Rifles'' by Bertolt Brecht Eugen Berthold Friedrich Brecht (10 February 1898 – 14 August 1956), known professionally as Bertolt Brecht, was a German theatre practitioner, playwright, and poet. Coming of age during the Weimar Republic, he had his first successes as a pl .... External links * 1953 films 1953 television plays East German films Television in East Germany German television films 1950s German-language films German-language television shows Films based on works by Bertolt Brecht {{Germany-tv-film-stub ...
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Drayman Henschel
''Drayman Henschel'' (german: Fuhrmann Henschel), also known as ''Carter Henschel'', is an 1898 five-act naturalistic play by the German playwright Gerhart Hauptmann. Unlike his 1892 play ''The Weavers'', Hauptmann focuses on the story's psychological rather than social dimensions.Jelavich (1984, 455). As with his 1902 play ''Rose Bernd'', the play charts the demise of an ordinary man who falls victim to circumstances beyond his control. As with many of Hauptmann's dramas, it ends with the main character's suicide. Plot Malchen Henschel is feeling sickly and feels she may die. She bandies words with Hanne, a gruff servant. Her husband enters, discussing his business as a drayman, carting goods from one place to another. Mrs. Henschel is jealous when she learns that her husband was kind enough to get Hanne's apron for her. If she dies, what would happen to Gustel, her baby daughter? Says Malchen: "One thing I tell you now- If I dies, Gustel dies along with me! I'll take her with me! ...
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Fear And Misery Of The Third Reich
''Fear and Misery of the Third Reich'' (german: Furcht und Elend des Dritten Reiches), also known as ''The Private Life of the Master Race'', is one of Bertolt Brecht's most famous plays and the first of his openly anti-Nazi works. It premiered on 21 May 1938 in Paris. This production was directed by Slatan Dudow and starred Helene Weigel. The production employed Brecht's epic theatre techniques to defamiliarize the behaviour of the characters and to make explicit the play's underlying message. The play consists of a series of playlets, portraying National Socialist Germany of the 1930s as a land of poverty, violence, fear and pretence. Nazi antisemitism is depicted in several of the sketches, including "the Physicist", "Judicial Process", and "the Jewish Wife". It was followed by many more plays that were openly anti-Nazi (''Arturo Ui'', etc.) and attempted a Marxist analysis. They were written while Brecht was in exile in Denmark and were inspired by a visit to Moscow, where h ...
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Frank Wedekind
Benjamin Franklin Wedekind (July 24, 1864 – March 9, 1918) was a German playwright. His work, which often criticizes bourgeois attitudes (particularly towards sex), is considered to anticipate expressionism and was influential in the development of epic theatre.See Banham (1998) and Willett (1959). In his ''Messingkauf Dialogues'', Brecht cites Wedekind, along with Büchner and Valentin, as his "chief influences" in his early years: "he", Brecht writes of himself in the third person, "also saw the writer ''Wedekind'' performing his own works in a style which he had developed in cabaret. Wedekind had worked as a ballad singer; he accompanied himself on the lute." (1965, 69). In the English-speaking world, before 2006 Wedekind was best known for the "Lulu" cycle, a two-play series—''Erdgeist'' (''Earth Spirit'', 1895) and '' Die Büchse der Pandora'' (''Pandora's Box'', 1904)—centered on a young dancer/adventuress of mysterious origin. In 2006 his earlier play ''Frü ...
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Frühlings Erwachen
''Spring Awakening'' (german: Frühlings Erwachen, links=no) (also translated as ''Spring's Awakening'' and ''The Awakening of Spring'') is the German dramatist Frank Wedekind's first major play and a foundational work in the modern history of theatre. It was written sometime between autumn 1890 and spring 1891, but did not receive its first performance until 20 November 1906 when it premiered at the Deutsches Theater in Berlin under the direction of Max Reinhardt. It carries the sub-title ''A Children's Tragedy''. The play criticises perceived problems in the sexually oppressive culture of nineteenth century (''Fin de siècle'') Germany and offers a vivid dramatisation of the erotic fantasies that can breed in such an environment. Due to its controversial subject matter, the play has often been banned or censored. Characters * Wendla Bergmann: A girl who turns fourteen at the beginning of the play. She begs her mother to tell her the truth about how babies are born but is neve ...
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