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List Of Orphean Operas
Operas based on the Orphean myths, and especially the story of Orpheus' journey to the underworld to rescue his wife, Eurydice, were amongst the earliest examples of the art form and continue to be written into the 21st century. Orpheus, the Greek hero whose songs could charm both gods and wild beasts and coax the trees and rocks into dance, has achieved an emblematic status as a metaphor for the power of music. The following is an annotated list of operas (and works in related genres) based on his myth. The works are listed with their composers and arranged by date of first performance. In cases where the opera was never performed, the approximate date of composition is given. 17th century *1600 – Jacopo Peri – '' Euridice'', the first genuine opera whose music survives to this day. *1602 – Giulio Caccini – '' Euridice'' *1607 – Claudio Monteverdi – Monteverdi's ''L'Orfeo'', widely regarded as the first operatic masterwork. *1616 – Domenico Belli's '' Orfeo dol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cesare Gennari Orfeo
Cesare, the Italian version of the given name Caesar, may refer to: Given name * Cesare, Marquis of Beccaria (1738–1794), an Italian philosopher and politician * Cesare Airaghi (1840–1896), Italian colonel * Cesare Arzelà (1847–1912), Italian mathematician * Cesare Battisti (other) * Cesare Bocci (born 1957), Italian actor known for the ''Inspector Montalbano'' TV series * Cesare Bonizzi, Franciscan friar and heavy metal singer * Cesare Borgia (1475–1507), Italian general and statesman * Cesare "Cece" Carlucci (1917–2008), American baseball umpire * Cesare Emiliani (1922–1995), Italian-American scientist * Cesare Fiorio Cesare Fiorio (born May 26, 1939) is a former Formula One sporting director for Ferrari, Ligier and Minardi, and former team manager of Lancia's factory World Rally Championship team. He is currently employed as a TV commentator. His son Alessan ... (born 1939), Italian sportsperson * Cesare Gianturco (1905–1995), Italian- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Morte D'Orfeo
' (''The Death of Orpheus'') is an opera in five acts by the Italian composer Stefano Landi. Dedicated to Alessandro Mattei, ''familiaris'' of Pope Paul V, it may have been first performed in Rome in 1619. The work is styled a ''tragicomedia pastorale'' (pastoral tragicomedy). The libretto, which may be by the composer himself, is in part inspired by ''La favola d'Orfeo'' (1484) by Angelo Poliziano. Unlike Monteverdi's ''L'Orfeo'' and the earliest Florentine operas on the subject ('' Euridice'' by Peri and Caccini), Landi's opera contains comic elements and deals with a different episode from the life of the mythical singer. Roles Synopsis After Orpheus has failed to save his wife Eurydice from the underworld, he renounces wine and the love of women. This offends the god Bacchus who urges his female followers, the Maenads, to kill Orpheus. The enraged Maenads tear him apart. The gods want the dead Orpheus to join them on Olympus but Orpheus wants to be reunited with Eurydice in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Descente D'Orphée Aux Enfers
''La descente d'Orphée aux enfers'' H.488 (English: ''The Descent of Orpheus to the Underworld'') is an incomplete chamber opera in two acts by the French composer Marc-Antoine Charpentier. It was probably composed in early 1686 and performed either in the apartments of the Dauphin that spring or at Fontainebleau in the autumn. Charpentier himself sang the title role, joined by musicians of Mademoiselle de Guise and members of the Dauphin’s little ensemble; it was Charpentier’s last appearance with this ensemble. The libretto, whose author is unknown, is based on the myth of Orpheus as told by Ovid in Book 10 of the ''Metamorphoses''. It is debatable whether the opera as it survives in the manuscript is complete or not. The musicologist H. Wiley Hitchcock believes Charpentier may have planned (and composed) a third, concluding act. The opera is not to be confused with an earlier work, by Charpentier, ''Orphée descendant aux enfers'' H.471, which is a cantata for th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marc-Antoine Charpentier
Marc-Antoine Charpentier (; 1643 – 24 February 1704) was a French Baroque composer during the reign of Louis XIV. One of his most famous works is the main theme from the prelude of his ''Te Deum'', ''Marche en rondeau''. This theme is still used today as a fanfare during television broadcasts of the Eurovision Network, the European Broadcasting Union. Marc-Antoine Charpentier dominated the Baroque musical scene in seventeenth century France because of the quality of his prolific output. He mastered all genres, and his skill in writing sacred vocal music was especially hailed by his contemporaries. He began his career by going to Italy, there he fell under the influence of Giacomo Carissimi as well as other Italian composers, perhaps Domenico Mazzocchi. He would remain marked by the Italian style and become the only one with Jean-Joseph Cassanéa de Mondonville in France to approach the oratorio. In 1670, he became a master of music (composer and singer) in the service of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Draghi
Antonio Draghi (17 January 1634 – 16 January 1700) was a Baroque composer. He possibly was the brother of Giovanni Battista Draghi. Draghi was born at Rimini in Italy, and was one of the most prolific composers of his time. His contribution to the development of Italian opera was particularly significant. He began his musical career as a choirboy at Padua, but by 1657 he was appearing on stage, in the opera ''La fortuna di Rodope e di Damira'' which was produced in Venice. His first solo effort, the opera ''La Mascherata'', appeared in 1666. In 1668, Draghi was appointed to the court of Leopold I, Holy Roman Emperor, at Vienna, and he remained there until his death. List of operas This is the complete list of the operas of Antonio Draghi. References *''The Oxford Dictionary of Opera'', by John Warrack and Ewan West (1992), 782 pages, * Schnitzler, Rudolf; Seifert, Herbert (2001), "Draghi, Antonio", ''The New Grove Dictionary of Music and Musicians, Second Edition'' Lond ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Philipp Krieger
Johann Philipp Krieger (also ''Kriger'', ''Krüger'', ''Krugl'', and ''Giovanni Filippo Kriegher''; baptised 27 February 1649; died 7 February 1725) was a German people, German Baroque composer and organist. He was the elder brother of Johann Krieger. Life Early years The Krieger brothers came from a Nuremberg family of Rug making, rugmakers. According to Johann Mattheson's ''Grundlage einer Ehren-Pforte'', Johann Philipp started studying keyboard playing at age 8, with Johann Drechsel (a pupil of the celebrated Johann Jakob Froberger) and other instruments at around the same time, with Gabriel Schütz. He was apparently a gifted student, displaying absolute pitch and a feeling for keyboard music: according to Mattheson, already after a year of studies he was able to impress large audiences and was composing attractive arias. Johann Philipp soon left Nuremberg for Copenhagen, where he spent some four or five years, studying organ playing with Johann Schröder (composer), Johann Sc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Empress Of Morocco
''The Empress of Morocco'' is a 1673 tragedy by the English writer Elkanah Settle. It was originally staged by the Duke's Company at the Dorset Garden Theatre in London. The cast included Henry Harris as Muly Labas, William Smith as Muly Hamet, Thomas Betterton as Grimalhaz, Matthew Medbourne as Hametalhaz, John Crosby as Abdelcador, Mary Betterton Mary Saunderson (1637–1712), later known as Mary Saunderson Betterton after her marriage to Thomas Betterton, was an actress and singer in England during the 1660s and 1690s. She is considered one of the first English actresses. Stage career ... as Laula and Mary Lee as Mariamne.Van Lennep p.206 The published version was dedicated to Henry Howard, Earl of Norwich. References Bibliography * Van Lennep, W. ''The London Stage, 1660-1800: Volume One, 1660-1700''. Southern Illinois University Press, 1960. 1673 plays West End plays Tragedy plays Plays by Elkanah Settle {{17thC-play-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elkanah Settle
Elkanah Settle (1 February 1648 – 12 February 1724) was an England, English poet and playwright. Biography He was born at Dunstable, and entered Trinity College, Oxford, in 1666, but left without taking a degree. His first tragedy, ''Cambyses, King of Persia'', was produced at Lincoln's Inn Fields in 1667. The success of this play led the Earl of Rochester to encourage the new writer as a rival to John Dryden. Through his influence, Settle's ''The Empress of Morocco'' (1673) was twice performed at Whitehall, and proved a great success. It is said by John Dennis (dramatist), John Dennis to have been "the first play that was ever sold in England for two shillings, and the first play that was ever printed with cuts." These illustrations represent scenes in the theatre, and make the book very valuable. The play was printed with a preface to the Earl of Norwich, in which Settle described with scorn the effusive dedications of other dramatic poets. Dryden was obviously aimed at, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Masque
The masque was a form of festive courtly entertainment that flourished in 16th- and early 17th-century Europe, though it was developed earlier in Italy, in forms including the intermedio (a public version of the masque was the pageant). A masque involved music, dancing, singing and acting, within an elaborate stage design, in which the architectural framing and costumes might be designed by a renowned architect, to present a deferential allegory flattering to the patron. Professional actors and musicians were hired for the speaking and singing parts. Masquers who did not speak or sing were often courtiers: the English queen Anne of Denmark frequently danced with her ladies in masques between 1603 and 1611, and Henry VIII and Charles I of England performed in the masques at their courts. In the tradition of masque, Louis XIV of France danced in ballets at Versailles with music by Jean-Baptiste Lully. Development The masque tradition developed from the elaborate pageants and cou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matthew Locke (composer)
Matthew Locke (c. 1621 – August 1677) was an English Baroque composer and music theorist. Biography Locke was born in Exeter and was a chorister in the choir of Exeter Cathedral, under Edward Gibbons, the brother of Orlando Gibbons. At the age of eighteen Locke travelled to the Netherlands, possibly converting to Roman Catholicism at the time. Locke, with Christopher Gibbons (the son of Orlando), composed the score for ''Cupid and Death,'' the 1653 masque by Caroline-era playwright James Shirley. Their score for that work is the sole surviving score for a dramatic work from that era. Locke was one of the quintet of composers who provided music for ''The Siege of Rhodes'' (1656), the breakthrough early opera by Sir William Davenant. Locke wrote music for subsequent Davenant operas, ''The Cruelty of the Spaniards in Peru'' (1658) and ''The History of Sir Francis Drake'' (1659). He wrote the music for the processional march for the coronation of Charles II. In 1673 Locke ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orfeo (Sartorio)
''Orfeo'' (''Orpheus'') is an opera in three acts by the Italian composer Antonio Sartorio. The libretto, by Aurelio Aureli, is based on the myth of Orpheus and Eurydice. It was first performed at the Teatro San Salvatore, Venice in 1672. With its clear division between arias (of which there are about 50) and recitative Recitative (, also known by its Italian name "''recitativo''" ()) is a style of delivery (much used in operas, oratorios, and cantatas) in which a singer is allowed to adopt the rhythms and delivery of ordinary speech. Recitative does not repeat ..., the work marks a transition in style between the Venetian opera of Francesco Cavalli and the new form of opera seria. Modern reactions to the work have been mixed, with Tim Carter describing it as "a fairly dismal example of a genre with all the symptoms of terminal decline... rfeos journey to Hades seems almost a Sunday-school outing...Whether satire or not, this is indeed a sorry tale."''Oxford Illustrated'' p. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Sartorio
Antonio Sartorio (1630 – 30 December 1680) was an Italian composer active mainly in Venice, Italy, and in Hanover, Germany. He was a leading composer of operas in his native Venice in the 1660s and 1670s and was also known for composing in other genres of vocal music. Between 1665 and 1675 he spent most of his time in Hanover, where he held the post of ''Kapellmeister'' to Duke Johann Friedrich of Brunswick-Lüneburg – returning frequently to Venice to compose operas for the Carnival. In 1676 he became vice ''maestro di capella'' at San Marco in Venice. Early work in Italy and work as ''Kapellmeister'' Sartorio was the brother of composer and organist Gasparo Sartorio and architect Girolamo Sartorio who also had connections with the theatre. Beyond birth records, the first known information about Sartorio relates to the mounting of his first opera, ''Gl'amori infruttuosi di Pirro'', at the Teatro di San Giovanni Grisostomo in Venice on 4 January 1661. His second op ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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