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Lise With A Parasol
''Lise with a Parasol'' (french: Lise – La femme à l'ombrelle) is an oil on canvas painting by French artist Pierre-Auguste Renoir, created in 1867 during his early Salon period. The full-length painting depicts model Lise Tréhot posing in a forest. She wears a white muslin dress and holds a black lace parasol to shade her from the sunlight, which filters down through the leaves, contrasting her face in the shadow and her body in the light, highlighting her dress rather than her face. After having several paintings rejected by the Salon, Renoir's ''Lise with a Parasol'' was finally accepted and exhibited in May 1868. The painting was one of Renoir's first critically successful works. At this time, Renoir's technique was still influenced by Gustave Courbet, but he continued to develop his unique style painting filtered light which he would return to in '' The Swing'' (1876) and '' Dance at Le Moulin de la Galette'' (1876). The almost life-size portrait and unusual contrast ...
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Oil On Canvas
Oil painting is the process of painting with pigments with a medium of drying oil as the binder. It has been the most common technique for artistic painting on wood panel or canvas for several centuries, spreading from Europe to the rest of the world. The advantages of oil for painting images include "greater flexibility, richer and denser colour, the use of layers, and a wider range from light to dark". But the process is slower, especially when one layer of paint needs to be allowed to dry before another is applied. The oldest known oil paintings were created by Buddhist artists in Afghanistan and date back to the 7th century AD. The technique of binding pigments in oil was later brought to Europe in the 15th century, about 900 years later. The adoption of oil paint by Europeans began with Early Netherlandish painting in Northern Europe, and by the height of the Renaissance, oil painting techniques had almost completely replaced the use of tempera paints in the majority o ...
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Barbizon School
The Barbizon school of painters were part of an art movement towards Realism in art, which arose in the context of the dominant Romantic Movement of the time. The Barbizon school was active roughly from 1830 through 1870. It takes its name from the village of Barbizon, France, on the edge of the Forest of Fontainebleau, where many of the artists gathered. Most of their works were landscape painting, but several of them also painted landscapes with farmworkers, and genre scenes of village life. Some of the most prominent features of this school are its tonal qualities, color, loose brushwork, and softness of form. The leaders of the Barbizon school were: Théodore Rousseau, Charles-François Daubigny, Jules Dupré, Constant Troyon, Charles Jacque, and Narcisse Virgilio Díaz. Jean-François Millet lived in Barbizon from 1849, but his interest in figures with a landscape backdrop sets him rather apart from the others. Jean-Baptiste-Camille Corot was the earliest on the scen ...
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Gheorghe Bibescu
Gheorghe Bibescu (;April 26th 1804 – 1 June 1873) was a ''hospodar'' (Prince) of Wallachia between 1843 and 1848. His rule coincided with the revolutionary tide that culminated in the 1848 Wallachian revolution. Early political career Born in Craiova as the first son of Dimitrie Bibescu, a member of the Bibescu boyar family, he studied Law in Paris. After his return to Wallachia, he was elected deputy in the Extraordinary Public Assembly, the legislative forum established by the Imperial Russian overseers at the end of the Russo-Turkish War of 1828–1829, representing the Dolj County during the Pavel Kiseleff administration. He subsequently took on different offices, including that of secretary of state. Before his election as hospodar, he was seen as an opponent of his predecessor, Alexandru II Ghica. Hospodar of Wallachia Election On 1 January 1843 the first (and only) elections carried out in accordance with the ''Organic Statute'' took place in Wallachia; these ...
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Diana (Renoir Painting)
''Diana'' (french: Diane chasseresse, lit=Huntress Diana) is a painting from 1867 by the French painter Pierre-Auguste Renoir. It is thought to depict the painter's lover Lise Tréhot as the Roman goddess Diana, although the exact identification of the model in the painting is disputed by art historians. Subject and composition The subject is Diana from Roman mythology in her capacity as a huntress. The nude goddess sits on a large stone with her right foot on an elevated perch. Her stretched arms lean on her bow. Below her is a deer with its neck pierced by an arrow. The painting began as a nude study with a posed model in a studio. It follows the conventions of academic art as typified by the Salon at the time. The model was Renoir's mistress and recurring model Lise Tréhot. According to the painter, he added the attributes of Diana because "the picture was considered pretty improper", and turning it into a mythological subject would make it more acceptable. Details such as ...
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Mother Anthony's Tavern
''Mother Anthony's Tavern'' (french: Le cabaret de la Mère Antony à Bourron-Marlotte), also known as ''At the Inn of Mother Anthony'', is an 1866 oil-on-canvas painting made by French artist Pierre-Auguste Renoir during his Fontainebleau period. It is one of Renoir's first major paintings, having completed it at the age of 25. The work is currently in the collection of the Nationalmuseum in Stockholm. Description Although there are various competing interpretations of the figures depicted in the painting, it is thought that the girl clearing plates in the front left of the painting is Nana; painter and architect Jules Le Coeur (1832-1882) appears as the bearded man standing up preparing to roll a cigarette, the clean-shaven man sitting down facing the viewer is thought to be Dutch landscape artist "Bos", a friend of Le Coeur; artist Alfred Sisley (1839–1899) appears as the bearded man seated with a hat next to Toto, a three-legged poodle with a wooden leg; in the far right back ...
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Jules Le Coeur
Jules is the French form of the Latin "Julius" (e.g. Jules César, the French name for Julius Caesar). It is the given name of: People with the name *Jules Aarons (1921–2008), American space physicist and photographer *Jules Abadie (1876–1953), French politician and surgeon *Jules Accorsi (born 1937), French football player and manager *Jules Adenis (1823–1900), French playwright and opera librettist *Jules Adler 1865–1952), French painter *Jules Asner (born 1968), American television personality *Jules Aimé Battandier (1848–1922), French botanist *Jules Bernard (born 2000), American basketball player *Jules Bianchi (1989–2015), French Formula One driver *Jules Breton (1827–1906), French Realist painter *Jules-André Brillant (1888–1973), Canadian entrepreneur *Jules Brunet (1838–1911), French Army general *Jules Charles-Roux (1841–1918), French businessman and politician *Jules Dewaquez (1899–1971), French footballer *Jules Marie Alphonse Jacques de Dixmu ...
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Forest Of Fontainebleau 1858 TMOA
A forest is an area of land dominated by trees. Hundreds of definitions of forest are used throughout the world, incorporating factors such as tree density, tree height, land use, legal standing, and ecological function. The United Nations' Food and Agriculture Organization (FAO) defines a forest as, "Land spanning more than 0.5 hectares with trees higher than 5 meters and a canopy cover of more than 10 percent, or trees able to reach these thresholds ''in situ''. It does not include land that is predominantly under agricultural or urban use." Using this definition, '' Global Forest Resources Assessment 2020'' (FRA 2020) found that forests covered , or approximately 31 percent of the world's land area in 2020. Forests are the predominant terrestrial ecosystem of Earth, and are found around the globe. More than half of the world's forests are found in only five countries (Brazil, Canada, China, Russia, and the United States). The largest share of forests (45 percent) are in th ...
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Le Déjeuner Sur L'herbe (Monet, Paris)
''Le Déjeuner sur l'herbe'' (English: ''Luncheon on the Grass'') is an 1865–1866 oil on canvas painting by Claude Monet, produced in response to the 1863 work of the same title by Édouard Manet. It remains unfinished, but two large fragments (central and left panels) are now in the Musée d'Orsay in Paris, whilst a smaller 1866 version is now in the Pushkin Museum in Moscow. Monet included the artist Gustave Courbet in the painting. Description The painting in its whole form shows twelve people. They are clothed in Parisian clothing which was fashionable at that time. They are having a picnic in near a forest glade. All the people are gathered around a white picnic blanket, where food as fruits, cake or wine is located. The mood in this natural space is primarily created by the play of light and shadow, which is created by deciduous tree above them. See also * List of paintings by Claude Monet This is an incomplete list of works by Claude Monet (1840–1926), i ...
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Johan Jongkind
Johan Barthold Jongkind (3 June 1819 – 9 February 1891) was a Dutch painter and printmaker. He painted marine landscapes in a free manner and is regarded as a forerunner of Impressionism. Biography Jongkind was born in the town of Lattrop in the Overijssel province of the Netherlands near the border with Germany. Trained at the art academy in The Hague under Andreas Schelfhout, in 1846 he moved to Montparnasse in Paris, France where he studied under Eugène Isabey and François-Édouard Picot. Two years later, the Paris Salon accepted his work for its exhibition, and he received acclaim from critic Charles Baudelaire and later on from Émile Zola. He was to experience little success, however, and he suffered bouts of depression complicated by alcoholism. Jongkind returned to live in Rotterdam in 1855, and remained there until 1860.Oxford Art Online: "Johan Barthold Jongkind" Back in Paris, in 1861 he rented a studio on the rue de Chevreuse in Montparnasse where some of ...
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Théodore Rousseau
Étienne Pierre Théodore Rousseau (April 15, 1812December 22, 1867) was a French painter of the Barbizon school. Life Youth He was born in Paris, France in a bourgeois family. At first he received a basic level of training, but soon displayed aptitude for painting. Although his father regretted the decision at first, he became reconciled to his son forsaking business, and throughout the artist's career (for he survived his son) was a sympathizer with him in all his conflicts with the Paris Salon authorities. Théodore Rousseau shared the difficulties of the romantic painters of 1830, in securing for their pictures a place in the annual Paris exhibition. The influence of classically trained artists was against them, and not until 1848 was Rousseau presented adequately to the public. He had exhibited six works in the Salons of 1831, 1833, 1834 and 1835, but in 1836 his great work ''Paysage du Jura'' 'La descente des vaches''was rejected by the Salon jury. He sent a total ...
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Jules Dupré
Jules Louis Dupré (April 5, 1811 – October 6, 1889) was a French painter, one of the chief members of the Barbizon school of landscape painters. If Corot stands for the lyric and Rousseau for the epic aspect of the poetry of nature, Dupré is the exponent of its tragic and dramatic aspects.Chisholm, Hugh, ed. (1911). Encyclopædia Britannica (11th ed.). Cambridge University Press. Biography Dupré was born in Nantes. He exhibited first at the Salon in 1831, and three years later was awarded a second-class medal. In the same year he came to England, where he was impressed by the genius of Constable. From then on he learned how to express movement in nature; and the districts around Southampton and Plymouth, with their wide, unbroken expanses of water, sky and ground, gave him good opportunities for studying the tempestuous motion of storm-clouds and the movement of foliage driven by the wind. He was named an Officer of the French Légion d'honneur in 1848. His daughter Th ...
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