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Like To Get To Know You (album)
''Like to Get to Know You'' is the second studio album by Spanky and Our Gang, released in 1968. It is the first of their albums to exhibit their signature sound, partially owing to it being produced by two different people than their debut album. Reception Writing for Allmusic, music critic Bruce Eder wrote the album "was harder-rocking, bluesier, and more inventive in its folk stylings than anything on their debut album. The mix of sounds was actually quite startling in its own time and is engaging even 30 some years later." Track listing # "The Swingin' Gate" (John Ferrell, Geoffrey Meyers) lead vocals: Malcolm Hale, John Seiter, Spanky McFarlane – 2:14 # "Prescription for the Blues" (Little Brother Montgomery, Bruce Saunders) lead vocals: Spanky McFarlane – 3:07 # "Three Ways from Tomorrow" (Lefty Baker) lead vocals: Lefty Baker– 3:25 # "My Bill" (Bob Dorough, Daniel Greenburg, Monte Ghertler) – 2:27 # " Sunday Mornin'" (Margo Guryan) lead vocals: Spanky McFarlane – ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spanky And Our Gang
Spanky and Our Gang was an American 1960s sunshine pop band led by Elaine "Spanky" McFarlane. The band derives its name from Hal Roach's ''Our Gang'' comedies of the 1930s (known to modern audiences as ''The Little Rascals''), because of the similarity of McFarlane's surname with that of George McFarland (Spanky). The group was known for its vocal harmonies and had major hits in the US and Canada in 1967–68 with " Sunday Will Never Be the Same," " Lazy Day," " Sunday Mornin'," and "Like to Get to Know You." History and work The group's first album was released by Mercury Records on August 1, 1967, with three popular songs that were released as singles. These were " Sunday Will Never Be the Same" (their biggest hit, which reached No. 9 on the U.S. ''Billboard'' Hot 100 chart in the summer of 1967), followed by "Making Every Minute Count" (reached No. 31/No. 23 in Canada) and " Lazy Day" (reached No. 14). Both "Sunday Will Never Be The Same" and "Lazy Day" sold over one mill ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Red Rhodes
Orville J. Rhodes, better known as Red Rhodes or O. J. Rhodes (December 30, 1930 – August 20, 1995), was an American pedal steel guitarist. His mother taught him to play the Dobro at the age of five, but at the age of fifteen he switched to the steel guitar. He was a boxer and an oil company engineer before he settled into music. He moved to Los Angeles in 1960 and became a session musician. Rhodes played pedal steel on many country rock, pop and rock albums with The Monkees, Michael Nesmith, James Taylor, The Beach Boys, Seals and Crofts, The Byrds, The Carpenters, Spanky and Our Gang, and many other groups, as part of the Wrecking Crew studio musicians. He is most often remembered for his work with former Monkee Michael Nesmith on Nesmith's solo albums in the early 1970s. Rhodes is also credited with the "other-worldly" effects he created with pedal steel on The Ventures futuristic album ''The Ventures in Space'' in 1964. In the late 1970s Rhodes shifted his foc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Davis (bassist)
Richard Davis (born April 15, 1930) is an American jazz bassist. Among his best-known contributions to the albums of others are Eric Dolphy's ''Out to Lunch!'', Andrew Hill's '' Point of Departure'', and Van Morrison's ''Astral Weeks'', of which critic Greil Marcus wrote (in ''The Rolling Stone Illustrated History of Rock and Roll''), "Richard Davis provided the greatest bass ever heard on a rock album." Music career Born in Chicago, Illinois, United States, Davis began his musical career with his brothers, singing bass in his family's vocal trio. He studied double bass in high school with his music theory teacher and band director, Walter Dyett. He was a member of Chicago Youth Symphony Orchestras (then known as the Youth Orchestra of Greater Chicago) and played in the orchestra's first performance at Chicago's Orchestra Hall on November 14, 1947. After high school, he studied double bass with Rudolf Fahsbender of the Chicago Symphony Orchestra while attending VanderCook Colleg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Larry Knechtel
Lawrence William Knechtel (August 4, 1940 – August 20, 2009) was an American keyboard player and bassist who was a member of the Wrecking Crew, a collection of Los Angeles-based session musicians who worked with such renowned artists as Simon & Garfunkel, Duane Eddy, the Beach Boys, the Mamas & the Papas, the Monkees, the Partridge Family, Billy Joel, the Doors, the Grass Roots, Jerry Garcia, and Elvis Presley, and as a member of the 1970s band Bread. Biography Born in Bell, California, in 1940, Knechtel began his musical education with piano lessons. In 1957, he joined the Los Angeles-based rock and roll band Kip Tyler and the Flips. In August 1959, he joined instrumentalist Duane Eddy as a member of his band the Rebels. After four years on the road with the band, and continuing to work with Eddy in the recording studio, Knechtel became part of the Los Angeles session musician scene, working with Phil Spector as a pianist to help create Spector's famous "Wall of Sound". Knec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mike Deasy
Michael William Deasy (born February 4, 1941) is an American rock and jazz guitarist. As a session musician, he played on numerous hit singles and albums recorded in Los Angeles in the 1960s, 1970s and 1980s. He is sometimes credited as Mike Deasy Sr. Biography He was born and raised in Los Angeles, California, where he learned to play guitar as a child. While still at high school, he played in bands backing visiting musicians such as Ricky Nelson and The Everly Brothers, and also played in Ritchie Valens' touring band with Bruce Johnston, Larry Knechtel, Sandy Nelson, and Jim Horn. After graduating in 1959, he joined Eddie Cochran's band, the Kelly Four, where he played both guitar and baritone sax and made his first recordings.Mike Deasy at Musicians Hall of Fame . Retrieved August 22, 2013< ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Seiter
John Seiter (born August 17, 1944) is an American musician. He is best known for his work as a drummer for Spanky and Our Gang and The Turtles. Biography Seiter's first official credit came on a 1972 recording of ''Peter and the Wolf'' for United Artists, the brainchild of actor and director Rob Reiner. Seiter first rose to prominence, however, as a member of the pop group Spanky and Our Gang. He joined the band in 1967, shortly after they achieved their first charting hit, " Sunday Will Never Be the Same", and stayed for three studio albums and a live concert recording. The band collapsed after the 1968 death of Malcolm Hale, and Seiter accepted a position as drummer for The Turtles, replacing John Barbata. The Turtles recorded one final studio album, ''Turtle Soup'', then disbanded as well. Seiter next joined Rosebud for their eponymous debut, but shortly after the album's release the band collapsed in the wake of the divorce of members Judy Henske and Jerry Yester. Seiter sub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mitchell Parish
Mitchell Parish (born Michael Hyman Pashelinsky; July 10, 1900 – March 31, 1993) was an American lyricist, notably as a writer of songs for stage and screen. Biography Parish was born to a Jewish family in Lithuania, Russian Empire in July 1900 His family emigrated to the United States, arriving on February 3, 1901, aboard the '' SS Dresden'' when he was less than a year old. They settled first in Louisiana where his paternal grandmother had relatives, but later moved to New York City, where he grew up on the Lower East Side of Manhattan and received his education in the public schools. He attended Columbia University and N.Y.U. and was a member of Phi Beta Kappa. He eventually abandoned the notion of practicing law to become a songwriter. He served his apprenticeship as a writer of special material for vaudeville acts, and later established himself as a writer of songs for stage, screen and numerous musical revues. By the late 1920s, Parish was a well-regarded Tin Pan Alley ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hoagy Carmichael
Hoagland Howard Carmichael (November 22, 1899 – December 27, 1981) was an American musician, composer, songwriter, actor and lawyer. Carmichael was one of the most successful Tin Pan Alley songwriters of the 1930s, and was among the first singer-songwriters in the age of mass media to utilize new communication technologies such as television, electronic microphones, and sound recordings. Carmichael composed several hundred songs, including 50 that achieved hit record status. He is best known for composing the music for " Stardust", "Georgia on My Mind" (lyrics by Stuart Gorrell), "The Nearness of You", and " Heart and Soul" (in collaboration with lyricist Frank Loesser), four of the most-recorded American songs of all time. He also collaborated with lyricist Johnny Mercer on " Lazybones" and "Skylark". Carmichael's "Ole Buttermilk Sky" was an Academy Award nominee in 1946, from ''Canyon Passage'', in which he co-starred as a musician riding a mule. " In the Cool, Cool, C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stardust (1927 Song)
"Stardust" is a jazz song composed by American singer, songwriter and musician Hoagy Carmichael with lyrics by Mitchell Parish. Now considered a standard and part of the Great American Songbook, the song has been recorded over 1,500 times either as an instrumental or vocal track, featuring different performers. During his time attending Indiana University, Carmichael developed a taste for jazz. He formed his own band and played at local events in Indiana and Ohio. Following his graduation, Carmichael moved to Florida to work for a law firm. He left the law sector and returned to Indiana, after learning of the success of one of his compositions. In 1927, after leaving a local university hangout, Carmichael started to whistle a tune that he later developed further. When composing the song, he was inspired by the end of one of his love affairs, and on the suggestion of a university classmate, he decided on its title. The same year, Carmichael recorded an instrumental version of the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nigel Pickering
Nigel Pickering (born Fredy Ray Pickering; June 15 1929 - May 5 2011) was an American folk rock musician, who co-founded and was a songwriter for Spanky And Our Gang. Career Nigel Pickering was born Fredy Ray Pickering in 1929 in Pontiac, Missouri. Pickering began his music career playing guitar on the radio with a Milwaukee group called "The Westernaires" in the mid 1950s. Their show was called "Ranch House Roundup" and he was the character "Ranger Tom." Prior to being in Our Gang, Nigel was a member of the folk trio The Folksters, whom appeared on two 1962 episodes of The Tonight Show With Johnny Carson (November 19th and 26th). The trio included Kenny Hodges, who later played in Spanky And Our Gang. Pickering first met Spanky McFarlane and Oz Bach at a Hurricane party in Chicago, Illinois in 1965. The three, along with Malcom Hale and John Seiter, formed Spanky And Our Gang, best known for songs such as '' Lazy Day'', '' Sunday Will Never Be The Same'', and ''Like To Get To ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Like To Get To Know You
"Like to Get to Know You" is a 1968 song from Spanky and Our Gang. Written by Stuart Scharf, the song debuted at No. 71 on the ''Billboard'' Hot 100 on April 20, 1968, and peaked at No. 17 on June 8, 1968.''Joel Whitburn's Top Pop Singles 1955-1990'' - It became a minor hit on the ''Billboard'' Easy Listening chart at the same time, eventually rising to No. 24 the same week it peaked on the Hot 100. In Canada, the song reached No. 5 on the ''RPM Magazine'' charts. On the album of the same name, the song is broken into two parts: the full vocal, and a coda that echoes the chorus and conversation from the song. Recording As on their previous hit single, their new producer, Stuart Scharf, also employed session musicians to create the instrumental backing track while the group members provided lead and background vocals. This was the first hit they recorded in Los Angeles—all of their previous records were cut in New York with Jerry Ross producing. Session players on this reco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
