Life In Harmony
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Life In Harmony
"Life in Harmony" (stylized as "LIFE IN HARMONY") is a song recorded by Japanese singer Misia for her tenth studio album, '' Soul Quest''. It was released as a digital single on September 15, 2010. A CD single was produced and included as a limited bonus on the '' Hoshizora no Live VI Encore 2010 International Year of Biodiversity'' concert DVD. The four-track CD single was later released as a digital EP on November 10, 2010. "Life in Harmony" was the official song for the tenth Convention on Biological Diversity (COP 10), of which Misia was named an honorary ambassador. Misia performed the song at the convention held at the Nagoya Congress Center on October 18, 2010. Composition "Life in Harmony" was written by Misia, composed by Korean composer Hwang Hyun, credited under the pseudonym yellowRubato. The track was co-produced by David Foster and Jochem van der Saag. The collaboration between Misia and Foster came about as Foster was looking for an Asian singer to participate in ...
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Misia
Misaki Itō, commonly known as and stylized as MISIA, is a Japanese singer and songwriter. Born in Nagasaki, Misia moved to Fukuoka at the age of 14 to pursue a recording career. There, she continued her secondary education and briefly attended Seinan Gakuin University before withdrawing to focus on her musical career. She was signed to BMG Japan in 1997, after auditioning for record producer Haruo Yoda. Misia came to prominence following the release of her debut album, ''Mother Father Brother Sister'' (1998), which became the seventh best-selling Japanese debut album of all time, earning her two Japan Gold Disc Awards and one Japan Record Award. In 2000, Misia released her sophomore album, '' Love Is the Message'', which earned her another Japan Gold Disc Award and Japan Record Award. Her third studio album, '' Marvelous'' (2001), spawned her first number-one single on the Oricon singles chart, "Everything". The song became one of the best-selling singles of all time in Japan, ...
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Ahmed Djoghlaf
Ahmed Djoghlaf (born 25 November 1953 in Algiers), was the executive secretary of the Convention on Biological Diversity under the United Nations Environment Programme (UNEP) until 2012. As Executive Secretary of the Convention, he had a key role in the field of sustainable development and protection of global biodiversity. He was formerly the Assistant Executive Director of UNEP and Director of the Division of the Global Environment Facility Coordination. He studied at, among others, the Nancy-Université, France (PhD in political sciences), St. John's University, New York (Master of Arts, Government and Politics), Université Lille Nord de France (Master of Political Sciences and Information Sciences) and the University of Algiers (Law degree). He is a Councillor of the World Future Council The World Future Council (WFC) is a German non-profit foundation with its headquarters in Hamburg. It works to pass on a healthy and sustainable planet with just and peaceful societie ...
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Audio Mastering
Mastering, a form of audio post production, is the process of preparing and transferring recorded audio from a source containing the final mix to a data storage device (the master), the source from which all copies will be produced (via methods such as pressing, duplication or replication). In recent years digital masters have become usual, although analog masters—such as audio tapes—are still being used by the manufacturing industry, particularly by a few engineers who specialize in analog mastering. Mastering requires critical listening; however, software tools exist to facilitate the process. Results depend upon the intent of the engineer, the skills of the engineer, the accuracy of the speaker monitors, and the listening environment. Mastering engineers often apply equalization and dynamic range compression in order to optimize sound translation on all playback systems. It is standard practice to make a copy of a master recording—known as a safety copy—in cas ...
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Audio Mixing (recorded Music)
In sound recording and reproduction, audio mixing is the process of optimizing and combining multitrack recordings into a final mono, stereo or surround sound product. In the process of combining the separate tracks, their relative levels are adjusted and balanced and various processes such as equalization and compression are commonly applied to individual tracks, groups of tracks, and the overall mix. In stereo and surround sound mixing, the placement of the tracks within the stereo (or surround) field are adjusted and balanced. Audio mixing techniques and approaches vary widely and have a significant influence on the final product. Audio mixing techniques largely depend on music genres and the quality of sound recordings involved. The process is generally carried out by a mixing engineer, though sometimes the record producer or recording artist may assist. After mixing, a mastering engineer prepares the final product for production. Audio mixing may be performed on a mixing ...
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Programming (music)
Programming is a form of music production and performance using electronic devices and computer software, such as sequencers and workstations or hardware synthesizers, sampler and sequencers, to generate sounds of musical instruments. These musical sounds are created through the use of music coding languages. There are many music coding languages of varying complexity. Music programming is also frequently used in modern pop and rock music from various regions of the world, and sometimes in jazz and contemporary classical music. It gained popularity in the 1950s and has been emerging ever since. Music programming is the process in which a musician produces a sound or "patch" (be it from scratch or with the aid of a synthesizer/ sampler), or uses a sequencer to arrange a song. Coding languages Music coding languages are used to program the electronic devices to produce the instrumental sounds they make. Each coding language has its own level of difficulty and function. Alda ...
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Synthesizer
A synthesizer (also spelled synthesiser) is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and frequency modulation synthesis. These sounds may be altered by components such as filters, which cut or boost frequencies; envelopes, which control articulation, or how notes begin and end; and low-frequency oscillators, which modulate parameters such as pitch, volume, or filter characteristics affecting timbre. Synthesizers are typically played with keyboards or controlled by sequencers, software or other instruments, and may be synchronized to other equipment via MIDI. Synthesizer-like instruments emerged in the United States in the mid-20th century with instruments such as the RCA Mark II Sound Synthesizer, RCA Mark II, which was controlled with Punched card, punch cards and used hundreds of vacuum tubes. The Moog synthesizer, d ...
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Audio Engineering
Audio most commonly refers to sound, as it is transmitted in signal form. It may also refer to: Sound * Audio signal, an electrical representation of sound *Audio frequency, a frequency in the audio spectrum * Digital audio, representation of sound in a form processed and/or stored by computers or digital electronics *Audio, audible content (media) in audio production and publishing *Semantic audio, extraction of symbols or meaning from audio * Stereophonic audio, method of sound reproduction that creates an illusion of multi-directional audible perspective * Audio equipment Entertainment *AUDIO (group), an American R&B band of 5 brothers formerly known as TNT Boyz and as B5 * ''Audio'' (album), an album by the Blue Man Group * ''Audio'' (magazine), a magazine published from 1947 to 2000 *Audio (musician), British drum and bass artist * "Audio" (song), a song by LSD Computing *, an HTML element, see HTML5 audio See also *Acoustic (other) *Audible (other) *A ...
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Michael Thompson (guitarist)
Michael Thompson (born Michael Wood Thompson, February 11, 1954 in Port Washington, New York) is an American guitarist and songwriter. Thompson is known for his work as a session guitarist during the last 4 decades. He founded the rock group TRW in 2007. Early years Michael Thompson grew up in Port Washington, New York and attended Berklee College of Music for two years, studying with Pat Metheny before leaving to tour and record with a local R&B/funk group called The Ellis Hall Group. After four years with the group, Thompson moved to Los Angeles in the hopes of starting a career as a studio musician, almost immediately getting a touring gig with Joe Cocker. Money was tight and to support himself and his wife Gloria, Thompson supplemented gigs playing on songwriters' publishing demos and sporadic session work with a job as a cab driver until landing a year-long world tour with Cher. Following the tour, Thompson played guitar for the TV series '' Fame'', a gig he would hold ...
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Guitar
The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A plectrum or individual finger picks may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant chamber on the instrument, or amplified by an electronic pickup and an amplifier. The guitar is classified as a chordophone – meaning the sound is produced by a vibrating string stretched between two fixed points. Historically, a guitar was constructed from wood with its strings made of catgut. Steel guitar strings were introduced near the end of the nineteenth century in the United States; nylon strings came in the 1940s. The guitar's ancestors include the gittern, the vihuela, the four- course Renaissance guitar, and the ...
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Electronic Keyboard
An electronic keyboard, portable keyboard, or digital keyboard is an electronic musical instrument, an electronic derivative of keyboard instruments. Electronic keyboards include synthesizers, digital pianos, stage pianos, electronic organs and digital audio workstations. In technical terms, an electronic keyboard is a synthesizer with a low-wattage power amplifier and small loudspeakers. Electronic keyboards are capable of recreating a wide range of instrument sounds (piano, Hammond organ, pipe organ, violin, etc.) and synthesizer tones with less complex sound synthesis. Electronic keyboards are usually designed for home users, beginners and other non-professional users. They typically have unweighted keys. The least expensive models do not have velocity-sensitive keys, but mid- to high-priced models do. Home keyboards typically have little, if any, digital sound editing capacity. The user typically selects from a range of preset "voices" or sounds, which include imitations ...
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Arrangement
In music, an arrangement is a musical adaptation of an existing composition. Differences from the original composition may include reharmonization, melodic paraphrasing, orchestration, or formal development. Arranging differs from orchestration in that the latter process is limited to the assignment of notes to instruments for performance by an orchestra, concert band, or other musical ensemble. Arranging "involves adding compositional techniques, such as new thematic material for introductions, transitions, or modulations, and endings. Arranging is the art of giving an existing melody musical variety".(Corozine 2002, p. 3) In jazz, a memorized (unwritten) arrangement of a new or pre-existing composition is known as a ''head arrangement''. Classical music Arrangement and transcriptions of classical and serious music go back to the early history of this genre. Eighteenth century J.S. Bach frequently made arrangements of his own and other composers' piec ...
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Record Producer
A record producer is a recording project's creative and technical leader, commanding studio time and coaching artists, and in popular genres typically creates the song's very sound and structure.Virgil Moorefield"Introduction" ''The Producer as Composer: Shaping the Sounds of Popular Music'' (Cambridge, MA & London, UK: MIT Press, 2005).Richard James Burgess, ''The History of Music Production'' (New York: Oxford University Press, 2014)pp 12–13Allan Watson, ''Cultural Production in and Beyond the Recording Studio'' (New York: Routledge, 2015)pp 25–27 The record producer, or simply the producer, is likened to film director and art director. The executive producer, on the other hand, enables the recording project through entrepreneurship, and an audio engineer operates the technology. Varying by project, the producer may or may not choose all of the artists. If employing only synthesized or sampled instrumentation, the producer may be the sole artist. Conversely, some artists ...
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