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Liceo De Heredia
The Gran Teatre del Liceu (, English: Great Theatre of the Lyceum), known as ''El Liceu'', is an opera house in Barcelona, Catalonia, Spain. Located in La Rambla, it is the oldest running theatre in Barcelona. Founded in 1837 at another location, El Liceu opened at its current location on 4 April 1847. The theatre was rebuilt after two fires in 1861 and 1994 and reopened on 20 April 1862 and 7 October 1999, respectively. On 7 November 1893, on the opening night of the season, an anarchist threw two bombs into the stalls, and some twenty people were killed and many more were injured. Between 1847 and 1989, the Liceu was the largest opera house in Europe by capacity, with its 2,338 seats at the time. Since 1994, the Liceu has been owned and managed by a public foundation, whose Board of Trustees comprises members representing the Ministry of Culture of the Government of Spain, the Generalitat de Catalunya, the Provincial Deputation of Barcelona and the City Council of Barcel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Rambla, Barcelona
La Rambla () is a street in central Barcelona. A tree-lined pedestrian street, it stretches for connecting the in its center with the Christopher Columbus Monument at Port Vell. La Rambla forms the boundary between the neighbourhoods of the to the east and the to the west. La Rambla can be crowded, especially during the height of the tourist season. Its popularity with tourists has affected the character of the street, which has shifted in composition to pavement cafes and souvenir kiosks. It has also suffered from the attention of pickpockets. The Spanish poet Federico García Lorca once said that La Rambla was "the only street in the world which I wish would never end." Orientation La Rambla can be considered a series of shorter streets, each differently named, hence the plural form (the original Catalan form; in Spanish it is ). The street is successively called: * – the site of the fountain * – the site of the former Jesuit University, whose only remainder ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vicenzo Bellini
Vincenzo Salvatore Carmelo Francesco Bellini (; 3 November 1801 – 23 September 1835) was a Sicilian opera composer, who was known for his long-flowing melodic lines for which he was named "the Swan of Catania". Many years later, in 1898, Giuseppe Verdi "praised the broad curves of Bellini's melody: 'there are extremely long melodies as no-one else had ever made before'." A large amount of what is known about Bellini's life and his activities comes from surviving letters—except for a short period—which were written over his lifetime to his friend Francesco Florimo, whom he had met as a fellow student in Naples and with whom he maintained a lifelong friendship. Other sources of information come from correspondence saved by other friends and business acquaintances. Bellini was the quintessential composer of the Italian ''bel canto'' era of the early 19th century, and his work has been summed up by the London critic Tim Ashley as: ... also hugely influential, as much adm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaetano Donizetti
Domenico Gaetano Maria Donizetti (29 November 1797 – 8 April 1848) was an Italian composer, best known for his almost 70 operas. Along with Gioachino Rossini and Vincenzo Bellini, he was a leading composer of the '' bel canto'' opera style during the first half of the nineteenth century and a probable influence on other composers such as Giuseppe Verdi. Donizetti was born in Bergamo in Lombardy. At an early age he was taken up by Simon Mayr who enrolled him with a full scholarship in a school which he had set up. There he received detailed musical training. Mayr was instrumental in obtaining a place for Donizetti at the Bologna Academy, where, at the age of 19, he wrote his first one-act opera, the comedy ''Il Pigmalione'', which may never have been performed during his lifetime. An offer in 1822 from Domenico Barbaja, the impresario of the Teatro di San Carlo in Naples, which followed the composer's ninth opera, led to his move to Naples and his residency there until productio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marià Obiols
Marià Obiols (26 November 1809 – 10 December 1888), also known as Mariano Obiols, was a Catalan composer, conductor, and professor of music. He served as the music director of the Gran Teatre del Liceu in Barcelona from its founding in 1847 until his death. A protégé of Saverio Mercadante, he composed three operas, the cantata ''Il regio imeneo'' which inaugurated the Liceu theatre, art songs, chamber music, and several pieces of sacred music. His vocal music was largely Italianate in style, reflecting his years of study in Italy as well as the influence of Mercadante. As a professor at the Conservatori Superior de Música del Liceu, Obiols influenced the development numerous singers, composers, and conductors and wrote books on piano and solfège methods which became standard texts at the conservatory.Radigales i Babí, Jaume (1998)''Els orígens del Gran Teatre del Liceu (1837-1847)'' pp. 51–53. L'Abadia de Montserrat. Notes References External linksScore of ''Diver ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cantata
A cantata (; ; literally "sung", past participle feminine singular of the Italian verb ''cantare'', "to sing") is a vocal composition with an instrumental accompaniment, typically in several movements, often involving a choir. The meaning of the term changed over time, from the simple single-voice madrigal of the early 17th century, to the multi-voice "cantata da camera" and the "cantata da chiesa" of the later part of that century, from the more substantial dramatic forms of the 18th century to the usually sacred-texted 19th-century cantata, which was effectively a type of short oratorio. Cantatas for use in the liturgy of church services are called church cantata or sacred cantata; other cantatas can be indicated as secular cantatas. Several cantatas were, and still are, written for special occasions, such as Christmas cantatas. Christoph Graupner, Georg Philipp Telemann and Johann Sebastian Bach composed cycles of church cantatas for the occasions of the liturgical year. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ouverture
Overture (from French ''ouverture'', "opening") in music was originally the instrumental introduction to a ballet, opera, or oratorio in the 17th century. During the early Romantic era, composers such as Beethoven and Mendelssohn composed overtures which were independent, self-existing instrumental, programmatic works that foreshadowed genres such as the symphonic poem. These were "at first undoubtedly intended to be played at the head of a programme". History 17th century The idea of an instrumental opening to opera existed during the 17th century. Peri's '' Euridice'' opens with a brief instrumental ritornello, and Monteverdi's ''L'Orfeo'' (1607) opens with a toccata, in this case a fanfare for muted trumpets. More important, however, was the prologue, which comprised sung dialogue between allegorical characters which introduced the overarching themes of the stories depicted. French overture As a musical form, however, the French overture first appears in the court ballet a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Premiere
A première, also spelled premiere, is the debut (first public presentation) of a play, film, dance, or musical composition. A work will often have many premières: a world première (the first time it is shown anywhere in the world), its first presentation in each country, and an online première (the first time it is published on the Internet). When a work originates in a country that speaks a different language from that in which it is receiving its national or international première, it is possible to have two premières for the same work in the same country—for example, the play ''The Maids'' by the French dramatist Jean Genet received its British première (which also happened to be its world première) in 1952, in a production given in the French language. Four years later, it was staged again, this time in English, which was its English-language première in Britain. History Raymond F. Betts attributes the introduction of the film premiere to showman Sid Grauman, who ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miquel Garriga I Roca
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Miquel may refer to: * the Catalan form of the given name Michael * Friedrich Anton Wilhelm Miquel (1811–1871), a Dutch botanist * Gérard Miquel (born 1946), a member of the Senate of France * Ignasi Miquel (born 1992), a Spanish football player *Joaquín Miquel (1903–1929), Spanish Olympic runner * Johann von Miquel (1828–1901), a German statesman * Miquel's theorem, a result in geometry, named after Auguste Miquel * Miquel Brown (born 1945), a Canadian actress and disco/soul singer See also *Sant Miquel (other) Sant Miquel (Catalan for Saint Michael) may refer to: Buildings * Sant Miquel, Benedictine monastery in Cruïlles, Monells i Sant Sadurní de l'Heura, Catalonia, Spain *Sant Miquel del Fai, Benedictine monastery in Bigues i Riells, Catalonia, Spain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zampa
''Zampa'','' ou La fiancée de marbre'' (''Zampa, or the Marble Bride'') is an opéra comique in three acts by French composer Ferdinand Hérold, with a libretto by Mélesville. The overture to the opera is one of Hérold's most famous works and is a staple of orchestral repertoire. Performance history ''Zampa'' was first performed in Paris on 3 May 1831 at the Opéra-Comique (Salle Ventadour), where it became popular, achieving 500 performances by 1877. In the 20th century however, it faded from the repertoire. It was also popular in Germany and Italy; in the latter the spoken dialogue was replaced by recitatives. It was first performed in the United States on 16 February 1833 at the Théâtre d'Orléans in New Orleans, and in the United Kingdom on 19 April 1833 at the King's Theatre in London. The opera was revived at the Opéra-Comique in March 2008 under William Christie in a production by Macha Makeïeff and Jérôme Deschamps. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ferdinand Hérold
Louis Joseph Ferdinand Herold (28 January 1791 – 19 January 1833), better known as Ferdinand Hérold (), was a French composer. He was celebrated in his lifetime for his operas, of which he composed more than twenty, but he also wrote ballet music, works for piano and choral pieces. He is best known today for the ballet ''La fille mal gardée#Jean-Pierre Aumer's new version taddo the music of Hérold, La Fille mal gardée'' and the overture to the opera ''Zampa''. Born in Paris to a musical family, Hérold trained at the Paris Conservatoire and won France's premier musical prize, the Prix de Rome in 1812. After a time in Italy he returned to Paris and worked first at the Comédie-Italienne, Théâtre Italien and then at the Paris Opéra, Opéra. He wrote several ballets for the latter, but was best known as a composer of opéra comique. Some of them particularly in his early days, were hampered by poor librettos, but later he had more successes than failures, and his last two ope ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gioacchino Rossini
Gioachino Antonio Rossini (29 February 1792 – 13 November 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music. He set new standards for both comic and serious opera before retiring from large-scale composition while still in his thirties, at the height of his popularity. Born in Pesaro to parents who were both musicians (his father a trumpeter, his mother a singer), Rossini began to compose by the age of 12 and was educated at music school in Bologna. His first opera was performed in Venice in 1810 when he was 18 years old. In 1815 he was engaged to write operas and manage theatres in Naples. In the period 1810–1823 he wrote 34 operas for the Italian stage that were performed in Venice, Milan, Ferrara, Naples and elsewhere; this productivity necessitated an almost formulaic approach for some components (such as overtures) and a certain amount of self-borrowing. Durin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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