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Libel (poetry)
Libel is a verse genre primarily of the Renaissance, descended from the tradition of invective in classical Greek and Roman poetry. Libel is usually expressly political, and balder and coarser than satire. Libels were generally not published but circulated among friends and political partisans in manuscript. Classical roots In ancient Greece, invective verse generally existed in the form of epigrams written, almost always anonymously, against public figures. In Latin, the genre grew in prestige and boldness, as major authors including Juvenal and Catullus wrote extended invectives without the cushion of anonymity. One of Catullus's fiercer examples, expunged from most post-classical collections of his work until the 20th century, is Catullus 16, written against two critics: Cicero's ''In Pisonem'', a hyperbolic attack on Lucius Calpurnius Piso Caesoninus, is one of the best-known political examples. Renaissance English examples In 17th-century manuscript culture, in which v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance
The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century. The traditional view focuses more on the early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval aspects and argue that it was an extension of the Middle Ages. However, the beginnings of the period – the early Renaissance of the 15th century and the Italian Proto-Renaissance from around 1250 or 1300 – overlap considerably with the Late Middle Ages, conventionally da ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cicero
Marcus Tullius Cicero ( ; ; 3 January 106 BC – 7 December 43 BC) was a Roman statesman, lawyer, scholar, philosopher, and academic skeptic, who tried to uphold optimate principles during the political crises that led to the establishment of the Roman Empire. His extensive writings include treatises on rhetoric, philosophy and politics, and he is considered one of Rome's greatest orators and prose stylists. He came from a wealthy municipal family of the Roman equestrian order, and served as consul in 63 BC. His influence on the Latin language was immense. He wrote more than three-quarters of extant Latin literature that is known to have existed in his lifetime, and it has been said that subsequent prose was either a reaction against or a return to his style, not only in Latin but in European languages up to the 19th century. Cicero introduced into Latin the arguments of the chief schools of Hellenistic philosophy and created a Latin philosophical vocabulary ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Genres Of Poetry
Genre () is any form or type of communication in any mode (written, spoken, digital, artistic, etc.) with socially-agreed-upon conventions developed over time. In popular usage, it normally describes a category of literature, music, or other forms of art or entertainment, whether written or spoken, audio or visual, based on some set of stylistic criteria, yet genres can be aesthetic, rhetorical, communicative, or functional. Genres form by conventions that change over time as cultures invent new genres and discontinue the use of old ones. Often, works fit into multiple genres by way of borrowing and recombining these conventions. Stand-alone texts, works, or pieces of communication may have individual styles, but genres are amalgams of these texts based on agreed-upon or socially inferred conventions. Some genres may have rigid, strictly adhered-to guidelines, while others may show great flexibility. Genre began as an absolute classification system for ancient Greek literature, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monarchomach
The Monarchomachs (french: Monarchomaques) were originally French Huguenot theorists who opposed monarchy at the end of the 16th century, known in particular for having theoretically justified tyrannicide. The term was originally a pejorative word coined in 1600 by the Scottish royalist and Catholic William Barclay (1548–1608) from the Greek μόναρχος (''monarchos'' "monarch, sole ruler") and μάχομαι ("makhomai" the verb meaning "to fight"), meaning "those who fight against monarchs" or " anti-monarchists". Born out of the French Wars of Religion, they were most active between 1573, a year after the St. Bartholomew's Day massacre, and 1584. The Monarchomachs pleaded in favour of a form of "popular sovereignty". Arguing for a sort of contract between the sovereign and the people, they have been considered as the precursors of social contract theories. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Literary Criticism
Literary criticism (or literary studies) is the study, evaluation, and interpretation of literature. Modern literary criticism is often influenced by literary theory, which is the philosophical discussion of literature's goals and methods. Though the two activities are closely related, literary critics are not always, and have not always been, theorists. Whether or not literary criticism should be considered a separate field of inquiry from literary theory is a matter of some controversy. For example, the ''Johns Hopkins Guide to Literary Theory and Criticism'' draws no distinction between literary theory and literary criticism, and almost always uses the terms together to describe the same concept. Some critics consider literary criticism a practical application of literary theory, because criticism always deals directly with particular literary works, while theory may be more general or abstract. Literary criticism is often published in essay or book form. Academic literary ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Wilmot, 2nd Earl Of Rochester
John Wilmot, 2nd Earl of Rochester (1 April 1647 – 26 July 1680) was an English poet and courtier of King Charles II's Restoration court. The Restoration reacted against the "spiritual authoritarianism" of the Puritan era. Rochester embodied this new era, and he became as well known for his rakish lifestyle as for his poetry, although the two were often interlinked. He died as a result of venereal disease at the age of 33. Rochester was described by his contemporary Andrew Marvell as "the best English satirist," and he is generally considered to be the most considerable poet and the most learned among the Restoration wits. His poetry was widely censored during the Victorian era, but enjoyed a revival from the 1920s onwards, with reappraisals from noted literary figures such as Graham Greene and Ezra Pound. The critic Vivian de Sola Pinto linked Rochester's libertinism to Hobbesian materialism. During his lifetime, Rochester was best known for ''A Satyr Against Reason and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Ludlow (died 1639)
Henry Ludlow (c. 1577 – 13 October 1639) was an English politician who sat in the House of Commons between 1601 and 1611. Ludlow was the son of Sir Edmund Ludlow and his first wife Bridget Coker, daughter of Henry Coker of Mappowder, Dorset. He was educated at Hart Hall, Oxford in 1591 and at Middle Temple in 1595. In 1601, he was elected Member of Parliament for Andover. He was elected MP for Ludgershall in 1604. A piece of libellous verse "''The Censure of the Parliament Fart''" was composed in response to an audible emission by Ludlow in parliament in 1607. :''Downe came grave auntient Sir John CrookeAnd redd his message in his booke.Fearie well, Quoth Sir William Morris, Soe:But Henry Ludlowes Tayle cry’d Noe.Up starts one fuller of devotionThen Eloquence; and said a very ill motionNot soe neither quoth Sir Henry JenkinThe Motion was good; but for the stinckingWell quoth Sir Henry Poole it was a bold trickeTo Fart in the nose of the bodie politique'' In 1624 Ludlow ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parliament Of England
The Parliament of England was the legislature of the Kingdom of England from the 13th century until 1707 when it was replaced by the Parliament of Great Britain. Parliament evolved from the great council of bishops and peers that advised the English monarch. Great councils were first called Parliaments during the reign of Henry III (). By this time, the king required Parliament's consent to levy taxation. Originally a unicameral body, a bicameral Parliament emerged when its membership was divided into the House of Lords and House of Commons, which included knights of the shire and burgesses. During Henry IV's time on the throne, the role of Parliament expanded beyond the determination of taxation policy to include the "redress of grievances," which essentially enabled English citizens to petition the body to address complaints in their local towns and counties. By this time, citizens were given the power to vote to elect their representatives—the burgesses—to the H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucius Calpurnius Piso Caesoninus (consul 58 BC)
Lucius Calpurnius Piso Caesoninus (101 BC – c. 43 BC) was a Roman senator and the father-in-law of Julius Caesar through his daughter Calpurnia. He was reportedly a follower of a school of Epicureanism that had been modified to befit politicians, as Epicureanism itself favoured withdrawal from politics. Piso was consul in the year 58 BC with Aulus Gabinius as his colleague. Biography Caesar mentions his father-in-law in his ''Commentarii de Bello Gallico''. Piso's grandfather, also named Lucius Calpurnius Piso Caesoninus, was killed with Lucius Cassius Longinus in 107 BC by the same Tigurini that Caesar conquered the year of Piso's consulship. As Caesar's father-in-law, when Cicero was faced with exile later that year for having violated the ''Leges Clodiae'' by executing members of the Catiline conspiracy without a formal trial, Piso declined to protect Cicero from the threat and consequences of exile, earning the enmity of that orator.Syme, ''The Roman Revolution'' (Oxford ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hyperbole
Hyperbole (; adj. hyperbolic ) is the use of exaggeration as a rhetorical device or figure of speech. In rhetoric, it is also sometimes known as auxesis (literally 'growth'). In poetry and oratory, it emphasizes, evokes strong feelings, and creates strong impressions. As a figure of speech, it is usually not meant to be taken literally. Etymology 'Hyperbole' is derived from the grc, ''huperbolḗ'' by way of Latin. The word is composed from ''hupér'' 'above, beyond' and ''bállō'' 'throw'. Unlike most English words beginning with ''hyper-'', it is stressed on the second syllable. The first known use is in the 15th century. 'Hype' is a shortened version. Usage Hyperbole is often used for emphasis or effect. In casual speech, it functions as an intensifier: saying "the bag weighed a ton" simply means that the bag was extremely heavy. The rhetorical device may be used for serious or ironic or comic effects. Understanding hyperbole and its use in context can help un ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Catullus 16
''Catullus 16'' or ''Carmen 16'' is a poem by Gaius Valerius Catullus (c. 84 BC – c. 54 BC). The poem, written in a hendecasyllabic (11-syllable) meter, was considered to be so sexually explicit following its rediscovery in the following centuries that a full English translation was not published until the 20th century. The first line, ''Pēdīcābo ego vōs et irrumābō'' ("I will sodomize and face-fuck you"), sometimes used as a title, has been called "one of the filthiest expressions ever written in Latin—or in any other language". ''Carmen 16'' is significant in literary history as an artistic work censored for its obscenity, but also because the poem raises questions about the proper relation of the poet, or his life, to the work. Subsequent Latin poets referenced the poem not for its invective, but as a work exemplary of freedom of speech and obscene subject matter that challenged the culturally prevalent decorum or moral orthodoxy of the period. Ovid, Pliny the Young ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Invective
Invective (from Middle English ''invectif'', or Old French and Late Latin ''invectus'') is abusive, reproachful, or venomous language used to express blame or censure; or, a form of rude expression or discourse intended to offend or hurt; vituperation, or deeply seated ill will, vitriol. The Latin adjective ''invectivus'' means 'scolding.' The genre of invective The "genre of invective" or "''vituperatio''" in Latin is a classical literary form used in Greek and Roman polemical verse as well as in prose. Its primary context is as rhetoric. The genre of ''vituperatio'' belongs to the ''genus demonstrativum'', which is composed of the elements of the praise and the blame. During the Roman Republic, personal invectives and character assassination were widely used as part of both forensic speeches and orations. Cicero made frequent use of the invective form against political foes such as Clodius, Catilina (in the Catalinarian speeches) or Mark Antony (Philippics). Common charges in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
