Let The Music Play (song)
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Let The Music Play (song)
"Let the Music Play" is a song recorded by American singer Shannon and released on September 19, 1983 as both her debut single and the lead single from her 1984 debut studio album of the same name. Written by Chris Barbosa and Ed Chisolm, and produced by Barbosa and Mark Liggett, "Let the Music Play" was the first of Shannon's four number ones on the US Dance Club Songs chart, reaching the top spot in October 1983. It also became a huge crossover hit in the US, peaking at number two on the Hot R&B/Hip-Hop Songs chart (behind Patti LaBelle's "If Only You Knew") and number eight on the ''Billboard'' Hot 100 in February 1984. It was Shannon's only Top 40 hit in the US. Some mark "Let the Music Play" as the beginning of the "dance-pop" era. "Let the Music Play" was ranked 43rd on the 2009 VH1 Special ''100 Greatest One-Hit Wonders of the 1980s''. The song also appears in the video games ''Dance Central 3'' and '' Scarface: The World Is Yours''. Background and recording The origi ...
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Shannon (American Singer)
Brenda Shannon Greene (born May 2, 1958), known professionally as Shannon, is an American singer and songwriter of freestyle and dance-pop music. She is best known for her single " Let the Music Play", which topped the ''Billboard'' Dance Club Songs chart in 1983 and was certified gold. Her studio albums include '' Let the Music Play'' (1984), followed by '' Do You Wanna Get Away'' (1985) and '' Love Goes All the Way'' (1986). In 1999, Shannon appeared in a segment of VH1's ''One-Hit Wonders'', and returned to music with her fourth studio album ''The Best Is Yet to Come'' (2000). Her most recent studio album, ''A Beauty Returns'', was released in 2006. Career Shannon was born in Washington, D.C., United States. In 1983, she was enrolled at York College in New York City and toured with the New York Jazz Ensemble. Quintin Hicks, an associate of the production team of Mark Liggett and Chris Barbosa, saw Shannon singing with a live band in her cousin's recording studio. She au ...
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Video Games
Video games, also known as computer games, are electronic games that involves interaction with a user interface or input device such as a joystick, game controller, controller, computer keyboard, keyboard, or motion sensing device to generate visual feedback. This feedback mostly commonly is shown on a video display device, such as a TV set, computer monitor, monitor, touchscreen, or virtual reality headset. Some computer games do not always depend on a graphics display, for example List of text-based computer games, text adventure games and computer chess can be played through teletype printers. Video games are often augmented with audio feedback delivered through loudspeaker, speakers or headphones, and sometimes with other types of feedback, including haptic technology. Video games are defined based on their computing platform, platform, which include arcade video games, console games, and PC game, personal computer (PC) games. More recently, the industry has expanded on ...
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Tito Puente
Ernest Anthony Puente Jr. (April 20, 1923 – June 1, 2000), commonly known as Tito Puente, was an American musician, songwriter, bandleader, and record producer of Puerto Rican descent. He is best known for dance-oriented mambo and Latin jazz compositions from his 50-year career. His most famous song is "Oye Como Va". Puente and his music have appeared in films including ''The Mambo Kings'' and Fernando Trueba's ''Calle 54''. He guest-starred on television shows, including ''Sesame Street'' and ''The Simpsons'' two-part episode " Who Shot Mr. Burns?". Early life Tito Puente was born on April 20, 1923, at Harlem Hospital Center in the New York borough of Manhattan, the son of Ernest and Felicia Puente, Puerto Ricans living in New York City's Spanish Harlem. His family moved frequently, but he spent the majority of his childhood in Spanish Harlem. Puente's father was the foreman at a razorblade factory. As a child, he was described as hyperactive, and after neighbors complaine ...
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Gary Numan
Gary Anthony James Webb (born 8 March 1958), known professionally as Gary Numan, is an English musician. He entered the music industry as frontman of the new wave band Tubeway Army. After releasing two albums with the band, he released his debut solo album '' The Pleasure Principle'' in 1979, topping the UK Albums Chart. While his commercial popularity peaked in the late 1970s and early 1980s with hits including "Are 'Friends' Electric?" and "Cars" (both of which reached number one on the UK Singles Chart), Numan maintains a cult following. He has sold over 10 million records. Numan faced intense hostility from critics and fellow musicians in his early career, but has since come to be regarded as a pioneer of electronic music. He developed a signature sound consisting of heavy synthesiser hooks fed through guitar effects pedals, and is also known for his distinctive voice and androgynous "android" persona. In 2017, he received an Ivor Novello Award, the Inspiration Award, f ...
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Peter Shapiro (journalist)
Peter Shapiro is a freelance music journalist, who has written for '' Spin'', '' URB'', ''Music Week'', ''Uncut'', ''Vibe'', ''The Wire'' and ''The Times ''The Times'' is a British daily national newspaper based in London. It began in 1785 under the title ''The Daily Universal Register'', adopting its current name on 1 January 1788. ''The Times'' and its sister paper ''The Sunday Times'' (fou ...''. Literary works *''The Rough Guide to Hip-hop'' *''The Rough Guide to Soul and R'n'B'' *''The Rough Guide to Drum 'n' Bass *''Turn The beat around: The Secret History of Disco *'' Modulations A History of Electronic Music Throbbing Words on Sound'' (ed.) (2000) The Oxford Handbook of Computer Music - Page 352 0195331613 R. T. Dean - 2009 - Shapiro, P., ed. 2000. Modulations. A History of Electronic Music: Throbbing Words on Sound. New York: Caipirinha References External linksPeter Shapiro on the 'roots' of Euro-Disco
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Freestyle Music
Freestyle music, also called Latin freestyle or Latin hip-hop ''(sic)'' is a form of electronic dance music that emerged in the New York metropolitan area and Philadelphia, primarily among Hispanic Americans and Italian Americans in the 1980s. It experienced its greatest popularity from the late 1980s until the early 1990s. A common theme of freestyle lyricism originated as heartbreak in an urban environment typified by New York City. An important precursor to freestyle is 1982's " Planet Rock" by Afrika Bambaataa & Soul Sonic Force. Shannon's 1983 hit " Let the Music Play" is often considered the first freestyle song and the first major song recorded by a Latin American artist is " Please Don't Go" by Nayobe from 1984. From there, freestyle gained a large presence in American clubs, especially in New York and Miami. Radio airplay followed in the mid 1980s.Michael F. Gill"The Bluffer's Guide to Freestyle." ''Stylus''. 13 August 2007. Retrieved 5 February 2022. Performers su ...
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Acid House
Acid house (also simply known as just "acid") is a subgenre of house music developed around the mid-1980s by DJs from Chicago. The style is defined primarily by the squelching sounds and basslines of the Roland TB-303 electronic bass synthesizer-sequencer, an innovation attributed to Chicago producers DJ Pierre of Phuture and Sleezy D. Acid house soon became popular in the United Kingdom and continental Europe, where it was played by DJs in the acid house and later rave scenes. By the late 1980s, acid house had moved into the British mainstream, where it had some influence on pop and dance styles. Acid house brought house music to a worldwide audience. The influence of acid house can be heard in later styles of dance music including trance, hardcore, jungle, big beat, techno and trip hop. Characteristics Acid house's minimalist sound combined house music's ubiquitous programmed four-on-the-floor 4/4 beat with the electronic squelch sound produced by the Roland TB-303 ele ...
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Roland TB-303
The Roland TB-303 Bass Line (also known as the 303) is a bass synthesizer released by Roland Corporation in 1981. Designed to simulate bass guitars, it was a commercial failure and was discontinued in 1984. However, cheap second-hand units were adopted by electronic musicians, and its "squelching" or "chirping" sound became a foundation of electronic dance music genres such as acid house, Chicago house and techno. It has inspired numerous clones. Design and features The TB-303 was designed by Tadao Kikumoto who also designed the Roland TR-909 drum machine. It was marketed as a "computerised bass machine" to replace the bass guitar. However, according to ''Forbes,'' it instead produces a "squelchy tone more reminiscent of a psychedelic mouth harp than a stringed instrument". The TB-303 has a single oscillator, which produces either a "buzzy" sawtooth wave or a "hollow-sounding" square wave. This is fed into a 24 dB/octave low-pass filter, which is manipulated by an envelope ge ...
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Roland TR-808
The Roland TR-808 Rhythm Composer, commonly known as the 808, is a drum machine manufactured by the Roland Corporation between 1980 and 1983. It was one of the first drum machines to allow users to program rhythms instead of using preset patterns. Unlike its nearest competitor at the time, the more expensive Linn LM-1, the 808 generates sounds using analog synthesis rather than by playing samples (prerecorded sounds). Launched when electronic music had yet to become mainstream, the 808 received mixed reviews for its unrealistic drum sounds and was a commercial failure. After building approximately 12,000 units, Roland discontinued the 808 after its semiconductors became impossible to restock. It was succeeded by the TR-909 in 1983. Over the course of the 1980s, the 808 attracted a cult following among underground musicians for its affordability on the used market, ease of use and idiosyncratic sounds, particularly its deep, booming bass drum. It became a cornerstone of the e ...
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Noise Gate
A noise gate or gate is an electronic device or software that is used to control the volume of an audio signal. Comparable to a compressor, which attenuates signals ''above'' a threshold, such as loud attacks from the start of musical notes, noise gates attenuate signals that register ''below'' the threshold. However, noise gates attenuate signals by a fixed amount, known as the range. In its simplest form, a noise gate allows a main signal to pass through only when it is above a set threshold: the gate is "open". If the signal falls below the threshold, no signal is allowed to pass (or the signal is substantially attenuated): the gate is "closed". A noise gate is used when the level of the "signal" is above the level of the unwanted "noise". The threshold is set above the level of the "noise", and so when there is no main "signal", the gate is closed. A common application is with electric guitar to remove hum and hiss noise caused by distortion effects units. A noise gate does ...
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Radio Stations
Radio broadcasting is transmission of audio signal, audio (sound), sometimes with related metadata, by radio waves to radio receivers belonging to a public audience. In terrestrial radio broadcasting the radio waves are broadcast by a land-based radio station, while in satellite radio the radio waves are broadcast by a satellite in Earth orbit. To receive the content the listener must have a Radio receiver, broadcast radio receiver (''radio''). Stations are often affiliated with a radio network which provides content in a common radio format, either in broadcast syndication or simulcast or both. Radio stations broadcast with several different types of modulation: AM radio stations transmit in AM (amplitude modulation), FM radio stations transmit in FM (frequency modulation), which are older analog audio standards, while newer digital radio stations transmit in several digital audio standards: DAB (digital audio broadcasting), HD radio, DRM (Digital Radio Mondiale). Tele ...
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Dance Music
Dance music is music composed specifically to facilitate or accompany dancing. It can be either a whole musical piece or part of a larger musical arrangement. In terms of performance, the major categories are live dance music and recorded dance music. While there exist attestations of the combination of dance and music in ancient times (for example Ancient Greek vases sometimes show dancers accompanied by musicians), the earliest Western dance music that we can still reproduce with a degree of certainty are old fashioned dances. In the Baroque period, the major dance styles were noble court dances (see Baroque dance). In the classical music era, the minuet was frequently used as a third movement, although in this context it would not accompany any dancing. The waltz also arose later in the classical era. Both remained part of the romantic music period, which also saw the rise of various other nationalistic dance forms like the barcarolle, mazurka, ecossaise, ballade and po ...
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