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Let's Spend The Night Together (film)
''Let's Spend the Night Together'' is a live concert film, documenting the Rolling Stones' Rolling Stones American Tour 1981, 1981 North American Tour. It was directed by Hal Ashby, and released to cinemas on Friday, February 11, 1983. It was subsequently released on VHS,Betamax,Laserdisc,VHD and CED Videodisc. It was released in New Zealand and Australia with the alternative title ''Time Is on Our Side'' on VHS and is currently available on DVD in Japan, Australia and New Zealand (as L.S.T.N.T from Studio Canal/Universal). It was filmed at the Brendan Byrne Arena in East Rutherford, New Jersey (5–6 November 1981) and at Sun Devil Stadium in Tempe, Arizona (13 December 1981). The film was released as ''Rocks Off'' in Germany in 1982 with slightly different footage and the additional song "When the Whip Comes Down" (following "Under My Thumb") from Sun Devil Stadium. See also the live album ''Still Life (The Rolling Stones album), Still Life'', released in 1982, from the same ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hal Ashby
William Hal Ashby (September 2, 1929 – December 27, 1988) was an American film director and editor associated with the New Hollywood wave of filmmaking. Before his career as a director Ashby edited films for Norman Jewison, notably ''The Russians Are Coming, the Russians Are Coming'' (1966), which earned Ashby an Oscar nomination for Best Editing, and '' In the Heat of the Night'' (1967), which earned him his only Oscar for the same category. Ashby received a third Oscar nomination, this time for Best Director for '' Coming Home'' (1978). Other films directed by Ashby include ''The Landlord'' (1970), ''Harold and Maude'' (1971), ''The Last Detail'' (1973), ''Shampoo'' (1975), '' Bound for Glory'' (1976), and ''Being There'' (1979). Early life Ashby was born September 2, 1929, in Ogden, Utah, the youngest of four siblings born to Mormon parents Eileen Ireta (née Hetzler) and James Thomas Ashby, a dairy farm owner. Ashby's parents divorced in 1936, after which his father rem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Twenty Flight Rock
"Twenty Flight Rock" is a song originally performed by Eddie Cochran in the 1956 film comedy ''The Girl Can't Help It'', and released as a single the following year. The song was published in 1957 as written by Ned Fairchild and Eddie Cochran, by American Music Incorporated and Campbell, Connelly and Company. Cochran's contribution was primarily on the music. His version is rockabilly-flavored, but artists of a variety of genres have covered the song. Background The first version of "Twenty Flight Rock" was recorded by Cochran in July 1956 at Gold Star Studios, with Connie Smith on the bull fiddle and Jerry Capehart thumping a soup carton. Cochran re-recorded the song sometime between May to August 1957. This later version was released in the United States (Liberty 55112) with " Cradle Baby" as a flipside. It was a moderate seller, but was more popular in Europe and had steady sales for a long period. The song is from the point of view of a boyfriend whose girlfriend has an apartm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Start Me Up
"Start Me Up" is a song by the English rock band the Rolling Stones from their 1981 album ''Tattoo You''. Released as the album's lead single, it reached number one on Australian Kent Music Report, number two in Canada, number two on the ''Billboard'' Hot 100, number seven on the UK Singles Chart, and the top ten in a handful of European countries north of the Alps. Writing and recording The basic track "Start Me Up" was recorded during the January and March 1978 sessions for the Rolling Stones' album ''Some Girls''. The song began as a reggae-rock track named "Never Stop", but after dozens of takes it was abandoned. "Start Me Up" was not chosen for the album and was saved for later use. Richards commented: In 1981, with the band looking to tour, engineer Chris Kimsey proposed to lead singer Mick Jagger that archived songs could comprise the set. While searching through the vaults, Kimsey found the two takes of the song with a more rock vibe among some fifty reggae versions. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Let It Bleed (song)
"Let It Bleed" is a song by the English rock band the Rolling Stones. It was written by Mick Jagger and Keith Richards and is featured on the 1969 album of the same name, the first example of a Rolling Stones title track. It was released as a single in Japan in February 1970. Composition The song opens with a slide piece and quickly moves into a solo acoustic guitar capo on the 3rd fret strumming the chords of A, D and E before bass, drums and piano join in, respectively. Wyman's autoharp can be heard somewhat faintly during the first verse with noticeable 'ping' sounds coming from it around the 0:40-0:50 mark but it is mostly inaudible throughout the track after the 0:55 ('she said my breasts') minute mark. Reception The lyrics include a number of drug and sexual references, including an invitation for " coke and sympathy," a reference to a "junkie nurse" and Jagger's suggestions that we all need someone to "bleed on," "cream on" and "cum on" them. However, to Allmusic c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miss You (The Rolling Stones Song)
"Miss You" is a song by the English rock band the Rolling Stones, released on Rolling Stones Records in May 1978. It was released as the first single one month in advance of their album ''Some Girls''. "Miss You" was written by Mick Jagger and Keith Richards. It peaked at number one on the ''Billboard'' Hot 100 and number three on the UK Singles Chart. An extended version, called the "Special Disco Version", was released as the band's first dance remix on a 12-inch single. Inspiration and recording "Miss You" was written by Mick Jagger jamming with keyboardist Billy Preston during rehearsals for the March 1977 El Mocambo club gigs, recordings from which appeared on side three of double live album ''Love You Live'' (1977). Keith Richards is credited as co-writer as was the case for all Rolling Stones originals written by either partner or in tandem. Jagger and Ronnie Wood insist that "Miss You" wasn't conceived as a disco song, while Richards said, "'Miss You' was a damn good ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hang Fire
Hang fire refers to an unexpected delay between the triggering of a firearm and the ignition of the propellant. This failure was common in firearm actions that relied on open primer pans, due to the poor or inconsistent quality of the powder. Modern firearms are also susceptible. The delay is usually too brief to be noticed, but can be several seconds. A hangfire should be suspected whenever a firearm fails to fire, but has not clearly malfunctioned. Ignition sequence The ignition train of modern firearms begins with detonation of a small quantity of impact-sensitive primary explosive in a primer in cartridge firearms or in a percussion cap in muzzleloaders. The energy released by this detonation is intended to ignite the propellant charge of gunpowder or smokeless powder. Primary explosives may deteriorate with age so they release less energy; and propellants damaged by moisture or lubricants may require more energy to ignite. These conditions may either delay the ignition seque ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
She's So Cold
"She's So Cold" is a song recorded by the Rolling Stones, released in September 1980 on the ''Emotional Rescue'' album. It was also issued as the second single from the album, with "Send It to Me" as the B-side. Due to the song's lyric "she's so goddamned cold", the promotional copy sent to radio stations had a "cleaned up version" on one side, with the "God damn version" on the other. Reception ''Billboard'' called it a "torchy rock attack." Charts The single peaked at number 33 in the UK Singles Chart and number 26 on the US ''Billboard'' Hot 100 chart in November 1980. Along with the tracks, "Dance" and "Emotional Rescue", "She's So Cold" went to number nine on the Disco Top 100 Dance Club Songs is a chart published weekly by ''Billboard'' magazine in the United States. It is a national look over of club disc jockeys to determine the most popular songs being played in nightclubs across the country. It was launched as th ... chart. References The Rolling Stone ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tumbling Dice
"Tumbling Dice" is a song recorded by the English Rock music, rock band the Rolling Stones. A product of Mick Jagger and Keith Richards' Jagger–Richards, songwriting partnership, the song has a blues, boogie-woogie rhythm that scholars and musicians have noted for its unusual tempo and Groove (music), groove. The lyrics are about a gambler who cannot remain faithful to any woman. The song is the lead single from the band's 1972 double album ''Exile on Main St.'' released worldwide on 14 April 1972 by Rolling Stones Records. "Tumbling Dice" spent eight weeks on the UK Singles Chart, peaking at number five. In the US, the single peaked at number seven on the Billboard Hot 100, ''Billboard'' Hot 100 chart. The song entered the top 10 in the Netherlands, Norway and Spain. "Tumbling Dice" received acclaim from contemporary Music journalism, music critics, who praised its musicianship and lyrical prowess. "Tumbling Dice" featured on many "best of" lists, including those by Vul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Little T&A
"Little T&A" is the fourth song on the English rock and roll band the Rolling Stones' 1981 album ''Tattoo You''. The song is sung by guitarist Keith Richards. It was the B-Side of their single "Waiting on a Friend". Credited to usual Stones' writers Mick Jagger and Richards, "Little T&A" was largely a Richards composition. He originally began writing the song in the early months of 1979 with the intention of having the song featured on 1980s ''Emotional Rescue''. Left off that album, it re-emerged for ''Tattoo You'' just two years later. The Stones began reworking the track in mid-1981. "Little T&A" is a straightforward rocker, although Richards claims to have been influenced by rockabilly in his guitar performance. The song opens with a trademark riff from Richards, who plays bass and electric guitar along with Ronnie Wood. Ian Stewart performs on piano for the song and Jagger provides backing vocals along with Richards and Wood. Charlie Watts plays drums. The lyrics of "Lit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
You Can't Always Get What You Want
"You Can't Always Get What You Want" is a song by the English rock band the Rolling Stones on their 1969 album ''Let It Bleed''. Written by Mick Jagger and Keith Richards, it was named as the 100th greatest song of all time by ''Rolling Stone'' magazine in its 2004 list of the "500 Greatest Songs of All Time" before dropping a place the following year. Composition and recording Jagger commented on the song's beginnings: "You Can't Always Get What You Want" was composed in the key of C major and was the first song recorded for the album. It exists in two versions, a 4:51 single mix and a 7:28 album mix. "You Can't Always Get What You Want" was recorded on 16 and 17 November 1968 at Olympic Sound Studios in London. It features the London Bach Choir opening the song (the choir opening is only on the album version), highlighting throughout, and bringing it to its conclusion. Al Kooper plays piano and organ, as well as the French horn intro, while Rocky Dijon plays congas, maracas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Going To A Go-Go (song)
"Going to a Go-Go" is a 1965 single recorded by The Miracles for Motown's Tamla label. The Miracles' original version Smokey Robinson sings lead on "Going to a Go-Go", which he co-wrote with fellow Miracles Pete Moore, Bobby Rogers, and Marv Tarplin. Moore, Rogers, Ronnie White, and Smokey Robinson's wife Claudette Robinson provide backing vocals for the song, an up-tempo dance song inviting people of all walk of life to attend a go-go party. Miracles Robinson and Pete Moore were the song's producers. In the Motown DVD release ''Smokey Robinson And The Miracles: The Definitive Performances'', Miracles member and co-writer Bobby Rogers commented that this song was inspired by the success of the "Go-go" clubs that grew in popularity throughout the United States in the 1960s. While at first a regional phenomenon, the success of this Miracles song ignited a nationwide fad for go-go music in America. Issued in December 1965, "Going to a Go-Go" peaked at number 11 on the ''Billboard' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |