Let's Play (Larry Willis Album)
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Let's Play (Larry Willis Album)
''Let's Play'' is an album by American jazz pianist Larry Willis recorded in 1991 and released on the SteepleChase Records, SteepleChase label.Jazzlists: Steeplechase Records 1000/30000 series discography
January 4, 2019
SteepleChase Productions ApS: album details
January 4, 2019


Track listing

All compositions by Larry Willis except where noted # "I Hear a Rhapsody" (George Fragos, Jack Baker, Dick Gasparre) – 9:05 # "Who Can I Turn To?" (Anthony Newley, Leslie Bricusse) – 6:45 # "Let's Play" – 11:54 # "No Blues (composition), No Blues" (Miles Davis) †...
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Larry Willis
Lawrence Elliott Willis (December 20, 1942 – September 29, 2019) was an American jazz pianist and composer. He performed in a wide range of styles, including jazz fusion, Afro-Cuban jazz, bebop, and avant-garde jazz, avant-garde. Willis was born in New York City. After his first year studying music theory at the Manhattan School of Music he began performing regularly with Jackie McLean. After he graduated he made his first jazz recording, McLean's ''Right Now! (Jackie McLean album), Right Now!'' in January 1965, which featured two of Willis' compositions. His first recording of any type, however, was as a singer with the Music and Arts Chorale Ensemble, performing an opera by Aaron Copland under the direction of Leonard Bernstein. He decided to concentrate on jazz because of the difficulties African-American musicians had in finding work in concert music. Throughout his career he performed with a wide range of musicians, including several years as keyboardist for Blood, Sweat ...
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Miles Davis
Miles Dewey Davis III (May 26, 1926September 28, 1991) was an American trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music. Davis adopted a variety of musical directions in a five-decade career that kept him at the forefront of many major stylistic developments in jazz. Born in Alton, Illinois, and raised in East St. Louis, Davis left to study at Juilliard in New York City, before dropping out and making his professional debut as a member of saxophonist Charlie Parker's bebop quintet from 1944 to 1948. Shortly after, he recorded the ''Birth of the Cool'' sessions for Capitol Records, which were instrumental to the development of cool jazz. In the early 1950s, Davis recorded some of the earliest hard bop music while on Prestige Records but did so haphazardly due to a heroin addiction. After a widely acclaimed comeback performance at the Newport Jazz Festival, he signed a long-term contract wi ...
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SteepleChase Records Albums
Steeplechase may refer to: * Steeplechase (horse racing), a type of horse race in which participants are required to jump over obstacles * Steeplechase (athletics), an event in athletics that derives its name from the steeplechase in horse racing * Steeplechase (composition), a jazz standard by Bebop alto saxophonist Charlie Parker * Steeplechase (dog agility), an event in dog agility * Steeplechase (roller coaster) **Steeplechase (Blackpool Pleasure Beach) racing rollercoaster ** Steeplechase Park, a New York City amusement park from 1897 to 1964, named for its racing rollercoaster ** Steeplechase Pier, a former Atlantic City, New Jersey, Boardwalk attraction destroyed in the 1944 Great Atlantic Hurricane ** The Steeplechase, a former Kennywood Park attraction which existed for two seasons, 1903-1904. * ''Steeplechase'' (video game), a 1975 arcade game released by Atari * SteepleChase Records, a Danish jazz label * Steeplechase Building, in Las Vegas, part of the Boardwalk Hote ...
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Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ...
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Victor Lewis
Victor Lewis (born May 20, 1950) is an American jazz drummer, composer, and educator. Early life Victor Lewis was born on May 20, 1950 in Omaha, Nebraska. His father, Richard Lewis, who played saxophone and mother, Camille, a pianist-vocalist were both classically trained musicians who performed with many of the "territory bands" that toured the midwest in the forties. Consequently, Victor grew up with jazz as well as popular and European classical music at home. He would also go with his father to hear touring big bands as they passed through Omaha, such as Duke Ellington, Count Basie and Woody Herman. Victor started studying music when he was ten and a half years old. Too small for the acoustic bass, he began on cello, but switched to the drums a year and a half later inspired by the drum line marching in holiday parades. As part of his formal studies, he also studied classical piano. Career By the time he was 15, Victor began playing drums professionally on the local scene ...
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Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual''
, Andrew Hugill with the Philharmonia Orchestra
as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky

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Santi Debriano
Santi Wilson Debriano (born 1955 in Panama) is a jazz bassist. Debriano was raised in Brooklyn, having moved there with his family at age four. He studied composition at Union College in New York, then attended the New England Conservatory of Music and Wesleyan University. He worked with Archie Shepp in the late 1970s and early 1980s, then moved to Paris and played with Sam Rivers for three years. He returned to New York City and has since worked with Don Pullen, Pharoah Sanders, Sonny Fortune, Billy Hart, Larry Coryell, Chucho Valdés, Hank Jones, Cecil Taylor, Randy Weston, Freddie Hubbard, Kirk Lightsey, and Attila Zoller. Debriano has led several of his own units, including small groups in the late 1980s and Circlechant, a world music-influenced ensemble which has had among its members Helio Alves, Will Calhoun, and Abraham Burton. Debriano was also the music director for arts at Dwight Morrow High School in Englewood, New Jersey, and was given an award for jazz education ...
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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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Nardis (composition)
"Nardis" is a composition by American jazz trumpeter Miles Davis. It was written in 1958, during Davis's modal period, to be played by Cannonball Adderley for the album ''Portrait of Cannonball''. The piece has come to be associated with pianist Bill Evans, who performed and recorded it many times. Composition From 1955 to 1958, Miles Davis was leading what would come to be called his First Great Quintet. By 1958, the group consisted of John Coltrane on tenor saxophone, Red Garland on piano, Paul Chambers on bass, and Philly Joe Jones on drums, Richard Cook. ''It's About That Time: Miles Davis On and Off Record.'' New York: Oxford University Press, 2005. , pp. 44-45. and had just been expanded to a sextet with the addition of Cannonball Adderley on alto saxophone. Coltrane's return to Davis’s group in 1958 coincided with the "modal phase" albums: ''Milestones'' (1958) and ''Kind of Blue'' (1959) are both considered essential examples of 1950s modern jazz. Davis at this point ...
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Ira Gershwin
Ira Gershwin (born Israel Gershovitz; December 6, 1896 – August 17, 1983) was an American lyricist who collaborated with his younger brother, composer George Gershwin, to create some of the most memorable songs in the English language of the 20th century. With George, he wrote more than a dozen Broadway shows, featuring songs such as "I Got Rhythm", "Embraceable You", " The Man I Love" and " Someone to Watch Over Me". He was also responsible, along with DuBose Heyward, for the libretto to George's opera ''Porgy and Bess''. The success the Gershwin brothers had with their collaborative works has often overshadowed the creative role that Ira played. His mastery of songwriting continued after George's early death in 1937. Ira wrote additional hit songs with composers Jerome Kern, Kurt Weill, Harry Warren and Harold Arlen. His critically acclaimed 1959 book ''Lyrics on Several Occasions'', an amalgam of autobiography and annotated anthology, is an important source for studying t ...
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George Gershwin
George Gershwin (; born Jacob Gershwine; September 26, 1898 â€“ July 11, 1937) was an American composer and pianist whose compositions spanned popular, jazz and classical genres. Among his best-known works are the orchestral compositions ''Rhapsody in Blue'' (1924) and ''An American in Paris'' (1928), the songs " Swanee" (1919) and "Fascinating Rhythm" (1924), the jazz standards "Embraceable You" (1928) and "I Got Rhythm" (1930), and the opera ''Porgy and Bess'' (1935), which included the hit " Summertime". Gershwin studied piano under Charles Hambitzer and composition with Rubin Goldmark, Henry Cowell, and Joseph Brody. He began his career as a song plugger but soon started composing Broadway theater works with his brother Ira Gershwin and with Buddy DeSylva. He moved to Paris, intending to study with Nadia Boulanger, but she refused him, afraid that rigorous classical study would ruin his jazz-influenced style; Maurice Ravel voiced similar objections when Gershwin inq ...
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Bess, You Is My Woman Now
"Bess, You Is My Woman Now" is a duet with music by George Gershwin and lyrics by Ira Gershwin and DuBose Heyward. This song comes from the Gershwins' opera ''Porgy and Bess'' (1935) where it is sung by the main character Porgy and his beloved Bess. They express their love for each other and say that they now belong together. The song has been covered a number of times by many artists ( ''Porgy and Bess'' (Ella Fitzgerald and Louis Armstrong album), 1958). In 1959, Harry Belafonte recorded a duet with Lena Horne on their album ''Porgy and Bess''. In 1954 Harry James released a version on his album ''Trumpet After Midnight'' ( Columbia CL-553). Barbra Streisand recorded this song on her ''The Broadway Album'' from 1985, named "I Loves You, Porgy "I Loves You, Porgy" is a duet from the 1935 opera ''Porgy and Bess'' with music by George Gershwin and lyrics by Ira Gershwin. It was performed in the opera's premiere in 1935 and on Broadway the same year by Anne Brown and Todd Duncan. ...
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