Let's Go (Shawn Desman Song)
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Let's Go (Shawn Desman Song)
"Let's Go" is a song by Canadian singer Shawn Desman. It was released in 2005 as the second single from his album '' Back for More''. The song heavily features a synthesizer phrase sampled from the 1982 hit " Don't Go" by British new wave duo Yazoo. The song peaked at number 6 on the Canadian Singles Chart, another top 10 hit for Desman. The song's music video also gained heavy airplay on VH1 VH1 (originally an initialism of Video Hits One) is an American basic cable television network based in New York City and owned by Paramount Global. It was created by Warner-Amex Satellite Entertainment, at the time a division of Warner Commun .... Music video The music video features Desman dancing with back-up dancers in a room. The song also features some segments featuring Desman with a mixing board. Track listing #"Let's Go" (Original Mix) - 3:59 #"Let's Go" (Uomo 98 Remix) - 3:53 #"Let's Go" (Uomo 108 Remix) - 6:00 #"Let's Go" (video) Chart performance References {{Refli ...
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Shawn Desman
Shawn Bosco Fernandes (born January 12, 1982), better known by his stage name Shawn Desman, is a Canadian singer, songwriter, dancer, and television personality. He was signed to Universal Music Canada. He is known for his energetic stage presence and tenor voice. Career Shawn Desman attended St. Francis of Assisi Elementary School in Toronto, where he took part in many talent shows and events. In 1998, Shawn Fernandes was in the Boomtang Boys video for their song "Squeezetoy" as a dancer. He had a few recordings in English and Portuguese under his real name Shawn Fernandes before adopting the name Desman. According to his own account, he adopted the name Desman because in his youth his friends referred to him as "Dez, man" – thus creating his artistic pseudonym Desman. His self-titled breakthrough album in 2002 featured three top ten singles ("Shook", "Spread My Wings" and "Get Ready") on the Canadian charts. The album went on to achieve gold certification in Canada. The si ...
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Back For More (Shawn Desman Album)
''Back for More'' is the second studio album by Canadian singer Shawn Desman Shawn Bosco Fernandes (born January 12, 1982), better known by his stage name Shawn Desman, is a Canadian singer, songwriter, dancer, and television personality. He was signed to Universal Music Canada. He is known for his energetic stage presenc .... Track listing Singles *"Sexy" (2003) B-Side "My Mind" *"Let's Go" (2005) *"Red Hair" (2005) *"Man In Me"(2005) Shawn Desman albums 2005 albums Juno Award for R&B/Soul Recording of the Year recordings {{2000s-R&B-album-stub ...
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Dance-pop
Dance-pop is a popular music subgenre that originated in the late 1970s to early 1980s. It is generally uptempo music intended for nightclubs with the intention of being danceable but also suitable for contemporary hit radio. Developing from a combination of dance and pop with influences of disco, post-discoSmay, David & Cooper, Kim (2001). ''Bubblegum Music Is the Naked Truth: The Dark History of Prepubescent Pop, from the Banana Splits to Britney Spears'': "... think about Stock-Aitken-Waterman and Kylie Minogue. Dance pop, that's what they call it now — Post-Disco, post-new wave and incorporating elements of both." Feral House: Publisher, p. 327. . and synth-pop, it is generally characterised by strong beats with easy, uncomplicated song structures which are generally more similar to pop music than the more free-form dance genre, with an emphasis on melody as well as catchy tunes. The genre, on the whole, tends to be producer-driven, despite some notable exceptions. Da ...
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Sony BMG Music Entertainment
Sony BMG Music Entertainment was an American record company owned as a 50–50 joint venture between Sony Corporation of America and Bertelsmann. The venture's successor, the revived Sony Music, is wholly owned by Sony, following their buyout of the remaining 50% held by Bertelsmann. BMG was instead rebuilt as BMG Rights Management on the basis of 200 remaining artists. History Sony BMG Music Entertainment began as the result of a merger between Sony Music (part of Sony) and Bertelsmann Music Group (part of Bertelsmann) completed on August 6, 2004. It was one of the Big Four music companies and includes ownership and distribution of recording labels such as Arista Records, Columbia Records, Epic Records, J Records, Mchenry Records, Jive Records, RCA Victor Records, RCA Records, Legacy Recordings, Sonic Wave America and others. The merger affected all Sony Music and Bertelsmann Music Group companies worldwide except for Japan, where it was felt that it would reduce competitio ...
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Single (music)
In music, a single is a type of release, typically a song recording of fewer tracks than an LP record or an album. One can be released for sale to the public in a variety of formats. In most cases, a single is a song that is released separately from an album, although it usually also appears on an album. In other cases a recording released as a single may not appear on an album. Despite being referred to as a single, in the era of music downloads, singles can include up to as many as three tracks. The biggest digital music distributor, the iTunes Store, accepts as many as three tracks that are less than ten minutes each as a single. Any more than three tracks on a musical release or thirty minutes in total running time is an extended play (EP) or, if over six tracks long, an album. Historically, when mainstream music was purchased via vinyl records, singles would be released double-sided, i.e. there was an A-side and a B-side, on which two songs would appear, one on each si ...
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Synthesizer
A synthesizer (also spelled synthesiser) is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and frequency modulation synthesis. These sounds may be altered by components such as filters, which cut or boost frequencies; envelopes, which control articulation, or how notes begin and end; and low-frequency oscillators, which modulate parameters such as pitch, volume, or filter characteristics affecting timbre. Synthesizers are typically played with keyboards or controlled by sequencers, software or other instruments, and may be synchronized to other equipment via MIDI. Synthesizer-like instruments emerged in the United States in the mid-20th century with instruments such as the RCA Mark II Sound Synthesizer, RCA Mark II, which was controlled with Punched card, punch cards and used hundreds of vacuum tubes. The Moog synthesizer, d ...
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Sampling (music)
In sound and music, sampling is the reuse of a portion (or sample) of a sound recording in another recording. Samples may comprise elements such as rhythm, melody, speech, sounds or entire bars of music, and may be layered, equalized, sped up or slowed down, repitched, looped, or otherwise manipulated. They are usually integrated using hardware ( samplers) or software such as digital audio workstations. A process similar to sampling originated in the 1940s with '' musique concrète'', experimental music created by splicing and looping tape. The mid-20th century saw the introduction of keyboard instruments that played sounds recorded on tape, such as the Mellotron. The term ''sampling'' was coined in the late 1970s by the creators of the Fairlight CMI, a synthesizer with the ability to record and play back short sounds. As technology improved, cheaper standalone samplers with more memory emerged, such as the E-mu Emulator, Akai S950 and Akai MPC. Sampling is a foundation of ...
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Don't Go (Yazoo Song)
"Don't Go" is a song by British synth-pop band Yazoo (known in the US and Canada as Yaz). It was released in 1982 as the second single from their debut album, ''Upstairs at Eric's'' (20 August 1982). The song peaked at number three on the UK Singles Chart, becoming Yazoo's second top 5 hit. In the US, where the band was known as Yaz, the song was their second big hit on the American dance chart, where it spent two weeks at number one in October 1982. Their first American dance chart hit was " Situation", which had also gone to number one on this chart earlier the same year. The music video for the song features band members Alison Moyet and Vince Clarke in a sort of haunted mansion with Clarke cast in the role of Victor Frankenstein. The song re-entered the UK Dance Chart on 13 December 2009 at number 30, peaking at number 15 on 2 January 2010. Critical reception Ian Birch of ''Smash Hits'' considered "Don't Go" to be a "sharp successor" to " Only You". He commented: "Vince co ...
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New Wave Music
New wave is a loosely defined music genre that encompasses pop-oriented styles from the late 1970s and the 1980s. It was originally used as a catch-all for the various styles of music that emerged after punk rock, including punk itself. Later, critical consensus favored "new wave" as an umbrella term involving many popular music styles of the era, including power pop, synth-pop, ska revival, and more specific forms of punk rock that were less abrasive. It may also be viewed as a more accessible counterpart of post-punk. Common characteristics of new wave music include a humorous or quirky pop approach, the use of electronic sounds, and a distinctive visual style in music videos and fashion. In the early 1980s, virtually every new pop/rock act – and particularly those that employed synthesizers – were tagged as "new wave". Although new wave shares punk's do-it-yourself philosophy, the artists were more influenced by the styles of the 1950s along with the lighter s ...
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Yazoo (band)
Yazoo (known as Yaz in North America) were an English synth-pop duo from Basildon, Essex, consisting of former Depeche Mode member Vince Clarke (keyboards) and Alison Moyet (vocals). The duo formed in late 1981 after Clarke responded to an advertisement Moyet placed in a British music magazine, although the pair had known each other since their schooldays. Over the next 18 months the duo released two albums, ''Upstairs at Eric's'' and '' You and Me Both'', which received critical acclaim for their production, particularly the blending of Clarke's synthesizer melodies with Moyet's blues- and soul-influenced vocals. Yazoo enjoyed worldwide success, particularly in their home country, where three of their four singles reached the top three of the UK Singles Chart and both their albums made the top two of the UK Albums Chart. In North America, they are known for the song " Situation", which, though originally only a B-side in the United Kingdom, was a club and airplay success in ...
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Canadian Singles Chart
The Canadian Singles Chart was a chart compiled by the American-based music sales tracking company, Nielsen SoundScan, which began publication in November 1996. It was published every Wednesday and also published on Thursday by '' Jam!''/Canoe. It was superseded by the '' Billboard''-published Canadian Hot 100 in 2007. History In the 1960s, the Canadian music industry was disparate and regionally focused, and English-speaking Canadian artists were often overlooked in favour of American acts. To encourage a more national focus and ensure that domestic artists were promoted across Canada, the Maple Leaf System (MLS) was set up in 1969. The MLS produced its own national singles chart, which '' Billboard'' magazine reproduced as Canada's entry in its weekly Hits of the World section. The MLS struggled to achieve widespread support in Canada, however, particularly as participating radio stations failed to give the nominated Canadian records the requisite national airplay. In November ...
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Radio & Records
''Radio & Records'' (''R&R'') was a trade publication providing news and airplay information for the radio and music industries. It started as an independent trade from 1973 to 2006 until VNU Media took over in 2006 and became a relaunched sister trade to '' Billboard'', until its final issue in 2009. History The company was founded in 1973 and published its first issue on October 5 of that year. Founders included Bob Wilson and Robert Kardashian. The publication was issued in a weekly print edition, and it also issued a bi-annual Directory. R&R published its print edition from 1973 through August 4, 2006. Its weekly columns and features were intended to inform and educate the radio industry by each format, in addition to format-specific charts based on radio airplay. With the June 25, 1999, issue, the charts became populated by data from Mediabase, a company that monitors and tracks radio airplay in cities across the U.S. From 1987 to 2002 the magazine was owned by Westwood One, ...
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