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Let's Get It On
''Let's Get It On'' is the thirteenth studio album by American soul singer, songwriter, and producer Marvin Gaye. It was released on August 28, 1973, by the Motown subsidiary label Tamla Records on LP. Recording sessions for the album took place during June 1970 to July 1973 at Hitsville U.S.A. and Golden World Studio in Detroit, and at Hitsville West in Los Angeles. Serving as Gaye's first venture into the funk genre, ''Let's Get It On'' also incorporates smooth soul and doo-wop styles alongside sexually suggestive lyrics, leading to one writer's description of it as "one of the most sexually charged albums ever recorded". Gaye infused ideas of spiritual healing in songs about sex and romance, in part as a way of coping with childhood abuses from his father Marvin Gay Sr., which had stunted his sexuality. Following the breakthrough success of his socially conscious album '' What's Going On'' (1971), ''Let's Get It On'' helped establish Gaye as a sex icon and broadened his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Let's Get It On (song)
"Let's Get It On" is a song by soul musician Marvin Gaye, released June 15, 1973, on Motown-subsidiary label Tamla Records. The song was recorded on March 22, 1973, at Hitsville West in Los Angeles, California. The song features romantic and sexual lyricism and funk instrumentation by The Funk Brothers. The title track of Gaye's album of the same name, it was written by Marvin Gaye and producer Ed Townsend. "Let's Get It On" became Gaye's most successful single for Motown and one of his most well-known songs. With the help of the song's sexually explicit content, "Let's Get It On" helped give Gaye a reputation as a sex symbol during its initial popularity. "Let's Get It On" is written and composed in the key of E-flat major and is set in time signature of common time with a tempo of 82 beats per minute. Conception Co-written with producer Ed Townsend, "Let's Get It On" was Gaye's plea for sexual liberation. When originally conceived by Townsend, who was released from a rehab f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marvin Gaye
Marvin Pentz Gay Jr., who also spelled his surname as Gaye (April 2, 1939 – April 1, 1984), was an American singer and songwriter. He helped to shape the sound of Motown in the 1960s, first as an in-house session player and later as a solo artist with a string of successes, earning him the nicknames "Prince of Motown" and "Prince of Soul". Gaye's Motown songs include "Ain't That Peculiar", "How Sweet It Is (To Be Loved By You)", and "I Heard It Through the Grapevine". Gaye also recorded duets with Mary Wells, Kim Weston, Tammi Terrell, and Diana Ross. During the 1970s, Gaye recorded the albums '' What's Going On'' and ''Let's Get It On'' and became one of the first artists in Motown to break away from the reins of a production company. His later recordings influenced several contemporary R&B subgenres, such as quiet storm and neo soul. "Sexual Healing", released in 1982 on the album ''Midnight Love'', won him his first two Grammy Awards. Gaye's last televised appearances we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doo-wop
Doo-wop (also spelled doowop and doo wop) is a genre of rhythm and blues music that originated in African-American communities during the 1940s, mainly in the large cities of the United States, including New York, Philadelphia, Pittsburgh, Chicago, Baltimore, Newark, Detroit, Washington, DC, and Los Angeles. It features vocal group harmony that carries an engaging melodic line to a simple beat with little or no instrumentation. Lyrics are simple, usually about love, sung by a lead vocal over background vocals, and often featuring, in the bridge, a melodramatically heartfelt recitative addressed to the beloved. Harmonic singing of nonsense syllables (such as "doo-wop") is a common characteristic of these songs. Gaining popularity in the 1950s, doo-wop was "artistically and commercially viable" until the early 1960s, but continued to influence performers in other genres.Hoffmann, FRoots of Rock: Doo-Wop In ''Survey of American Popular Music'', modified for the web by Robert Birklin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trouble Man (film)
''Trouble Man'' is a 1972 American blaxploitation crime thriller film directed by Ivan Dixon and produced and released by 20th Century Fox. The film stars Robert Hooks as "Mr. T.", a hard-edged private detective who tends to take justice into his own hands. It is still of note today for its soundtrack, written, produced and performed by Marvin Gaye. Plot summary An inner-city point man is on the run from both the cops and the crooks in this streetwise drama. T (Robert Hooks) is a combination pool shark, private detective, and all-purpose ghetto fixer who operates out of a billiards parlor in South Central Los Angeles. T has done well for himself—he buys a fancy new car every year, wears expensive suits, and lives in an upscale apartment. But, he also looks out for folks in South Central, has lukewarm connections with both the police and gangsters, and generally knows how to tell the good guys from the bad guys on either side of the law. T is approached by Chalky (Paul Winfie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blaxploitation
Blaxploitation is an ethnic subgenre of the exploitation film that emerged in the United States during the early 1970s. The term, a portmanteau of the words "black" and "exploitation", was coined in August 1972 by Junius Griffin, the president of the Beverly Hills-Hollywood NAACP branch. He claimed the genre was "proliferating offenses" to the black community in its perpetuation of stereotypical characters often involved in crime. The genre does rank among the first after the race films in the 1940s and 1960s in which black characters and communities are the protagonists and subjects of film and television, rather than sidekicks, antagonists or victims of brutality. The genre's inception coincides with the rethinking of race relations in the 1970s. Blaxploitation films were originally aimed at an urban African-American audience but the genre's audience appeal soon broadened across racial and ethnic lines. Hollywood realized the potential profit of expanding the audiences of bla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deluxe Edition
The terms special edition, limited edition, and variants such as deluxe edition, or collector's edition, are used as a marketing incentive for various kinds of products, originally published products related to the arts, such as books, prints, recorded music and films, and videogames, but now including clothing, cars, fine wine, and whisky, among other products. A limited edition is restricted in the number of copies produced, although in fact the number may be very low or very high. Suzuki (2008) defines limited edition products as those “sold in a state that makes them difficult to obtain because of companies limiting their availability to a certain period, quantity, region, or channel". A special edition implies there is extra material of some kind included. The term is frequently used on DVD film releases, often when the so-called "special" edition is actually the only version released. Collector's edition Collector's edition may just be another term for special edition a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grammy Hall Of Fame
The Grammy Hall of Fame is a hall of fame to honor musical recordings of lasting qualitative or historical significance. Inductees are selected annually by a special member committee of eminent and knowledgeable professionals from all branches of the recording arts. It is compiled by The Recording Academy in the United States, and was established in 1973. Recordings (singles and albums) in all genres are eligible for selection, and must be over 25 years old to be considered. Additions to the list are chosen annually by a committee of recording arts professionals. Alphabetical listing by title: *List of Grammy Hall of Fame Award recipients (A–D) *List of Grammy Hall of Fame Award recipients (E–I) *List of Grammy Hall of Fame Award recipients (J–P) *List of Grammy Hall of Fame Award recipients (Q–Z) See also * Grammy Lifetime Achievement Award *Latin Grammy Hall of Fame Award *National Recording Registry References External linksOfficial website {{Authority control Aw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motown Records
Motown Records is an American record label owned by the Universal Music Group. It was founded by Berry Gordy, Berry Gordy Jr. as Tamla Records on June 7, 1958, and incorporated as Motown Record Corporation on April 14, 1960. Its name, a portmanteau of ''motor'' and ''town'', has become a nickname for Detroit, where the label was originally headquartered. Motown played an important role in the racial integration of popular music as an African American-owned label that achieved crossover (music), crossover success. In the 1960s, Motown and its subsidiary labels (including Tamla Motown, the brand used outside the US) were the most of the Motown (music style), Motown sound, a style of soul music with a mainstream pop music, pop appeal. Motown was the most successful soul music label, with a net worth of $61 million. During the 1960s, Motown achieved 79 records in the top-ten of the Billboard Hot 100, ''Billboard'' Hot 100 between 1960 and 1969. Following the events of the 1967 Detro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quiet Storm
Quiet storm is a radio format and genre of R&B, performed in a smooth, romantic, jazz-influenced style. It was named after the title song on Smokey Robinson's 1975 album ''A Quiet Storm''. The radio format was pioneered in 1976 by Melvin Lindsey, while he was an intern at the Washington, D.C. radio station WHUR-FM. It eventually became regarded as an identifiable subgenre of R&B. Quiet storm was marketed to upscale mature African-American audiences during the 1980s, while falling out of favor with young listeners in the age of hip hop. History Origins Melvin Lindsey, a student at Howard University, with his classmate Jack Shuler, began as disc jockeys for WHUR in June 1976, performing as stand-ins for an absentee employee. Lindsey's on-air voice was silky smooth, and the music selections were initially old, slow romantic songs from black artists of the 1950s, 1960s, and 1970s, a form of easy listening which Lindsey called "beautiful black music" for African Americans. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slow Jam
A slow jam is music with rhythm and blues and soul influences. Slow jams are commonly R&B ballads A ballad is a form of verse, often a narrative set to music. Ballads derive from the medieval French ''chanson balladée'' or ''ballade'', which were originally "dance songs". Ballads were particularly characteristic of the popular poetry and ... or downtempo songs, and are mostly soft-sounding with heavily emotional or romantic lyrical content. The earliest known use of the term is the 1983 Midnight Star (band), Midnight Star recording "Slow Jam" on their album ''No Parking on the Dance Floor''. Essence (magazine), ''Essence'' magazine compiled a list of the "25 Best Slow Jams of All Time", containing songs of the 1970s, 1980s and 1990s, and ''Complex (magazine), Complex'' compiled a list of 100 slow jams in "The Best Songs to Get You in the Mood". In radio In 1983, Kevin "Slow Jammin'" James created the radio show ''Slow Jam'' on WKYS, named after the Midnight Star song, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contemporary R&B
Contemporary R&B (or simply R&B) is a popular music genre that combines rhythm and blues with elements of pop, soul, funk, hip hop, and electronic music. The genre features a distinctive record production style, drum machine-backed rhythms, pitch corrected vocals, and a smooth, lush style of vocal arrangement. Electronic influences are becoming an increasing trend and the use of hip hop or dance-inspired beats are typical, although the roughness and grit inherent in hip hop may be reduced and smoothed out. Contemporary R&B vocalists often use melisma, and since the mid-1980s, R&B rhythms have been combined with elements of hip hop culture and music and pop culture and pop music. Pre-history According to Geoffrey Himes speaking in 1989, the progressive soul movement of the early 1970s "expanded the musical and lyrical boundaries of &Bin ways that haven't been equaled since". This movement was led by soul singer-songwriter/producers such as Curtis Mayfield, Marvin Gaye, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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