Les Francs-juges
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Les Francs-juges
''Les francs-juges'' (translated as "The Free Judges" or "The Judges of the Secret Court") is the title of an unfinished opera by the French composer Hector Berlioz written to a libretto by his friend Humbert Ferrand in 1826. Berlioz abandoned the incomplete composition and destroyed most of the music. He retained the overture, which has become a popular concert item, and used some other musical material in later compositions. Opera Ferrand was a law student with a love of poetry who became a lifelong friend of Berlioz. He had already written the words to a cantata for the composer, ''La Révolution grecque'' in 1825. Now Ferrand gratified Berlioz's eagerness to write his first opera by providing him with a three-act libretto, ''Les francs-juges''. The work is set in Middle Ages, Mediaeval Germany and the title literally means "The Free Judges", referring to the Vehmic court, secret Vehmic trials held in the region during the late Middle Ages. The plot, with its stormy passions and ...
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Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ...
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Franz Liszt
Franz Liszt, in modern usage ''Liszt Ferenc'' . Liszt's Hungarian passport spelled his given name as "Ferencz". An orthographic reform of the Hungarian language in 1922 (which was 36 years after Liszt's death) changed the letter "cz" to simply "c" in all words except surnames; this has led to Liszt's given name being rendered in modern Hungarian usage as "Ferenc". From 1859 to 1867 he was officially Franz Ritter von Liszt; he was created a ''Ritter'' (knight) by Emperor Franz Joseph I of Austria, Francis Joseph I in 1859, but never used this title of nobility in public. The title was necessary to marry the Princess Carolyne zu Sayn-Wittgenstein without her losing her privileges, but after the marriage fell through, Liszt transferred the title to his uncle Eduard in 1867. Eduard's son was Franz von Liszt., group=n (22 October 1811 – 31 July 1886) was a Hungarian composer, pianist and teacher of the Romantic music, Romantic period. With a diverse List of compositions by Franz L ...
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Unfinished Operas
Unfinished may refer to: *Unfinished creative work, a work which a creator either chose not to finish or was prevented from finishing. Music * Symphony No. 8 (Schubert) "Unfinished" * ''Unfinished'' (album), 2011 album by American singer Jordan Knight * "Unfinished" (Kotoko song), stylized "→unfinished→", 2012 * "Unfinished" (Mandisa song), 2017 * "Unfinished", song by Stone Sour from the 2010 album ''Audio Secrecy'' * "Unfinished", song by Mineral from the 1998 album ''EndSerenading'' Television and film * "Unfinished" (''How I Met Your Mother''), 2010 television show episode * ''Unfinished'' (film), 2018 South Korean film Literature * ''Unfinished'' (book), a 2021 memoir by Priyanka Chopra See also * * Unfinished symphony * Unfinished building An unfinished building is a building (or other architectural structure, as a bridge, a road or a tower) where construction work was abandoned or on-hold at some stage or only exists as a design. It may also refer to bu ...
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Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ...
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French-language Operas
French opera is one of Europe's most important operatic traditions, containing works by composers of the stature of Rameau, Berlioz, Gounod, Bizet, Massenet, Debussy, Ravel, Poulenc and Messiaen. Many foreign-born composers have played a part in the French tradition as well, including Lully, Gluck, Salieri, Cherubini, Spontini, Meyerbeer, Rossini, Donizetti, Verdi and Offenbach. French opera began at the court of Louis XIV of France with Jean-Baptiste Lully's ''Cadmus et Hermione'' (1673), although there had been various experiments with the form before that, most notably '' Pomone'' by Robert Cambert. Lully and his librettist Quinault created ''tragédie en musique'', a form in which dance music and choral writing were particularly prominent. Lully's most important successor was Rameau. After Rameau's death, the German Gluck was persuaded to produce six operas for the Paris, Parisian stage in the 1770s. They show the influence of Rameau, but simplified and with greater foc ...
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Operas By Hector Berlioz
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libretto, librettist and incorporates a number of the performing arts, such as acting, Theatrical scenery, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conducting, conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western culture#Music, Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include :Opera genres, numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ...
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Compositions By Hector Berlioz
Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation *Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters *Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker *Digital compositing, the practice of digitally piecing together a video Computer science *Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History *Composition of 1867, Austro-Hungarian/ ...
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Colin Davis
Sir Colin Rex Davis (25 September 1927 – 14 April 2013) was an English conductor, known for his association with the London Symphony Orchestra, having first conducted it in 1959. His repertoire was broad, but among the composers with whom he was particularly associated were Mozart, Berlioz, Elgar, Sibelius, Stravinsky and Tippett. Davis studied as a clarinetist, but was intent on becoming a conductor. After struggling as a freelance conductor from 1949 to 1957, he gained a series of appointments with orchestras including the BBC Scottish Orchestra, the BBC Symphony Orchestra and the Bavarian Radio Symphony Orchestra. He also held the musical directorships of Sadler's Wells Opera and the Royal Opera House, where he was principal conductor for over fifteen years. His guest conductorships included the Boston Symphony Orchestra, the New York Philharmonic and the Staatskapelle Dresden, among many others. As a teacher, Davis held posts at the Royal Academy of Music, London, ...
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London Symphony Orchestra
The London Symphony Orchestra (LSO) is a British symphony orchestra based in London. Founded in 1904, the LSO is the oldest of London's orchestras, symphony orchestras. The LSO was created by a group of players who left Henry Wood's Queen's Hall Orchestra because of a new rule requiring players to give the orchestra their exclusive services. The LSO itself later introduced a similar rule for its members. From the outset the LSO was organised on co-operative lines, with all players sharing the profits at the end of each season. This practice continued for the orchestra's first four decades. The LSO underwent periods of eclipse in the 1930s and 1950s when it was regarded as inferior in quality to new London orchestras, to which it lost players and bookings: the BBC Symphony Orchestra and the London Philharmonic Orchestra in the 1930s and the Philharmonia Orchestra, Philharmonia and Royal Philharmonic Orchestra, Royal Philharmonic after the Second World War. The profit-sharing ...
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Hugh Macdonald
Hugh John Macdonald (born 31 January 1940 in Newbury, Berkshire) is an English musicologist chiefly known for his work within the music of the 19th century, especially in France. He has been general editor of the ''Hector Berlioz: New Edition of the Complete Works'' since its inception in 1967 and has been particularly active in the revival of interest in Berlioz's music. He is also the author of several entries within ''The Grove Dictionary of Music and Musicians''. Biography Macdonald studied under Raymond Leppard at the University of Cambridge from 1958–1966. He went on to pursue doctoral studies, earning a Ph.D. in 1969 from Cambridge after researching the music of Berlioz for a dissertation consisting of a critical edition of ''Les Troyens''. He served on the faculty of music at Cambridge from 1966 to 1971 and on the music faculty at University of Oxford from 1971 to 1980. He became the Gardiner Professor of Music at Glasgow University , image = Uo ...
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André Deutsch
André Deutsch (15 November 1917 – 11 April 2000) was a Hungarian-born British publisher who founded an eponymous publishing company in 1951. Biography Deutsch was born on 15 November 1917 in Budapest, Hungary, the son of a Jewish dentist.Lyall, Sarah"Andre Deutsch, 82, Publisher Who Invigorated British Scene" ''The New York Times'', 14 April 2000. He attended school in Budapest and in Vienna, Austria. The ''Anschluss'' led to him fleeing Austria because he was Jewish, and in 1939, he settled in Britain, where he worked as floor manager at the Grosvenor House Hotel in London. When Hungary entered the Second World War on the side of the Germans in 1941, Deutsch was interned for some weeks as an "enemy alien". Attallah, Naim"No Longer With Us: André Deutsch"(including interview with Deutsch from ''Singular Encounters''), quartetbooks.wordpress.com, 5 July 2010. After having learned the business of publishing while working for Francis Aldor (Aldor Publications, London), wit ...
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David Cairns (writer)
David Adam Cairns (born 8 June 1926, Loughton, Essex) is a British journalist, non-fiction writer and musician. He is a leading authority on the life of Berlioz.Grove, ''Cairns, David (Adam)'' Biography He is the son of the distinguished neurosurgeon, Sir Hugh Cairns. He co-founded the Chelsea Opera Group (COG) in 1950, together with Stephen Gray. Their first concert was a concert performance in Oxford of Mozart's '' Don Giovanni'' under the baton of a 22-year-old Colin Davis. Cairns and Davis went on to form a partnership to champion the music of Berlioz. During the early 1960s, Davis conducted the COG in concert performances of several of Berlioz's large-scale works, including ''La Damnation de Faust'', '' Roméo et Juliette'', '' Les Troyens'' and '' Benvenuto Cellini''. Cairns became classical programme coordinator for Philips Records between 1967 and 1972 (in the London division of Phonogram), when Davis released his ground-breaking cycle of Berlioz recordings for the ...
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