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Les Caprices Du Papillon
''The Whims of the Butterfly'' (also known as ''The Caprices of a Butterfly'', or ''Les Caprices du Papillon'') is a ballet in 1 act, with choreography by Marius Petipa, and music by Nikolai Krotkov. Libretto by Marius Petipa, based on the poem '' The Grasshopper Musician'' by Yakov Polonsky. First presented by the Imperial Ballet on June 5/17 (Julian/Gregorian calendar dates), 1889 for the Imperial court at the theatre of Peterhof Palace in St. Petersburg, Russia. The ballet was given a second premiere for the general public at the Imperial Mariinsky Theatre on October 25/November 6, 1889 with the same cast. ''Principal Dancers -'' Varvara Nikitina (as the Butterfly), Pavel Gerdt (as the Phoenix Moth), Sergei Litavki (as the Grasshopper), Maria Anderson (as the Fly), Alexander Shiraev (as the Spider), and Sergei Legat (as the Nightingale). Revivals/Restagings *Revival by Marius Petipa for the Imperial Ballet. First presented on October 22/November 3, 1895 at the Imperial ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caprices Of A Butterfly -Victor Aleksandrovihc Semenov, Elena Mikhailovna Lukom & Vladimir Ponomarev -1919
Caprice, from the Italian ''capriccio'', may refer to: Art and entertainment * ''Caprice'' (1913 film), a film starring Mary Pickford * ''Caprices'' (film), a 1942 French comedy film * ''Caprice'' (1967 film), a film starring Richard Harris and Doris Day * ''Caprice'' (1997 film), a film produced by Nicholas Tabarrok * ''Caprice'' (2015 film), a 2015 French film directed by Emmanuel Mouret * Capriccio (art) or caprice, in painting, an architectural fantasy * ''A Caprice'', a c. 1894 painting by Aubrey Beardsley * Capriccio (music) or caprice, a piece of music usually free in form and of a lively character ** 24 Caprices for Solo Violin (Paganini) * ''Caprichos'' (''The Caprices''), a series of prints by Goya * ''Caprice'', a 1917 novel by Ronald Firbank * ''Caprice'', a 1929 adaptation by Philip Moeller of a play by Sil-Vara * ''Caprice'', a 1976 play by Charles Ludlam * Caprice (band), a Moscow-based musical group * , a Swedish record label operated by the state-owned Sw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sergei Legat
Sergei Gustavovich Legat (russian: Серге́й Густа́вович Лега́т; 27 September 1875 – 1 November 1905) was a Russian ballet dancer. Background Sergei Gustavovich Legat was born on 27 September 1875, in Moscow. The younger brother of Nikolai Legat, he studied at the imperial ballet school with Pavel Gerdt, Christian Johansson, Lev Ivanov and his brother. Legat joined the Mariinsky Theatre in 1894 and quickly became a soloist. Admired for his stylistic performances he also taught, with pupils including Vaslav Nijinsky. Legat originated the dual role of the Nutcracker/Prince in Tchaikovsky's famous ballet. He married Marie Petipa (1857–1930). Many of the male variations that make up the traditional classical ballet repertory were created especially for him at the turn of the 20th century. Death At the outbreak of the First Russian Revolution, Legat fell out with the authorities, and on 1 November 1905, he committed suicide in Saint Petersburg, slashing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballets By Nikolai Krotkov
Ballet () is a type of performance dance that originated during the Italian Renaissance in the fifteenth century and later developed into a concert dance form in France and Russia. It has since become a widespread and highly technical form of dance with its own vocabulary. Ballet has been influential globally and has defined the foundational techniques which are used in many other dance genres and cultures. Various schools around the world have incorporated their own cultures. As a result, ballet has evolved in distinct ways. A ''ballet'' as a unified work comprises the choreography and music for a ballet production. Ballets are choreographed and performed by trained ballet dancers. Traditional classical ballets are usually performed with classical music accompaniment and use elaborate costumes and staging, whereas modern ballets are often performed in simple costumes and without elaborate sets or scenery. Etymology Ballet is a French word which had its origin in Italian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballets By Marius Petipa
Marius Ivanovich Petipa (russian: Мариус Иванович Петипа), born Victor Marius Alphonse Petipa (11 March 1818), was a French ballet dancer, pedagogue and choreographer. Petipa is one of the most influential ballet masters and choreographers in ballet history. Marius Petipa is noted for his long career as ''Premier maître de ballet'' (''First Ballet Master'') of the St. Petersburg Imperial Theatres, making him Ballet Master and principal choreographer of the Imperial Ballet (today known as the Mariinsky Ballet), a position he held from 1871 until 1903. Petipa created over fifty ballets, some of which have survived in versions either faithful to, inspired by, or reconstructed from the original. Among these works, he is most noted for ''The Pharaoh's Daughter'' (1862); ''Don Quixote'' (1869); ''La Bayadère'' (1877); '' Le Talisman'' (1889); '' The Sleeping Beauty'' (1890); ''The Nutcracker'' (choreographed jointly with Lev Ivanov) (1892); ''Le Réveil de Flore ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sergeyev Collection
The Sergeyev Collection is a collection of choreographic notation, musical materials, designs for décor and costumes, theatre programs, photos and other items that document the repertory of the Mariinsky Ballet, Imperial Ballet (precursor of the Kirov/Mariinsky Ballet) of St. Petersburg, Russia at the turn of the 20th century. The majority of the choreographic notations document with varying degrees of detail the original works and revivals of the renowned choreographer Marius Petipa, who served as ''Premier Maître de ballet'' of the St. Petersburg Imperial Theatres. The collection also documents a few ballets by Lev Ivanov, who served as second ''Maître de ballet''. Also included in the collection are choreographic notation documenting dances from various operas by both Petipa and Ivanov, respectively. The ''Sergeyev Collection'' is named after Nicholas Sergeyev, ' of the St. Petersburg Imperial Theatres from 1903 to 1918, who brought the collection out of Russia after the Russi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vladimir Ivanovich Stepanov
Vladimir Ivanovich Stepanov (1866–1896), was a dancer at the Mariinsky Theater in Saint Petersburg. His book, ''The Alphabet of Movements of the Human Body'' ( French: ''L'Alphabet des Mouvements du Corps Humain) was'' published in Paris in 1892. The book describes a notation that encodes dance movements using musical notes instead of pictographs or abstract symbols. Stepanov breaks complex movements down to elementary moves made by individual body parts, enciphering these basic moves as notes. This method of dance notation, improved by Alexander Gorsky, notated many ballets from choreographer Marius Petipa. Today, this method is preserved in the Harvard University Library Theatre Collection and is known as the Sergeyev Collection. Stepanov wrote his book from an anatomical perspective. The movements were written in terms of joints of the body, along with flexion, extension, rotation, direction, and adduction. After taking an anatomy course, he continued his studies in Paris. On ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexandra Georgievna Of Greece And Denmark
Princess Alexandra of Greece and Denmark ( el, Αλεξάνδρα); – ), later known as Grand Duchess Alexandra Georgievna of Russia (russian: Алекса́ндра Гео́ргиевна), was a member of the Greek royal family and of the Russian imperial family. She was the daughter of George I of Greece and Olga Constantinovna of Russia. She died of childbirth complications. Early life Princess Alexandra of Greece and Denmark was born on at Mon Repos, the summer residence of the Greek royal family on the island of Corfu. She was the third child and eldest daughter of King George I of Greece and his wife, Grand Duchess Olga Constantinovna of Russia. Alexandra's father was not a native Greek, but he had been born a Danish prince named Christian Wilhelm of Schleswig-Holstein-Sonderburg-Glücksburg, a son of Christian IX, King of Denmark, and he had been elected to the Greek throne at the age of seventeen. Five of his sons (Constantine, George, Nicholas, Andrew and Ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexander III Of Russia
Alexander III ( rus, Алекса́ндр III Алекса́ндрович, r=Aleksandr III Aleksandrovich; 10 March 18451 November 1894) was Emperor of Russia, King of Poland and Grand Duke of Finland from 13 March 1881 until his death in 1894. He was highly reactionary and reversed some of the liberal reforms of his father, Alexander II. This policy is known in Russia as "counter-reforms" ( rus, контрреформы). Under the influence of Konstantin Pobedonostsev (1827–1907), he opposed any reform that limited his autocratic rule. During his reign, Russia fought no major wars; he was therefore styled "The Peacemaker" ( rus, Миротворец, Mirotvorets, p=mʲɪrɐˈtvorʲɪt͡s). It was he who helped forge the Russo-French Alliance. Personality Grand Duke Alexander Alexandrovich was born on 10 March 1845 at the Winter Palace in Saint Petersburg, Russian Empire, the second son and third child of Tsesarevich Alexander (Future Alexander II) and his first wife ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexander II Of Russia
Alexander II ( rus, Алекса́ндр II Никола́евич, Aleksándr II Nikoláyevich, p=ɐlʲɪˈksandr ftɐˈroj nʲɪkɐˈlajɪvʲɪtɕ; 29 April 181813 March 1881) was Emperor of Russia, Congress Poland, King of Poland and Grand Duke of Finland from 2 March 1855 until Assassination of Alexander II of Russia, his assassination in 1881. Alexander's most significant reform as emperor was the emancipation reform of 1861, emancipation of Serfdom in Russia, Russia's serfs in 1861, for which he is known as Alexander the Liberator ( rus, Алекса́ндр Освободи́тель, r=Aleksándr Osvobodytel, p=ɐlʲɪˈksandr ɐsvəbɐˈdʲitʲɪlʲ). The tsar was responsible for other reforms, including reorganizing the judicial system, setting up elected local judges, abolishing corporal punishment, promoting local self-government through the ''zemstvo'' system, imposing universal military service, ending some privileges of the nobility, and promoting university e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grand Duke Paul Alexandrovich Of Russia
Grand Duke Paul Alexandrovich of Russia (russian: Павел Александрович; 3 October 1860 – 28 January 1919) was the sixth son and youngest child of Emperor Alexander II of Russia by his first wife, Empress Maria Alexandrovna. He was a brother of Emperor Alexander III and uncle of Nicholas II, Russia's last monarch. He entered the Russian Army, was a general in the Cavalry and adjutant general to his brother Emperor Alexander III, and a Knight of the Order of St. Andrew. In 1889, he married Princess Alexandra of Greece, his paternal first cousin once removed. The couple had a daughter and a son, but Alexandra died after the birth of their second child. In his widowhood, Grand Duke Paul began a relationship with Olga Valerianovna Karnovich, a married woman with three children. After obtaining a divorce for Olga and in defiance of strong family opposition, Grand Duke Paul married her in October 1902. As he contracted a morganatic marriage with a divorcée in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Olga Preobrajenskaya
Olga Iosifovna Preobrajenska (russian: О́льга Ио́сифовна Преображе́нская; born Preobrazhenskaya; – 27 December 1962) was a Russian ballerina of the Russian Imperial Ballet and a ballet instructor. Biography She was born in Saint Petersburg as Olga Preobrazhenskaya (the final syllable of her surname was dropped to shorten her name for professional purposes, and she used the French transliteration, Preobrajenska). Olga—born frail and with a crooked spine—was an unlikely prima ballerina. But she had dreams of being a dancer, and for years her parents tried unsuccessfully to get her enrolled in dance school. The selection committee repeatedly rejected her as a candidate. But after three years of trying, her parents succeeded and the eight-year-old Olga entered the Imperial Ballet School in 1879. Despite her physical shortcomings, Preobrazhenskaya grew strong with training under Marius Petipa, Lev Ivanov and Anna Johansson. She developed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Enrico Cecchetti
Enrico Cecchetti (; 21 June 1850 – 13 November 1928) was an Italian ballet dancer, mime, and founder of the Cecchetti method. The son of two dancers from Civitanova Marche, he was born in the costuming room of the ''Teatro Tordinona'' in Rome. After an illustrious career as a dancer in Europe, he went to dance for the Imperial Ballet in St. Petersburg, Russia, where he further honed his skills. Cecchetti was praised for his agility and strength in his performances, as well as his technical abilities in dance. By 1888, he was widely accepted as the greatest ballet virtuoso in the world. After an esteemed career in Russia, originating such roles as both the Bluebird and Carabosse in Petipa's masterpiece, '' The Sleeping Beauty'', he turned to teaching. Some of his students included other notable dancers of the Imperial Ballet, such as: Anna Pavlova, Léonide Massine, and Vaslav Nijinsky. While in London in 1920, he provided instruction to the American ballerina Ruth Page and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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