Lens Adapter
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Lens Adapter
In photography and videography, a lens adapter is a device that enables the use of camera and lens combinations from otherwise incompatible systems. The most simple lens adapter designs, passive lens adapters provide a secure physical connection between the camera and the lens. Some passive adapters may include a mechanism for manual iris control. So called, active lens adapters will include electronic connections, enabling communication between the lens and the camera. Some lens adapters include a special optical element called a telecompressor, focal reducer, or more recently a "speed booster", a genericised trademark that refers to the Metabones Speed Booster line of lens adapters. This type of adapter is designed to reduce focal length, increase lens speed, and in some instances improve MTF performance. Another innovator in the field is KIPON, a German/Chinese co-operation between Kipon and IB/E Optics. Another branch of lens adapters include an ND-filter to simplify chang ...
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Lens Adapters Exakta To Sony E-mount And Minolta MD To Sony E-mount
A lens is a transmissive optical device which focuses or disperses a light beam by means of refraction. A simple lens consists of a single piece of transparent material, while a compound lens consists of several simple lenses (''elements''), usually arranged along a common axis. Lenses are made from materials such as glass or plastic, and are ground and polished or molded to a desired shape. A lens can focus light to form an image, unlike a prism, which refracts light without focusing. Devices that similarly focus or disperse waves and radiation other than visible light are also called lenses, such as microwave lenses, electron lenses, acoustic lenses, or explosive lenses. Lenses are used in various imaging devices like telescopes, binoculars and cameras. They are also used as visual aids in glasses to correct defects of vision such as myopia and hypermetropia. History The word ''lens'' comes from '' lēns'', the Latin name of the lentil (a seed of a lentil plant), bec ...
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Extension Tube
An extension tube, sometimes also called a closeup tube or an extension ring, is used with interchangeable lenses to increase magnification. This is most often used in macro photography. Construction The tube contains no optical elements; its sole purpose is to move the lens farther from the image plane. The farther away the lens is, the closer the focus, the greater the magnification, and also the greater the loss of light (requiring a longer exposure time). Lenses classically focus closer than infinity by moving all optical elements farther from the film or sensor; an extension tube simply enables this movement. Because extension tubes do not have optics, they do not affect the optical quality of a lens. Because of their function, there are other effects: decrease of light; shallower depth of field; and loss of ability to focus at infinity. The longer the extension tube, the closer the lens can focus. Correspondingly, the amount of light and depth of field will be reduc ...
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Canon FD-mount
The Canon FD lens mount is a physical standard for connecting a photographic lens to a 35mm single-lens reflex camera body. The standard was developed by Canon of Japan and was introduced in March 1971 with the Canon F-1 camera. It served as the Canon SLR interchangeable lens mounting system until the 1987 introduction of the Canon EOS series cameras, which use the newer EF lens mount. The FD mount lingered through the release of the 1990 Canon T60, the last camera introduced in the FD system, and the end of the Canon New F-1 product cycle in 1992. The FD mount was based upon and replaced Canon's earlier FL mount (which in turn had replaced the R mount); FD-mount cameras can use FL lenses in stop-down metering mode. Though never officially explained by Canon, others have attempted to assign a meaning to the "FD" designation. One such attempt states that the "FD" notation stands for "Focal-plane shutter with Dual linkage for diaphragm control"; in actuality, there were two li ...
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M39 Lens Mount
The M39 lens mount is a screw thread mounting system for attaching lenses to 35 mm cameras, primarily rangefinder (RF) Leicas. It is also the most common mount for Photographic enlarger lenses. True Leica Thread-Mount (LTM) is 39 mm in diameter and has a thread of 26 turns-per-inch or threads-per-inch (tpi) (approximately 0.977 mm pitch) of Whitworth thread form. Whitworth threads were then the norm in microscope manufacture. The Royal Microscopical Society (RMS) thread, also known as ''society thread'', is a special 0.8" diameter x 36 tpi Whitworth thread used for microscope objective lenses and Leitz was a major manufacturer of microscopes, so the tooling at the plant was already set up to produce the Whitworth thread form. The Soviets in the 1930s produced their early FED cameras in M39×1 (39 mm by 1 mm DIN thread). Early Canon cameras also used a different M39 × 24 tpi thread mount,
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Leica M-mount
The Leica M mount is a camera lens mount introduced in 1954 with the Leica M3, and a range of lenses. It has been used on all the Leica M-series cameras and certain accessories (e.g. Visoflex reflex viewing attachment) up to the current film Leica M-A and digital Leica M11 cameras. This lens mount has also been used by Epson, Ricoh, Minolta, Konica, Cosina Voigtländer, Rollei, Carl Zeiss AG and Rollei Fototechnic on some of their cameras. Overview The Leica M mount was introduced in 1954 at that year's Photokina show, with the Leica M3 as its first camera. The 'M' stands for ''Messsucher'' or rangefinder in German. This new camera abandoned the M39 lens mount in favour of a new bayonet mount. The bayonet mount allowed lenses to be changed more quickly and made the fitting more secure. Other innovations introduced by the M3 included a single window for the viewfinder (for composition) and the rangefinder (for focussing). With a double-stroke film advance lever (later models hav ...
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Samsung NX-mount
The Samsung NX-mount is the lens mount used on NX series mirrorless interchangeable lens cameras by Samsung. The mount was first implemented in the Samsung NX10, and Samsung initially referred to the NX line as 'hybrid digital cameras', citing their combination of attributes of both DSLR and compact cameras. The mount is designed for APS-C image sensors, with a 1.54x crop factor. Optical image stabilization is featured on some of the lenses, indicated by an "OIS" marking. Automatic focusing on NX lenses is handled by a dedicated electric motor built into the lens. Samsung NX lenses (with some early exceptions) include i-Function (iFn), which allows control of various camera settings via a ring and button on the lens. NX5 and NX10 cameras support iFn since firmware 1.10 and 1.20 respectively, while all subsequent models support iFn natively. NX lenses Samsung NX lenses are listed in the following sortable table. ;Table Notes Samyang Optics (Bower, Rokinon, Walimex) lense ...
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Sony E-mount
The E-mount is a lens mount designed by Sony for their NEX ("New E-mount eXperience") and ILCE series of camcorders and mirrorless cameras. The E-mount supplements Sony's α mount, allowing the company to develop more compact imaging devices while maintaining compatibility with 35mm sensors. E-mount achieves this by: * Minimising mechanical complexity, removing mechanical aperture and focus drive. * Shortening the flange focal distance to 18 mm compared with earlier offerings from Sony which used 44.5 mm. * Reducing the radius of the flange. The short flange focal distance prohibits the use of an optical viewfinder, as a mirror box mechanism cannot be included in this reduced distance. Therefore all E-mount cameras use an electronic viewfinder. History Initially, E-mount was implemented on the Sony α NEX-3 and NEX-5 consumer-targeted devices with APS-C sized sensors. E-mount integration into Sony camcorder products was provided with the Sony Handycam NEX-VG10. On 2 ...
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Exif
Exchangeable image file format (officially Exif, according to JEIDA/JEITA/CIPA specifications) is a standard that specifies formats for images, sound, and ancillary tags used by digital cameras (including smartphones), scanners and other systems handling image and sound files recorded by digital cameras. The specification uses the following existing encoding formats with the addition of specific metadata tags: JPEG lossy coding for compressed image files, TIFF Rev. 6.0 (RGB or YCbCr) for uncompressed image files, and RIFF WAV for audio files (linear PCM or ITU-T G.711 μ-law PCM for uncompressed audio data, and IMA-ADPCM for compressed audio data). It does not support JPEG 2000 or GIF encoded images. This standard consists of the Exif image file specification and the Exif audio file specification. Background Exif is supported by almost all camera manufacturers. The metadata tags defined in the Exif standard cover a broad spectrum: * Camera settings: This includes static ...
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Autofocus
An autofocus (or AF) optical system uses a sensor, a control system and a motor to focus on an automatically or manually selected point or area. An electronic rangefinder has a display instead of the motor; the adjustment of the optical system has to be done manually until indication. Autofocus methods are distinguished as active, passive or hybrid types. Autofocus systems rely on one or more sensors to determine correct focus. Some AF systems rely on a single sensor, while others use an array of sensors. Most modern SLR cameras use through-the-lens optical sensors, with a separate sensor array providing light metering, although the latter can be programmed to prioritize its metering to the same area as one or more of the AF sensors. Through-the-lens optical autofocusing is usually speedier and more precise than manual focus with an ordinary viewfinder, although more precise manual focus can be achieved with special accessories such as focusing magnifiers. Autofocus accuracy ...
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Lens Aperture
In optics, an aperture is a hole or an opening through which light travels. More specifically, the aperture and focal length of an optical system determine the cone angle of a bundle of rays that come to a focus in the image plane. An optical system typically has many openings or structures that limit the ray bundles (ray bundles are also known as ''pencils'' of light). These structures may be the edge of a lens or mirror, or a ring or other fixture that holds an optical element in place, or may be a special element such as a diaphragm placed in the optical path to limit the light admitted by the system. In general, these structures are called stops, and the aperture stop is the stop that primarily determines the ray cone angle and brightness at the image point. In some contexts, especially in photography and astronomy, ''aperture'' refers to the diameter of the aperture stop rather than the physical stop or the opening itself. For example, in a telescope, the aperture sto ...
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Vignetting
In photography and optics, vignetting is a reduction of an image's brightness or saturation toward the periphery compared to the image center. The word ''vignette'', from the same root as ''vine'', originally referred to a decorative border in a book. Later, the word came to be used for a photographic portrait that is clear at the center and fades off toward the edges. A similar effect is visible in photographs of projected images or videos off a projection screen, resulting in a so-called "hotspot" effect. Vignetting is often an unintended and undesired effect caused by camera settings or lens limitations. However, it is sometimes deliberately introduced for creative effect, such as to draw attention to the center of the frame. A photographer may deliberately choose a lens that is known to produce vignetting to obtain the effect, or it may be introduced with the use of special filters or post-processing procedures. When using superzoom lenses, vignetting may occur all alo ...
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