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This French composer Daniel François Esprit Auber (1782–1871) is best known for his operas, including 31 opéras comiques, 7 opéras, 3 drames lyriques, and one each of works designated as comédie, comédie mêlée de chant, intermède, opéra féerie, opéra historique, scène lyrique and scène-prologue. All were premiered in Paris, except ''Jean de Couvain'', which was premiered in Chimay (now in Belgium), and ''La fête de Versailles'', which was premiered in Versailles. List of operas References Notes Sources * Pitou, Spire (1990). ''The Paris Opéra: An Encyclopedia of Operas, Ballets, Composers, and Performers. Growth and Grandeur, 1815–1914''. Westport, Connecticut: Greenwood Press. . * Schneider, Herbert (1992). "Auber, Daniel-François-Esprit" in ''The New Grove Dictionary of Opera ''The New Grove Dictionary of Opera'' is an encyclopedia of opera, considered to be one of the best general reference sources on the subject. It is the largest work on opera in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Daniel Auber
Daniel-François-Esprit Auber (; 29 January 178212 May 1871) was a French composer and director of the Paris Conservatoire. Born into an artistic family, Auber was at first an amateur composer before he took up writing operas professionally when the family's fortunes failed in 1820. He soon established a professional partnership with the librettist Eugène Scribe that lasted for 41 years and produced 39 operas, most of them commercial and critical successes. He is mostly associated with opéra-comique and composed 35 works in that genre. With Scribe he wrote the first French grand opera, ''La Muette de Portici'' (The Dumb Woman of Portici) in 1828, which paved the way for the large-scale works of Giacomo Meyerbeer. Auber held two important official musical posts. From 1842 to 1871 he was director of France's premier music academy, the Paris Conservatoire, which he expanded and modernised. From 1852 until the fall of the Second Empire in 1870 he was director of the imperial chap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walter Scott
Sir Walter Scott, 1st Baronet (15 August 1771 – 21 September 1832), was a Scottish novelist, poet, playwright and historian. Many of his works remain classics of European and Scottish literature, notably the novels ''Ivanhoe'', ''Rob Roy (novel), Rob Roy'', ''Waverley (novel), Waverley'', ''Old Mortality'', ''The Heart of Mid-Lothian'' and ''The Bride of Lammermoor'', and the narrative poems ''The Lady of the Lake (poem), The Lady of the Lake'' and ''Marmion (poem), Marmion''. He had a major impact on European and American literature. As an advocate, judge and legal administrator by profession, he combined writing and editing with daily work as Clerk of Session and Sheriff court, Sheriff-Depute of Selkirkshire. He was prominent in Edinburgh's Tory (political faction), Tory establishment, active in the Royal Highland and Agricultural Society of Scotland, Highland Society, long a president of the Royal Society of Edinburgh (1820–1832), and a vice president of the Society o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fra Diavolo (opera)
''Fra Diavolo, ou L'hôtellerie de Terracine'' (''Fra Diavolo, or The Inn of Terracina'') is an opéra comique in three acts by the French composer Daniel Auber, from a libretto by Auber's regular collaborator Eugène Scribe. It is loosely based on the life of the Itrani guerrilla leader Michele Pezza, active in southern Italy in the period 1800-1806, who went under the name of Fra Diavolo ("Brother Devil"). The opera was first performed by the Opéra-Comique at the Salle Ventadour in Paris on 28 January 1830 and an Italian version was prepared by Auber and Scribe for performance in London in 1857. This contained new recitatives and arias, as well as expanding the roles of Fra Diavolo's accomplices. The opera was Auber's greatest success, one of the most popular works of the 19th century and was in the standard repertory in its original French as well as German and Italian versions. An English translation was also prepared. Hugh Macdonald has characterised this comic opera ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raymond Brucker
Raymond Brucker, full name Raymond Philippe Auguste Brucker (5 May 1800, Paris – 28 February 1875, Paris), was a 19th-century French writer. A fan-worker then an essayist and homme de lettres, he converted to Catholicism in 1839. He was professor of philosophy. He wrote under various pseudonyms (Paul Séverin, Aloysius Block, Champercier, Duvernay, Ch. Dupuy, Olibrius), and in collaboration with Michel Masson (1800–1883) and with Léon Gozlan under the pseudonym ''Michel Raymond''. Works ; under the pseudonym Raymond Brucker : *1833: ''Les cent-et-une nouvelles nouvelles des Cent-et-un, ornées de cent-et-une vignettes'', recueil de nouvelles en 2 volumes, Paris, Ladvocat *1833: ''Le livre des conteurs'', with other authors, Paris, Allardin *1837: ''Mensonge'', roman 2 vol., Paris, Werdet *1840: ''Branches d'olivier. Recueil de poésies chrétiennes'', with other authors, Paris, Olivier Fulgence *1844: ''Les Docteurs du jour devant la famille'', Paris, Sagnier et Bray *1848 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michel Masson
Auguste-Michel-Benoît Gaudichot pseudonym: Michel Masson (31 July 1800 – 12 thermidor an VIII- – 23 April 1883) was a French playwright, journalist and novelist of the 19th century. Biography A worker's son, he began acting at age 10 and played the roles of children in several plays. He was danser at the Théâtre Monthabor, but he had only little success. So he stopped as a danser, and took a job as an apprentice in a bookshop. There he saw other starting authors like M.Champfleury. Masson liked reading books, and he started writing too. But he did not like the commercial side of his job. He worked a time as a café waiter. Masson started writing articles for newspapers, the quality of his work was recognized, and articles of his hand were published in newspapers like ''Les Nouveautés'', the ''Mercure de France'' and ''La Lorgnette''. (journal des théâtres, de la littérature, des arts, des moeurs, des modes et de la librairie, pour Paris, les départemens et l'étrange ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Muette De Portici
''La muette de Portici'' (''The Mute Girl of Portici'', or ''The Dumb Girl of Portici''), also called ''Masaniello'' () in some versions, is an opera in five acts by Daniel Auber, with a libretto by Germain Delavigne, revised by Eugène Scribe. The work has an important place in music history as the earliest French grand opera. It is also known for its alleged role in the Belgian Revolution of 1830. Background The opera was first given at the Salle Le Peletier of the Paris Opéra on 29 February 1828. The role of Masaniello was taken by the famous tenor Adolphe Nourrit and Princess Elvire was sung by Laure Cinti-Damoreau. The dancer Lise Noblet played the mute title role, a part later taken by other dancers such as Marie Taglioni, Fanny Elssler and Pauline Leroux, also the actress Harriet Smithson (the future wife of Hector Berlioz). Alphonse was created by Alexis Dupont, who was Lise Noblet's brother-in-law. The conductor at the premiere was Henri Valentino.; ; ; . Other sou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Germain Delavigne
Louis Marie Germain Delavigne (1 February 1790 – 3 November 1868) was a French playwright and librettist. Delavigne was born in Giverny to Louis-Augustin-Anselme Delavigne, a surveyor of the French royal forests, and his wife. He was the brother of Casimir Delavigne (1793–1843) who was also destined for a theatrical career. A frequent collaborator of Eugène Scribe, Delavigne was involved in the creation of the libretti of two of the earliest grand operas, Daniel Auber's ''La muette de Portici'' (1828) and Giacomo Meyerbeer's ''Robert le diable'' (1831). Amongst his later libretti were those for Fromental Halévy's '' Charles VI'' (1843) (co-authored with his brother Casimir) and Charles Gounod's ''La nonne sanglante'' (1854).Smith (n.d.). Delavigne died at Montmorency, Val-d'Oise Montmorency () is a commune in the northern suburbs of Paris, France. It is located from the center of Paris. Montmorency was the fief of the Montmorency family, one of the oldest and most ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Maçon
' (French for ''The Mason'') is an ''opéra comique'' in three acts by Daniel Auber to a libretto by Eugène Scribe and Germain Delavigne. It premiered at the Opéra-Comique Salle Feydeau in Paris on 3 May 1825. It was to become Auber's first enduring success.Letellier, Robert Ignatius, ed. ''Daniel-François-Esprit Auber: 'Le Maçon''. Cambridge Scholars Publishing, 2011. Among the original cast was the tenor Antoine Ponchard. Synopsis ''Le maçon'' is set in Paris, in the Faubourg Saint-Antoine, around 1820. Act 1 Roger, a mason, and his bride Henriette (the sister of his friend Baptiste, a locksmith) are rejoicing at their wedding. An officer, Léon de Mérinville, whose life was once saved by Roger, arrives at the wedding reception. He explains that he is on his way to a nearby château A château (; plural: châteaux) is a manor house or residence of the lord of the manor, or a fine country house of nobility or gentry, with or without fortifications, originally, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miguel De Cervantes
Miguel de Cervantes Saavedra (; 29 September 1547 (assumed) – 22 April 1616 Old Style and New Style dates, NS) was an Early Modern Spanish writer widely regarded as the greatest writer in the Spanish language and one of the world's pre-eminent novelists. He is best known for his novel ''Don Quixote'', a work often cited as both the first modern novel and one of the pinnacles of world literature. Much of his life was spent in poverty and obscurity, which led to many of his early works being lost. Despite this, his influence and literary contribution are reflected by the fact that Spanish is often referred to as "the language of Cervantes". In 1569, Cervantes was forced to leave Spain and move to Rome, where he worked in the household of a Cardinal (Catholic Church), cardinal. In 1570, he enlisted in a Spanish Marine Infantry, Spanish Navy infantry regiment, and was badly wounded at the Battle of Lepanto in October 1571. He served as a soldier until 1575, when he was captur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François-Adrien Boieldieu
François-Adrien Boieldieu (, also ) (16 December 1775 – 8 October 1834) was a French composer, mainly of operas, often called "the French Mozart". His date of birth was also cited as December 15 by his biographer and writer Lucien Augé de Lassus (b. 1841) and as September 15 by some local press releases. Biography Born during the Ancien Régime in Rouen, François-Adrien Boieldieu received his musical education first from the choirmaster and then from the organist of the local cathedral. During the Reign of Terror, Rouen was one of the few towns to maintain a significant musical life and in 1793 a series of concerts was organised featuring the celebrated violinist Pierre Rode and the tenor Pierre-Jean Garat. It was during this time that Boieldieu composed his earliest works to texts written by his father (''La fille coupable'' in 1793, followed by ''Rosalie et Mirza'' in 1795). They brought him immediate success. During the Revolutionary period, Boieldieu left for Paris and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salle Le Peletier
The Salle Le Peletier or Lepeletier (sometimes referred to as the Salle de la rue Le Peletier or the Opéra Le Peletier) was the home of the Paris Opera from 1821 until the building was destroyed by fire in 1873. The theatre was designed and constructed by the architect François Debret on the site of the garden of the Hôtel de Choiseul on the rue Lepeletier. Due to the many changes in government and management during the theatre's existence, it had a number of different official names, the most important of which were: Théâtre de l'Académie Royale de Musique (1821–1848), Opéra-Théâtre de la Nation (1848–1850), Théâtre de l'Académie Nationale de Musique (1850–1852), Théâtre de l'Académie Impériale de Musique (1852–1854), Théâtre Impérial de l'Opéra (1854–1870), and Théâtre National de l'Opéra (1870–1873). History When Louis XVIII of France, King Louis XVIII's nephew, Charles Ferdinand, Duke of Berry, Charles Ferdinand, duc de Berry, was fatally ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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