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Left For Live
''Left for Live'' is a live album by John Entwistle, who was the bassist for The Who. In 1995, Entwistle put together a backing band with producer Steve Luongo that he christened as simply 'The John Entwistle Band'. The outfit also featured guitarist Godfrey Townsend and keyboardist Gordon Cotten with harmony vocals performed by all the members. The group documented their 1998 tour, during which they performed a mix of new, solo and classic songs from The Who. The song " Under a Raging Moon" is written by John Parr (from St Elmo's Fire fame) and Julia Downes and is included on Roger Daltrey's 1985 solo album of the same name, the track is a tribute to The Who's drummer Keith Moon who died in 1978. It was said that Entwistle wanted to play this song instead of Won't Get Fooled Again at Live Aid with The Who but Pete Townshend disagreed so Entwistle wanted to record his own version instead as a tribute to Moon. When Allmusic rated the album they said, "John Entwistle may be the ...
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John Entwistle
John Alec Entwistle (9 October 194427 June 2002) was an English musician who was the bassist for the rock band The Who. Entwistle's music career spanned over four decades. Nicknamed "The Ox" and "Thunderfingers", he was the band's only member with formal musical training and also provided backing and occasional lead vocals. Entwistle was inducted into the Rock and Roll Hall of Fame as a member of the Who in 1990. Renowned for his musical abilities, Entwistle's instrumental approach used pentatonic lead lines and a then-unusual treble-rich sound ("full treble, full volume"). He was voted as the greatest bassist ever in a 2011 ''Rolling Stone'' readers' poll and, in 2020, the same magazine ranked him number three in its own list of the 50 greatest bassists of all time. Early life John Alec Entwistle was born on 9 October 1944 in Chiswick, which is now part of London. He was an only child. His father, Herbert, who died in 2003, played the trumpet and his mother, Maud (née Lee) ...
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The Real Me (The Who Song)
"The Real Me" is a song written by Pete Townshend on The Who's second full-scale rock opera, ''Quadrophenia'' in 1973. This is the second track on the album, although it is the first with lyrics. It concerns a boy named Jimmy, a young England, English Mod (subculture), Mod with four distinct personalities. The song describes how he angrily deals with several individuals to identify "the real me". The song was released as a single (backed with I'm One) in the United States and Canada in 1974. The song features an impressive Bass guitar, bass performance by John Entwistle. According to a 1996 interview with Entwistle by Goldmine Magazine, the bass part was recorded on the first take. Entwistle claimed he was "joking around" when he played the part, but the band loved it and used it in the final version. Aside from the verses about the psychiatrist, mother and preacher, Townshend's original demo of the song on his solo album ''Scoop 3'' includes another verse about rock and roll in g ...
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Summertime Blues
"Summertime Blues" is a song co-written and recorded by American rock artist Eddie Cochran. It was written by Cochran and his manager Jerry Capehart. Originally a single B-side, it was released in August 1958 and peaked at number 8 on the ''Billboard'' Hot 100 on September 29, 1958, and number 18 on the UK Singles Chart. It has been covered by many artists, including being a number-one hit for country music artist Alan Jackson, and scoring notable hits in versions by Blue Cheer, The Who, and Brian Setzer, the last of whom recorded his version for the 1987 film '' La Bamba'', in which he portrayed Cochran. Jimi Hendrix performed it in concert. T. Rex recorded their own rendition of the song for their self titled debut album '' T. Rex'' in 1970 and performed it live. Lyrics The song is about the struggle between a teenager and his parents, his boss and his congressman during the summer. The narrator resents having to take a job in order to earn pocket money, and he cannot go o ...
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Heaven And Hell (The Who Song)
"Heaven and Hell" is a song by English rock band the Who written by group bassist John Entwistle. The studio version (originally recorded for an April 1970 BBC session), which appeared on the B-side of the live "Summertime Blues" single, is currently available on the ''Thirty Years of Maximum R&B'' boxed set, '' Who's Missing'', and ''Odds & Sods'', although several live versions of the song exist on official releases. The song was one of many Entwistle B-side singles and one of his live staples. Lyrical meaning The song's lyrics talk of the places known as Heaven and Hell. The song describes Heaven as "a place where you go if you've done nothing wrong," and Hell as "a place where you go if you've been a bad boy." John Entwistle stated his stance on Heaven and Hell in an interview: The last lyric ballot of the song: 'Why can't we have eternal life, And never die, Never die?' "I've always been obsessed with the idea of Heaven and Hell. Not obsessed that it's true, but just o ...
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Boris The Spider
"Boris the Spider" is a song written by the Who's bass guitarist, John Entwistle. It appears as the second track of their 1966 album ''A Quick One''. This song is claimed to be Entwistle's first composition, and became a staple of live shows. This song, along with "My Wife", "Heaven and Hell" and " The Quiet One", were Entwistle's most popular songs to perform live. "The Quiet One" was written to replace this song and "My Wife", which Entwistle had become quite tired of singing. Though this song was popular, it was not released as a single in the US and the UK. In Japan, "Boris the Spider" was released as the B-side to "Whiskey Man" in 1967. Background "Boris the Spider" was written after Entwistle had been out drinking with the Rolling Stones' bass guitarist, Bill Wyman. They were making up funny names for animals when Entwistle came up with "Boris the Spider". The song was written by Entwistle in six minutes and, according to Entwistle in a 1971 interview for ''Crawdaddy'', ...
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Cousin Kevin
''Tommy'' is the fourth studio album by the English rock band The Who, a double album first released on 17 May 1969. The album was mostly composed by guitarist Pete Townshend, and is a rock opera that tells the story of Tommy Walker. Tommy is traumatized from witnessing his father murder his mother's lover. Tommy's parents compound his trauma by denying the experience. In reaction, Tommy becomes dissociative ("deaf, dumb and blind"). Tommy then experiences the trauma of being sexually abused. As a way of coping with his trauma, Tommy dissociates further through playing pinball. He gains a following because of his skill at playing pinball. After numerous misguided attempts to heal Tommy, a doctor prescribes him a mirror so he can confront himself and his experience. Instead, Tommy becomes self-absorbed and comes to think of himself as a messianic figure. When the mirror is eventually broken, Tommy comes out of his dissociative state. Tommy then tries to lead his followers to b ...
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Trick Of The Light (The Who Song)
"Trick of the Light" is a song written by bassist John Entwistle for The Who's eighth studio album, ''Who Are You''. It was released as the second single from the album, atypically with another Entwistle song, "905" on the B-side, but did not chart. The lyrics describe fear of being sexually inadequate in the face of a prostitute. The singer wants to have an emotional connection with the prostitute but she only sees him as dehumanized and recognizes his sexual insecurity. He is concerned that he didn't bring her "to the height of ecstasy." It features a guitar-like assault throughout the song, described by Pete Townshend as sounding like "a musical Mack truck" and is actually Entwistle's heavily distorted eight-string Alembic bass. Chris Charlesworth feels that the bass dominates the song to an extent that none of the other elements of the song matter. '' Billboard'' described the guitar riff as "furious" and "unrelenting," and also praises drummer Keith Moon's ability to " usta ...
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My Size
"My Size" is a song by John Entwistle. The song is the first track on his debut solo album ''Smash Your Head Against the Wall'' and ends with the main riff from one of Entwistle's popular compositions, "Boris the Spider". "My Size" was released as a promotional single in 1971. When Entwistle was asked about the song, he said simply: "'My Size,' was just written in the studio, we wrote the chord progressions and then I went home and composed the tune and the words." In another interview Entwistle called "My Size" a sequel to his 1966 hit with The Who, "Boris the Spider". He said, "I wrote it as a sequel to 'Boris the Spider' for our manager. Our manager wanted me to put 'Boris the Spider' on my album. So I wrote 'My Size' and I wrote it in a sort of code so it sounds as if it were being sung about a woman. Then I stuck the ending on it as a clue. It wasn't a very good clue, I suppose." Entwistle later said: "A lot of people thought that 'My Size' from 'Smash Your Head' was actually ...
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Mose Allison
Mose John Allison Jr. (November 11, 1927 – November 15, 2016) was an American jazz and blues pianist, singer, and songwriter. He became notable for playing a unique mix of blues and modern jazz, both singing and playing piano. After moving to New York in 1956, he worked primarily in jazz settings, playing with jazz musicians like Stan Getz, Al Cohn, and Zoot Sims, along with producing numerous recordings. He is described as having been "one of the finest songwriters in 20th-century blues."Bogdanov, Vladimir; Woodstra, Chris, eds. (2003). ''All Music Guide to the Blues: The Definitive Guide to the Blues''. Hal Leonard. p. 7. His songs were strongly dependent on evoking moods, with his individualistic, "quirky", and subtle ironic humor.Komara, Edward; Lee, Peter, eds. (2006). ''The Blues Encyclopedia''. Routledge. p. 22. His writing influence on R&B had well-known fans recording his songs, among them Pete Townshend, who recorded his "Young Man Blues" for the Who's ''Live at Leeds ...
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Young Man Blues
"Young Man Blues" is a song by jazz artist Mose Allison. Allison first recorded it in March 1957 for his debut album, ''Back Country Suite'', in which it appears under the title "Back Country Suite: Blues." In Allison's two-CD compilation set of 2002, ''Allison Wonderland'', Allison reveals that the tune's full title is: "Back Country Suite: Blues (a.k.a. 'Young Man's Blues')". The Who version The song was famously covered by the Who during live sets as early as 1964, but it became a regular inclusion between 1968 and 1970. It first appeared on record on their 1970 album ''Live at Leeds''. Allison himself called this the "Command Performance" version of his song. The single reached #38 in Canada. Another live performance features in the movie and soundtrack for '' The Kids Are Alright'', from a 1969 performance at the London Coliseum. A live performance from 1970 was used in the documentary ''Message to Love''. They brought it back briefly in 1974, again in 1982 and finally in 200 ...
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Johnny Kidd (singer)
Frederick Albert Heath (23 December 1935 – 8 October 1966), known professionally as Johnny Kidd, was an English singer-songwriter, best remembered as the lead vocalist for the rock and roll band Johnny Kidd & the Pirates. He was one of the few pre-Beatles British rockers to achieve worldwide fame, mainly for his 1960 hit, "Shakin' All Over". Biography Frederick Albert "Freddie" Heath was born in 1935 in Willesden, North London, England. He began playing guitar in a skiffle group in about 1956. The group, known as "The Frantic Four" and later as "The Nutters", covered primarily skiffle, pop and rockabilly. Simultaneously Heath was proving to be a prolific writer; penning most of 30 songs in over three months. Heath's 31st song would prove to be the group's break. In 1959, Heath and his band were given a recording test for their first single, a rocker titled " Please Don't Touch". A contract with HMV quickly followed and the group were then informed during the session that the ...
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Shakin' All Over
"Shakin' All Over" is a song originally performed by Johnny Kidd & the Pirates. It was written by leader Johnny Kidd, and his original recording reached No. 1 on the UK Singles Chart in August 1960. The song is sometimes credited to Frederick Albert Heath, which is Kidd's real name. Kidd's recording was not a hit outside Europe. In other parts of the world the song is better known by recordings from other artists. A version by Chad Allan and the Expressions, later known as The Guess Who, was recorded in December 1964. It reached #1 in Canada in the spring of 1965, #22 in the US and #27 in Australia. Another famous recording by The Who was featured on their 1970 album ''Live at Leeds''. Normie Rowe's 1965 version reached No. 1 in Australia as a double A-side with "Que Sera Sera". History Johnny Kidd version The musicians who performed on the original recording were Johnny Kidd (vocals), Alan Caddy (rhythm guitar), Brian Gregg ( bass), Clem Cattini (drums) and Joe Moretti (lea ...
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