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Le Maréchal Ferrant
''Le maréchal ferrant'' (''The Blacksmith'') is a 1761 French two-act ''opéra comique'' with spoken dialogue and music composed by François-André Danican Philidor as well as several '' vaudevilles'' (popular old songs with new words), which were typically included in ''opéras comiques'' of the time. The libretto is by Antoine-François Quétant, after one of the stories in Boccaccio's ''Decameron'' ( VII, 1), with verses for the ''ariettes'' by Louis Anseaume and a plan devised by Serrière. Performance history The work was first performed by the Opéra-Comique at the Théâtre de la Foire St Laurent in Paris, on 22 August 1761, and was later performed by the same company at the Hôtel de Bourgogne on 10 February 1762 and for the royal court at Palace of Fontainebleau on 3 November 1762. It became one of Philidor's most popular works, and performances in French followed in cities in many other countries, including Amsterdam in 1762, Vienna on 26 June 1763, Frankfurt on 25 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opéra Comique
''Opéra comique'' (; plural: ''opéras comiques'') is a genre of French opera that contains spoken dialogue and arias. It emerged from the popular '' opéras comiques en vaudevilles'' of the Fair Theatres of St Germain and St Laurent (and to a lesser extent the Comédie-Italienne),M. Elizabeth C. Bartlet and Richard Langham Smith"Opéra comique" '' Grove Music Online''. Oxford Music Online. 19 November 2009 which combined existing popular tunes with spoken sections. Associated with the Paris theatre of the same name, ''opéra comique'' is not necessarily comical or shallow in nature; '' Carmen'', perhaps the most famous ''opéra comique'', is a tragedy. Use of the term The term ''opéra comique'' is complex in meaning and cannot simply be translated as "comic opera". The genre originated in the early 18th century with humorous and satirical plays performed at the theatres of the Paris fairs which contained songs ('' vaudevilles''), with new words set to already existing music. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Simon Favart
Charles Simon Favart (13 November 1710 – 12 May 1792) was a French playwright and theatre director. The Salle Favart in Paris is named after him. Biography Born in Paris, the son of a pastry-cook, he was educated at the Lycée Louis-le-Grand, and after his father's death he carried on the business for a time. His first success in literature was ''La France delivrée par la Pucelle d'Orléans'', a poem about Joan of Arc which obtained a prize of the Académie des Jeux Floraux. After the production of his first ''vaudeville'', ''Les Deux Jumelles'' (1734), circumstances enabled him to relinquish business and devote himself entirely to the drama. He provided many pieces anonymously for the lesser theatres, and first put his name to ''La Chercheuse d'esprit'', which was produced in 1741. Among his most successful works were ''Annette et Lubin; Le Coq du milage'' (1743); ''Les Vendanges de Tempé'' (1745), later reworked as ''La Vallée de Montmorency'' (1752); ''Ninette à la cour' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1761 Operas
Events January–March * January 14 – Third Battle of Panipat: Ahmad Shah Durrani and his coalition decisively defeat the Maratha Confederacy, and restore the Mughal Empire to Shah Alam II. * January 16 – Siege of Pondicherry (1760) ended: The British capture Pondichéry, India from the French. * February 8 – An earthquake in London breaks chimneys in Limehouse and Poplar. * March 8 – A second earthquake occurs in North London, Hampstead and Highgate. * March 31 – 1761 Portugal earthquake: A magnitude 8.5 earthquake strikes Lisbon, Portugal, with effects felt as far north as Scotland. April–June * April 1 – The Austrian Empire and the Russian Empire sign a new treaty of alliance. * April 4 – A severe epidemic of influenza breaks out in London and "practically the entire population of the city" is afflicted; particularly contagious to pregnant women, the disease causes an unusual number of miscarriages and prematur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas Based On Literature
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libretto, librettist and incorporates a number of the performing arts, such as acting, Theatrical scenery, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conducting, conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western culture#Music, Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include :Opera genres, numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French-language Operas
French opera is one of Europe's most important operatic traditions, containing works by composers of the stature of Rameau, Berlioz, Gounod, Bizet, Massenet, Debussy, Ravel, Poulenc and Messiaen. Many foreign-born composers have played a part in the French tradition as well, including Lully, Gluck, Salieri, Cherubini, Spontini, Meyerbeer, Rossini, Donizetti, Verdi and Offenbach. French opera began at the court of Louis XIV of France with Jean-Baptiste Lully's ''Cadmus et Hermione'' (1673), although there had been various experiments with the form before that, most notably '' Pomone'' by Robert Cambert. Lully and his librettist Quinault created ''tragédie en musique'', a form in which dance music and choral writing were particularly prominent. Lully's most important successor was Rameau. After Rameau's death, the German Gluck was persuaded to produce six operas for the Paris, Parisian stage in the 1770s. They show the influence of Rameau, but simplified and with greater foc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas By François-André Danican Philidor
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicole Wild
Nicole Wild (20 June 1929 – 29 December 2017) was a French musicologist, chief curator at the Paris Opera Library and Museum, and a specialist in the history and iconography of opera in France in the 19th century. Early life and education Born in Reims, Wild received her musical training at the (music theory, harmony, counterpoint, music history, music teaching certificate in 1953, first organ prize in 1955), where she taught music education in schools, technical college and music school from 1953 to 1962. For the organ, she also received instruction from André Marchal and completed internships at the Saint-Maximin Organ Academy. She was organist of the Temple protestant de Reims from 1955 to 1962, then of the Palaiseau temple from 1967. From 1968 to 1973, she was also chief editor of the magazine "Musique et chant", published by the Federation of music and song of French Protestantism. She studied at the University of Paris, where she obtained a certificate in music histor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The New Grove Dictionary Of Opera
''The New Grove Dictionary of Opera'' is an encyclopedia of opera, considered to be one of the best general reference sources on the subject. It is the largest work on opera in English, and in its printed form, amounts to 5,448 pages in four volumes. First published in 1992 by Macmillan Reference, London, it was edited by Stanley Sadie with contributions from over 1,300 scholars. There are 11,000 articles in total, covering over 2,900 composers and 1800 operas. Appendices including an index of role names and an index of incipits of arias, ensembles, and opera pieces. The dictionary is available online, together with ''The New Grove Dictionary of Music and Musicians''. References *William Salaman, "Review: The New Grove Dictionary of Opera", ''British Journal of Music Education'' (1999), 16: 97-110 Cambridge University Pres*John Simon, "Review: The New Grove Dictionary of Opera, 4 vols.", ''National Review'', April 26, 199* * *Charles Rosen, "Review: The New Grove Dictionary of O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Desboulmiers
Jean-Auguste Jullien, called Desboulmiers, 1731, Paris – 1771, Paris, was an 18th-century French man of letters, historian of theatre and playwright. Works *1761: ''Les Soirées du Palais-Royal, ou les Veillées d'une jolie femme, contenant quatre Lettres à une amie, avec la conversation des chaises du Palais-Royal'' *1761: ''Honny soit qui mal y pense, ou Histoires des filles célèbres du XVIIIe'', *1770: ''Rose, ou les Effets de la haine, de l'amour et de l'amitié''. Reprinted under the title ''L'Éducation de l'amour''. *1766–1767: ''Mémoires du marquis de Solanges'', 2 vol., *1767: ''Pensées philosophiques, morales, critiques, littéraires et politiques de M. Hume''. *1767: ''L'Esprit et la chose''. Also attributed to Jean-Henri Marchand. *1768: ''De tout un peu, ou les Amusements de la campagne''. *1769 ''Histoire anecdotique et raisonnée du Théâtre-Italien, depuis son rétablissement en France, jusqu'à l'année 1769, contenant les analyses des principales pià ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
