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Le Postillon De Lonjumeau
''Le postillon de Lonjumeau'' (''The Postillion of Lonjumeau'') is an opéra-comique in three acts by Adolphe Adam to a French libretto by Adolphe de Leuven and Léon Lévy Brunswick. The opera has become the most successful of Adam's works, and the one by which (apart from his ballet ''Giselle'' and his Christmas carol ''Cantique de Noël'') he is best known outside his native France. The opera is known for the difficult aria " Mes amis, écoutez l'histoire" which has been called a test for tenors because of the demanding high D, or D5, at the end of the aria. Performance history The opera was premiered by the Opéra-Comique at the Salle de la Bourse in Paris on 13 October 1836. Performances followed at the St James's Theatre, London on 13 March 1837, and in New Orleans at the Théâtre d'Orléans on 19 April 1838. Recent productions have been mounted in the Berlin Staatsoper Unter den Linden (from 4 August 2000) and at the Grand Théâtre, Dijon, (from 30 March 2004 u ...
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Adolphe Adam 1850 - Charles Vogt - Gallica
''Adolphe'' is a classic French novel by Benjamin Constant, first published in 1816. It tells the story of an alienated young man, Adolphe, who falls in love with an older woman, Ellénore, the Polish mistress of the Comte de P***. Their illicit relationship serves to isolate them from their friends and from society at large. The book eschews all conventional descriptions of exteriors for the sake of detailed accounts of feelings and states of mind. Constant began the novel on 30 October 1806, and completed it some time before 1810. While still working on it he read drafts to individual acquaintances and to small audiences, and after its first publication in London and Paris in June 1816 it went through three further editions: in July 1816 (new preface), July 1824 in Paris (restorations to Ch. 8, third preface), and in 1828. Many variants appear, mostly alterations to Constant's somewhat archaic spelling and punctuation. Plot summary Adolphe, the narrator, is the son of a go ...
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Staatsoper Unter Den Linden
The (), also known as the Berlin State Opera (german: Staatsoper Berlin), is a listed building on Unter den Linden boulevard in the historic center of Berlin, Germany. The opera house was built by order of Prussian king Frederick the Great from 1741 to 1743 according to plans by Georg Wenzeslaus von Knobelsdorff in the Palladian style. Damaged during the Allied bombing in World War II, the former Royal Prussian Opera House was rebuilt from 1951 to 1955 as part of the Forum Fridericianum square. Nicknamed ''Lindenoper'' in Berlin, it is "the first theater anywhere to be, by itself, a prominent, freestanding monumental building in a city." History Names Originally called the ''Königliche Oper'' (Royal Opera) from 1743, it was renamed as the ''Preußische Staatsoper'' (Prussian State Opera) in 1919, then as the ''Deutsche Staatsoper '' in 1955. Until 1990, it housed the state opera of East Germany. Since 1990, it is officially called the ''Staatsoper Unter den Linden'' (State O ...
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Light-lyric Soprano
A lyric soprano is a type of operatic soprano voice that has a warm quality with a bright, full timbre that can be heard over an orchestra. The lyric soprano voice generally has a higher tessitura than a soubrette and usually plays ingenues and other sympathetic characters in opera. Lyric sopranos have a range from approximately middle C ( C4) to "high D" (D6). This is the most common female singing voice. There is a tendency to divide lyric sopranos into two groups: light and full. Light lyric soprano A light-lyric soprano has a bigger voice than a soubrette but still possesses a youthful quality.Nashville Opera
There are a wide variety of roles written for this voice, and they may sing

Geneviève-Aimé-Zoë Prévost
Geneviève-Aimé-Zoë Prévost (15 April 1802, Paris – 10 April 1861, Paris) was a French operatic soprano. She created leading roles in some of the most notable French opéras comiques of the first half of the nineteenth century, including "Fra Diavolo" by Daniel Auber and "Le postillon de Lonjumeau" by Adolphe Adam. Career Geneviève-Aimé-Zoë Prévost, also known as Zoé Prévost, had a younger brother, Eugene, who was a composer and conductor. Zoé studied singing at the Paris Conservatoire and made her debut at the Opéra-Comique, Paris, in 1821. The Opéra-Comique at that time presented operas light in tone and with spoken dialogue between the musical numbers. She created leading roles in many opéras comiques including the title role in " La marquise de Brinvilliers", a collaborative work between nine composers, and in works by Fromental Halévy, Ambroise Thomas, and others. Considered one of the major stars of the lyric stage of her day, Prévost was esteemed for her ...
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Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261  Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano"
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Henri Valentino
Henri Valentino (14 October 1785 – 28 January 1865) was a French conductor and violinist. From 1824 to 1832, he was co-conductor (with François Habeneck) of the Paris Opera, where he prepared and conducted the premieres of the first two grand operas, Auber's ''La muette de Portici'' and Rossini's ''Guillaume Tell''. From 1832 to 1836, he was First Conductor of the Opéra-Comique, and from 1837 to 1841, conductor of classical music at the Concerts Valentino in a hall on the rue Saint-Honoré in Paris. Early life and career He was born Henri-Justin-Armand-Joseph Valentino in Lille. His father was an Italian army pharmacist, who wanted his son to become a soldier, but Henri exhibited such a great talent for music, he was allowed to pursue that instead. At twelve he was playing violin in the local theatre (probably in Lille), and at fourteen was asked to substitute for a conductor on short notice, thereafter mainly dedicating himself to conducting. Later he conducted in ...
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Google Books
Google Books (previously known as Google Book Search, Google Print, and by its code-name Project Ocean) is a service from Google Inc. that searches the full text of books and magazines that Google has scanned, converted to text using optical character recognition (OCR), and stored in its digital database.The basic Google book link is found at: https://books.google.com/ . The "advanced" interface allowing more specific searches is found at: https://books.google.com/advanced_book_search Books are provided either by publishers and authors through the Google Books Partner Program, or by Google's library partners through the Library Project. Additionally, Google has partnered with a number of magazine publishers to digitize their archives. The Publisher Program was first known as Google Print when it was introduced at the Frankfurt Book Fair in October 2004. The Google Books Library Project, which scans works in the collections of library partners and adds them to the digital inve ...
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Voice Type
A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points ('' passaggi''). Voice classification is most strongly associated with European classical music, though it, and the terms it utilizes, are used in other styles of music as well. A singer will choose a repertoire that suits their voice. Some singers such as Enrico Caruso, Rosa Ponselle, Joan Sutherland, Maria Callas, Jessye Norman, Ewa Podleś, and Plácido Domingo have voices that allow them to sing roles from a wide variety of types; some singers such as Shirley Verrett and Grace Bumbry change type and even voice part over their careers; and some singers such as Leonie Rysanek have voices that lower with age, causing them to cycle through types over their careers. Some roles are hard to classify, having very unusual vocal requirements; Mozart wrote many of his roles for specific singers who often had remarkable voices, and so ...
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Prévost & Chollet In Le Postillon De Longjumeau By Adam (Gustave Janer) Gallica
Prevost, Prévost or Prévôt may refer to: Places * Prévost (electoral district), Quebec, a provincial electoral district * Prévost, Quebec, a community in the Laurentians region of Quebec, Canada ** Prévost station * Prevost, a community on Stuart Island, San Juan County, Washington, USA Ships * HMCS Prevost, a Canadian naval reserve unit in London, Ontario *, a 12-gun schooner that the Royal Navy purchased in 1803 and that the French privateer ''Austerlitz'' captured in 1807 * HMS ''Sir George Prevost'', a British naval warship * USS ''Lady Prevost'' (1812), a United States warship Other uses *Prevost Car, a bus manufacturer and division of Volvo Buses *Prévost reaction, a chemical reaction * Prevost's ground sparrow, a sparrow *Prevost's squirrel, a rodent People with the surname *Abbé Prévost (1697–1763), French novelist * André Prévost (composer) (1934–2001), Canadian composer *Augustine Prévost (1723–1786), British general * Charles Prévost (1899–198 ...
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Opera (British Magazine)
''Opera'' is a monthly British magazine devoted to covering all things related to opera. It contains reviews and articles about current opera productions internationally, as well as articles on opera recordings, opera singers, opera companies, opera directors, and opera books. The magazine also contains major features and analysis on individual operas and people associated with opera. The magazine employs a network of international correspondents around the world who write for the magazine. Contributors to the magazine, past and present, include William Ashbrook, Martin Bernheimer, Julian Budden, Rodolfo Celletti, Alan Blyth, Elizabeth Forbes, and J.B. Steane among many others. Format ''Opera'' is printed in A5 size, with colour photos, and consists of around 130 pages. Page numbering is consecutive for a complete year (e.g. September 2009 covers pages 1033–1168). All issues since February 1950 are available online to current subscribers (through Exact Editions). Histo ...
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Michel Fau
Michel Fau (born 1964) is a French comedian, actor and theatre director. Personal life At 18, he left his hometown for training at French National Academy of Dramatic Arts from 1986 to 1989. He trained with Michel Bouquet, Gerard Desarthe and Pierre Vial. He has appeared on stage regularly in works directed by Olivier Py and he also worked with Olivier Desbordes, Jean Sébastien Rajon, Pierre Guillois, Jean-Luc Lagarce, Jean-Michel Rabeux, Jean-Claude Penchenat, Laurent Gutmann, Stéphane Braunschweig, Jacques Weber, Sandrine Kiberlain, Léa Drucker, Gaspard Ulliel, Julie Depardieu, Charlotte de Turckheim, Chantal Ladesou, Catherine Frot, Samir Guesmi, ... In cinema, he worked with directors like Jean-Paul Rappeneau, Gilles Bourdos, Albert Dupontel, Dominik Moll, François Ozon, Benoît Jacquot, Noémie Lvovsky, Nina Companeez, Jean-Michel Ribes, Xavier Giannoli, Christophe Honoré, Josée Dayan, André Téchiné, ... He occasionally directs an interpretation works ...
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Michael Spyres
Michael Spyres is an American operatic baritenor. He is particularly associated with the bel canto repertoire, especially the works of Rossini, and heroic roles in French grand opera. Biography Michael Spyres was born in 1979 in Missouri, US, and studied singing at the University of Music and Performing Arts Vienna, Austria. He won acclaim and international recognition for his performance in the title role of Rossini's ''Otello'' at the Rossini in Wildbad festival in Germany in 2008. He made his debut at La Scala, Milan, in Rossini's ''Il viaggio a Reims'' in 2009 and appeared the same year in the extremely demanding leading role of Raoul in Meyerbeer's '' Les Huguenots'' at Bard SummerScape in New York. Since then, his career has taken him to the Royal Opera House, London, in the title role of Mozart's ''Mitridate, Re di Ponto'', to the Teatro Comunale, Bologna and La Monnaie, Brussels as Arnold in Rossini's ''Guillaume Tell''., to Opéra National de Bordeaux for the title role ...
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