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Laudario Di Cortona
The ''Laudario di Cortona'' (Cortona Cortona (, ) is a town and ''comune'' in the province of Arezzo, in Tuscany, Italy. It is the main cultural and artistic centre of the Val di Chiana after Arezzo. Toponymy Cortona is derived from Latin Cortōna, and from Etruscan 𐌂𐌖𐌓 ..., Biblioteca del Comune e dell'Accademia Etrusca, Ms. 91) is a musical codex from the second half of the 13th century containing a collection of laude.''Medieval Italy: An Encyclopedia'' 1135948801 Christopher Kleinhenz 2004 "The most famous collection is the Laudario di Cortona (1260-1270), which, typically, contains texts dedicated to the Virgin, the Trinity, and Saint John, as well as meditations on death and judgment." Works Works found in other manuscripts *ANT – Antwerp, Museum Mayer van den Bergh 303 (Solo testo) *ARE – Laudario di Arezzo (Arezzo, Biblioteca Comunale 180 della Fraternità dei Laici) (Solo testo) *M18 – Laudario Magliabechiano 18 (Firenze, Biblioteca Nazionale C ...
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Laudario Di Cortona
The ''Laudario di Cortona'' (Cortona Cortona (, ) is a town and ''comune'' in the province of Arezzo, in Tuscany, Italy. It is the main cultural and artistic centre of the Val di Chiana after Arezzo. Toponymy Cortona is derived from Latin Cortōna, and from Etruscan 𐌂𐌖𐌓 ..., Biblioteca del Comune e dell'Accademia Etrusca, Ms. 91) is a musical codex from the second half of the 13th century containing a collection of laude.''Medieval Italy: An Encyclopedia'' 1135948801 Christopher Kleinhenz 2004 "The most famous collection is the Laudario di Cortona (1260-1270), which, typically, contains texts dedicated to the Virgin, the Trinity, and Saint John, as well as meditations on death and judgment." Works Works found in other manuscripts *ANT – Antwerp, Museum Mayer van den Bergh 303 (Solo testo) *ARE – Laudario di Arezzo (Arezzo, Biblioteca Comunale 180 della Fraternità dei Laici) (Solo testo) *M18 – Laudario Magliabechiano 18 (Firenze, Biblioteca Nazionale C ...
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Cortona
Cortona (, ) is a town and ''comune'' in the province of Arezzo, in Tuscany, Italy. It is the main cultural and artistic centre of the Val di Chiana after Arezzo. Toponymy Cortona is derived from Latin Cortōna, and from Etruscan 𐌂𐌖𐌓𐌕𐌖𐌍 (curtun). This may be related to Indo-European *ghortos meaning "enclosed place" and consequently walled city like Latin hortus, German Garten, Italian orto, English yard, and Slavic grad. The name may also be linked to the Phrygian town of Gordium in Anatolia, although the founding myth for the latter is that it was named after founder, King Gordias. However, the Etruscan language is probably a pre-Indo-European language, and therefore if it was named by the Etruscans, an Indo-European etymology is uncertain. The Umbrian language, by contrast, is an Italic language, so if it was named by them, a link to Indo-European roots would be more likely. George Dennis suggests that it was known by many names "Corytus, Croton, Crotona ...
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Laude
The ''lauda'' (Italian pl. ''laude'') or ''lauda spirituale'' was the most important form of vernacular sacred song in Italy in the late medieval era and Renaissance. ''Laude'' remained popular into the nineteenth century. The lauda was often associated with Christmas, and so is in part equivalent to the English carol, French noel, Spanish villancico, and like these genres occupies a middle ground between folk and learned lyrics. Origin and spread of the lauda Originally, the ''lauda'' was a monophonic (single-voice) form, but a polyphonic type developed in the early fifteenth century. The early ''lauda'' was probably influenced by the music of the troubadours, since it shows similarities in rhythm, melodic style, and especially notation. Many troubadours had fled their original homelands, such as Provence, during the Albigensian Crusade in the early 13th century, and settled in northern Italy where their music was influential in the development of the Italian secular style. A ...
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Medieval Italy
The history of Italy in the Middle Ages can be roughly defined as the time between the collapse of the Western Roman Empire and the Italian Renaissance. The term "Middle Ages" itself ultimately derives from the description of the period of "obscurity" in Italian history during the 9th to 11th centuries, the saeculum obscurum or "Dark Age" of the Roman papacy as seen from the perspective of the 14th to 15th century Italian Humanists. Late Antiquity in Italy lingered on into the 7th century under the Ostrogothic Kingdom and the Byzantine Empire under the Justinian dynasty, the Byzantine Papacy until the mid 8th century. The "Middle Ages" proper begin as the Byzantine Empire was weakening under the pressure of the Muslim conquests, and most of the Exarchate of Ravenna finally fell under Lombard rule in 751. From this period, former states that were part of the Exarchate and were not conquered by the Lombard Kingdom, such as the Duchy of Naples, became de facto independent states, ...
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Medieval Music Manuscript Sources
In the history of Europe, the Middle Ages or medieval period lasted approximately from the late 5th to the late 15th centuries, similar to the post-classical period of global history. It began with the fall of the Western Roman Empire and transitioned into the Renaissance and the Age of Discovery. The Middle Ages is the middle period of the three traditional divisions of Western history: classical antiquity, the medieval period, and the modern period. The medieval period is itself subdivided into the Early, High, and Late Middle Ages. Population decline, counterurbanisation, the collapse of centralized authority, invasions, and mass migrations of tribes, which had begun in late antiquity, continued into the Early Middle Ages. The large-scale movements of the Migration Period, including various Germanic peoples, formed new kingdoms in what remained of the Western Roman Empire. In the 7th century, North Africa and the Middle East—most recently part of the Eastern Roman ...
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