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Latin American Cinema
Latin American cinema refers collectively to the film output and film industry, film industries of Latin America. Latin American film is both rich and diverse, but the main centers of production have been Argentina, Brazil and Mexico. Latin American cinema flourished after the introduction of sound, which added a linguistic barrier to the export of Hollywood film south of the border. History The origins of early filmmaking is generally associated with Salvador Toscano Barragán. In 1898 Toscano made Mexico's second film with a plot, titled ''Don Juan Tenorio''. During the Mexican Revolution, Toscano recorded several clips of the battles, which would become a full-length documentary in 1950, assembled by his daughter. Other short films were either created or influenced from French film-makers. Cinema of Mexico, Mexican movies from the Golden age of the cinema of Mexico, Golden Era in the 1940s and 1950s are significant examples of Latin American cinema. Mexican movies were exported ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film Industry
The film industry or motion picture industry comprises the technological and commercial institutions of filmmaking, i.e., film production companies, film studios, cinematography, animation, film production, screenwriting, pre-production, post production, film festivals, distribution, and actors. Though the expense involved in making films almost immediately led film production to concentrate under the auspices of standing production companies, advances in affordable filmmaking equipment, as well as an expansion of opportunities to acquire investment capital from outside the film industry itself, have allowed independent film production to evolve. In 2019, the global box office was worth . When including box office and home entertainment revenue, the global film industry was worth in 2018. Hollywood is the world's oldest national film industry, and largest in terms of box office gross revenue. Indian cinema is the largest national film industry in terms of the number of film ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cantinflas
Mario Fortino Alfonso Moreno Reyes (12 August 1911 – 20 April 1993), known by the stage name Cantinflas (), was a Mexican comedian, actor, and filmmaker. He is considered to have been the most widely-accomplished Mexican comedian and is celebrated throughout Latin America and in Spain as a popular icon. His humor, loaded with Mexican linguistic features of intonation, vocabulary, and syntax, is beloved in all the Spanish-speaking countries of Latin America and in Spain and has given rise to a range of expressions including ''cantinflear'', ''cantinflada'', ''cantinflesco'', and ''cantinflero''. Though some of his films were translated into English and French, the wordplay was so particular to Mexican Spanish that it was difficult to translate. He often portrayed impoverished farmers or a peasant of ''pelado'' origin. The character allowed Cantinflas to establish a long, successful film career that included a foray into Hollywood. Charlie Chaplin once commented that he was th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glauber Rocha
Glauber de Andrade Rocha (; 14 March 1939 – 22 August 1981) was a Brazilian film director, actor and screenwriter. He was one of the most influential moviemakers of Brazilian cinema and a key figure of Cinema Novo. His films ''Black God, White Devil'' and ''Entranced Earth'' are often considered to be two of the greatest achievements in Brazilian cinematic history, being selected by Abraccine Top 100 Brazilian films, Abraccine as, respectively, the second and fifth best Brazilian films of all-time. Rocha also the distinction of having the most films on Abraccine's list: 5 films. Rocha's film possess a staunch avant-garde and experimental nature, making of him a seminal figure of the Cinema Novo, new wave. His works are noted for their many political overtones, often addressing the passive-aggressive situation of the Third World, which Rocha referred to both metaphorically and objectively as "hunger" in his essay ''Estética da Fome'' (''The Aesthetics of Hunger''). Rocha won the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Academy Award For Best Foreign Language Film
The Academy Award for Best International Feature Film (known as Best Foreign Language Film prior to 2020) is one of the Academy Awards handed out annually by the U.S.-based Academy of Motion Picture Arts and Sciences (AMPAS). It is given to a feature-length motion picture produced outside the United States with a predominantly non-English dialogue track.80th Academy Awards – Special Rules for the Best Foreign Language Film Award . . Retrieved November 2, 2007. When the first Academy Awards ceremony was held on May 16, 1929, to honor fil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Academy Award
The Academy Awards, better known as the Oscars, are awards for artistic and technical merit for the American and international film industry. The awards are regarded by many as the most prestigious, significant awards in the entertainment industry worldwide. Given annually by the Academy of Motion Picture Arts and Sciences (AMPAS), the awards are an international recognition of excellence in cinematic achievements, as assessed by the Academy's voting membership. The various category winners are awarded a copy of a golden statuette as a trophy, officially called the "Academy Award of Merit", although more commonly referred to by its nickname, the "Oscar". The statuette, depicting a knight rendered in the Art Deco style, was originally sculpted by Los Angeles artist George Stanley from a design sketch by art director Cedric Gibbons. The 1st Academy Awards were held in 1929 at a private dinner hosted by Douglas Fairbanks in The Hollywood Roosevelt Hotel. The Academy Awards cerem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
South America
South America is a continent entirely in the Western Hemisphere and mostly in the Southern Hemisphere, with a relatively small portion in the Northern Hemisphere at the northern tip of the continent. It can also be described as the southern subregion of a single continent called America. South America is bordered on the west by the Pacific Ocean and on the north and east by the Atlantic Ocean; North America and the Caribbean Sea lie to the northwest. The continent generally includes twelve sovereign states: Argentina, Bolivia, Brazil, Chile, Colombia, Ecuador, Guyana, Paraguay, Peru, Suriname, Uruguay, and Venezuela; two dependent territories: the Falkland Islands and South Georgia and the South Sandwich Islands; and one internal territory: French Guiana. In addition, the ABC islands of the Kingdom of the Netherlands, Ascension Island (dependency of Saint Helena, Ascension and Tristan da Cunha, a British Overseas Territory), Bouvet Island ( dependency of Norway), Pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1962 Cannes Film Festival
The 15th Cannes Film Festival was held from 7 to 23 May 1962. The Palme d'Or went to the ''O Pagador de Promessas'' by Anselmo Duarte. The festival opened with '' Les Amants de Teruel'', directed by Raymond Rouleau. During the Cannes Film Festival of 1961, Robert Favre le Bret, Artistic Director of the Cannes Film Festival, with the agreement of the French Union of Film Critics, had decided to establish the International Critics' Week during the next Festival. In 1962, this parallel section of the Festival took place for the first time. Its goal was to showcase first and second works by directors from all over the world, not succumbing to commercial tendencies. Jury The following people were appointed as the Jury of the 1962 competition: Feature films * Tetsurō Furukaki (Japan) (author) Jury President * Henry Deutschmeister (France) Vice President *Sophie Desmarets (France) *Jean Dutourd (France) *Mel Ferrer (USA) *Romain Gary (France) *Jerzy Kawalerowicz (Poland) * Ernst Krü ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palme D'Or
The Palme d'Or (; en, Golden Palm) is the highest prize awarded at the Cannes Film Festival. It was introduced in 1955 by the festival's organizing committee. Previously, from 1939 to 1954, the festival's highest prize was the Grand Prix du Festival International du Film. In 1964, The Palme d'Or was replaced again by the Grand Prix, before being reintroduced in 1975. The Palme d'Or is widely considered one of the film industry's most prestigious awards. History In 1954, the festival decided to present an award annually, titled the Grand Prix of the International Film Festival, with a new design each year from a contemporary artist. The festival's board of directors invited several jewellers to submit designs for a palm, in tribute to the coat of arms of the city of Cannes, evoking the famous legend of Saint Honorat and the palm trees lining the famous Promenade de la Croisette. The original design by Parisian jeweller Lucienne Lazon, inspired by a sketch by director Jean ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anselmo Duarte
Anselmo Duarte Bento (; 21 April 1920 – 7 November 2009) was a Brazilian actor, screenwriter and film director. Early life Duarte was born in Salto, São Paulo on 21 April 1920. He was raised by his mother, alongside his six siblings. Career His 1962 film ''O Pagador de Promessas''—''Keeper of Promises''—was awarded the Golden Palm at the 1962 Cannes Film Festival, becoming, to date, the only Brazilian feature film to be distinguished this way and the first winner from the Southern Hemisphere. The film was also nominated for the Academy Award for Best Foreign Language Film. Furthermore, ''O Pagador de Promessas'' won awards for Best Film and Best Musical Score at the San Francisco International Film Festival and for Best Film at the Acapulco Film Festival, the Cartagena Film Festival, the Karlovy Vary International Film Festival and the Edinburgh International Film Festival in 1962. His 1964 film ''Vereda da Salvação''—'' The Obsessed of Catule''—was nomin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
O Pagador De Promessas
''O Pagador de Promessas'' (, ''Keeper of Promises''The title translates literally as ''The Payer of Promises'', but the film has been known by several other names in the English-speaking world, such as ''Keeper of Promises'', ''The Given Word'' and ''The Promise''.) is a 1962 Brazilian drama film written and directed by Anselmo Duarte, based on the famous stage play of the same name by Dias Gomes. Shot in Salvador, Bahia, it stars Leonardo Villar. It won the Palme d'Or at the 1962 Cannes Film Festival, becoming the first (and to date the only) film by a Brazilian director to achieve that feat. A year later, it also became the first Brazilian and South American film nominated for the Academy Award for Best Foreign Language Film. Plot Zé do Burro (Leonardo Villar) is a landowner from Nordeste. His best friend is a donkey. When his donkey falls terminally ill, Zé promises to a Candomblé orisha, Iansan, that if his donkey recovers, he will give away his land to the poor an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinema Novo
Cinema Novo (), "New Cinema" in English, is a genre and movement of film noted for its emphasis on social equality and intellectualism that rose to prominence in Brazil during the 1960s and 1970s.Dixon & Foster, 293. Cinema Novo formed in response to class and racial unrest both in Brazil and the United States. Influenced by Italian neorealism and French New Wave, films produced under the ideology of Cinema Novo opposed traditional Brazilian cinema, which consisted primarily of musicals, comedies and Hollywood-style epics.Johnson & Stam, 33. Glauber Rocha is widely regarded as Cinema Novo's most influential filmmaker.Gazetas, 308.Dixon & Foster, 292. Today, the movement is often divided into three sequential phases that differ in tone, style and content. Origins Background In the 1950s, Brazilian cinema was dominated by ''chanchada'' (musicals, often comedic and "cheap"),Viany, 141. big-budget epics that imitated the style of Hollywood, and "'serious' cinema" that Cinema Novo f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinema Of Brazil
Brazilian cinema was introduced early in the 20th century but took some time to consolidate itself as a popular form of entertainment. The film industry of Brazil has gone through periods of ups and downs, a reflection of its dependency on state funding and incentives. History Early days A couple of months after the Lumière brothers' invention, a film exhibition was held in Rio de Janeiro. As early as 1898, Affonso Segreto supposedly filmed the Guanabara Bay from the ship Brésil on a return journey from Europe, though some researchers question the veracity of this event as no copy of the film remains. He would go on to make documentaries with his brother Paschoal Segreto. From the early beginning of the 20th century, as early as 1900 to the year of 1912, Brazilian films had made a major impact on the internal market, as they produced over an annual production of one-hundred films. It is the year of 1908, also coined Brazil's "golden age" of Cinema, that the country saw its ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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