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Lamentatio Sanctae Matris Ecclesiae Constantinopolitanae
'' Lamentatio sanctae matris ecclesiae Constantinopolitanae '' ('Lament of the Holy Mother Church of Constantinople') is a motet by the Renaissance composer Guillaume Dufay. Its topic is a lament of the fall of Constantinople to the Ottoman Turks in 1453. Because of its Byzantine subject matter, it is sometimes grouped together with '' Vasilissa ergo gaude'', '' Apostolus gloriosus'' and '' Balsamus et munda cera'' as one of Dufay's "Byzantine motets". Historical context The motet probably belongs to a series of four Lamentations for the fall of Constantinople composed by Dufay and mentioned for the first time in one of his letters addressed to Piero and Giovanni de' Medici. The letter must have been written on February 22, 1454, although the exact year is not specified in the text. The musical score and the texts of the French Chanson and the Latin Cantus Firmus are found in two contemporary manuscript sources: Codex 2794 (fols. 34v-36r) of the Biblioteca Riccardiana in Florence ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motet
In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the pre-eminent polyphonic forms of Renaissance music. According to Margaret Bent, "a piece of music in several parts with words" is as precise a definition of the motet as will serve from the 13th to the late 16th century and beyond.Margaret Bent,The Late-Medieval Motet in ''Companion to Medieval & Renaissance Music'', edited by Tess Knighton and David Fallows, 114–19 (Berkeley, California: University of California Press, 1992): 114. . The late 13th-century theorist Johannes de Grocheo believed that the motet was "not to be celebrated in the presence of common people, because they do not notice its subtlety, nor are they delighted in hearing it, but in the presence of the educated and of those who are seeking out subtleties in the arts". Etymology In the early 20th century, it was generally believed the name ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duchy Of Burgundy
The Duchy of Burgundy (; la, Ducatus Burgundiae; french: Duché de Bourgogne, ) emerged in the 9th century as one of the successors of the ancient Kingdom of the Burgundians, which after its conquest in 532 had formed a constituent part of the Frankish Empire. Upon the 9th-century partitions, the French remnants of the Burgundian kingdom were reduced to a ducal rank by King Robert II of France in 1004. Robert II's son and heir, King Henry I of France, inherited the duchy but ceded it to his younger brother Robert in 1032. Other portions had passed to the Imperial Kingdom of Burgundy-Arles, including the County of Burgundy (Franche-Comté). Robert became the ancestor of the ducal House of Burgundy, a cadet branch of the royal Capet dynasty, ruling over a territory that roughly conformed to the borders and territories of the modern region of Burgundy (Bourgogne). Upon the extinction of the Burgundian male line with the death of Duke Philip I in 1361, the duchy reverted to King ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1454 Works
Year 1454 ( MCDLIV) was a common year starting on Tuesday (link will display the full calendar) of the Julian calendar. Events January–December * February 4 – Thirteen Years' War: The Secret Council of the Prussian Confederation sends a formal act of disobedience to the Grand Master, and the citizens of Toruń rebel against the Teutonic Knights, beginning the conflict. * March 6 – Casimir IV of Poland renounces allegiance to the Teutonic Knights. * March 27 – Richard Plantagenet, Duke of York, becomes Protector for King Henry VI of England, who is in a catatonic state. * April 9 – Treaty of Lodi: Francesco Sforza forms a triple alliance between the Duchy of Milan, the Republic of Florence and Kingdom of Naples. * August – In Moldavia, Petru Aron retakes the throne from Alexăndrel. * September 18 – Thirteen Years' War – Battle of Chojnice: The Polish army is defeated by a smaller but more professional Teutonic army. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Siege Of Jerusalem (597 BC)
The siege of Jerusalem (597 BC) was a military campaign carried out by Nebuchadnezzar II, king of the Neo-Babylonian Empire, in which he besieged Jerusalem, then capital of the Kingdom of Judah. The city surrendered, with king Jeconiah of Judah deported to Babylon and replaced by his Babylonian-appointed uncle, Zedekiah. The siege was recorded by both the Hebrew Bible () and the Babylonian Nebuchadnezzar Chronicle. In 601 BC, Nebuchadnezzar unsuccessfully attempted to take Egypt and was repulsed with heavy losses. Jehoiakim king of Judah seized the opportunity to revolt against Babylonian rule, taking a pro-Egyptian position, despite the strong remonstrances of the prophet Jeremiah. Jehoiakim died for reasons unclear, and was succeeded by his young son, Jeconiah. The Babylonians besieged Jerusalem, and in March 597 BC the city surrendered. Jeconiah, his court and other prominent citizens and craftsmen, were deported to Babylon. This event is considered to be the start of B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Book Of Lamentations
The Book of Lamentations ( he, אֵיכָה, , from its incipit meaning "how") is a collection of poetic laments for the destruction of Jerusalem in 586 BCE. In the Hebrew Bible it appears in the Ketuvim ("Writings") as one of the Five Megillot (or "Five Scrolls") alongside the Song of Songs, Book of Ruth, Ecclesiastes and the Book of Esther although there is no set order. In the Christian Old Testament it follows the Book of Jeremiah, as the prophet Jeremiah is its traditional author. However, according to modern scholarship, while the destruction of Jerusalem by Babylon in 586/7 BCE forms the background to the poems, they were probably not written by Jeremiah. Most likely, each of the book's chapters was written by a different anonymous poet, and they were then joined to form the book. Some motifs of a traditional Mesopotamian "city lament" are evident in this book, such as mourning the desertion of the city by God, its destruction, and the ultimate return of the divin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lamentation Of Christ
The Lamentation of Christ is a very common subject in Christian art from the High Middle Ages to the Baroque. After Jesus was crucified, his body was removed from the cross and his friends mourned over his body. This event has been depicted by many different artists. Lamentation works are very often included in cycles of the ''Life of Christ'', and also form the subject of many individual works. One specific type of Lamentation depicts only Jesus' mother Mary cradling his body. These are known as Pietà (Italian for "pity"). Development of the depiction As the depiction of the Passion of Christ increased in complexity towards the end of the first millennium, a number of scenes were developed covering the period between the death of Jesus on the Cross and his being placed in his tomb. The accounts in the Canonical Gospels concentrate on the roles of Joseph of Arimathea and Nicodemus, but specifically mention Mary and Mary Magdalene as present. Scenes showing Joseph negotiating ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Virgin Mary
Mary; arc, ܡܪܝܡ, translit=Mariam; ar, مريم, translit=Maryam; grc, Μαρία, translit=María; la, Maria; cop, Ⲙⲁⲣⲓⲁ, translit=Maria was a first-century Jewish woman of Nazareth, the wife of Joseph and the mother of Jesus. She is a central figure of Christianity, venerated under various titles such as virgin or queen, many of them mentioned in the Litany of Loreto. The Eastern and Oriental Orthodox, Church of the East, Catholic, Anglican, and Lutheran churches believe that Mary, as mother of Jesus, is the Mother of God. Other Protestant views on Mary vary, with some holding her to have considerably lesser status. The New Testament of the Bible provides the earliest documented references to Mary by name, mainly in the canonical Gospels. She is described as a young virgin who was chosen by God to conceive Jesus through the Holy Spirit. After giving birth to Jesus in Bethlehem, she raised him in the city of Nazareth in Galilee, and was in Jerusalem a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Middle French
Middle French (french: moyen français) is a historical division of the French language that covers the period from the 14th to the 16th century. It is a period of transition during which: * the French language became clearly distinguished from the other competing Oïl languages, which are sometimes subsumed within the concept of Old French () * the French language was imposed as the official language of the Kingdom of France in place of Latin and other Oïl and Occitan languages * the literary development of French prepared the vocabulary and grammar for the Classical French () spoken in the 17th and 18th centuries. It is the first version of French that is largely intelligible to Modern French speakers, contrary to Old French. History The most important change found in Middle French is the complete disappearance of the noun declension system (already underway for centuries). There is no longer a distinction between nominative and oblique forms of nouns, and plurals are indi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gregorian Chant
Gregorian chant is the central tradition of Western plainchant, a form of monophonic, unaccompanied sacred song in Latin (and occasionally Greek) of the Roman Catholic Church. Gregorian chant developed mainly in western and central Europe during the 9th and 10th centuries, with later additions and redactions. Although popular legend credits Pope Gregory I with inventing Gregorian chant, scholars believe that it arose from a later Carolingian synthesis of the Old Roman chant and Gallican chant. Gregorian chants were organized initially into four, then eight, and finally 12 modes. Typical melodic features include a characteristic ambitus, and also characteristic intervallic patterns relative to a referential mode final, incipits and cadences, the use of reciting tones at a particular distance from the final, around which the other notes of the melody revolve, and a vocabulary of musical motifs woven together through a process called centonization to create families of related ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cantus Firmus
In music, a ''cantus firmus'' ("fixed melody") is a pre-existing melody forming the basis of a polyphonic composition. The plural of this Latin term is , although the corrupt form ''canti firmi'' (resulting from the grammatically incorrect treatment of ''cantus'' as a second- rather than a fourth-declension noun) can also be found. The Italian is often used instead: (and the plural in Italian is ). History The term first appears in theoretical writings early in the 13th century (e.g., Boncampagno da Signa, ''Rhetorica novissima'', 1235). The earliest polyphonic compositions almost always involved a cantus firmus, typically a Gregorian chant, although by convention the term is not applied to music written before the 14th century. The earliest surviving polyphonic compositions, in the ''Musica enchiriadis'' (around 900 AD), contain the chant in the top voice, and the newly composed part underneath; however, this usage changed around 1100, after which the cantus firmus typicall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Church Of Constantinople
The Ecumenical Patriarchate of Constantinople ( el, Οἰκουμενικὸν Πατριαρχεῖον Κωνσταντινουπόλεως, translit=Oikoumenikón Patriarkhíon Konstantinoupóleos, ; la, Patriarchatus Oecumenicus Constantinopolitanus; tr, Rum Ortodoks Patrikhanesi, İstanbul Ekümenik Patrikhanesi, "Roman Orthodox Patriarchate, Ecumenical Patriarchate") is one of the fifteen to seventeen autocephalous churches (or "jurisdictions") that together compose the Eastern Orthodox Church. It is headed by the Ecumenical Patriarch of Constantinople, currently Bartholomew, Archbishop of Constantinople. Because of its historical location as the capital of the former Eastern Roman (Byzantine) Empire and its role as the mother church of most modern Orthodox churches, Constantinople holds a special place of honor within Orthodoxy and serves as the seat for the Ecumenical Patriarch, who enjoys the status of ''primus inter pares'' (first among equals) among the world's Ea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
