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Lady Love (Lou Rawls Song)
"Lady Love" is a pop song written by Yvonne Gray alias Vonghn Gray. The sheet music has the songwriter as Von Gray the sole writer, however; the strings were the arrangement of Belford Hendricks. The Producers were Von Gray and Jack Faith. It became a hit single cut from Lou Rawls Louis Allen Rawls (December 1, 1933 – January 6, 2006) was an American record producer, singer, composer and actor. Rawls released more than 60 albums, sold more than 40 million records, and had numerous charting singles, most notably his s ...' 1977 album '' When You Hear Lou, You've Heard It All''. It was released as a single in January 1978 and peaked at No. 13 in Canada, No. 21 on Australia's Kent Music Report, No. 24 on the U.S. ''Billboard'' Hot 100, No. 20 on ''Cash Box'', and went to No. 21 on the R&B chart. On the Canadian and U.S. Adult Contemporary charts, "Lady Love" peaked at No. 5. The song is an airplay staple today on adult standards and smooth jazz radio stations. Personne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lou Rawls
Louis Allen Rawls (December 1, 1933 – January 6, 2006) was an American record producer, singer, composer and actor. Rawls released more than 60 albums, sold more than 40 million records, and had numerous charting singles, most notably his song "You'll Never Find Another Love like Mine". He worked as a film, television, and voice actor. He was also a three-time Grammy-winner, all for Best Male R&B Vocal Performance. Early life Rawls was born in Chicago on December 1, 1933, and raised by his grandmother in the Ida B. Wells projects on the city's South Side. He began singing in the Greater Mount Olive Baptist Church choir at the age of seven and later sang with local groups through which he met Sam Cooke, who was nearly three years older, and Curtis Mayfield. Career After graduating from Dunbar Vocational High School, he sang briefly with Cooke in the Teenage Kings of Harmony, a gospel group, and then with the Holy Wonders. In 1951, he replaced Cooke in the Highway QC's aft ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
When You Hear Lou, You've Heard It All
''When You Hear Lou, You've Heard It All'' is a 1977 album by American R&B singer Lou Rawls, released on the Philadelphia International Records label. On this album, only four tracks were produced by Gamble & Huff with the remainder shared among other producers. The album's lead single " Lady Love", while only a moderate R&B hit, proved successful in the crossover market, becoming Rawls' last single to enter the top 30 on the ''Billboard'' Hot 100. ''When You Hear Lou, You've Heard It All'' was well-reviewed and sold respectably, peaking at #13 on the R&B albums chart and #41 pop. The title of the album is a play on the-then current Budweiser advertising slogan "When you say Budweiser, you've said it all". The Budweiser company had been sponsors of Rawls' live shows in 1976 and 1977, and he could be heard at the time singing on television commercials for the company. (Rawls' 1978 live album ''Lou Rawls Live'' includes a short performance of the original "When you say..." ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sigma Sound Studios
Sigma Sound Studios was a recording studio in Philadelphia, Pennsylvania, U.S.. It was founded in 1968 by recording engineer Joseph Tarsia. Located at 212 North 12th Street in Philadelphia, it was one of the first studios in the United States to offer 24-track recording capacity and the first anywhere to successfully employ console automation. Tarsia, formerly chief engineer at Philadelphia's Cameo-Parkway Studios, also opened Sigma Sound Studios of New York City in 1977, at the Ed Sullivan Theater building. History Recording From the beginning, Sigma Sound was strongly associated with Philadelphia soul and, in the 1970s, the sound of Gamble and Huff's Philadelphia International Records (its driving rhythm a precursor to disco music), as well as the classic, sophisticated productions of Thom Bell. Both featured large productions with strings and horns creating what became known as "The Sound of Philadelphia," or "T.S.O.P.", a term which became trademarked and was the title of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhythm And Blues
Rhythm and blues, frequently abbreviated as R&B or R'n'B, is a genre of popular music that originated in African-American communities in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly to urban African Americans, at a time when "urbane, rocking, jazz based music ... ith aheavy, insistent beat" was becoming more popular. In the commercial rhythm and blues music typical of the 1950s through the 1970s, the bands usually consisted of piano, one or two guitars, bass, drums, one or more saxophones, and sometimes background vocalists. R&B lyrical themes often encapsulate the African-American experience of pain and the quest for freedom and joy, as well as triumphs and failures in terms of relationships, economics, and aspirations. The term "rhythm and blues" has undergone a number of shifts in meaning. In the early 1950s, it was frequently applied to blues records. Starting in the mid-1950s, after this style of music contr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Disco
Disco is a genre of dance music and a subculture that emerged in the 1970s from the United States' urban nightlife scene. Its sound is typified by four-on-the-floor beats, syncopated basslines, string sections, brass and horns, electric piano, synthesizers, and electric rhythm guitars. Disco started as a mixture of music from venues popular with Italian Americans, Hispanic and Latino Americans and Black Americans "'Broadly speaking, the typical New York discothèque DJ is young (between 18 and 30) and Italian,' journalist Vince Lettie declared in 1975. ..Remarkably, almost all of the important early DJs were of Italian extraction .. Italian Americans have played a significant role in America's dance music culture .. While Italian Americans mostly from Brooklyn largely created disco from scratch .." in Philadelphia and New York City during the late 1960s and early 1970s. Disco can be seen as a reaction by the 1960s counterculture to both the dominance of rock music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philadelphia Soul
Philadelphia soul, sometimes called Philly soul, the Philadelphia sound, Phillysound, or The Sound of Philadelphia TSOP, is a genre of late 1960s–1970s soul music characterized by funk influences and lush instrumental arrangements, often featuring sweeping strings and piercing horns. The genre laid the groundwork for disco by fusing the R&B rhythm sections of the 1960s with the pop vocal tradition, and featuring a slightly more pronounced jazz influence in its melodic structures and arrangements. Fred Wesley, the trombonist of the James Brown band and Parliament-Funkadelic, described the signature deep but orchestrated sound as "putting the bow tie on funk." Style Due to the emphasis on sound and arrangement and the relative anonymity of many of the style's players, Philadelphia soul is often considered a producers' genre. Bunny Sigler, Kenny Gamble and Leon Huff were credited with developing the genre. Philadelphia soul songwriters and producers included Bobby Martin, Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philadelphia International Records
Philadelphia International Records (PIR) was an American record label based in Philadelphia, Pennsylvania. It was founded in 1971 by songwriting and production duo Kenneth Gamble and Leon Huff along with their longtime collaborator Thom Bell. It was known for showcasing the Philadelphia soul music genre (also known as Philly soul) that was founded on the gospel, doo-wop and soul music of the time. This sound later marked a prominent and distinct era within the R&B genre. During the 1970s, the label released a string of worldwide hits that emphasized lavish orchestral instrumentation, heavy bass and driving percussion. Some of their most popular and best selling acts included the O'Jays, Harold Melvin & the Blue Notes, Teddy Pendergrass, MFSB, Billy Paul, Patti LaBelle and Lou Rawls. Between 1971 and the early 1980s, the label released more than 170 gold and platinum records. Philadelphia International Records had been mostly defunct since 1987 and finally shut down in 2001. As ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard Hot 100
The ''Billboard'' Hot 100 is the music industry standard record chart in the United States for songs, published weekly by '' Billboard'' magazine. Chart rankings are based on sales (physical and digital), radio play, and online streaming in the United States. The weekly tracking period for sales was initially Monday to Sunday when Nielsen started tracking sales in 1991, but was changed to Friday to Thursday in July 2015. This tracking period also applies to compiling online streaming data. Radio airplay, which, unlike sales figures and streaming, is readily available on a real-time basis, is also tracked on a Friday to Thursday cycle effective with the chart dated July 17, 2021 (previously Monday to Sunday and before July 2015, Wednesday to Tuesday). A new chart is compiled and officially released to the public by ''Billboard'' on Tuesdays but post-dated to the following Saturday. The first number-one song of the ''Billboard'' Hot 100 was " Poor Little Fool" by Ricky Ne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Smooth Jazz
Smooth jazz is a genre of commercially-oriented crossover jazz and easy listening music that became dominant in the mid 1970s to the early 1990s. History Smooth jazz is a commercially oriented, crossover jazz which came to prominence in the 1980s, displacing the more venturesome jazz fusion from which it emerged. It avoids the improvisational "risk-taking" of jazz fusion, emphasizing melodic form and much of the music was initially "a combination of jazz with easy-listening pop music and lightweight R&B". During the mid-1970s in the United States it was known as "smooth radio", and was not termed "smooth jazz" until the 1980s. Notable artists The mid- to late-1970s included songs “Breezin'" as performed by another smooth jazz pioneer, guitarist George Benson in 1976, the instrumental composition " Feels So Good" by flugelhorn player Chuck Mangione, in 1978, " What You Won't Do for Love" by Bobby Caldwell along with his debut album was released the same year, jazz fusion gr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barbara Ingram
Barbara Jane Ingram (February 9, 1947 – October 20, 1994) was an American R&B singer and songwriter who was active throughout the early 1970s until the mid-late 1980s, enjoying modest success as a backup singer for almost two decades. Career In 1972, Ingram formed a vocal trio with her cousin Carla Benson and Benson's close friend, Evette Benton, alternating with group names such as: "The Sweethearts of Sigma", "The Philadelphia Angels", "The Sweeties" and "The Sweethearts". The trio can be heard on many Contemporary R&B/Disco albums recorded in Philadelphia. In 1971, she sang background vocals, alongside songwriter Linda Creed, on The Stylistics eponymous album, reappearing on their 1973 successor album, '' Rockin' Roll Baby''. In 1973 and 1974, Ingram appeared on Hawaiian based soul singer Dick Jensen’s eponymous debut album, followed by R&B/Soul band Ecstasy, Passion & Pain's eponymous debut album. Through the decade of the 1970s, Ingram, Benson and Benton comp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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