Lady Audley's Secret
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Lady Audley's Secret
''Lady Audley's Secret'' is a sensation novel by Mary Elizabeth Braddon published in 1862. John Sutherland. "Lady Audley's Secret" in ''The Stanford Companion to Victorian Fiction'', 1989. It was Braddon's most successful and well-known novel. Critic John Sutherland (1989) described the work as "the most sensationally successful of all the sensation novels". The plot centres on "accidental bigamy" which was in literary fashion in the early 1860s. The plot was summarised by literary critic Elaine Showalter (1982): "Braddon's bigamous heroine deserts her child, pushes husband number one down a well, thinks about poisoning husband number two and sets fire to a hotel in which her other male acquaintances are residing". Elements of the novel mirror themes of the real-life Constance Kent case of June 1860 which gripped the nation for years.. Ppg. 217-18 A follow-up novel, ''Aurora Floyd'', appeared in 1863. Braddon set the story in Ingatestone Hall, Essex, inspired by a visit there. T ...
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Mary Elizabeth Braddon
Mary Elizabeth Braddon (4 October 1835 – 4 February 1915) was an English popular novelist of the Victorian era. She is best known for her 1862 sensation novel ''Lady Audley's Secret'', which has also been dramatised and filmed several times. Biography Born in Soho, London, Mary Elizabeth Braddon was privately educated. Her mother Fanny separated from her father Henry because of his infidelities in 1840, when Mary was five. When Mary was ten years old, her brother Edward Braddon left for India and later Australia, where he became Premier of Tasmania. Mary worked as an actress for three years, when she was befriended by Clara and Adelaide Biddle. They were only playing minor roles, but Braddon was able to support herself and her mother. Adelaide noted that Braddon's interest in acting waned as she took up writing novels. Mary met John Maxwell (1824–1895), a publisher of periodicals, in April 1861 and moved in with him in 1861.Victor E. Neuburg, ''The Popular Press Companion ...
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Villa
A villa is a type of house that was originally an ancient Roman upper class country house. Since its origins in the Roman villa, the idea and function of a villa have evolved considerably. After the fall of the Roman Republic, villas became small farming compounds, which were increasingly fortified in Late Antiquity, sometimes transferred to the Church for reuse as a monastery. Then they gradually re-evolved through the Middle Ages into elegant upper-class country homes. In the Early Modern period, any comfortable detached house with a garden near a city or town was likely to be described as a villa; most survivals have now been engulfed by suburbia. In modern parlance, "villa" can refer to various types and sizes of residences, ranging from the suburban semi-detached double villa to, in some countries, especially around the Mediterranean, residences of above average size in the countryside. Roman Roman villas included: * the ''villa urbana'', a suburban or country seat t ...
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Colin Henry Hazlewood
Colin Henry Hazlewood (1823– 31 May 1875) was an English playwright. Hazlewood became a low comedian on the Lincoln, York and western circuits. In 1850, he wrote and produced at the City of London Theatre a farce entitled ''Who's the Victim?'' which was received with favour, and he commenced writing stories for the penny weekly publications. In 1851, he was engaged at the Surrey Theatre, appearing as Bob Blackberry in ''The Rover's Bride'', and was next engaged by Nelson Lee and Johnson for the City of London Theatre as a low comedian. Here he remained ten years, producing numerous dramas, farces and burlesques, among his successes being ''The Bonnet Builders' Tea Party'' at the Royal Strand Theatre; ''Jenny Foster, the Sailor's Child'' and ''Jessie Vere, or the Return of the Wanderer'', two dramas each in two acts, produced in 1854 and 1856 at the Britannia Saloon, where they had long runs; and ''Waiting for the Verdict'', first given at the City of London Theatre. Hazlewood ...
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Mystery!
''Mystery!'' (also written ''MYSTERY!'') is a television anthology series produced by WGBH Boston for PBS in the United States. The series was created as a mystery, police and crime drama spin-off of the already established PBS show ''Masterpiece Theatre''. From 1980 to 2006, ''Mystery!'' aired mostly British crime series purchased from or co-produced with the BBC or ITV and adapted from British mystery fiction. In 2002, due to pressure to include more American material, a series based on the novels of US mystery writer Tony Hillerman was produced, but the vast majority of ''Mystery!'' programming has always been and continues to be British literary adaptations co-produced with UK-based production companies. In 2008, PBS combined ''Mystery!'' with its predecessor ''Masterpiece Theatre'' under the umbrella title '' Masterpiece'', which includes the sub-brands ''Masterpiece Classic'', ''Masterpiece Mystery!'', and ''Masterpiece Contemporary''. Edward Gorey, Derek Lamb, and the ' ...
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Jack Denton
John Fleming St. Andrew Denton (11 September 1872 – 19 April 1949) was a British actor and film director of the silent era. Denton was born in Ashby-de-la-Zouch, Leicestershire and died at age 76 in Redhill, Surrey. Selected filmography Actor * ''Little Lord Fauntleroy'' (1914) * ''In the Ranks'' (1914) * '' The World, the Flesh and the Devil'' (1914) * '' Flying from Justice'' (1915) * ''She'' (1916) * ''The Bachelor's Club'' (1921) * ''The Card'' (1922) * ''The Fair Maid of Perth'' (1923) * ''The York Mystery'' (1924) * '' Old Bill Through the Ages'' (1924) * '' The Notorious Mrs. Carrick'' (1924) * '' Tons of Money'' (1924) * ''The Gay Corinthian'' (1924) Director * ''Barnaby'' (1919) * ''A Lass o' the Looms'' (1919) * ''The Heart of a Rose'' (1919) * '' Ernest Maltravers'' (1920) * '' The Twelve Pound Look'' (1920) * ''Lady Audley's Secret'' (1920) * ''Sybil Sibyls were oracular women believed to possess prophetic powers in ancient Greece. Sybil or Sibyl may also refe ...
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Lady Audley's Secret (1920 Film)
''Lady Audley's Secret'' is a 1920 British silent drama film directed by Jack Denton and starring Margaret Bannerman, Manning Haynes and Betty Farquhar. It was an adaptation of the 1862 novel ''Lady Audley's Secret'' by Mary Elizabeth Braddon. Plot Sir Michael Audley marries a younger woman. She throws her first husband down a well, is blackmailed by a gardener who knows her secret, and tries to burn him to death. But something goes wrong. Cast * Margaret Bannerman - Lady Audley * Manning Haynes - Robert Audley * Betty Farquhar - Alysia Audley * Randolph McLeod - Captain George Talboys * Wallace Bosco - Luke Marks * Berenice Melford - Phoebe * Hubert Willis Hubert Willis (1862 – 13 December 1933) was a British actor best known for his recurring role as Doctor Watson in a series of silent Sherlock Holmes films co-starring with Eille Norwood. Stage career Willis appeared in the copyright per ... - Sir Michael Audley * William Burchill - Captain Malden * ...
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Marshall Farnum
Marshall Farnum (December 19, 1879 – February 19, 1917) was an American actor and film director. The youngest of the three Farnum boys, Dustin Farnum and William Farnum.Liebman p.89 Having directed first on stage, from 1913 he established himself as a film director at prominent companies such as Fox Film and World Film. He died of Tuberculosis at the age of thirty seven. Selected filmography * '' The Spoilers'' (1914, actor) * ''Lady Audley's Secret'' (1915) * ''Driftwood __NOTOC__ Driftwood is wood that has been washed onto a shore or beach of a sea, lake, or river by the action of winds, tides or waves. In some waterfront areas, driftwood is a major nuisance. However, the driftwood provides shelter and fo ...'' (1916) * '' The House of Mirrors'' (1916) * '' The Tides of Fate'' (1917) References Bibliography * Roy Liebman. ''Broadway Actors in Films, 1894-2015''. McFarland, 2017. External links *portraitof Marshall Farnum in The Virginian, 1910 (Univ. of Washin ...
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Lady Audley's Secret (1915 Film)
''Lady Audley's Secret'' is a 1915 American silent drama film directed by Marshall Farnum and starring Theda Bara, Riley Hatch and Clifford Bruce. It was an adaptation of the 1862 British novel ''Lady Audley's Secret'' by Mary Elizabeth Braddon.Goble p.51 It is now considered a lost film. The film was less successful than Bara's other films of the period, because it did not feature her in the wildly popular vamp role she had established. Cast * Theda Bara as Helen Talboys * Riley Hatch as Luke Martin * Clifford Bruce as George Talboys * Stephen Grattan as Undetermined Role * Warner Richmond Warner Richmond (born Werner Paul Otto Raetzmann; January 11, 1886 – June 19, 1948) was an American stage and film actor. He began his career as a stock theatre actor and appeared in films in both the silent film and sound eras. His career spa ... as Sir Michael Audley References Bibliography * Goble, Alan. ''The Complete Index to Literary Sources in Film''. Walter de Gruyt ...
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Jack Whicher
Detective Inspector Jonathan "Jack" Whicher (1 October 1814 – 29 June 1881) was an English police detective. He was one of the original eight members of London's newly formed Detective Branch, which was established at Scotland Yard in 1842.Constance Kent and the Road Hill House Murder
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During his career, Whicher earned a reputation among the finest in . In 1860, he was involved in investigating the

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Separate Spheres
Terms such as separate spheres and domestic–public dichotomy refer to a social phenomenon within modern societies that feature, to some degree, an empirical separation between a domestic or private sphere and a public or social sphere. This observation may be controversial and is often also seen as supporting patriarchal ideologies that seek to ''create or strengthen'' any such separation between spheres and to confine women to the domestic/private sphere. The patriarchal ideology of separate spheres, based primarily on notions of biologically determined gender roles and/or patriarchal religious doctrine, claims that women should avoid the public sphere – the domain of politics, paid work, commerce and law. Women's "proper sphere", according to the ideology, is the realm of domestic life, focused on childcare, housekeeping and religion. In Europe and North America, the idealization of separate spheres emerged during the Industrial Revolution. As an observable phenomen ...
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Victorian Morality
Victorian morality is a distillation of the moral views of the middle class in 19th-century Britain, the Victorian era. Victorian values emerged in all classes and reached all facets of Victorian living. The values of the period—which can be classed as religion, morality, Evangelicalism, industrial work ethic, and personal improvement—took root in Victorian morality. Current plays and all literature—including old classics like Shakespeare—were cleansed of content considered to be inappropriate for children, or "bowdlerized". Contemporary historians have generally come to regard the Victorian era as a time of many conflicts, such as the widespread cultivation of an outward appearance of dignity and restraint, together with serious debates about exactly how the new morality should be implemented. The international slave trade was abolished, and this ban was enforced by the Royal Navy. Slavery was ended in all the British colonies, child labour was ended in British facto ...
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Lady Audleys Secret Scene
The word ''lady'' is a term for a girl or woman, with various connotations. Once used to describe only women of a high social class or status, the equivalent of lord, now it may refer to any adult woman, as gentleman can be used for men. Informal use is sometimes euphemistic ("lady of the night" for prostitute) or, in American slang, condescending in direct address (equivalent to "mister" or "man"). "Lady" is also a formal title in the United Kingdom. "Lady" is used before the family name of a woman with a title of nobility or honorary title ''suo jure'' (in her own right), or the wife of a lord, a baronet, Scottish feudal baron, laird, or a knight, and also before the first name of the daughter of a duke, marquess, or earl. Etymology The word comes from Old English '; the first part of the word is a mutated form of ', "loaf, bread", also seen in the corresponding ', "lord". The second part is usually taken to be from the root ''dig-'', "to knead", seen also in dough; the s ...
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