Labor Of Love (Spinners Album)
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Labor Of Love (Spinners Album)
''Labor of Love'' is a 1981 studio album by American soul music vocal group the Spinners, released on Atlantic Records. This release followed a brief period of disco experimentation. The group returned to their Philly soul roots, giving the band a commercial and critical boost. Still, with this album, the slid to the bottom of sales charts and would fall off entirely within a few years. Reception Editors at AllMusic Guide scored ''Labor of Love'' three out of five stars, with reviewer Ron Wynn writing that this was when the group's commercial prospects began to slide, as audiences thought of them as a cover band reinterpreting crossover pop/rhythm and blues hits, noting that this album has "ebullient soul ballads and uptempo tunes" that builds upon their classic period, but which left them out of step with contemporary audiences. Track listing #"Long Live Soul Music" (Willie Hutch) – 4:56 #"Standing on the Rock" (Willie Hutch) – 4:29 #Medley: "Yesterday Once More" ...
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The Spinners (American R&B Group)
The Spinners are an American rhythm and blues vocal group that formed in Ferndale, Michigan, United States, in 1954. They enjoyed a string of hit singles and albums during the 1960s and 1970s, particularly with producer Thom Bell. The group continues to tour, with Henry Fambrough as the only original member. The group is also listed as the Detroit Spinners and the Motown Spinners, due to their 1960s recordings with the Motown label. These other names were used in the UK to avoid confusion with a British folk group also called The Spinners. On June 30, 1976, they received a star on the Hollywood Walk of Fame. In 2015, they were nominated for induction into the Rock and Roll Hall of Fame. History In 1954, Billy Henderson, Henry Fambrough, Pervis Jackson, C. P. Spencer, and James Edwards formed The Domingoes in Ferndale, Michigan, a northern suburb of Detroit. The friends resided in Detroit's Herman Gardens public housing project and came together to make music. James Edwards ...
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Billboard 200
The ''Billboard'' 200 is a record chart ranking the 200 most popular music albums and EPs in the United States. It is published weekly by '' Billboard'' magazine and is frequently used to convey the popularity of an artist or groups of artists. Often, a recording act will be remembered by its " number ones", those of their albums that outperformed all others during at least one week. The chart grew from a weekly top 10 list in 1956 to become a top 200 list in May 1967, and acquired its current name in March 1992. Its previous names include the ''Billboard'' Top LPs (1961–1972), ''Billboard'' Top LPs & Tape (1972–1984), ''Billboard'' Top 200 Albums (1984–1985) and ''Billboard'' Top Pop Albums (1985–1992). The chart is based mostly on sales – both at retail and digital – of albums in the United States. The weekly sales period was originally Monday to Sunday when Nielsen started tracking sales in 1991, but since July 2015, tracking week begins on Friday (to coinc ...
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Allan Schwartzberg
Allan Schwartzberg (born December 28, 1942) is an American musician and record producer. He has been a member of the rock band Mountain, Peter Gabriel's first solo band, toured with Brecker Brothers' Dreams, B.J. Thomas, Linda Rondstadt, Stan Getz band, and the Pat Travers band. He has experienced success as a prolific session musician, through recordings made from the 1970s through today. He has also played on multi genre hits such as Gloria Gaynor "Never Can Say Goodbye", considered the first disco record, James Brown's "Funky President" (his beat has been sampled on 808 different records), Harry Chapin's "Cat's In The Cradle", Tony Orlando & Dawn's ''Tie A Yellow Ribbon'', Peter Gabriel's "Solsbury Hill", the Spinners' "Workin' My Way Back to You", the ''Star Wars'' theme, and Rod Stewart's Great American Songbook series including the hit "What A Wonderful World". He has played with musicians and singers including John Lennon, Diana Ross, James Brown, Jimi Hendrix, Alice Cooper, ...
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Vibraphone
The vibraphone is a percussion instrument in the metallophone family. It consists of tuned metal bars and is typically played by using mallets to strike the bars. A person who plays the vibraphone is called a ''vibraphonist,'' ''vibraharpist,'' or ''vibist''. The vibraphone resembles the steel marimba, which it superseded. One of the main differences between the vibraphone and other keyboard percussion instruments is that each bar suspends over a resonator tube containing a flat metal disc. These discs are attached together by a common axle and spin when the motor is turned on. This causes the instrument to produce its namesake tremolo or vibrato effect. The vibraphone also has a sustain pedal similar to a piano. When the pedal is up, the bars produce a muted sound; when the pedal is down, the bars sustain for several seconds or until again muted with the pedal. The vibraphone is commonly used in jazz music, in which it often plays a featured role, and was a defining element ...
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Rubens Bassini
Rubens Bassini (January 26, 1933 in Rio de Janeiro – September 1985) was a percussionist, who played bongos and congas above all. He played together with the band Os Ipanemas: Astor Silva; (trombone), Marinho (bass), Wilson das Neves (drums) and Neco (guitar). He also played with Judy Collins, João Gilberto, Sérgio Mendes, Chuck Mangione, Dom Salvador, Carly Simon, Spyro Gyra, Eumir Deodato and Dave Grusin, predominantly Bossa Nova. Discography *''Rubens Bassini E Os 11 Magnificos'' 1960 Rio de Janeiro, Brasil re- issued 2002 *''Rubens Bassini Y Los Latinos'' 1963 Rio de Janeiro, Brasil re -issued 2010 *''Rubens Bassini with Sérgio Mendes and Brasil'' '66, 77, 88 *''Deodato - Deodato 2'' - 1973 (CTI Records) *'' The Atlantic Family Live at Montreux'' - 1976 (Atlantic Records) As sideman With Herbie Mann *'' Brazil: Once Again'' (Atlantic, 1977) With Chuck Mangione *'' Main Squeeze'' ( A&M, 1976) With Jimmy McGriff *'' Tailgunner'' (LRC, 1977) With Don Sebesky *'' G ...
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Baritone Saxophone
The baritone saxophone is a member of the saxophone family of instruments, larger (and lower-pitched) than the tenor saxophone, but smaller (and higher-pitched) than the bass. It is the lowest-pitched saxophone in common use - the bass, contrabass and subcontrabass saxophones are relatively uncommon. Like all saxophones, it is a single-reed instrument. It is commonly used in concert bands, chamber music, military bands, big bands, and jazz combos. It can also be found in other ensembles such as rock bands and marching bands. Modern baritone saxophones are pitched in E. History The baritone saxophone was created in 1846 by the Belgian instrument maker Adolphe Sax as one of a family of 14 instruments. Sax believed these instruments would provide a useful tonal link between the woodwinds and brasses. The family was divided into two groups of seven saxophones each, from the soprano to the contrabass. Though a design for an F baritone saxophone is included in the C and F family ...
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Electric Piano
An electric piano is a musical instrument which produces sounds when a performer presses the keys of a piano-style musical keyboard. Pressing keys causes mechanical hammers to strike metal strings, metal reeds or wire tines, leading to vibrations which are converted into electrical signals by magnetic pickups, which are then connected to an instrument amplifier and loudspeaker to make a sound loud enough for the performer and audience to hear. Unlike a synthesizer, the electric piano is not an electronic instrument. Instead, it is an electro-mechanical instrument. Some early electric pianos used lengths of wire to produce the tone, like a traditional piano. Smaller electric pianos used short slivers of steel to produce the tone (a lamellophone with a keyboard & pickups). The earliest electric pianos were invented in the late 1920s; the 1929 ''Neo- Bechstein'' electric grand piano was among the first. Probably the earliest stringless model was Lloyd Loar's Vivi-Tone Clavier. A few ...
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Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ...
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Alto Saxophone
The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in E, smaller than the B tenor but larger than the B soprano. It is the most common saxophone and is used in popular music, concert bands, chamber music, solo repertoire, military bands, marching bands, pep bands, and jazz (such as big bands, jazz combos, swing music). The alto saxophone had a prominent role in the development of jazz. Influential jazz musicians who made significant contributions include Don Redman, Jimmy Dorsey, Johnny Hodges, Benny Carter, Charlie Parker, Sonny Stitt, Lee Konitz, Jackie McLean, Phil Woods, Art Pepper, Paul Desmond, and Cannonball Adderley. Although the role of the alto saxophone in classical music has been limited, influential performers include Marcel Mule, Sigurd Raschèr, Jean-Marie Londeix, Eugene Rousseau, and Frederick ...
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Musical Arrangement
In music, an arrangement is a musical adaptation of an existing composition. Differences from the original composition may include reharmonization, melodic paraphrasing, orchestration, or formal development. Arranging differs from orchestration in that the latter process is limited to the assignment of notes to instruments for performance by an orchestra, concert band, or other musical ensemble. Arranging "involves adding compositional techniques, such as new thematic material for introductions, transitions, or modulations, and endings. Arranging is the art of giving an existing melody musical variety".(Corozine 2002, p. 3) In jazz, a memorized (unwritten) arrangement of a new or pre-existing composition is known as a ''head arrangement''. Classical music Arrangement and transcriptions of classical and serious music go back to the early history of this genre. Eighteenth century J.S. Bach frequently made arrangements of his own and other composers' pieces. O ...
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Flugelhorn
The flugelhorn (), also spelled fluegelhorn, flugel horn, or flügelhorn, is a brass instrument that resembles the trumpet and cornet but has a wider, more conical bore. Like trumpets and cornets, most flugelhorns are pitched in B, though some are in C. It is a type of valved bugle, developed in Germany in the early 19th century from a traditional English valveless bugle. The first version of a valved bugle was sold by Heinrich Stölzel in Berlin in 1828. The valved bugle provided Adolphe Sax (creator of the saxophone) with the inspiration for his B soprano (contralto) saxhorns, on which the modern-day flugelhorn is modeled. Etymology The German word ''Flügel'' means ''wing'' or ''flank'' in English. In early 18th century Germany, a ducal hunt leader known as a ''Flügelmeister'' blew the ''Flügelhorn'', a large semicircular brass or silver valveless horn, to direct the wings of the hunt. Military use dates from the Seven Years' War, where this instrument was employed as a pre ...
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Bobby Smith (rhythm And Blues Singer)
Robert Steel Smith (April 10, 1936 – March 16, 2013), professionally known as Bobby Smith, also spelled Bobbie, was an American R&B singer notable as the principal lead singer of the classic Motown/Philly group, The Spinners (also known as the Detroit Spinners or the Motown Spinners), throughout its history. The group was formed circa 1954 at Ferndale High School in Ferndale, Michigan, just north of the Detroit border. The group had their first record deal when they signed with Tri-Phi Records in early 1961. Smith had been the group's lead singer since its inception, having sung lead vocals on The Spinners first hit record in 1961, "That's What Girls Are Made For" (which has been inaccurately credited to the group's mentor and former Moonglows lead singer, the late Harvey Fuqua). Smith also sang lead on most of their Motown material during the 1960s, such as the charting singles like " Truly Yours" (1966) and " I'll Always Love You" (1965); almost all of the group's ...
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