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La Somnambule, Ou L'arrivée D'un Nouveau Seigneur
''La somnambule'' is a ballet-pantomime composed by Ferdinand Hérold and premiered on 19 September 1827 at the Académie Royale de Musique. The scenario was by Eugène Scribe, and it was choreographed by Jean-Pierre Aumer. This ballet was produced in 1827 at the height of a fashion for stage works incorporating somnambulism. The work was quite popular in Paris and inspired many more works incorporating somnambulism, including Vincenzo Bellini's well-known Italian opera ''La sonnambula''. Although the work was unperformed for over 150 years and remains unpublished, it was rediscovered and recorded under the direction of conductor Richard Bonynge Richard Alan Bonynge ( ) (born 29 September 1930) is an Australian conductor and pianist. He is the widower of Australian dramatic coloratura soprano Dame Joan Sutherland. Bonynge conducted virtually all of Sutherland's operatic performances ..., and released in 2005. External linksMelba Recordings page on the work, accessed 8 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ferdinand Hérold
Louis Joseph Ferdinand Herold (28 January 1791 – 19 January 1833), better known as Ferdinand Hérold (), was a French composer. He was celebrated in his lifetime for his operas, of which he composed more than twenty, but he also wrote ballet music, works for piano and choral pieces. He is best known today for the ballet ''La fille mal gardée#Jean-Pierre Aumer's new version taddo the music of Hérold, La Fille mal gardée'' and the overture to the opera ''Zampa''. Born in Paris to a musical family, Hérold trained at the Paris Conservatoire and won France's premier musical prize, the Prix de Rome in 1812. After a time in Italy he returned to Paris and worked first at the Comédie-Italienne, Théâtre Italien and then at the Paris Opéra, Opéra. He wrote several ballets for the latter, but was best known as a composer of opéra comique. Some of them particularly in his early days, were hampered by poor librettos, but later he had more successes than failures, and his last two ope ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Académie Royale De Musique
The Paris Opera (, ) is the primary opera and ballet company of France. It was founded in 1669 by Louis XIV as the , and shortly thereafter was placed under the leadership of Jean-Baptiste Lully and officially renamed the , but continued to be known more simply as the . Classical ballet as it is known today arose within the Paris Opera as the Paris Opera Ballet and has remained an integral and important part of the company. Currently called the , it mainly produces operas at its modern 2,723-seat theatre Opéra Bastille which opened in 1989, and ballets and some classical operas at the older 1,979-seat Palais Garnier which opened in 1875. Small scale and contemporary works are also staged in the 500-seat Amphitheatre under the Opéra Bastille. The company's annual budget is in the order of 200 million euros, of which €100M come from the French state and €70M from box office receipts. With this money, the company runs the two houses and supports a large permanent staff, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scenario
In the performing arts, a scenario (, ; ; ) is a synoptical collage of an event or series of actions and events. In the ''commedia dell'arte'', it was an outline of entrances, exits, and action describing the plot of a play, and was literally pinned to the back of the scenery. It is also known as ''canovaccio'' or "that which is pinned to the canvas" of which the scenery was constructed. Surviving scenarios from the Renaissance contain little other than character names, brief descriptions of action, and references to specific lazzi with no further explanation. It is believed that a scenario formed the basis for a fully improvisational performance, though it is also likely that they were simple reminders of the plot for those members of the cast who were literate. Modern commedia troupes most often make use of a script with varying degrees of additional improvisation. In the creation of an opera or ballet, a scenario is often developed initially to indicate how the original sou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eugène Scribe
Augustin Eugène Scribe (; 24 December 179120 February 1861) was a French dramatist and librettist. He is known for writing "well-made plays" ("pièces bien faites"), a mainstay of popular theatre for over 100 years, and as the librettist of many of the most successful grand operas and opéras-comiques. Born to a middle-class Parisian family, Scribe was intended for a legal career, but was drawn to the theatre, and began writing plays while still in his teens. His early years as a playwright were unsuccessful, but from 1815 onwards he prospered. Writing, usually with one or more collaborators, he produced several hundred stage works. He wrote to entertain the public rather than educate it. Many of his plays were written in a formulaic manner which aimed at neatness of plot and focus on dramatic incident rather than naturalism, depth of characterisation or intellectual substance. For this he was much criticised by intellectuals, but the "well-made play" remained established in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Pierre Aumer
Jean-Louis Aumer (21 April 1774 – 6 July 1833), also referred to as Jean-Pierre Aumer, was a French ballet dancer and choreographer. Early life and career as a dancer Aumer was born in Strasbourg of a manual labourer and non-theatrical parents and received little formal education. At an early age he became a pupil of Jean Dauberval of the Paris Opera Ballet. When Dauberval became '' maître de ballet'' in Bordeaux, Aumer went with him. In 1791 when Aumer was still sixteen, he went with Dauberval to London, where he first performed professionally.Guest 2008, p. 56. Believing he was growing too tall to be completely successful as a dancer, he studied Dauberval's choreographic methods and the related fields of music and art as well. He was engaged as a dancer with the Paris company in 1797 and made his debut there on 15 May 1798 in the " action ballet" ''Le déserteur'', with choreography by Maximilien Gardel and music by Ernest-Louis Müller. At the Paris Opera he was never to ri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sleepwalking
Sleepwalking, also known as somnambulism or noctambulism, is a phenomenon of combined sleep and wakefulness. It is classified as a sleep disorder belonging to the parasomnia family. It occurs during slow wave stage of sleep, in a state of low consciousness, with performance of activities that are usually performed during a state of full consciousness. These activities can be as benign as talking, sitting up in bed, walking to a bathroom, consuming food, and cleaning, or as hazardous as cooking, driving a motor vehicle, violent gestures and grabbing at hallucinated objects.Swanson, Jenifer, ed. "Sleepwalking". ''Sleep Disorders Sourcebook''. MI: Omnigraphics, 1999. 249–254, 351–352. Although sleepwalking cases generally consist of simple, repeated behaviors, there are occasionally reports of people performing complex behaviors while asleep, although their legitimacy is often disputed. Sleepwalkers often have little or no memory of the incident, as their consciousness has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vincenzo Bellini
Vincenzo Salvatore Carmelo Francesco Bellini (; 3 November 1801 – 23 September 1835) was a Sicilian opera composer, who was known for his long-flowing melodic lines for which he was named "the Swan of Catania". Many years later, in 1898, Giuseppe Verdi "praised the broad curves of Bellini's melody: 'there are extremely long melodies as no-one else had ever made before'." A large amount of what is known about Bellini's life and his activities comes from surviving letters—except for a short period—which were written over his lifetime to his friend Francesco Florimo, whom he had met as a fellow student in Naples and with whom he maintained a lifelong friendship. Other sources of information come from correspondence saved by other friends and business acquaintances. Bellini was the quintessential composer of the Italian '' bel canto'' era of the early 19th century, and his work has been summed up by the London critic Tim Ashley as: ... also hugely influential, as much a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Sonnambula
''La sonnambula'' (''The Sleepwalker'') is an opera semiseria in two acts, with music in the '' bel canto'' tradition by Vincenzo Bellini set to an Italian libretto by Felice Romani, based on a scenario for a ''ballet-pantomime'' written by Eugène Scribe and choreographed by Jean-Pierre Aumer called ''La somnambule, ou L'arrivée d'un nouveau seigneur''. The ballet had premiered in Paris in September 1827 at the height of a fashion for stage works incorporating somnambulism. The role of Amina was originally written for the soprano sfogato Giuditta Pasta and the tenor Giovanni Battista Rubini, but during Bellini's lifetime another soprano sfogato, Maria Malibran, was a notable exponent of the role. The first performance took place at the Teatro Carcano in Milan on 6 March 1831. The majority of twentieth-century recordings have been made with a soprano cast as Amina, usually with added top-notes and other changes according to tradition, although it was released in soprano sfogat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Bonynge
Richard Alan Bonynge ( ) (born 29 September 1930) is an Australian conductor and pianist. He is the widower of Australian dramatic coloratura soprano Dame Joan Sutherland. Bonynge conducted virtually all of Sutherland's operatic performances from 1962 until her retirement in 1990. Biography Bonynge was born in Epping, a suburb of Sydney, and educated at Sydney Boys' High School before studying piano at the Sydney Conservatorium of Music and gaining a scholarship to the Royal College of Music in London, where his piano teacher was Herbert Fryer. He gave up his music scholarship, continuing his private piano studies, and became a coach for singers. One of these was Joan Sutherland, whom he had accompanied in Australia. They married in 1954 and became a duo, performing operatic recitals until 1962. When the scheduled conductor for a recital of operatic arias became ill and the replacement conductor was involved in a car accident, Bonynge stepped in and, from that time on, he c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballets By Ferdinand Hérold
Ballet () is a type of performance dance that originated during the Italian Renaissance in the fifteenth century and later developed into a concert dance form in France and Russia. It has since become a widespread and highly technical form of dance with its own vocabulary. Ballet has been influential globally and has defined the foundational techniques which are used in many other dance genres and cultures. Various schools around the world have incorporated their own cultures. As a result, ballet has evolved in distinct ways. A ''ballet'' as a unified work comprises the choreography and music for a ballet production. Ballets are choreographed and performed by trained ballet dancers. Traditional classical ballets are usually performed with classical music accompaniment and use elaborate costumes and staging, whereas modern ballets are often performed in simple costumes and without elaborate sets or scenery. Etymology Ballet is a French word which had its origin in Italian ''b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballets By Jean-Pierre Aumer
Jean-Louis Aumer (21 April 1774 – 6 July 1833), also referred to as Jean-Pierre Aumer, was a French ballet dancer and choreographer. Early life and career as a dancer Aumer was born in Strasbourg of a manual labourer and non-theatrical parents and received little formal education. At an early age he became a pupil of Jean Dauberval of the Paris Opera Ballet. When Dauberval became '' maître de ballet'' in Bordeaux, Aumer went with him. In 1791 when Aumer was still sixteen, he went with Dauberval to London, where he first performed professionally.Guest 2008, p. 56. Believing he was growing too tall to be completely successful as a dancer, he studied Dauberval's choreographic methods and the related fields of music and art as well. He was engaged as a dancer with the Paris company in 1797 and made his debut there on 15 May 1798 in the " action ballet" ''Le déserteur'', with choreography by Maximilien Gardel and music by Ernest-Louis Müller. At the Paris Opera he was never to ri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1827 In Music
This article is about music-related events in 1827. Events *March 29 – The funeral of Ludwig van Beethoven is attended by huge crowds. *April 5 – Pope Leo XII honours Nicolo Paganini with the Order of the Golden Spur. *April 13 – 18-year-old soprano Eugenia Savorani marries Giovanni Tadolini, her 42-year-old singing teacher. *''date unknown'' **Franz Liszt moves to Paris after the death of his father. He will live there for the next five years. He plays a concert in London that was attended by Ignaz Moscheles. **François Dauverné becomes one of the first musicians to use the new F three-valved trumpet in public performance. **Rossini's mother dies, prompting his return home to Bologna. **The term "Gesamtkunstwerk" is first used in print, in an essay by Eusebius Trahndorff; it is later adopted by Richard Wagner. **Soprano Laure-Cinthie Montalant marries the tenor Vincent-Charles Damoreau. **The Zagreb Music Association is founded; one of its earliest members is Ivan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
