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La Scala Di Seta
''La scala di seta'' (''The Silken Ladder'' or ''Die seidene Leiter'') is an operatic '' farsa comica'' in one act by Gioachino Rossini to a libretto by Giuseppe Maria Foppa. It was first performed in Venice, Italy, at the Teatro San Moisè on 9 May 1812. The overture has been frequently recorded and continues to be featured in the modern concert repertoire. From 1810 to 1813, the young Rossini composed four Italian ''farse'', beginning with ''La cambiale di matrimonio'' (''The Bill of Marriage''), his first opera, and ending with ''Il Signor Bruschino''. These types of short pieces were popular in Venice at the end of the 18th century and the beginning of the 19th century. The pieces were intimate, with a cast of five to seven singers, always including a pair of lovers, at least two comic parts, and one or two other minor roles. The style called for much visual comedy improvised by the players. As compared to many genres of opera, acting and comedic talent is more important ...
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Farsa
Farsa (Italian, literally: ''farce'', plural: ''farse'') is a genre of opera, associated with Venice in the late 18th and early 19th centuries. It is also sometimes called ''farsetta''. Farse were normally one-act operas, sometimes performed together with short ballets. Many of the recorded productions were at the Teatro San Moisè in Venice, often during Carnival. Musically they may have derived from the two-act dramma giocoso, although there were other influences, including the French '' comédie mêlée d'ariettes''. Few of the original 18th-century farse are now performed. The German composer Johann Simon Mayr, who lived in Northern Italy, wrote about 30 farse. Rossini wrote five examples: ''La cambiale di matrimonio'' (1810), ''L'inganno felice'' (1812), '' La scala di seta'' (1812), ''Il Signor Bruschino'' (1813), and '' Adina'' (1818). In addition, his ''L'occasione fa il ladro'' (1812), though called a ''Burletta In theater and music history, a burletta (Italian, ...
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William Matteuzzi
William Matteuzzi (born 12 December 1957 in Bologna, Italy) is an Italian operatic tenor renowned for his impressive vocal range and prominent upper register, reaching a high F (above the tenor high C) in full voice, which enabled him to participate in the recent revival of the tenore contraltino repertoire. he is nicknamed "the King of the high F". He is also admired as a fine musician and elegant vocalist. He won the Enrico Caruso Singing Competition in 1980, which led him to Teatro alla Scala. He has sung a wide repertoire ranging from Claudio Monteverdi or Antonio Vivaldi ('' Orlando furioso'') to Wolfgang Amadeus Mozart ('' Così fan tutte''), Vincenzo Bellini (''I Puritani'' and ''La Sonnambula''), Gaetano Donizetti (''La fille du régiment'') and Giovanni Pacini (''L’ultimo giorno di Pompei''). A highly respected Rossini specialist, he made his Metropolitan Opera debut in 1988 as Count Almaviva in ''Il barbiere di Siviglia''. He has performed Rossini's comic operas ...
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Amanda Holden (writer)
Amanda Juliet Holden (; 19 January 1948 – 7 September 2021) was a British pianist, librettist, translator, editor and academic teacher. She is known for translating opera librettos to more contemporary English for the English National Opera, and for writing new librettos, especially in collaboration with Brett Dean. She contributed to encyclopedias such as the ''New Penguin Opera Guide''. Life and career Amanda Juliet Warren was born in London, the daughter of Sir Brian Warren and Dame Josephine Barnes. She was educated at Benenden School, and studied at Lady Margaret Hall, Oxford, with Egon Wellesz where she gained a Master of Arts (MA), at Guildhall School of Music and Drama and a MA at the American University, Washington, DC. She also had degrees from the Royal Academy of Music (ARCM and LRAM).Holden /Amanda, ''Who's Who'' (UK), 2012 She first worked as a freelance pianist and accompanist, teacher at the Guildhall School, and therapist from 1973 to 1986. Libret ...
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Philip Gossett
Philip Gossett (September 27, 1941 – June 12, 2017) was an American musicologist and historian, and Robert W. Reneker Distinguished Service Professor of Music at the University of Chicago. His lifelong interest in 19th-century Italian opera began with listening to Metropolitan Opera broadcasts in his youth. ''Divas and Scholars: Performing Italian Opera'', a major work on the subject, won the Otto Kinkeldey Award of the American Musicological Society as best book on music of 2006. Philip Gossett's contributions to opera scholarship and how they can influence operatic performance may best be summed up by ''Newsdays comment that "some encomiasts claim that soprano Maria Callas did as much for Italian opera as Arturo Toscanini or Verdi. Musicologist Philip Gossett arguably has done as much for Italian opera as any of those geniuses." Career Gossett earned degrees from the Juilliard School, Amherst College, and Princeton University. He studied in Paris on a Fulbright Scholarship. At ...
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Antony Peattie
Antony Peattie is a British music writer. He co-edited the 1997 revision of '' The New Kobbé's Opera Book'', with Lord Harewood. Career Peattie was publications editor at Welsh National Opera, before leaving to help launch ''Opera Now'' magazine, and then going freelance, creating Opera Bites for Glyndebourne, surtitles for Scottish Opera and supertitles for the Royal Opera. Personal life For around 25 years, Peattie lived with the artist Sir Howard Hodgkin until Hodgkin's death in March 2017. They lived in a four-storey Georgian house in Bloomsbury, near the British Museum. Selected publications *''The Private Life of Lord Byron'' *'' The New Kobbé's Opera Book'', (1997 revision), edited with Lord Harewood Earl of Harewood (), in the County of York, is a title in the Peerage of the United Kingdom. History The title was created in 1812 for Edward Lascelles, 1st Baron Harewood, a wealthy sugar plantation owner and former Member of Parliament for ..., New York: G. P. Put ...
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Claudio Scimone
Claudio Scimone (23 December 1934 – 6 September 2018) was an Italian conductor. He was born in Padua, Italy and studied conducting with Dmitri Mitropoulos and Franco Ferrara. He established an international reputation as a conductor, as well as a composer. He revived many baroque and renaissance works. His discography includes over 150 titles, and he won numerous prizes, including the ''Grand Prix du Disque of the Académie Charles Cros.'' Claudio Scimone was the founder of I Solisti Veneti (the ensemble with which most of his recordings were made) and at the time of his death was the honorary conductor of the Gulbenkian Orchestra in Lisbon, Portugal. With the Philharmonia of London, he conducted the first recording of Muzio Clementi’s Symphonies.
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Olga Peretyatko
Olga Alexandrovna Peretyatko (russian: Ольга Александровна Перетятько, links=no; born 21 May 1980) is a Russian operatic soprano. She has been known for lyric and coloratura soprano roles, most notably in operas by Rossini and Mozart''.'' In recent years, she has been taking up heavier and more lyrical roles. She embarked her professional career in Hamburg State Opera's Young Artists' Program and at the Rossini Opera Festival with her collaboration with Alberto Zedda. Following winning second prize in Plácido Domingo's Operalia in 2007, she made her Parisian debut at the Théâtre des Champs-Élysées. She was noticed internationally after performing the title role in Stravinsky's '' The Nightingale'' in 2009. She has been performing on leading stages since; she made her Vienna State Opera debut in 2013, and Metropolitan Opera debut in 2014. Life and career Early life Peretyatko was born in Leningrad on 21 May 1980. Her mother is an economist wh ...
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Alberto Zedda
Alberto Zedda (2 January 19286 March 2017) was an Italian conductor and musicologist whose specialty was the 19th-century Italian repertoire. Alberto Zedda was born in Milan, Italy, where he accomplished his education in music and humanities, completed at the Musical Palaeography School of Cremona. In 1957 he won the International Italian Radio and Television Competition for Conductors and thereafter was invited to appear with important Institutions in Italy (La Scala, Santa Cecilia, Maggio Musicale Fiorentino, the TV-Radio Orchestras of Rome, Turin, Milan, Naples…) and abroad in Germany, Holland, Belgium, France, Spain, Poland, Russia, Israel, United States, China, Japan… Besides the symphonic activity, Alberto Zedda has developed an outstanding career in opera: La Scala, San Carlo, La Fenice, Massimo di Palermo, Comunale di Bologna, Regio di Torino, Covent Garden, Marinski, Vienna, San Francisco, Los Angeles, Paris, Helsinki, Tel Aviv, Warsaw, Lisboa, Barcelona, Madrid, Se ...
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Elizabeth Norberg-Schulz
Elizabeth Norberg-Schulz (born 27 January 1959) is a Norwegian-Italian operatic soprano. Early life and education Elizabeth Norberg-Schulz is the daughter of Norwegian architectural theorist Christian Norberg-Schulz, and Italian translator and writer Anna Maria de Dominicis. She grew up in Ris, Oslo. When she was young she took lessons in voice with Anne Brown, as well as lessons in piano, ballet and theatre.Anders EggenElizabeth Norberg-SchulzStore Norske Leksikon, retrieved 24 March 2013 She started studies at the Conservatorio Santa Cecilia in Rome in 1974, first piano and from 1974 in voice with Rosina Vedrani Laporta, with whom she studied for ten years. She got a diploma in piano in 1978 and in voice in 1982. She has also studied with John Shirley-Quirk, Peter Pears, and for a number of years with Elisabeth Schwarzkopf. Career She has performed in many of the world's leading opera houses and companies, including La Scala, Teatro dell'Opera di Roma, Teatro Comunale d ...
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English Chamber Orchestra
The English Chamber Orchestra (ECO) is a British chamber orchestra based in London. The full orchestra regularly plays concerts at Cadogan Hall, and their ensemble performs at Wigmore Hall. The orchestra regularly tours in the UK and internationally, and holds the distinction of not only having the most extensive discography of any chamber orchestra, but also of being the most well-traveled orchestra in the world; no other orchestra has played concerts (as of 2013, according to its own publicity) in as many countries as the English Chamber Orchestra. The English Chamber Orchestra has its roots in the Goldsbrough Orchestra, founded in 1948 by Lawrence Leonard and Arnold Goldsbrough. The group took its current name in 1960, when it expanded its repertoire beyond the Baroque period for the first time. Its repertoire remained limited by the group's size, which has stayed fairly consistently at around the size of an orchestra of Mozart's time. Shortly afterwards, it became closely assoc ...
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Marcello Viotti
Marcello Viotti (29 June 195416 February 2005) was a Swiss classical music conductor, best known for opera. Viotti was born in Vallorbe, in the French-speaking region of Switzerland, to Italian parents. He studied cello, piano and singing at the Conservatory of Lausanne. Wolfgang Sawallisch was a mentor to Viotti and encouraged him to begin his career in the theatre. As a young conductor, Viotti honed his craft with the International Orchestra of the Jeunesses Musicales in the Italian town of Fermo, and also with a wind ensemble. His interpretation of Robert Schumann's 4th Symphony helped him win the 1982 Gino Marinuzzi Competition. During the 1980s and 1990s Viotti was a director at several opera houses in Europe. These included three years as artistic director of the Stadttheater in Lucerne, a post as music director of the Turin opera, and three years as Generalmusikdirector of Bremen (1990–1993). He held guest conducting posts at the Vienna State Opera, the Deutsche Oper B ...
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Ramón Vargas
Ramón Vargas (born 11 September 1960) is a Mexican operatic tenor. Since his debut in the early '90s, he has developed to become one of the most acclaimed tenors of the 21st century. Known for his most expressive and agile lyric tenor voice, he is especially successful in the bel canto repertoire. Biography Born in Mexico City, the seventh of nine children. Ramón Vargas began singing at the age of 9, joining the boys' choir of the Basilica of Guadalupe in his home town. He then studied at the Cardenal Miranda Institute in México City, with Antonio Lopez and Ricardo Sanchez. In 1982, after winning the Carlo Morelli National Vocal Competition, he made his debut in Haydn's ''Lo speziale'', in Monterrey, Mexico. His breakthrough came in 1983, when the Mexican conductor Eduardo Mata hired him to sing Fenton in Verdi's ''Falstaff'', and then Don Ottavio in Mozart's ''Don Giovanni''. Upon winning the Enrico Caruso Tenor Competition in Milan, Italy, in 1986, he moved to Austria whe ...
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