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La Mort D'Abel
' (''The Death of Abel'') is an opera by the French composer Rodolphe Kreutzer. The libretto, by François-Benoît Hoffman, deals with the Biblical story of Cain and Abel. It was first performed in a three-act version at the Salle Montansier by the Académie Impériale de Musique (the Paris Opéra) on 23 March 1810 under the title ''Abel''. A revival at the Salle Le Peletier in 1823, in which the second act was cut, impressed the young Hector Berlioz. Background ' was one of a number of French operas and oratorios on Biblical themes to appear in the first decades of the 19th century. This fashion was inspired by a performance of Haydn's '' The Creation'' at the Paris Opéra in 1800. Examples of the genre include Kalkbrenner's staged oratorios ''Saul'' and ', Lesueur's ' and, most famously, Méhul's ''Joseph'' (1807). Alexandre Dratwicki in the book accompanying the Van Waas recording, p. 62 The French Emperor Napoleon did not share the enthusiasm for putting Bible stories ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rodolphe Kreutzer By Riedel
Rudolph or Rudolf may refer to: People * Rudolph (name), the given name including a list of people with the name Religious figures * Rudolf of Fulda (died 865), 9th century monk, writer and theologian * Rudolf von Habsburg-Lothringen (1788–1831), Archbishop of Olomouc and member of the House of Habsburg-Lorraine Royalty and nobility *Rudolph I (other) * Rudolph II (other) *Rudolph III (other) * Rudolph of France (died 936) * Rudolph I of Germany (1218–1291) * Rudolf II, Holy Roman Emperor (1552–1612) * Rudolph, Prince of Anhalt-Zerbst (1576–1621) * Rudolf, Crown Prince of Austria (1858–1889), son and heir of Emperor Franz Joseph I of Austria and Empress Elisabeth of Austria (died at Mayerling) Places * Rudolph Glacier, Antarctica * Rudolph, South Dakota, US * Rudolph, Wisconsin, US, a village * Rudolph (town), Wisconsin, adjacent to the village * Rudolf Island, northernmost island of Europe * Lake Rudolf, now Lake Turkana, in Kenya A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph (opera)
''Joseph'' (also known as ) is an opéra comique in three acts by the French composer Étienne Méhul. The libretto, by Alexandre Duval, is based on the Biblical story of Joseph and his brothers. The work was first performed by the Opéra-Comique in Paris on 17 February 1807 at the Théâtre Feydeau. It mixes musical numbers with spoken dialogue and is described in both the libretto and the printed announcement for the opening night as a , although the Méhul scholar Elizabeth Bartlet catalogues it as an . Background Méhul probably met Duval, an ex-soldier and actor, at the salon of Sophie Gay and suggested composing an opera on the Biblical story of Joseph (). In writing ''Joseph'', Méhul and his librettist may have been trying to exploit the contemporary vogue for operas on religious themes and the French fascination for Egypt after Napoleon's expedition to the country in 1798. Duval was directly inspired by Pierre Baour-Lormian's verse tragedy , which had appeare ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coup De Théâtre , when information is unexpectedly and dramatically introduced In court proceedings
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Coup de Theatre may refer to: * ''Coup de théâtre'', a literary term for an unexpected event in a play or a theatrical trick * ''Coup de Theatre'' (album), by Haiku d'Etat, 2004 * "Coup de théâtre", a 2015 TV episode of '' Les Mystères de l'amour'' * "Coup De Théâtre", a track on the 2005 album ''Soleil 12'' by Forgas Band Phenomena See also * Perry Mason moment In court proceedings in the United States, a Perry Mason moment is said to have occurred whenever information is unexpectedly (to most present), and often dramatically, introduced into the record that changes the perception of the proceedings grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apotheosis
Apotheosis (, ), also called divinization or deification (), is the glorification of a subject to divine levels and, commonly, the treatment of a human being, any other living thing, or an abstract idea in the likeness of a deity. The term has meanings in theology, where it refers to a belief, and in art, where it refers to a genre. In theology, ''apotheosis'' refers to the idea that an individual has been raised to godlike stature. In art, the term refers to the treatment of any subject (a figure, group, locale, motif, convention or melody) in a particularly grand or exalted manner. Ancient Near East Before the Hellenistic period, imperial cults were known in Ancient Egypt (pharaohs) and Mesopotamia (from Naram-Sin through Hammurabi). In the New Kingdom of Egypt, all deceased pharaohs were deified as the god Osiris. The architect Imhotep was deified after his death. Ancient Greece From at least the Geometric period of the ninth century BC, the long-deceased heroes lin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicolas-François Guillard
Nicolas-François Guillard (16 January 1752 – 26 December 1814) was a French librettist. He was born in Chartres and died in Paris, the recipient of a government pension in recognition of his work writing librettos. He was also on ''Comité de Lecture'' of the Paris Opéra. One of the foremost of the French librettist of his generation, he wrote libretti for many noted composers of the day, including Salieri (''Les Horaces'') and in particular Sacchini ('' Œdipe à Colone'', amongst many others). His most famous work is ''Iphigénie en Tauride'', his first libretto, set by Gluck after the composer had initially rejected it. Gluck collaborated with Guillard to heavily recast the libretto, not only to suit Gluck's artistic preferences, but also to accommodate pre-existing music that Gluck borrowed, both from himself and from other composers, when composing the opera. Guillard's librettos were often adaptations of previously written works, rather than the products of original inve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-François Lesueur
Jean-François is a French given name. Notable people bearing the given name include: * Jean-François Carenco (born 1952), French politician * Jean-François Champollion (1790–1832), French Egyptologist * Jean-François Clervoy (born 1958), French engineer and astronaut * Jean-François Corminboeuf (born 1953), Swiss sport sailor * Jean-François Dagenais (born 1975), Canadian music producer * Jean-François David (born 1982), Canadian ice hockey player * Jean-François Gariépy (born 1984), Canadian alt-right political commentator and former neuroscientist * Jean-François Garreaud (1946–2020), French actor * Jean-François de La Harpe (1739–1803), French critic * Jean-François Lyotard (1924-1998), French philosopher * Jean-François Marceau (born 1976), Canadian judoka * Jean-François Marmontel (1723–1799), French historian and writer * Jean-François Martial (1891–1977), Belgian actor * Jean-François Millet (1814–1875), French painter * Jean-François Papill ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre Feydeau
The Théâtre Feydeau (), a former Parisian theatre company, was founded in 1789 with the patronage of Monsieur, Comte de Provence (later to become Louis XVIII), and was therefore initially named the Théâtre de Monsieur. It began performing in the Salle des Tuileries, located in the north wing of the Tuileries Palace, then moved to the Salle des Variétés at the Foire Saint-Germain, and finally, beginning in 1791, settled into its own custom-built theatre, the Salle Feydeau located on the rue Feydeau. The company was renamed Feydeau after the royal family was arrested during the French Revolution.Johnson 1992. The company first presented Italian opera by composers such as Giovanni Battista Pergolesi, Giuseppe Sarti, and Giovanni Paisiello and later French plays, vaudevilles, and ''opéras comiques'', as well as symphonic concerts, and was especially famous for the quality of its orchestra and realistic stagings. The Italian Luigi Cherubini was the house composer,Willis 199 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fernand Cortez
''Fernand Cortez, ou La conquête du Mexique '' (''Hernán Cortés, or The Conquest of Mexico'') is an opera in three acts by Gaspare Spontini with a French libretto by Étienne de Jouy and Joseph-Alphonse Esménard. It was first performed on 28 November 1809 by the Académie Impériale de Musique (Paris Opera) at the Salle Montansier. Background and performance history The opera was originally intended as political propaganda to support the Emperor Napoleon's invasion of Spain in 1808. Cortez symbolises Napoleon while the bloodthirsty Aztec priests are meant to represent the Spanish Inquisition. The emperor himself is said to have suggested the theme of the opera to Spontini and the premiere was held in his presence. The popularity of the piece declined with the waning of the French army's fortunes in Spain and Portugal. The 1809 premiere was famous for its spectacular effects, including the appearance of 17 live horses on stage. Critics complained about the adventurous harmon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Vestale
''La vestale'' (''The Vestal Virgin'') is an opera composed by Gaspare Spontini to a French libretto by Étienne de Jouy. It takes the form of a ''tragédie lyrique'' in three acts. It was first performed on 15 December 1807 by the Académie Impériale de Musique (Paris Opera) at the Salle Montansier and is regarded as Spontini's masterpiece. The musical style shows the influence of Gluck and anticipates the works of Berlioz, Wagner, and French Grand opera. Composition history Spontini had finished ''La vestale'' by the summer of 1805 but had faced opposition from leading members of the Opéra and rivalry from fellow composers.Del Teatro The premiere was made possible with the help of Spontini's patron, the Empress Joséphine, but only after being rearranged by Jean-Baptiste Rey and Louis-Luc Loiseau de Persuis. ''La vestale'' was an enormous success, enjoying over two hundred performances by 1830. Performance history Its fame soon spread abroad; it appeared in Naples and in Vi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaspare Spontini
Gaspare Luigi Pacifico Spontini (14 November 177424 January 1851) was an Italian opera composer and conductor from the classical era. Biography Born in Maiolati, Papal State (now Maiolati Spontini, Province of Ancona), he spent most of his career in Paris and Berlin, but returned to his place of birth at the end of his life. During the first two decades of the 19th century, Spontini was an important figure in French ''opera''. In his more than twenty operas, Spontini strove to adapt Gluck's classical ''tragédie lyrique'' to the contemporary taste for melodrama, for grander spectacle (in ''Fernand Cortez'' for example), for enriched orchestral timbre, and for melodic invention allied to idiomatic expressiveness of words. As a youth, Spontini studied at the Conservatorio della Pietà de' Turchini, one of four active music conservatories of Naples. Working his way from Italian city to city, he got his first break in Rome, with his successful comedy ''Li Puntigli delle Donne'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paradise Lost
''Paradise Lost'' is an epic poem in blank verse by the 17th-century English poet John Milton (1608–1674). The first version, published in 1667, consists of ten books with over ten thousand lines of verse (poetry), verse. A second edition followed in 1674, arranged into twelve books (in the manner of Virgil's ''Aeneid'') with minor revisions throughout. It is considered to be Milton's masterpiece, and it helped solidify his reputation as one of the greatest English poets of all time. The poem concerns the The Bible, biblical story of the Fall of Man: the temptation of Adam and Eve by the fallen angel Satan and their expulsion from the Garden of Eden. Composition In his introduction to the Penguin Books, Penguin edition of ''Paradise Lost'', the Milton scholar John Leonard notes, "John Milton was nearly sixty when he published ''Paradise Lost'' in 1667. The biographer John Aubrey (1626–1697) tells us that the poem was begun in about 1658 and finished in about 1663. However, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Milton
John Milton (9 December 1608 – 8 November 1674) was an English poet and intellectual. His 1667 epic poem '' Paradise Lost'', written in blank verse and including over ten chapters, was written in a time of immense religious flux and political upheaval. It addressed the fall of man, including the temptation of Adam and Eve by the fallen angel Satan and God's expulsion of them from the Garden of Eden. ''Paradise Lost'' is widely considered one of the greatest works of literature ever written, and it elevated Milton's widely-held reputation as one of history's greatest poets. He also served as a civil servant for the Commonwealth of England under its Council of State and later under Oliver Cromwell. Writing in English, Latin, and Italian, Milton achieved global fame and recognition during his lifetime; his celebrated ''Areopagitica'' (1644), written in condemnation of pre-publication censorship, is among history's most influential and impassioned defences of freedom of spe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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