La Fedeltà Premiata
' (''Fidelity Rewarded''), Hob. XXVIII/10, is an opera in three acts by Joseph Haydn first performed at the Eszterháza palace in Fertőd, Hungary, on 25 February 1781 to celebrate the reopening of the court theatre after a fire. The opera was revised for a new version first performed in 1782. Composition and performance history The main opera house adjoining the palace at Eszterháza had been destroyed by fire in November 1779; ''La fedeltà premiata'', composed in 1780, inaugurated the new state-of-the-art theatre in the grounds which opened after major delays 15 months later. The opera was written during the most prolific period of Haydn's operatic composition between 1773 and 1783 when he composed eight Italian operas. The libretto was adapted by Haydn and an anonymous colleague from Giambattista Lorenzi's ''L'infedeltà fedele'', which had been set by Cimarosa in 1779. Haydn had access to Cimarosa's score, Rice J. A., ''La fedeltà premiata'' in ''Haydn (Oxford Composer ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Joseph Haydn
Franz Joseph Haydn ( , ; 31 March 173231 May 1809) was an Austrian composer of the Classical period (music), Classical period. He was instrumental in the development of chamber music such as the string quartet and piano trio. His contributions to musical form have led him to be called "Father of the Symphony" and "Father of the String quartet, String Quartet". Haydn spent much of his career as a court musician for the wealthy Esterházy family at their Eszterháza Castle. Until the later part of his life, this isolated him from other composers and trends in music so that he was, as he put it, "forced to become original". Yet his music circulated widely, and for much of his career he was the most celebrated composer in Europe. He was Haydn and Mozart, a friend and mentor of Mozart, Beethoven and his contemporaries#Joseph Haydn, a tutor of Beethoven, and the elder brother of composer Michael Haydn. Biography Early life Joseph Haydn was born in Rohrau, Austria, Rohrau, Habsburg ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' Encyclopædia Britannica
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Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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1782 In Music
Events * March 17 – Violinist Giovanni Battista Viotti makes his début at the Concert Spirituel in Paris. * August 4 – Wolfgang Amadeus Mozart marries Constanze Weber in Vienna. * September 30 – The Royal Swedish Opera in Stockholm is inaugurated with a performance of Johann Gottlieb Naumann's ''Cora och Alonzo''. * William Shield is appointed resident composer to Royal Opera House, Covent Garden. * Antoine Bournonville and his sister Julie Alix de la Fay join the Royal Swedish Ballet at Stockholm. Published popular music *James Aird (compiled and edited) – ''A Selection of Scotch, English, Irish and Foreign Airs'' (including "The Miners of Wicklow", possibly the first published version of "Yankee Doodle") *Robert Burns – ''John Barleycorn'' (original version from 16th century) Classical music *Ludwig van Beethoven **9 Variations on a March by Dressler, WoO 63 **''Schilderung eines Mädchen'', WoO 107 *Friedrich Benda, Friedrich Wilhelm Heinrich Benda – 3 Flut ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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1781 In Music
Events *March – Wolfgang Amadeus Mozart moves to Vienna to pursue his career. Although he is passed over in favour of Antonio Salieri as music teacher of Princess of Württemberg, he never returns permanently to Salzburg. *June 27 – Mozart writes of his new pupil and admirer, Josepha Barbara Auernhammer: "I am almost every day after dinner at H: v: Auernhammer – The freulle is a monster!". *July 29 – Mozart receives the original libretto of his next opera, ''Die Entführung aus dem Serail'' from the director of the ''Nationalsingspiel'', Gottlieb Stephanie. *October 12 – First bagpipes competition in the Masonic Arms, Falkirk, Scotland. *Étienne Méhul makes his first, unsuccessful attempts at orchestral composition. *Approximate date – Christian Gottlob Neefe, court organist in Bonn, takes on the young Ludwig van Beethoven as a pupil. Classical music *Samuel Arnold – 6 Overtures in Eight Parts, Op. 8 *Carl Philipp Emanuel Bach **6 Fugues, Wq.119/2-7 **Geistli ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Voice Type
A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points ('' passaggi''). Voice classification is most strongly associated with European classical music, though it, and the terms it utilizes, are used in other styles of music as well. A singer will choose a repertoire that suits their voice. Some singers such as Enrico Caruso, Rosa Ponselle, Joan Sutherland, Maria Callas, Jessye Norman, Ewa Podleś, and Plácido Domingo have voices that allow them to sing roles from a wide variety of types; some singers such as Shirley Verrett and Grace Bumbry change type and even voice part over their careers; and some singers such as Leonie Rysanek have voices that lower with age, causing them to cycle through types over their careers. Some roles are hard to classify, having very unusual vocal requirements; Mozart wrote many of his roles for specific singers who often had remarkable voices, and some of ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Bavarian State Opera
The Bayerische Staatsoper is a German opera company based in Munich. Its main venue is the Nationaltheater München, and its orchestra the Bayerische Staatsorchester. History The parent ensemble of the company was founded in 1653, under Electress consort Princess Henriette Adelaide of Savoy, when Giovanni Battista Maccioni's ''L'arpa festante'' was performed in the court theatre. In 1753, the Residence Theatre (Cuvilliés Theatre) was opened as a major stage. While opera performances were also held in the Prinzregententheater (completed in 1901), the company's home base is the Nationaltheater München on Max-Joseph-Platz. In 1875, the Munich Opera Festival took place for the first time. Sir Peter Jonas became the general manager in 1993, the first British general manager of any major German-speaking opera house. In 2008, Nikolaus Bachler became Intendant (general manager) of the opera company, and Kirill Petrenko became Generalmusikdirektor (GMD) in 2013. In 2014, the ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Bavarian State Orchestra
The Bavarian State Orchestra (german: Bayerisches Staatsorchester, italic=no) is the orchestra of the Bavarian State Opera in Munich, Germany. It has given its own series of concerts, the , since 1811. Profile On 9 December 2011, this ensemble celebrated the 200th anniversary of its first concert as a full symphony orchestra, and specifically the founding (in 1811) of the ''Musikalische Akademie''. Its origins stretch back, however, to 1523 and the times of composer Ludwig Senfl, when sacred music was the focus of work. The musicians achieved renown across Europe, the more so after 1563 and the appointment of Belgian master polyphonist Orlande de Lassus as ''maestro di cappella''. In 1653 the first opera performances took place in Munich, adding to and greatly realigning the musicians' activities. In 1762 the ensemble was titled ''Hoforchester:'' orchestra to the Bavarian Court, a position it already effectively held. Sixteen years later, just after Karl Theodor of Mannheim bec ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Christopher Ward (conductor)
Christopher Ward (born 18 March 1980) is a British conductor. In August 2018 he became the Music Director of Theater Aachen. Career Christopher Ward studied at Oxford University (Musicology) and the Guildhall School of Music and Drama, London (Conducting and Piano). During this time, he worked with Oxford University Philharmonia and Chorus, Oxford Bach Choir, New Chamber Opera and The Arcadian Singers. In 2003, Ward was awarded the position of Répétiteur Fellow at Scottish Opera and the RSAMD, Glasgow, working with Sir Richard Armstrong, Richard Farnes, and Timothy Dean. In 2004, Ward spent a period working at the Internationales Opernstudio at Zürich Opera. Christopher Ward moved to Germany in 2005 to work as Kapellmeister at Staatstheater Kassel. Working as music staff on a range of repertoire, he led productions of Donizetti's ''L'Elisir d'Amore'', Porpora's ''Il Gedeone'', Loewe's ''My Fair Lady'', Weill's ''Die Sieben Todsünden'', Ullmann's ''Der Kaiser von Atl ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Idomeneo
' (Italian for ''Idomeneus, King of Crete, or, Ilia and Idamante''; usually referred to simply as ''Idomeneo'', K. 366) is an Italian language opera seria by Wolfgang Amadeus Mozart. The libretto was adapted by Giambattista Varesco from a French text by Antoine Danchet, based on a 1705 play by Crébillion père, which had been set to music by André Campra as ''Idoménée'' in 1712. Mozart and Varesco were commissioned in 1780 by Karl Theodor, Elector of Bavaria for a court carnival. He probably chose the subject, though it may have been Mozart. The work premiered on 29 January 1781 at the Cuvilliés Theatre in Munich, Germany. Composition The libretto clearly draws inspiration from Metastasio in its overall layout, the type of character development, and the highly poetic language used in the various numbers and the ''secco'' and ''stromentato'' recitatives. The style of the choruses, marches, and ballets is very French, and the shipwreck scene towards the end of act I is alm ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Cuvilliés Theatre
The Cuvilliés Theatre (german: link=no, Cuvilliés-Theater) or Old Residence Theatre (''Altes Residenztheater'') is the former court theatre of the Residenz in Munich, Bavaria, Germany. History Elector of Bavaria Maximilian III Joseph (reg. 1745–1777) commissioned the construction of a new theatre outside the palace after a fire in the St. George's Hall of the Residence which had served previously as a theatre room. The Residence Theatre was built from 1751 to 1753 by François de Cuvilliés in rococo style. The carving was done under supervision of Johann Baptist Straub. Due to limited space the National Theatre Munich was built next to the Residence Theatre from 1811. The interior decoration was then removed under King Ludwig I (reg. 1825–1848) when the building became a depot for the National Theatre, but the Residence Theatre was already restored and re-opened in 1857 under King Maximilian II (reg. 1848–1864). Originally the theatre was located where the present ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |