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La Clemenza Di Tito (Gluck)
''La clemenza di Tito'' (''The Clemency of Titus'') is an opera by the composer Christoph Willibald Gluck. It takes the form of a '' dramma per musica'' in three acts. The Italian-language libretto is by Pietro Metastasio Pietro Antonio Domenico Trapassi (3 January 1698 – 12 April 1782), better known by his pseudonym of Pietro Metastasio (), was an Italian poet and librettist, considered the most important writer of '' opera seria'' libretti. Early life Me .... The opera premiered on 4 November 1752 at the Teatro San Carlo in Naples. Roles Synopsis Note: In typical opera seria fashion, all arias sung in ''La Clemenza di Tito'' are followed by the same character's immediate stage exit. :Setting: Rome 79 A.D. Act 1 ''Scene 1: A room in Vitellia's apartment overlooking the river Tiber'' Vitellia, the daughter of deposed Emperor Vitellius, covets the throne of Titus, the son of recently deceased Emperor Vespasian who deposed Vitellia's father. Vitellia is jealous ...
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Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ...
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Patrician (ancient Rome)
The patricians (from la, patricius, Greek: πατρίκιος) were originally a group of ruling class families in ancient Rome. The distinction was highly significant in the Roman Kingdom, and the early Republic, but its relevance waned after the Conflict of the Orders (494 BC to 287 BC). By the time of the late Republic and Empire, membership in the patriciate was of only nominal significance. The social structure of Ancient Rome revolved around the distinction between the patricians and the plebeians. The status of patricians gave them more political power than the plebeians. The relationship between the patricians and the plebeians eventually caused the Conflict of the Orders. This time period resulted in changing the social structure of Ancient Rome. After the Western Empire fell, the term "patrician" continued as a high honorary title in the Eastern Empire. In the Holy Roman Empire and in many medieval Italian republics, medieval patrician classes were once again formal ...
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Operas By Christoph Willibald Gluck
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ...
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Italian-language Operas
Italian (''italiano'' or ) is a Romance language of the Indo-European language family that evolved from the Vulgar Latin of the Roman Empire. Together with Sardinian, Italian is the least divergent language from Latin. Spoken by about 85 million people (2022), Italian is an official language in Italy, Switzerland (Ticino and the Grisons), San Marino, and Vatican City. It has an official minority status in western Istria (Croatia and Slovenia). Italian is also spoken by large immigrant and expatriate communities in the Americas and Australia.Ethnologue report for language code:ita (Italy)
– Gordon, Raymond G., Jr. (ed.), 2005. Ethnologue: Languages of the World, Fifteenth edition. Dallas, Tex.: SIL International. Online version
Italian ...
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1752 Operas
Year 175 ( CLXXV) was a common year starting on Saturday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Piso and Iulianus (or, less frequently, year 928 '' Ab urbe condita''). The denomination 175 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Marcus Aurelius suppresses a revolt of Avidius Cassius, governor of Syria, after the latter proclaims himself emperor. * Avidius Cassius fails in seeking support for his rebellion and is assassinated by Roman officers. They send his head to Aurelius, who persuades the Senate to pardon Cassius's family. * Commodus, son of Marcus Aurelius and his wife Faustina, is named Caesar. * M. Sattonius Iucundus, decurio in Colonia Ulpia Traiana, restores the Thermae of Coriovallum (modern Heerlen) there are sources that state thi ...
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Amanda Holden (writer)
Amanda Juliet Holden (; 19 January 1948 – 7 September 2021) was a British pianist, librettist, translator, editor and academic teacher. She is known for translating opera librettos to more contemporary English for the English National Opera, and for writing new librettos, especially in collaboration with Brett Dean. She contributed to encyclopedias such as the ''New Penguin Opera Guide''. Life and career Amanda Juliet Warren was born in London, the daughter of Sir Brian Warren and Dame Josephine Barnes. She was educated at Benenden School, and studied at Lady Margaret Hall, Oxford, with Egon Wellesz where she gained a Master of Arts (MA), at Guildhall School of Music and Drama and a MA at the American University, Washington, DC. She also had degrees from the Royal Academy of Music (ARCM and LRAM).Holden /Amanda, ''Who's Who'' (UK), 2012 She first worked as a freelance pianist and accompanist, teacher at the Guildhall School, and therapist from 1973 to 1986. Libret ...
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En Travesti
En or EN may refer to: Businesses * Bouygues (stock symbol EN) * Esquimalt and Nanaimo Railway (reporting mark EN, but now known as Southern Railway of Vancouver Island) * Euronews, a news television and internet channel Language and writing * En or N, the 14th letter of the Roman alphabet * EN (cuneiform), the mark in Sumerian cuneiform script for a High Priest or Priestess meaning "lord" or "priest" * En (Cyrillic) (Н, н), a letter of the Cyrillic alphabet, equivalent to the Roman letter "n" * En (digraph), ‹en› used as a phoneme * En (typography), a unit of width in typography ** en dash, a dash one en long * En language, a language spoken in northern Vietnam * English language (ISO 639-1 language code en) Organisations * Eastern National, a US organization providing educational products to National Park visitors * English Nature, a former UK government conservation agency * Envirolink Northwest, an environmental organization in England Religion * En (deity) in Alb ...
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Praetorian Guard
The Praetorian Guard (Latin: ''cohortēs praetōriae'') was a unit of the Imperial Roman army that served as personal bodyguards and intelligence agents for the Roman emperors. During the Roman Republic, the Praetorian Guard were an escort for high-rank political officials ( senators and procurators) and were bodyguards for the senior officers of the Roman legions. In 27 BC, after Rome's transition from republic to empire, the first emperor of Rome, Augustus, designated the Praetorians as his personal security escort. For three centuries, the guards of the Roman emperor were also known for their palace intrigues, by which influence upon imperial politics the Praetorians could overthrow an emperor and then proclaim his successor as the new ''caesar'' of Rome. In AD 312, Constantine the Great disbanded the and destroyed their barracks at the Castra Praetoria. In the Roman Republic In the period of the Roman Republic (509–27 BC) the Praetorian Guard originated as bodyguards ...
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Praetorian Prefect
The praetorian prefect ( la, praefectus praetorio, el, ) was a high office in the Roman Empire. Originating as the commander of the Praetorian Guard, the office gradually acquired extensive legal and administrative functions, with its holders becoming the Emperor's chief aides. Under Constantine I, the office was much reduced in power and transformed into a purely civilian administrative post, while under his successors, territorially-defined praetorian prefectures emerged as the highest-level administrative division of the Empire. The prefects again functioned as the chief ministers of the state, with many laws addressed to them by name. In this role, praetorian prefects continued to be appointed by the Eastern Roman Empire (and the Ostrogothic Kingdom) until the reign of Heraclius in the 7th century AD, when wide-ranging reforms reduced their power and converted them to mere overseers of provincial administration. The last traces of the prefecture disappeared in the Byzantine Em ...
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Caffarelli (castrato)
Gaetano Majorano (12 April 1710 – 31 January 1783) was an Italian castrato and opera singer, who performed under the stage name Caffarelli. Like Farinelli, Caffarelli was a student of Nicola Porpora. Early life and training Caffarelli was born Gaetano Carmine Francesco Paolo Majorano to Vito Majorano and Anna Fornella in Bitonto. His early life is uncertain. His stage name, Caffarelli, is said to be taken from an early teacher Caffaro who taught him music in childhood, others say it was taken from a patron, Domenico Caffaro. There is evidence that he personally desired to be castrated. When aged ten, he was given the income from two vineyards owned by his grandmother, according to the legal document, so that he could study grammar and, especially, music: "to which he is said to have a great inclination, desiring to have himself castrated and become a eunuch". He became the pupil of Nicola Porpora. According to legend, Porpora kept the young Caffarelli working from one sheet o ...
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Castrato
A castrato (Italian, plural: ''castrati'') is a type of classical male singing voice equivalent to that of a soprano, mezzo-soprano, or contralto. The voice is produced by castration of the singer before puberty, or it occurs in one who, due to an endocrinological condition, never reaches sexual maturity. Castration before puberty (or in its early stages) prevents the larynx from being transformed by the normal physiological events of puberty. As a result, the vocal range of prepubescence (shared by both sexes) is largely retained, and the voice develops into adulthood in a unique way. Prepubescent castration for this purpose diminished greatly in the late 18th century. Methods of castration used to terminate on the onset of puberty varied. Methods involved using opium to medically induce a coma, then submerging the boy into an ice or milk bath where the procedure of either severing the vas deferens (similar to a vasectomy), twisting the testicles until they atrophied, or comp ...
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Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261  Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano"
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