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La Cathédrale Engloutie
"La cathédrale engloutie" (The Sunken Cathedral) is a prelude written by the French composer Claude Debussy for solo piano. It was published in 1910 as the tenth prelude in Debussy's first of two volumes of twelve piano preludes each. It is characteristic of Debussy in its form, harmony, and content. Musical impressionism This prelude is an example of Debussy's musical impressionism in that it is a musical depiction of, or allusion to, an image or idea. Debussy quite often named his pieces in accordance with the image that he intended to evoke, such as in the case of '' La Mer'', "Des pas sur la neige", or " Jardins sous la pluie". In the case of the two volumes of preludes, he places the title of the piece at the end of the piece, either to allow the pianist to respond intuitively and individually to the music before finding out what Debussy intended the music to sound like, or to apply more ambiguity to the music's allusion. Because this piece is based on a legend, it can b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ivan Ilić (pianist)
Ivan Ilić ( sr-Cyrl, Иван Илић; born August 14, 1978) is a Serbian- American pianist. He lives in Paris. Early life Ilić was born in Palo Alto, in the United States. He attended the University of California, Berkeley in the U.S. where he took degrees in mathematics and music. Ilić also briefly studied at the San Francisco Conservatory of Music before pursuing graduate studies at the Conservatoire de Paris, earning a ''Premier Prix'', and finally at the École Normale de Musique de Paris. His teachers in France included François-René Duchâble, Christian Ivaldi, and Jacques Rouvier. Career Ilić performs primarily as a soloist. His recording of Debussy's 24 '' Préludes'' was released in October 2008 on the French record label Paraty and won Mezzo TV's Critics' Choice Award in France. The disc was also a Top Five CD of the year by a critic at Fanfare Magazine and a Top Five CD of the Month by the French website Classique News. Ilić rearranged the order of the Prà ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Voiles
Voiles is a composition by Claude Debussy for solo piano from 1909. It is the second piece in a set of twelve préludes published in 1910. The title may be translated as either ''veils'' or ''sails''; both meanings can be connected to the musical structure (see below). Except for some mild, localized chromaticism and a short pentatonic passage, the entire piece uses the whole-tone scale.. In their published form, the ''Préludes'' have their individual titles printed not at the start, but at the end—and in parentheses. Musical analysis The composition studies the whole-tone scale intensively, with the exception of a brief six-measure section in the pentatonic scale. The structure of the piece follows a ternary (A–B–A') form. A begins in m. 1; B begins in m. 42; and A' begins in m. 48. This three-part form is articulated by the dynamic structure: A and A' have only soft dynamics (piano or softer), while B has a wider dynamic from piano to forte. The B section is also ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Preludes By Claude Debussy
Prelude may refer to: Music *Prelude (music), a musical form * Prelude (band), an English-based folk band * Prelude Records (record label), a former New York-based dance independent record label *Chorale prelude, a short liturgical composition for organ using a chorale as its basis Albums and songs * ''Prelude'' (EP), a 2017 EP by April * ''Prelude'' (Jack McDuff album), a 1963 album by jazz organist Brother Jack McDuff * ''Prelude'' (The Moody Blues album), 1987 album by The Moody Blues * ''Prelude'' (Deodato album), a 1973 album by Eumir Deodato *"Prelude", a song by Pete Townshend from '' All the Best Cowboys Have Chinese Eyes'' *"Prelude", a song by Flobots from '' Flobots Present... Platypus'' *"Prelude", a song by Killswitch Engage from ''Killswitch Engage'' (2000 album) *'' Preludes: Rare and Unreleased Recordings'', an album by Warren Zevon *"Prelude", a song by the Sword from ''Used Future'' *"Prelude", a song by Hieroglyphics from '' Full Circle'' *''Prelude'', an EP by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Colin Matthews
Colin Matthews, OBE (born 13 February 1946) is an English composer of contemporary classical music. Noted for his large-scale orchestral compositions, Matthews is also a prolific arranger of other composer's music, including works by Berlioz, Britten, Dowland, Mahler, Purcell and Schubert. Other arrangements include orchestrations of all Debussy's 24 Préludes, both books of Debussy's ''Images'', and two movements—''Oiseaux tristes'' and ''La vallée des cloches''—from Ravel's ''Miroirs''. Having received a doctorate from University of Sussex on the works of Mahler, from 1964–1975 Matthews worked with his brother David Matthews and musicologist Deryck Cooke on completing a performance version of Mahler's Tenth Symphony. Early life and education Matthews was born in London in 1946; his older brother is the composer David Matthews. He read classics at the University of Nottingham, and then studied composition there with Arnold Whittall, and at the same time with Nicho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henri Büsser
Paul Henri Büsser (16 January 1872 – 30 December 1973) was a French classical composer, organist, and conductor. Biography Büsser was born in Toulouse of partly German ancestry. He entered the Paris Conservatoire in 1889, where he studied organ with César Franck and composition with Ernest Guiraud. After serving as secretary to Charles Gounod, he received valuable advice from him, who helped him obtain a position as organist at Saint-Cloud. In 1893, he won the Prix de Rome, and on his return from Italy he began a career as a conductor. At the personal request of Claude Debussy, Büsser led the fourth performance, and numerous subsequent performances, of '' Pelléas et Mélisande''. He also became a protégé of Jules Massenet and was one of his closest friends during the last two decades of his life (Massenet died in 1912). In 1921, Büsser began teaching at the Paris Conservatoire, and was promoted to professor of composition in 1931. Noted students include Prix de Rome w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Escape From New York
''Escape from New York'' is a 1981 American science fiction action film co-written, co-scored and directed by John Carpenter. It stars Kurt Russell, Lee Van Cleef, Ernest Borgnine, Donald Pleasence, Isaac Hayes, Adrienne Barbeau, and Harry Dean Stanton. The film's storyline, set in the near-future world of 1997, concerns a crime-ridden United States, which has converted Manhattan Island in New York City into the country's sole maximum-security prison. Air Force One is hijacked by anti-government insurgents who deliberately crash it into the walled borough. Ex-soldier and current federal prisoner Snake Plissken (Russell) is given just 24 hours to go in and rescue the President of the United States, after which, if successful, he will be pardoned. Carpenter wrote the film in the mid-1970s in reaction to the Watergate scandal. After the success of ''Halloween'' (1978), he had enough influence to begin production and filmed it mainly in St. Louis, Missouri, on an estimated budg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Isao Tomita
, often known simply as Tomita, was a Japanese composer, regarded as one of the pioneers of electronic music and space music, and as one of the most famous producers of analog synthesizer arrangements. In addition to creating note-by-note realizations, Tomita made extensive use of the sound-design capabilities of his instrument, using synthesizers to create new sounds to accompany and enhance his electronic realizations of acoustic instruments. He also made effective use of analog music sequencers and the Mellotron, and featured futuristic science-fiction themes, while laying the foundations for synth-pop music and trance-like rhythms. Many of his albums are electronic versions and adaptations of familiar classical music pieces. He received four Grammy Award nominations for his 1974 album based on music by Claude Debussy, '' Snowflakes Are Dancing''. Biography 1932–1968: Early life and composing career Tomita was born in Tokyo and spent his early childhood with his fath ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ashes Are Burning
''Ashes Are Burning'' is the fourth studio album by the English progressive rock band Renaissance, released in 1973 (see 1973 in music). It was the first of several Renaissance albums to feature (on some songs) an orchestra playing along with the band. It was the band's first album to make the ''Billboard'' 200 album chart, peaking at No. 171. Background and recording With ''Ashes Are Burning'' Renaissance made a deliberate choice to head in a more acoustic direction, in order to accommodate their folk-influenced style and differentiate themselves from the many electric guitar-dominated bands on the scene. Because Renaissance were between guitarists at the time, bassist Jon Camp played most of the guitars on the album. Michael Dunford, who had been working with Renaissance in a composer-only role, also played acoustic guitar on a few tracks. He later rejoined the band, but only after ''Ashes Are Burning'' had been released, so he is accordingly listed as a guest musician. Most ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance (band)
Renaissance are an English progressive rock band, best known for their 1978 UK top 10 hit " Northern Lights" and progressive rock classics like "Carpet of the Sun", "Mother Russia", and "Ashes Are Burning". They developed a unique sound, combining a female Lead vocalist, lead vocal with a fusion of classical music, classical, folk music, folk, rock music, rock, and jazz influences. Characteristic elements of the Renaissance sound are Annie Haslam's wide vocal range, prominent piano accompaniment, orchestration, orchestral arrangements, vocal harmonies, acoustic guitar, bass guitar, synthesiser, and versatile drum work. The band created a significant following in the northeast United States in the 1970s, and that region remains their strongest fan base. The original line-up included two former members of the Yardbirds, Keith Relf and Jim McCarty, along with John Hawken, Louis Cennamo and Relf's sister Jane Relf. They intended to put "something together with more of a classical in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Naked City (band)
Naked City was an avant-garde music, avant-garde music group led by saxophonist and composer John Zorn. Active primarily in New York City from 1988 to 1993, Naked City was initiated by Zorn as a "composition workshop" to test the limits of composition (and improvisation) in a traditional rock music, rock band lineup. Their music incorporated elements of jazz, surf music, surf, progressive rock, classical music, classical, heavy metal music, heavy metal, grindcore, country music, country, punk rock, and other music genre, genres. History Named after a 1945 book of graphic black and white photographs by Weegee, the band performed an aggressive mix of "soundtrack themes, bluesy hard bop, speedy hardcore rock, squealing free jazz [and] heavy metal music, metallic funk". In Naked City's characteristic early style, songs were often performed at astonishingly fast tempos, drawing on thrash metal and hardcore punk's emphasis on extreme speed. Many songs were quite brief, and typically swi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grand Guignol (album)
''Grand Guignol'' is the second full-length studio album released by John Zorn's band Naked City in 1992 on the Japanese Avant label. The album followed '' Torture Garden'', which was a compilation of "hardcore miniatures" from '' Naked City'' and ''Grand Guignol''. The album is notable for the inclusion of cover versions of pieces written by classical composers, the guest vocal of Bob Dorough, and also, like ''Torture Garden'', a selection of "hardcore miniatures" (tracks 9–41) which are intense, fast-tempo, brief compositions, which feature the wailing of Zorn's alto sax, and the screams of Yamatsuka Eye. The album is titled after the infamous Grand Guignol theater in Paris, which was open from 1897 to 1962, where performances centered around extreme violence. ''Grand Guignol'' was remastered and re-released in 2005 as part of the Tzadik box set '' Naked City: The Complete Studio Recordings'', with the bonus track "Grand Guignol (Version Vocale)" featuring Mike Patton, and a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
