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La Surprise De L'amour
''La Surprise de l'amour'' is a three-act romantic comedy by French playwright Marivaux. Its title is usually translated into English as ''The Surprise of Love''. ''La Surprise de l'amour'' was first performed 3 May 1722 by the Comédie Italienne at the Hotel de Bourgogne in Paris. In this play, a man and a woman who've sworn off love are tricked by their servants into falling in love with each other. Like many of Marivaux's other comedies, ''La Surprise de l'amour'' makes use of stock characters from the Commedia dell'arte. In this play, Arlequin and Columbine are featured. Théophile Gautier considered this to be Marivaux's finest work. Plot summary After having been betrayed by a woman, Lélio renounces love and retires to the countryside with his valet, Arlequin, whose adventures in love are similar. Arlequin, who loves everything about women, including their faults, struggles with the task of forgetting them. One of Lélio's servants, Jacqueline, hopes to marry ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Surprise De Lamour
Surprise (or, rarely, surprize) may refer to: * Surprise (emotion), a brief emotional state experienced as the result of an unexpected significant event Places * Surprise, Arizona * Surprise, Indiana * Surprise, Nebraska * Surprise, New York * Surprise Valley (other) Arts and entertainment * ''The Surprise'' (Watteau), a c. 1718 painting by Antoine Watteau Film and television * ''Surprise'' (1991 film), a short by Pixar * ''Surprise!'' (film), a 1995 short by Veit Helmer * ''Surprise'' (2015 film), a Chinese film directed by Show Joy * ''The Surprise'' (film), a Dutch film directed by Mike van Diem * "Surprise" (''Buffy the Vampire Slayer''), a television episode * "Surprise!" (''Dexter's Laboratory''), a television episode * "Surprise" (''The 7D''), a television episode * "Surprise" (''Space Ghost Coast to Coast''), an episode of ''Space Ghost Coast to Coast'' * "Surprise!", an episode of ''Dora the Explorer'' * "Surprise!", an episode of ''Arthur'' * ¡So ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romantic Comedy
Romantic comedy (also known as romcom or rom-com) is a subgenre of comedy and slice of life fiction, focusing on lighthearted, humorous plot lines centered on romantic ideas, such as how true love is able to surmount most obstacles. In a typical romantic comedy, the two lovers tend to be young, likeable, and seemingly meant for each other, yet they are kept apart by some complicating circumstance (e.g., class differences, parental interference, a previous girlfriend or boyfriend) until, surmounting all obstacles, they are finally united. A fairy-tale-style happy ending is a typical feature. Romantic comedy films are a certain genre of comedy films as well as of romance films, and may also have elements of screwball comedies. However, a romantic comedy is classified as a film with two genres, not a single new genre. Some television series can also be classified as romantic comedies. Description The basic plot of a romantic comedy is that two characters meet, part ways due to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Comedy
Comedy is a genre of fiction that consists of discourses or works intended to be humorous or amusing by inducing laughter, especially in theatre, film, stand-up comedy, television, radio, books, or any other entertainment medium. The term originated in ancient Greece: in Athenian democracy, the public opinion of voters was influenced by political satire performed by comic poets in theaters. The theatrical genre of Greek comedy can be described as a dramatic performance pitting two groups, ages, genders, or societies against each other in an amusing '' agon'' or conflict. Northrop Frye depicted these two opposing sides as a "Society of Youth" and a "Society of the Old". A revised view characterizes the essential agon of comedy as a struggle between a relatively powerless youth and the societal conventions posing obstacles to his hopes. In this struggle, the youth then becomes constrained by his lack of social authority, and is left with little choice but to resort to ruses w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French People
The French people (french: Français) are an ethnic group and nation primarily located in Western Europe that share a common French culture, history, and language, identified with the country of France. The French people, especially the native speakers of langues d'oïl from northern and central France, are primarily the descendants of Gauls (including the Belgae) and Romans (or Gallo-Romans, western European Celtic and Italic peoples), as well as Germanic peoples such as the Franks, the Visigoths, the Suebi and the Burgundians who settled in Gaul from east of the Rhine after the fall of the Roman Empire, as well as various later waves of lower-level irregular migration that have continued to the present day. The Norse also settled in Normandy in the 10th century and contributed significantly to the ancestry of the Normans. Furthermore, regional ethnic minorities also exist within France that have distinct lineages, languages and cultures such as Bretons in Brittany, Occi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marivaux
Pierre Carlet de Chamblain de Marivaux (4 February 1688 – 12 February 1763), commonly referred to as Marivaux, was a French playwright and novelist. He is considered one of the most important French playwrights of the 18th century, writing numerous comedies for the Comédie-Française and the Comédie-Italienne of Paris. His most important works are '' Le Triomphe de l'amour'', ''Le Jeu de l'amour et du hasard'' and ''Les Fausses Confidences''. He also published a number of essays and two important but unfinished novels, '' La Vie de Marianne'' and ''Le Paysan parvenu''. Life His father was a Norman financier whose name from birth was Carlet, but who assumed the surname of Chamblain, and then that of Marivaux. He brought up his family in Limoges and Riom, in the province of Auvergne, where he directed the mint. Marivaux is said to have written his first play, the ''Père prudent et équitable'', when he was only eighteen, but it was not published until 1712, when he was twent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hôtel De Bourgogne (theatre)
Hôtel de Bourgogne was a theatre, built in 1548 for the first authorized theatre troupe in Paris, the Confrérie de la Passion. It was located on the rue Mauconseil (now the rue Étienne Marcel in the 2nd arrondissement of Paris), on a site that had been part of the residence of the Dukes of Burgundy (the former Hôtel de Bourgogne). The most important French theatre until the 1630s, it continued to be used until 1783,Forman 2010, p. 134 ("Hôtel de Bourgogne"). after which it was converted to a leather market and eventually totally demolished. The Confrérie performed farce and secular dramas, but lacking great success, began renting the theatre to itinerant acting companies, including Italian ''commedia dell'arte'' troupes, who introduced the characters Harlequin and Pantalone, as well as burlesque. In 1628, a French company, the Comédiens du Roi, became permanently established and performed many of the classics of French theatre, including ''Andromaque'' and ''Phèdre'' by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marivaux Plays
Pierre Carlet de Chamblain de Marivaux (4 February 1688 – 12 February 1763), commonly referred to as Marivaux, was a French playwright and novelist. He is considered one of the most important French playwrights of the 18th century, writing numerous comedies for the Comédie-Française and the Comédie-Italienne of Paris. His most important works are '' Le Triomphe de l'amour'', ''Le Jeu de l'amour et du hasard'' and ''Les Fausses Confidences''. He also published a number of essays and two important but unfinished novels, '' La Vie de Marianne'' and ''Le Paysan parvenu''. Life His father was a Norman financier whose name from birth was Carlet, but who assumed the surname of Chamblain, and then that of Marivaux. He brought up his family in Limoges and Riom, in the province of Auvergne, where he directed the mint. Marivaux is said to have written his first play, the ''Père prudent et équitable'', when he was only eighteen, but it was not published until 1712, when he was twenty ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stock Characters
A stock character, also known as a character archetype, is a fictional character in a work of art such as a novel, play, or a film whom audiences recognize from frequent recurrences in a particular literary tradition. There is a wide range of stock characters, covering men and women of various ages, social classes and demeanors. They are archetypal characters distinguished by their simplification and flatness. As a result, they tend to be easy targets for parody and to be criticized as clichés. The presence of a particular array of stock characters is a key component of many genres, and they often help to identify a genre or subgenre. For example, a story with a knight-errant and a witch is probably a fairy tale or fantasy. There are several purposes to using stock characters. Stock characters are a time- and effort-saving shortcut for story creators, as authors can populate their tale with existing well-known character types. Another benefit is that stock characters help to mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Commedia Dell'arte
(; ; ) was an early form of professional theatre, originating from Italian theatre, that was popular throughout Europe between the 16th and 18th centuries. It was formerly called Italian comedy in English and is also known as , , and . Characterized by masked "types", was responsible for the rise of actresses such as Isabella Andreini and improvised performances based on sketches or scenarios. A , such as ''The Tooth Puller'', is both scripted and improvised. Characters' entrances and exits are scripted. A special characteristic of is the , a joke or "something foolish or witty", usually well known to the performers and to some extent a scripted routine. Another characteristic of is pantomime, which is mostly used by the character Arlecchino, now better known as Harlequin. The characters of the usually represent fixed social types and stock characters, such as foolish old men, devious servants, or military officers full of false bravado. The characters are exaggerated " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harlequin
Harlequin (; it, Arlecchino ; lmo, Arlechin, Bergamasque dialect, Bergamasque pronunciation ) is the best-known of the ''zanni'' or comic servant characters from the Italian language, Italian ''commedia dell'arte'', associated with the city of Bergamo. The role is traditionally believed to have been introduced by Zan Ganassa in the late 16th century, was definitively popularized by the Italian actor Tristano Martinelli in Paris in 1584–1585, and became a stock character after Martinelli's death in 1630. The Harlequin is characterized by his checkered costume. His role is that of a light-hearted, nimble, and Tricky slave, astute servant, often acting to thwart the plans of his master, and pursuing his own love interest, Columbina, with wit and resourcefulness, often competing with the sterner and melancholic Pierrot. He later develops into a prototype of the romantic hero. Harlequin inherits his physical agility and his trickster qualities, as well as his name, from a mischi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Columbina
Columbina (in Italian Colombina, meaning "little dove"; in French and English Colombine) is a stock character in the ''commedia dell'arte''. She is Harlequin's mistress, a comic servant playing the tricky slave type, and wife of Pierrot. Rudlin and Crick use the Italian spelling Colombina in ''Commedia dell'arte: A Handbook for Troupes''. History The role of the female servant was originally that of an entr'acte dancer. Women were not allowed to be part of the story that was being played out on stage, but they were allowed to have a dance in-between the action. Eventually these women became the busom and gossipy servants of characters that were already allowed on stage, and then, later, the counterparts to the Zanni characters. She was very down to earth and could always see the situation for what it actually was. She was also sometimes portrayed as a prostitute. She was very infrequently without something to say to or about someone. She is dressed in a very short ragged and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
