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La Grand'tante
''La grand'tante'' (The great-aunt) is an opéra comique in one act by Jules Massenet to a French libretto by Jules Adenis and Charles Grandvallet. It was first performed at the Opéra-Comique in Paris on 3 April 1867. Though not the first opera composed by Massenet, it was the first of his stage works to be mounted on the stage. The work consists of an overture followed by six vocal numbers (solos, duets and a final trio) with spoken dialogue in between. Roles Synopsis The Marquis Guy de Kerdrel returns from his regiment in Africa Africa is the world's second-largest and second-most populous continent, after Asia in both cases. At about 30.3 million km2 (11.7 million square miles) including adjacent islands, it covers 6% of Earth's total surface area ... to claim an inheritance from his late great-uncle, whom he had never met. He is unimpressed by the condition of the property he has inherited but is reassured by the thought that he can at least liq ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jules Massenet
Jules Émile Frédéric Massenet (; 12 May 1842 – 13 August 1912) was a French composer of the Romantic era best known for his operas, of which he wrote more than thirty. The two most frequently staged are '' Manon'' (1884) and ''Werther'' (1892). He also composed oratorios, ballets, orchestral works, incidental music, piano pieces, songs and other music. While still a schoolboy, Massenet was admitted to France's principal music college, the Paris Conservatoire. There he studied under Ambroise Thomas, whom he greatly admired. After winning the country's top musical prize, the Prix de Rome, in 1863, he composed prolifically in many genres, but quickly became best known for his operas. Between 1867 and his death forty-five years later he wrote more than forty stage works in a wide variety of styles, from opéra-comique to grand-scale depictions of classical myths, romantic comedies, lyric dramas, as well as oratorios, cantatas and ballets. Massenet had a good sense of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victor Capoul
Joseph Victor Amédée Capoul (27 February 1839 – 18 February 1924) was a French operatic lyric tenor with a graceful singing style. Forbes E., Steane J.B., "Victor Capoul". In: ''The New Grove Dictionary of Opera.'' Macmillan, London and New York, 1997. Early life Capoul was born in Toulouse on 27 February 1839. Career Victor Capoul began his studies in Toulouse. He was admitted to the Conservatoire de Paris in 1859, where, as a pupil of Révial (singing) and Mocker ( opéra comique), he won a first prize for the latter in 1861. He was engaged at the Opéra-Comique the same year and made his debut on 26 August as Daniel in Adolphe Adam's ''Le Chalet''. He sang other roles in the repertoire such as in ''La fille du régiment'', '' La part du diable'', ''La dame blanche'', ''Le pré aux clercs'' and ''L'étoile du nord'', until leaving in 1870. He also created the roles of Renaud in Lefébure-Wély's 1861 opera ''Les Recruteurs'', Eustache in ''Les Absents'' by Ferdinand ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French-language Operas
French opera is one of Europe's most important operatic traditions, containing works by composers of the stature of Rameau, Berlioz, Gounod, Bizet, Massenet, Debussy, Ravel, Poulenc and Messiaen. Many foreign-born composers have played a part in the French tradition as well, including Lully, Gluck, Salieri, Cherubini, Spontini, Meyerbeer, Rossini, Donizetti, Verdi and Offenbach. French opera began at the court of Louis XIV of France with Jean-Baptiste Lully's ''Cadmus et Hermione'' (1673), although there had been various experiments with the form before that, most notably '' Pomone'' by Robert Cambert. Lully and his librettist Quinault created ''tragédie en musique'', a form in which dance music and choral writing were particularly prominent. Lully's most important successor was Rameau. After Rameau's death, the German Gluck was persuaded to produce six operas for the Paris, Parisian stage in the 1770s. They show the influence of Rameau, but simplified and with greater foc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas By Jules Massenet
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Africa
Africa is the world's second-largest and second-most populous continent, after Asia in both cases. At about 30.3 million km2 (11.7 million square miles) including adjacent islands, it covers 6% of Earth's total surface area and 20% of its land area.Sayre, April Pulley (1999), ''Africa'', Twenty-First Century Books. . With billion people as of , it accounts for about of the world's human population. Africa's population is the youngest amongst all the continents; the median age in 2012 was 19.7, when the worldwide median age was 30.4. Despite a wide range of natural resources, Africa is the least wealthy continent per capita and second-least wealthy by total wealth, behind Oceania. Scholars have attributed this to different factors including geography, climate, tribalism, colonialism, the Cold War, neocolonialism, lack of democracy, and corruption. Despite this low concentration of wealth, recent economic expansion and the large and young population make Afr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caroline Girard
Caroline Girard (7 April 1830)Kutsch & Riemens 2003, p. 1741. was a French operatic Mezzo-soprano. She was the mother of Juliette Simon-Girard.Walsh TJ. ''Second Empire Opera – The Théâtre-Lyrique Paris 1851-1870.'' John Calder Ltd, London, 1981. Career Girard was born in Paris and studied at the Paris Conservatory. She became a principal singer at the Théâtre Lyrique in Paris in 1853, creating many roles including Margot in ''Le diable à quatre'' by Solié/Adam in 1853, Columbine in ''Le tableau parlant'' by Grétry in 1854, Nancy/Aenchen in ''Robin des Bois'' by Weber in 1855, Pétronille in ''Le sourd ou l’auberge pleine'' by Adam in 1856, Antonio in '' Richard Coeur-de-lion'' by Grétry in 1856, Fatime in ''Oberon'' by Weber in 1857, Barbarina in '' Les noces de Figaro'' in 1858, Florette in ''Les rosières'' by Hérold in 1860 and Papillon/Despina in '' Peines d’amours perdues'' by Mozart/Shakespeare in 1863. Moving in 1863 to the Opéra-Comique, where she was d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marie Heilbronn
Marie Heilbron (or Heilbronn, – 31 March 1886) was a Belgian operatic coloratura soprano, particularly associated with the French repertory, creator of Jules Massenet's quintessential French heroine '' Manon''. Born in Antwerp, she studied first in Brussels and later in Paris with famous tenor Gilbert Duprez. She made her Parisian debut at the Théâtre-Italien in 1866, as Marie in ''La fille du régiment''. In 1867, she appeared for the first time at the Opéra-Comique, as Catherine in ''L'étoile du nord''. She was to create there Massenet's '' Manon'' in 1884. She also appeared at the Théâtre des Variétés from 1871 onwards. She took part in the creation of Jacques Offenbach's ''Les braconniers'', and Victor Massé's ''Une nuit de Cléopâtre''. In 1879, she made her debut at the Opéra Garnier, where she sang as Marguerite in ''Faust'', Ophélie in ''Hamlet'', Juliette in '' Roméo et Juliette''. The same year she made her debut at La Scala in Milan, as Viole ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opéra Comique
''Opéra comique'' (; plural: ''opéras comiques'') is a genre of French opera that contains spoken dialogue and arias. It emerged from the popular '' opéras comiques en vaudevilles'' of the Fair Theatres of St Germain and St Laurent (and to a lesser extent the Comédie-Italienne),M. Elizabeth C. Bartlet and Richard Langham Smith"Opéra comique" '' Grove Music Online''. Oxford Music Online. 19 November 2009 which combined existing popular tunes with spoken sections. Associated with the Paris theatre of the same name, ''opéra comique'' is not necessarily comical or shallow in nature; '' Carmen'', perhaps the most famous ''opéra comique'', is a tragedy. Use of the term The term ''opéra comique'' is complex in meaning and cannot simply be translated as "comic opera". The genre originated in the early 18th century with humorous and satirical plays performed at the theatres of the Paris fairs which contained songs ('' vaudevilles''), with new words set to already existing music. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théophile Tilmant
Théophile (Joseph Alexandre) Tilmant, (''Tilmant aîné'') was a French violinist and conductor born on 9 July 1799 in Valenciennes France, and died on 7 May 1878, Asnières.Tilmant was a founding Sociétaire of the Société des Concerts in 1828, becoming a Chef and Vice-President on 5 May 1860, retiring from the Société on 17 November 1863. Bibliography Tilmant was a founding Sociétaire of the Société des Concerts in 1828, becoming a Chef and Vice-President on 5 May 1860, retiring from the Société on 17 November 1863. At the Conservatoire national supérieur de musique et de danse de Paris, he was a student of Kreutzer and played in the orchestra of the Opéra-Comique and the orchestra of the Opéra (viola from 1824 and violin from 1826–38). He also led the orchestra at the Théâtre-Italien and the Concerts du Gymnase. He was principal conductor of the Opéra-Comique from 1849-68. Tilmant received the Légion d'Honneur in 1861. Tilmant conducted the premier ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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