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La Femme Au Cheval
''La Femme au Cheval'' (also known as ''Woman with Horse'', ''L'Écuyère'' and ''Kvinde med hest'') is a large oil painting created toward the end of 1911, early 1912, by the French artist Jean Metzinger (1883–1956). The work was exhibited in Paris at the Salon des Indépendants (20 March–16 May) in 1912 and the Salon de la Section d'Or, 1912. The following year ''La Femme au Cheval'' was reproduced in ''The Cubist Painters, Aesthetic Meditations'' by Guillaume Apollinaire (1913). The artist has broken down the picture plane into facets, presenting multiple aspects of the subject in succession and/or simultaneously. This concept first pronounced by Metzinger in 1910—since considered a founding principle of Cubism—would soon find its way into the foundations of the Copenhagen interpretation of quantum mechanics; the fact that a complete description of one and the same subject may require diverse points of view which defy a unique description. The painting was owned by the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Metzinger
Jean Dominique Antony Metzinger (; 24 June 1883 – 3 November 1956) was a major 20th-century French painter, theorist, writer, critic and poet, who along with Albert Gleizes wrote the first theoretical work on Cubism. His earliest works, from 1900 to 1904, were influenced by the neo-Impressionism of Georges Seurat and Henri-Edmond Cross. Between 1904 and 1907 Metzinger worked in the Divisionist and Fauvist styles with a strong Paul Cézanne, Cézannian component, leading to some of the first Proto-Cubism, proto-Cubist works. From 1908 Metzinger experimented with the faceting of form, a style that would soon become known as Cubism. His early involvement in Cubism saw him both as an influential artist and an important theorist of the movement. The idea of moving around an object in order to see it from different view-points is treated, for the first time, in Metzinger's ''Note sur la Peinture'', published in 1910.Jean Metzinger, October–November 1910, "Note sur la peinture" Pan: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Non-Euclidean Geometry
In mathematics, non-Euclidean geometry consists of two geometries based on axioms closely related to those that specify Euclidean geometry. As Euclidean geometry lies at the intersection of metric geometry and affine geometry, non-Euclidean geometry arises by either replacing the parallel postulate with an alternative, or relaxing the metric requirement. In the former case, one obtains hyperbolic geometry and elliptic geometry, the traditional non-Euclidean geometries. When the metric requirement is relaxed, then there are affine planes associated with the planar algebras, which give rise to kinematic geometries that have also been called non-Euclidean geometry. The essential difference between the metric geometries is the nature of parallel lines. Euclid's fifth postulate, the parallel postulate, is equivalent to Playfair's postulate, which states that, within a two-dimensional plane, for any given line and a point ''A'', which is not on , there is exactly one line through ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musée D'Orsay
The Musée d'Orsay ( , , ) ( en, Orsay Museum) is a museum in Paris, France, on the Left Bank of the Seine. It is housed in the former Gare d'Orsay, a Beaux-Arts railway station built between 1898 and 1900. The museum holds mainly French art dating from 1848 to 1914, including paintings, sculptures, furniture, and photography. It houses the largest collection of Impressionist and post-Impressionist masterpieces in the world, by painters including Berthe Morisot, Claude Monet, Édouard Manet, Degas, Renoir, Cézanne, Seurat, Sisley, Gauguin, and van Gogh. Many of these works were held at the Galerie nationale du Jeu de Paume prior to the museum's opening in 1986. It is one of the largest art museums in Europe. In 2021 the museum had one million visitors, up 30 percent from attendance in 2020, but far behind earlier years due to the COVID-19 pandemic. Despite the drop, it ranked fifteenth in the list of most-visited art museums in 2020. History The museum building was or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Circus (Seurat Painting)
''The Circus'' (French: ''Le Cirque'') is an oil on canvas painting by Georges Seurat. It was his last painting, made in a Neo-Impressionist style in 1890–91, and remained unfinished at his death in March 1891. The painting is located at the Musée d'Orsay in Paris. Background The painting was Seurat's third major work treating the theme of the circus, after his '' Parade (Circus sideshow)'' of 1887-88 and ''Le Chahut'' of 1889–90. It depicts a female performer standing on a horse at the Circus Fernando (renamed the Circus Médrano in 1890, after its most famous clown). The Circus Médrano was located at the corner of the Rue des Martyrs and the Boulevard de Rochechouart, close to Seurat's studio. It was a popular entertainment in Paris, depicted in the 1880s by other artists such as Renoir (for example, '' Acrobats at the Cirque Fernando (Francisca and Angelina Wartenberg)''), Degas (for example, ''Miss La La at the Cirque Fernando'') and Toulouse-Lautrec (for example, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kröller-Müller Museum
The Kröller-Müller Museum () is a national art museum and sculpture garden, located in the Hoge Veluwe National Park in Otterlo in the Netherlands. The museum, founded by art collector Helene Kröller-Müller within the extensive grounds of her and her husband's former estate (now the national park), opened in 1938. It has the second-largest collection of paintings by Vincent van Gogh, after the Van Gogh Museum. The museum had 380,000 visitors in 2015. History The Kröller-Müller Museum was founded by Helene Kröller-Müller, an avid art collector who, being advised by H.P. Bremmer, was one of the first to recognize Vincent van Gogh's genius and collect his works. In 1935, she donated her whole collection to the state of the Netherlands. In 1938, the museum, which was designed by Henry van de Velde, opened to the public. The sculpture garden was added in 1961 and the new exhibition wing, designed by Wim Quist, opened in 1977. Collection The museum has a considerable c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Chahut
''Le Chahut'' (English: ''The Can-can'') is a Neo-Impressionist painting by Georges Seurat, dated 1889–90. It was first exhibited at the 1890 Salon de la Société des Artistes Indépendants (titled ''Chahut'', cat. no. 726) in Paris. ''Chahut'' became a target of art critics, and was widely discussed among Symbolist critics. The painting—representing a quadrille at the Moulin Rouge—influenced the Fauves, Cubists, Futurists and Orphists. Formerly in the collection of French Symbolist poet and art critic Gustave Kahn, ''Chahut'' is located at the Kröller-Müller Museum in Otterlo, Netherlands. Description ''Le Chahut'' is an oil painting on canvas measuring 170 by 141 cm (67 x 55 in). Seurat employed a Divisionist style, with pointillist dots of color. The work is dominated by a color scheme that tends toward the red end of the spectrum, of earth tones that draw from a palette of browns, tans, warm grays, and blues, interspersed with not just the primary colors (re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sienna
Sienna (from it, terra di Siena, meaning "Siena earth") is an earth pigment containing iron oxide and manganese oxide. In its natural state, it is yellowish brown and is called raw sienna. When heated, it becomes a reddish brown and is called burnt sienna.''Shorter Oxford English Dictionary'', 5th Edition (2002) It takes its name from the city-state of Siena, where it was produced during the Renaissance. Along with ochre and umber, it was one of the first pigments to be used by humans, and is found in many cave paintings. Since the Renaissance, it has been one of the brown pigments most widely used by artists. The first recorded use of ''sienna'' as a color name in English was in 1760. The normalized color coordinates for sienna are identical to kobe, first recorded as a color name in English in 1924. Earth colors Like the other earth colors, such as yellow ochre and umber, sienna is a clay containing iron oxide, called limonite, which in its natural state has a yellow ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Umber
Umber is a natural brown earth pigment that contains iron oxide and manganese oxide. In its natural form, it is called raw umber. When Calcination, calcined, the color becomes warmer and it becomes known as burnt umber. Its name derives from ''terra d'ombra'', or earth of Umbria, the Italian name of the pigment. Umbria is a mountainous region in central Italy where the pigment was originally extracted. The word also may be related to the Latin word ''umbra'', meaning "shadow". Umber is not one precise color, but a range of different colors, from medium to dark in value, from greenish to reddish in hue. The color of the natural earth depends primarily upon the proportions of iron oxide and manganese in the clay. Umber earth pigments contain between five and twenty percent manganese oxide, which accounts for their being a darker and less saturated color than the related earth pigment, sienna. Commercial umber pigments vary in color depending on their origin and how they are proces ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Depth Of Field
The depth of field (DOF) is the distance between the nearest and the furthest objects that are in acceptably sharp focus in an image captured with a camera. Factors affecting depth of field For cameras that can only focus on one object distance at a time, depth of field is the distance between the nearest and the farthest objects that are in acceptably sharp focus. "Acceptably sharp focus" is defined using a property called the "circle of confusion". The depth of field can be determined by focal length, distance to subject, the acceptable circle of confusion size, and aperture. Limitations of depth of field can sometimes be overcome with various techniques and equipment. The approximate depth of field can be given by: : \text \approx \frac for a given circle of confusion (c), focal length (f), f-number (N), and distance to subject (u). As distance or the size of the acceptable circle of confusion increases, the depth of field increases; however, increasing the size of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georges Seurat
Georges Pierre Seurat ( , , ; 2 December 1859 – 29 March 1891) was a French post-Impressionist artist. He devised the painting techniques known as chromoluminarism and pointillism and used conté crayon for drawings on paper with a rough surface. Seurat's artistic personality combined qualities that are usually thought of as opposed and incompatible: on the one hand, his extreme and delicate sensibility, on the other, a passion for logical abstraction and an almost mathematical precision of mind. His large-scale work ''A Sunday Afternoon on the Island of La Grande Jatte'' (1884–1886) altered the direction of modern art by initiating Neo-Impressionism, and is one of the icons of late 19th-century painting. Biography Family and education Seurat was born on 2 December 1859 in Paris, at 60 rue de Bondy (now rue René Boulanger). The Seurat family moved to 136 boulevard de Magenta (now 110 boulevard de Magenta) in 1862 or 1863.Seurat: p. 16 His father, Antoine Chrysostome ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Cézanne
Paul Cézanne ( , , ; ; 19 January 1839 – 22 October 1906) was a French artist and Post-Impressionism, Post-Impressionist painter whose work laid the foundations of the transition from the 19th-century conception of artistic endeavour to a new and radically different world of art in the 20th century. Cézanne is said to have formed the bridge between late 19th-century Impressionism and the early 20th century's new line of artistic enquiry, Cubism. While his early works are still influenced by Romanticism – such as the murals in the Bastide du Jas de Bouffan, Jas de Bouffan country house – and Realism, he arrived at a new pictorial language through intensive examination of Impressionist forms of expression. He gave up the use of Perspective (graphical), perspective and broke with the established rules of Academic Art and strived for a renewal of traditional design methods on the basis of the impressionistic color space and color modulation principles. Cézanne's often re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dialectic
Dialectic ( grc-gre, διαλεκτική, ''dialektikḗ''; related to dialogue; german: Dialektik), also known as the dialectical method, is a discourse between two or more people holding different points of view about a subject but wishing to establish the truth through reasoned argumentation. Dialectic resembles debate, but the concept excludes subjective elements such as emotional appeal and the modern pejorative sense of rhetoric. Dialectic may thus be contrasted with both the eristic, which refers to argument that aims to successfully dispute another's argument (rather than searching for truth), and the didactic method, wherein one side of the conversation teaches the other. Dialectic is alternatively known as ''minor logic'', as opposed to ''major logic'' or critique. Within Hegelianism, the word ''dialectic'' has the specialised meaning of a contradiction between ideas that serves as the determining factor in their relationship. Dialectical materialism, a theory ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
