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La Commedia
''La Commedia'' is an opera in five parts composed by Louis Andriessen. A retelling of Dante's ''Divine Comedy'', the multi-language libretto was constructed by Andriessen using extracts from Dante's poem as well as several other sources including the Old Testament and the poetry of Joost van den Vondel. Andriessen describes the work as a "film opera" and collaborated closely with film director Hal Hartley in its development. ''La Commedia'' premiered on 12 June 2008 at the Koninklijk Theater Carré in Amsterdam.Swed, Mark (20 June 2008)"'Commedia' is more than a little divine" ''Los Angeles Times''. Retrieved 23 January 2017. Performance history Following its Amsterdam premiere, ''La Commedia'' was performed in 2010 in concert version but with the same cast and musicians at the Disney Concert Hall in Los Angeles and Carnegie Hall in New York. It received a further concert performance in London at the Barbican in 2016 performed by the BBC Symphony Orchestra with Cristina Zavallo ...
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Louis Andriessen
Louis Joseph Andriessen (; 6 June 1939 – 1 July 2021) was a Dutch composer, pianist and academic teacher. Considered the most influential Dutch composer of his generation, he was a central proponent of The Hague school of composition. Although his music was initially dominated by neoclassicism and serialism, his style gradually shifted to a synthesis of American minimalism, jazz and the manner of Stravinsky. Born in Utrecht into a musical family, Andriessen studied with his father, the composer Hendrik Andriessen as well as composers Kees van Baaren and Luciano Berio. Andriessen taught at the Royal Conservatory of The Hague from 1974 to 2012, influencing notable composers. His opera ''La Commedia'', based on Dante's ''Divine Comedy'', won the 2011 Grawemeyer Award for Music Composition and was selected in 2019 by critics at ''The Guardian'' as one of the most outstanding compositions of the 21st century. Life and career Andriessen was born in Utrecht on 6 June 1939 to a musical ...
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Daily Telegraph
Daily or The Daily may refer to: Journalism * Daily newspaper, newspaper issued on five to seven day of most weeks * ''The Daily'' (podcast), a podcast by ''The New York Times'' * ''The Daily'' (News Corporation), a defunct US-based iPad newspaper from News Corporation * ''The Daily of the University of Washington'', a student newspaper using ''The Daily'' as its standardhead Places * Daily, North Dakota, United States * Daily Township, Dixon County, Nebraska, United States People * Bill Daily (1927–2018), American actor * Elizabeth Daily (born 1961), American voice actress * Joseph E. Daily (1888–1965), American jurist * Thomas Vose Daily (1927–2017), American Roman Catholic bishop Other usages * Iveco Daily, a large van produced by Iveco * Dailies, unedited footage in film See also * Dailey, surname * Daley (other) * Daly (other) Daly or DALY may refer to: Places Australia * County of Daly, a cadastral division in South Australia * Daly ...
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Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ...
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Jeroen Willems
Jeroen Willems (; 15 November 1962 – 3 December 2012) was a Dutch Golden Calf and Louis d'Or winning film, TV, and stage actor and singer. Early life Willems was born on 15 November 1962 in Maastricht, the third child of a drama teacher and an elocutionist. Soon afterwards, the family moved to Heerlen. Willems' father died in 1978, age 52, when Jeroen was 15 years old. Willems attended the Maastricht Academy of Dramatic Arts. Career Willems was attached to theatrical company Theatergroep Hollandia. He could be seen in ''La Musica'' (1991), the solo show ''Twee stemmen'' (from 1997 on) and ''La Musica Twee'' (2003). He also played with other companies, including Het Zuidelijk Toneel/Hollandia, het Nationale Toneel, and the Flemish company De Tijd. With Oostpool, he played in the musical stage production ''Brel, de zoete oorlog''. In the show, he also sang a couple of songs of Jacques Brel, translated to Dutch. In April 2010 he had the leading role in a performance of Louis And ...
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Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ...
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Lucifer
Lucifer is one of various figures in folklore associated with the planet Venus. The entity's name was subsequently absorbed into Christianity as a name for the devil. Modern scholarship generally translates the term in the relevant Bible passage ( Isaiah 14:12), where the Greek Septuagint reads ὁ ἑωσφόρος ὁ πρωὶ, as "morning star" or "shining one" rather than as a proper noun, Lucifer, as found in the Latin Vulgate. As a name for the Devil in Christian theology, the more common meaning in English, "Lucifer" is the rendering of the Hebrew word he, הֵילֵל, hêlēl, label=none, (pronunciation: ''hay-lale'') in Isaiah given in the King James Version of the Bible. The translators of this version took the word from the Latin Vulgate, Originally published New York: The MacMillan Co., 1923. which translated by the Latin word (uncapitalized), meaning "the morning star", "the planet Venus", or, as an adjective, "light-bringing". As a name for the planet in its ...
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Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261  Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano"
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Beatrice Portinari
Beatrice "Bice" di Folco Portinari (; 1265 – 8 or 19 June 1290) was an Italian woman who has been commonly identified as the principal inspiration for Dante Alighieri's ''Vita Nuova'', and is also identified with the Beatrice who acts as his guide in the last book of his narrative poem the ''Divine Comedy'' (''La Divina Commedia''), '' Paradiso'', and during the conclusion of the preceding ''Purgatorio''. In the ''Comedy'', Beatrice symbolises divine grace and theology. Biography Beatrice was the daughter of the banker Folco Portinari and was married to another banker, Simone dei Bardi. Dante claims to have met a "Beatrice" only twice, on occasions separated by nine years, but was so affected by the meetings that he carried his love for her throughout his life. The tradition that identifies Bice di Folco Portinari as the Beatrice loved by Dante is now widely, though not unanimously, accepted by scholars. Boccaccio, in his commentary on the ''Divine Comedy'', was the first ...
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Mezzo-soprano
A mezzo-soprano or mezzo (; ; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano. History While mezzo-sopranos typically sing secondary roles in operas, notable exceptions include the title role in Bizet's '' Carmen'', Angelina (Cinderella) in Rossini's ''La Cenerentola'', and Rosina in Rossini's ''Barber of Seville'' (all of which are also sung by sopranos and contraltos). Many 19th-century French-language operas give the leading female role to mezzos, includin ...
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Dante
Dante Alighieri (; – 14 September 1321), probably baptized Durante di Alighiero degli Alighieri and often referred to as Dante (, ), was an Italian poet, writer and philosopher. His ''Divine Comedy'', originally called (modern Italian: ''Commedia'') and later christened by Giovanni Boccaccio, is widely considered one of the most important poems of the Middle Ages and the greatest literary work in the Italian language. Dante is known for establishing the use of the vernacular in literature at a time when most poetry was written in Latin, which was accessible only to the most educated readers. His ''De vulgari eloquentia'' (''On Eloquence in the Vernacular'') was one of the first scholarly defenses of the vernacular. His use of the Florentine dialect for works such as '' The New Life'' (1295) and ''Divine Comedy'' helped establish the modern-day standardized Italian language. His work set a precedent that important Italian writers such as Petrarch and Boccaccio would later ...
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Reinbert De Leeuw
Reinbert de Leeuw (8 September 1938 – 14 February 2020) was a Dutch conductor, pianist and composer. Life Lambertus Reinier de Leeuw's mother and father were both psychiatrists: Cornelis Homme 'Kees' de Leeuw (1905-1953) and Adriana Judina 'Dien' Aalbers (1908-1957). From age 7, he took piano lessons. He studied music theory and piano at the Amsterdam Conservatoire and composition with Kees van Baaren at the Royal Conservatory of The Hague. He taught at the Royal Conservatoire of The Hague. He was a well-known conductor and pianist performing mainly contemporary music. He was the founder of the “Dutch Charles Ives Society”. Since 2004, he was a professor at the Leiden University in 'performing and creative arts of the 19th, 20th and 21st century'. In 1974, he founded the Schönberg Ensemble. They mainly focused on performing works by the Second Viennese School and the avant-garde. He composed the piece ''Etude'' (1983–1985) for the strings of the ensemble. De Leeu ...
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Dutch National Opera
The Dutch National Opera (DNO; formerly De Nederlandse Opera, now De Nationale Opera in Dutch) is a Dutch opera company based in Amsterdam, Netherlands. Its present home base is the Dutch National Opera & Ballet housed in the Stopera building, a modern building designed by Cees Dam and Wilhelm Holzbauer which opened in 1986. History The DNO was established shortly after the end of World War II as a repertory company with a permanent ensemble. In the postwar period, it toured extensively in the Netherlands from its home base in the Stadsschouwburg, a ''fin de siècle'' theatre on the Leidseplein in Amsterdam. In 1964, it was renamed ''De Nederlandse Operastichting''. (''The Dutch Opera Foundation''), and the company adopted a ''stagione'' orientation, inviting different soloists and artistic teams for each new production. In 1986, the company moved to the new Stopera building, which it shares with the Dutch National Ballet, and thereafter became known as De Nederlandse Opera (DNO) ...
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