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L'irato
''L'irato, ou L'emporté'' (''The Angry Man'') is an ''opéra-comique'' (styled an ''opéra parade'') in one act by the French composer Étienne Méhul with a French-language libretto by Benoît-Joseph Marsollier. It was first performed at the Théâtre Favart in Paris on 17 February 1801. Written in a lighter style than Méhul's operas of the 1790s, ''L'irato'' is famous for being part of a deception the composer played on his friend Napoleon Bonaparte. Background and performance history Méhul had been introduced to Napoleon by his wife Josephine and attended weekly meetings with the future emperor at his residence at Malmaison. Here they probably discussed music. Many biographers have wrongly claimed that Napoleon did not like music. In fact he did, but preferred the Italian operas of composers such as Giovanni Paisiello, Wolfgang Amadeus Mozart and Domenico Cimarosa. According to the harpist Martin Pierre d'Alvimare, Napoleon criticised Méhul "for emulating in his works an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'Irato Ou L'emporté Opéra
''L'irato, ou L'emporté'' (''The Angry Man'') is an ''opéra-comique'' (styled an ''opéra parade'') in one act by the French composer Étienne Méhul with a French-language libretto by Benoît-Joseph Marsollier. It was first performed at the Théâtre Favart in Paris on 17 February 1801. Written in a lighter style than Méhul's operas of the 1790s, ''L'irato'' is famous for being part of a deception the composer played on his friend Napoleon Bonaparte. Background and performance history Méhul had been introduced to Napoleon by his wife Josephine and attended weekly meetings with the future emperor at his residence at Malmaison. Here they probably discussed music. Many biographers have wrongly claimed that Napoleon did not like music. In fact he did, but preferred the Italian operas of composers such as Giovanni Paisiello, Wolfgang Amadeus Mozart and Domenico Cimarosa. According to the harpist Martin Pierre d'Alvimare, Napoleon criticised Méhul "for emulating in his works ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Étienne Méhul
Étienne Nicolas Méhul (; 16 November 1765 ~ 24 December 1817) was a French composer of the Classical period (music), classical period. He was known as "the most important opera composer in France during the French Revolution, Revolution". He was also the first composer to be called a "Romanticism, Romantic". He is known particularly for his operas, written in keeping with the reforms introduced by Christoph Willibald Gluck and Wolfgang Amadeus Mozart. Life Méhul was born at Givet in Ardennes to Jean-François Méhul, a wine merchant, and his wife Marie-Cécile (née Keuly). His first music lessons came from a blind local organist. When he showed promise, he was sent to study with a German musician and organist, , at the monastery of Lavaldieu, a few miles from Givet. Here Méhul developed his lifelong love of flowers. In 1778 or 1779 he went to Paris and began to study with Jean-Frédéric Edelmann, a harpsichord player and friend of Méhul's idol Christoph Willibald Gluck. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benoît-Joseph Marsollier
Benoît-Joseph Marsollier (also known as Benoît-Joseph Marsollier des Vivetières, (Paris, 1750 – Versailles, 22 April 1817) was a French playwright and librettist. He is particularly noted for his work in opéra comique. In 1780 he also led the first exploration of the Grotte des Demoiselles. His librettos include '' Nina'', ''L'irato'', and ''Les deux petits savoyards''. List of plays * ''Le Danger de la prévention'', comedy in 3 acts and in prose, created at the Comédie-Italienne ( hôtel de Bourgogne) 28 May 1761 * ''Jenni, ou le Désintéressement'', drame de société in 2 acts and in prose (Nancy, J. B. Hyacinthe, 1771) * ''Le Connoisseur'', comédie de société, in 3 acts and in prose, by {M. le Chevalier D. G. N. auteur du drame de Jenni, (Paris, Valade, 1771) ''Le Connoisseur'': a revival wrongly seen as a creation even by Mme la comtesse Hauptoul took place at the théâtre de Mlle Montansier 13 July 1791. The play was printed by another publisher, (Pari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georg Poplutz
Georg Poplutz is a German tenor, a soloist in Baroque music, opera and oratorio, and a Lied singer. He has been a member of vocal ensembles such as Johann Rosenmüller Ensemble and Cantus Cölln, and has participated in a project to record the complete works of Heinrich Schütz. Career Poplutz was born in Arnsberg. He studied pedagogy for English and Music at the Münster University and the Dortmund University. He studied voice with Berthold Possemeyer at the Musikhochschule Frankfurt. After further studies with Christoph Prégardien at the Musikhochschule Köln, he graduated in 2007 with the concert exam. Poplutz made his operatic debut at the Theater Gießen in 2004, in Monteverdi's ''L'incoronazione di Poppea''. In 2005 he recorded the part of Balouard in Étienne Méhul's opera ''L'irato'', conducted by ). In the field of historically informed performance, Poplutz has collaborated as a soloist with conductors such as Marcus Creed, Helmut Müller-Brühl, Peter Ne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opéra Comique
''Opéra comique'' (; plural: ''opéras comiques'') is a genre of French opera that contains spoken dialogue and arias. It emerged from the popular '' opéras comiques en vaudevilles'' of the Fair Theatres of St Germain and St Laurent (and to a lesser extent the Comédie-Italienne),M. Elizabeth C. Bartlet and Richard Langham Smith"Opéra comique" '' Grove Music Online''. Oxford Music Online. 19 November 2009 which combined existing popular tunes with spoken sections. Associated with the Paris theatre of the same name, ''opéra comique'' is not necessarily comical or shallow in nature; '' Carmen'', perhaps the most famous ''opéra comique'', is a tragedy. Use of the term The term ''opéra comique'' is complex in meaning and cannot simply be translated as "comic opera". The genre originated in the early 18th century with humorous and satirical plays performed at the theatres of the Paris fairs which contained songs ('' vaudevilles''), with new words set to already existing music. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1801 Operas
Eighteen or 18 may refer to: * 18 (number), the natural number following 17 and preceding 19 * one of the years 18 BC, AD 18, 1918, 2018 Film, television and entertainment * ''18'' (film), a 1993 Taiwanese experimental film based on the short story ''God's Dice'' * ''Eighteen'' (film), a 2005 Canadian dramatic feature film * 18 (British Board of Film Classification), a film rating in the United Kingdom, also used in Ireland by the Irish Film Classification Office * 18 (''Dragon Ball''), a character in the ''Dragon Ball'' franchise * "Eighteen", a 2006 episode of the animated television series ''12 oz. Mouse'' Music Albums * ''18'' (Moby album), 2002 * ''18'' (Nana Kitade album), 2005 * '' 18...'', 2009 debut album by G.E.M. Songs * "18" (5 Seconds of Summer song), from their 2014 eponymous debut album * "18" (One Direction song), from their 2014 studio album ''Four'' * "18", by Anarbor from their 2013 studio album '' Burnout'' * "I'm Eighteen", by Alice Cooper commonly r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas By Étienne Méhul
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Google Books
Google Books (previously known as Google Book Search, Google Print, and by its code-name Project Ocean) is a service from Google Inc. that searches the full text of books and magazines that Google has scanned, converted to text using optical character recognition (OCR), and stored in its digital database.The basic Google book link is found at: https://books.google.com/ . The "advanced" interface allowing more specific searches is found at: https://books.google.com/advanced_book_search Books are provided either by publishers and authors through the Google Books Partner Program, or by Google's library partners through the Library Project. Additionally, Google has partnered with a number of magazine publishers to digitize their archives. The Publisher Program was first known as Google Print when it was introduced at the Frankfurt Book Fair in October 2004. The Google Books Library Project, which scans works in the collections of library partners and adds them to the digital invent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques Barzun
Jacques Martin Barzun (; November 30, 1907 – October 25, 2012) was a French-American historian known for his studies of the history of ideas and cultural history. He wrote about a wide range of subjects, including baseball, mystery novels, and classical music, and was also known as a philosopher of education. In the book ''Teacher in America'' (1945), Barzun influenced the training of schoolteachers in the United States. A professor of history at Columbia College for many years, he published more than forty books, was awarded the American Presidential Medal of Freedom, and was designated a knight of the French Legion of Honor. The historical retrospective '' From Dawn to Decadence: 500 Years of Western Cultural Life, 1500 to the Present'' (2000), widely considered his ''magnum opus'', was published when he was 93 years old. Life Jacques Martin Barzun was born in Créteil, France, to and Anna-Rose Barzun, and spent his childhood in Paris and Grenoble. His father was a member ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cyril Auvity
Cyril (also Cyrillus or Cyryl) is a masculine given name. It is derived from the Greek name Κύριλλος (''Kýrillos''), meaning 'lordly, masterful', which in turn derives from Greek κυριος ('' kýrios'') 'lord'. There are various variant forms of the name ''Cyril'' such as ''Cyrill'', ''Cyrille'', ''Ciril'', ''Kirill'', ''Kiryl'', ''Kirillos'', ''Kuriakose'', '' Kyrylo'', ''Kiril'', ''Kiro'', and ''Kyrill''. It may also refer to: Christian patriarchs or bishops * Cyril of Jerusalem (c. 313 – 386), theologian and bishop * Cyril of Alexandria (c. 376 – 444), Patriarch of Alexandria * Cyril the Philosopher (link to ''Saints Cyril and Methodius''), 9th century Greek missionary, co-invented the Slavic alphabet, translated the Bible into Old Church Slavonic * Pope Cyril II of Alexandria reigned 1078–1092 * Greek Patriarch Cyril II of Alexandria reigned in the 12th century * Cyril of Turaw (1130–1182), Belorussian bishop and orthodox saint * Pope Cyril III of Alexa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mars (god)
In ancient Roman religion and myth, Mars ( la, Mārs, ) was the god of war and also an agricultural guardian, a combination characteristic of early Rome. He was the son of Jupiter and Juno, and was pre-eminent among the Roman army's military gods. Most of his festivals were held in March, the month named for him ( Latin ''Martius''), and in October, which began the season for military campaigning and ended the season for farming. Under the influence of Greek culture, Mars was identified with the Greek god Ares,''Larousse Desk Reference Encyclopedia'', The Book People, Haydock, 1995, p. 215. whose myths were reinterpreted in Roman literature and art under the name of Mars. The character and dignity of Mars differed in fundamental ways from that of his Greek counterpart, who is often treated with contempt and revulsion in Greek literature. Mars's altar in the Campus Martius, the area of Rome that took its name from him, was supposed to have been dedicated by Numa, the peace-lovi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
