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L'Incoronazione Di Poppea
''L'incoronazione di Poppea'' ( SV 308, ''The Coronation of Poppaea'') is an Italian opera by Claudio Monteverdi. It was Monteverdi's last opera, with a libretto by Giovanni Francesco Busenello, and was first performed at the Teatro Santi Giovanni e Paolo in Venice during the 1643 carnival season. One of the first operas to use historical events and people, it describes how Poppaea, mistress of the Roman emperor Nero, is able to achieve her ambition and be crowned empress. The opera was revived in Naples in 1651, but was then neglected until the rediscovery of the score in 1888, after which it became the subject of scholarly attention in the late 19th and early 20th centuries. Since the 1960s, the opera has been performed and recorded many times. The original manuscript of the score does not exist; two surviving copies from the 1650s show significant differences from each other, and each differs to some extent from the libretto. How much of the music is actually Monteverdi's, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Operas By Claudio Monteverdi
The Italian composer Claudio Monteverdi (1567–1643) wrote several works for the stage between 1604 and 1643, including ten in the then-emerging opera genre. Of these, both the music and libretto for three are extant: ''L'Orfeo'' (1607), ''Il ritorno d'Ulisse in patria'' (1640) and ''L'incoronazione di Poppea'' (1643). Seven other opera projects are known; four were completed and performed during Monteverdi's lifetime, while he abandoned another three at some point. The libretto has survived for some of these Lost operas by Claudio Monteverdi, lost operas. The Origins of opera, opera genre emerged during Monteverdi's earlier career, first as courtly entertainment trying to revive Greek theatre. The first known work to be regarded as an opera in the modern sense is ''Dafne'' (1598) by Jacopo Peri, and his ''Euridice (Peri), Euridice'' (1600) is the earliest surviving one. Since Monteverdi served as the court composer for the Dukes of Mantua#Dukes of Mantua (1530–1708), Gonzaga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'Arianna
' ( SV 291, ''Ariadne'') is the lost second opera by Italian composer Claudio Monteverdi. One of the earliest operas in general, it was composed in 1607–1608 and first performed on 28 May 1608, as part of the musical festivities for a royal wedding at the court of Duke Vincenzo Gonzaga in Mantua. All the music is lost apart from the extended recitative known as "" ("Ariadne's Lament"). The libretto, which survives complete, was written in eight scenes by Ottavio Rinuccini, who used Ovid's ''Heroides'' and other classical sources to relate the story of Ariadne's abandonment by Theseus on the island of Naxos and her subsequent elevation as bride to the god Bacchus. The opera was composed under severe pressure of time; the composer later said that the effort of creating it almost killed him. The initial performance, produced with lavish and innovative special effects, was highly praised, and the work was equally well received in Venice when it was revived under the composer's dir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Didone (opera)
''Didone'' is an opera by Francesco Cavalli, set to a libretto by Giovanni Francesco Busenello (later librettist for Claudio Monteverdi). The opera was first performed at Venice's Teatro San Cassiano during 1640. The plot is based on Virgil's ''Aeneid'' (Book 4 in particular), though Busenello, in his second libretto for Cavalli, replaces Dido's tragic suicide of Virgil with a happy ending in which Dido marries Iarbas, King of the Getuli, who saves Dido from herself after Aeneas abandons her. The action is divided into a prologue and 3 acts. Roles Recordings * Live Video recording on DVD - 2006 - Teatro Malibran, Venice - Fabio Biondi, conductor - Orchestra Europa GalanteCast: Claron McFadden, Magnus Staveland, Jordi Domènech, Manuela Custer, Marina De Liso, Donatella Lombardi - Dynamic cat. 33537 See also *Dido and Aeneas References Sources * External linksFree score of La Didonein the International Music Score Library Project The International Music Score Library Pro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Cavalli
Francesco Cavalli (born Pietro Francesco Caletti-Bruni; 14 February 1602 – 14 January 1676) was a Republic of Venice, Venetian composer, organist and singer of the early Baroque music, Baroque period. He succeeded his teacher Claudio Monteverdi as the dominant and leading opera composer of the mid 17th-century. A central figure of Venetian musical life, Cavalli wrote more than forty operas, almost all of which premiered in the city's theaters. His best known works include ''Ormindo'' (1644), ''Giasone'' (1649) and ''La Calisto'' (1651). Life Cavalli was born at Crema, Lombardy, Crema, then an Domini di Terraferma, inland province of the Venetian Republic. He became a singer (boy soprano) at St Mark's Basilica in Venice in 1616, where he had the opportunity to work under the tutorship of Claudio Monteverdi. He became second organist in 1639, first organist in 1665, and in 1668 ''Kapellmeister, maestro di cappella''. He took the name "Cavalli" from his patron, Venetian nobleman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Accademia Degli Incogniti
The Accademia degli Incogniti (Academy of the Unknowns), also called the Loredanian Academy, was a learned society of freethinking intellectuals, mainly noblemen, that significantly influenced the cultural and political life of mid-17th century Venice. The society was founded in 1630 by Giovanni Francesco Loredan and Guido Casoni, and derived its basic Aristotelian philosophy from Cesare Cremonini, a Peripatetic who was professor of philosophy at the University of Padua.Rosand, pp. 37–40 The society included historians, poets, and librettists. According to historian Ellen Rosand, the academy, in keeping with its name, usually operated behind the scenes. Members often wrote in a secret language and frequently published their works anonymously. The Accademia degli Incogniti was particularly active in the promotion of musical theater in Venice from the 1630s onward, founding its own theater, the Teatro Novissimo, which flourished briefly between 1641 and 1645. In their librettos f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro San Cassiano
The Teatro San Cassiano (or Teatro di San Cassiano and other variants) in Venice was the world’s first public opera theatre, inaugurated as such in 1637. The first mention of its construction dates back to 1581. The name with which it is best known comes from the parish in which it was located, San Cassiano (Saint Cassian), in the Santa Croce district (‘sestiere’) not far from the Rialto. The theatre was owned by the Venetian Tron family and was the first ‘public’ opera house in the sense that it was the first to open to a paying audience. Until then, public theatres (i.e., those operating on a commercial basis) had staged only recited theatrical performances (''commedie'') while opera had remained a private spectacle, reserved for the aristocracy and the courts. The Teatro San Cassiano was, therefore, the first public theatre to stage opera and in so doing opened opera for wider public consumption. In 2019 a project, conceived by the English entrepreneur and musicologi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teatro San Moisè
The Teatro San Moisè was a theatre and opera house in Venice, active from 1620 to 1818. It was in a prominent location near the Palazzo Giustinian and the church of San Moisè at the entrance to the Grand Canal. History Built by the San Bernaba branch of the Giustiniani family c.1620, it was originally a prose theatre. Its first opera production was Claudio Monteverdi's (now lost) opera ''L'Arianna'' in 1640 by which time the ownership had passed to the Zane family who had long intermarried with the Giustiniani. It was used by the Ferrari company, and the librettist Giovanni Faustini was one of the theatre's first impresarios.Rosand, Ellen (1990''Opera in Seventeenth-Century Venice: The Creation of a Genre'' pp. 88–124. University of California Press. From the outset it was one of the smaller theatres of Venice, but also one of the most influential. In 1668 it was enlarged to 800 seats, although this did not result in a significant increase on the size of the stage which limi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Il Ritorno D'Ulisse In Patria
''Il ritorno d'Ulisse in patria'' (Stattkus-Verzeichnis, SV 325, ''The Return of Ulysses to his Homeland'') is an List of operas by Claudio Monteverdi, opera consisting of a prologue and five acts (later revised to three), set by Claudio Monteverdi to a libretto by Giacomo Badoaro. The opera was first performed at the Teatro Santi Giovanni e Paolo in Venice during the 1639–1640 carnival season. The story, taken from the second half of Homer's ''Odyssey'', tells how constancy and virtue are ultimately rewarded, treachery and deception overcome. After his long journey home from the Trojan Wars Ulisse, king of Homer's Ithaca, Ithaca, finally returns to his kingdom where he finds that a trio of villainous suitors are importuning his faithful queen, Penelope. With the assistance of the gods, his son Telemachus, Telemaco and a staunch friend Eumete, Odysseus, Ulisse vanquishes the suitors and recovers his kingdom. ''Il ritorno'' is the first of three full-length works which Monteverdi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giacomo Badoaro
Giacomo Badoaro (1602–1654) was a Venetian nobleman and amateur poet. He is most famous for writing the libretto for Claudio Monteverdi's opera ''Il ritorno d'Ulisse in patria'' (1640). He also provided librettos for the operas ''Ulisse errante'' by Francesco Sacrati (1644) and ''Elena rapita da Teseo'' (1653) by Jacopo Melani. He was a member of the Venetian intellectual circle, the Accademia degli Incogniti The Accademia degli Incogniti (Academy of the Unknowns), also called the Loredanian Academy, was a learned society of freethinking intellectuals, mainly noblemen, that significantly influenced the cultural and political life of mid-17th century Veni .... Notes References *Mark Ringer ''Opera's First Master: The Musical Dramas of Claudio Monteverdi'' (Amadeus Press, 2006) p. 137ff. * Paolo Fabbri ''Monteverdi'', translated by Tim Carter (Cambridge University Press, 1994) p. 251 External links * {{DEFAULTSORT:Badoaro, Giacomo Italian opera librettists 16 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oxford Music Online
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language ''Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 1890. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Il Combattimento Di Tancredi E Clorinda
''Il combattimento di Tancredi e Clorinda'' (''The Combat of Tancredi and Clorinda''), SV 153, is an operatic ''scena'' for three voices by Claudio Monteverdi. The libretto is drawn from Torquato Tasso's ''La Gerusalemme Liberata''. It was first performed in Venice in 1624, and printed in 1638 in Monteverdi's eighth book of madrigals. Monteverdi used musical features here for the first time to enhance the dramatic depiction of a battle in stile concitato, such as pizzicato and tremolo. History The libretto is drawn from Torquato Tasso's ''La Gerusalemme Liberata'' (''Jerusalem Delivered'')., Canto XII, 52–62, 64–68), a Romance set against the backdrop of the First Crusade, when Godfrey of Bouillon conquered Jerusalem. Monteverdi composed it for the 1624 carnival season in Venice when it was first performed in the palace of Girolamo Mocenigo. The plot is about a Christian knight, Tancredi, and a Saracen girl, Clorinda, who are lovers, but meet in battle not recognizin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
St Mark's Basilica
The Patriarchal Cathedral Basilica of Saint Mark ( it, Basilica Cattedrale Patriarcale di San Marco), commonly known as St Mark's Basilica ( it, Basilica di San Marco; vec, Baxéłega de San Marco), is the cathedral church of the Catholic Church, Catholic Patriarchate of Venice; it became the episcopal seat of the Patriarch of Venice in 1807, replacing the earlier cathedral of San Pietro di Castello (church), San Pietro di Castello. It is dedicated to and holds the Relic#Christianity, relics of Mark the Evangelist, Saint Mark the Evangelist, the patron saint of the city. The church is located on the eastern end of Piazza San Marco, Saint Mark's Square, the former political and religious centre of the Republic of Venice, and is attached to the Doge's Palace. Prior to the Fall of the Republic of Venice, fall of the republic in 1797, it was the chapel of the Doge of Venice, Doge and was subject to his jurisdiction, with the concurrence of the procurators of Saint Mark ''de supra' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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