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L'Ange De Nisida
''L'Ange de Nisida'' (''The Angel of Nisida'') is an ''opera semiseria'' in four acts by Italian composer Gaetano Donizetti, from a French-language libretto by Alphonse Royer and Gustave Vaëz. Parts of the libretto are considered analogous with the libretto for Giovanni Pacini's ''Adelaide e Comingio'', and the final scene is based on the François-Thomas-Marie de Baculard d'Arnaud play ''Les Amants malheureux, ou le comte de Comminges''. Donizetti worked on the opera in late 1839—its final page is dated 27 December 1839. Because the subject matter involved the mistress of a Neapolitan king, and may thus have caused difficulties with the Italian censors, Donizetti decided that the opera should be presented in France. The theater company Donizetti contracted went bankrupt; the opera was reworked as ''La favorite'' in September 1840. ''L'Ange'' finally received its premiere in its original form in 2018 in a concert performance at London's Royal Opera House. Composition history ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera Semiseria
Opera semiseria ('semi-serious opera') is an Italian genre of opera, popular in the early and middle 19th century. Related to the opera buffa, opera semiseria contains elements of comedy but also of pathos, sometimes with a pastoral setting. It can usually be distinguished from tragic operas or melodramas by the presence of a basso buffo. One of the better-known examples is Gaetano Donizetti's ''Linda di Chamounix''. Another example is Gioacchino Rossini's ''La gazza ladra''. Vincenzo Bellini's ''La sonnambula'' has all the characteristics of the genre except the presence of the required basso buffo A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E b ... and is regarded as both opera seria and opera semiseria. References See also * :Opera semiseria {{Opera genres Opera genres ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Musical Times
''The Musical Times'' is an academic journal of classical music edited and produced in the United Kingdom and currently the oldest such journal still being published in the country. It was originally created by Joseph Mainzer in 1842 as ''Mainzer's Musical Times and Singing Circular'', but in 1844 he sold it to Joseph Alfred Novello (who also founded ''The Musical World'' in 1836), and it was published monthly by the Novello and Co. (also owned by Alfred Novello at the time).. It first appeared as ''The Musical Times and Singing Class Circular'', a name which was retained until 1903. From the very beginning, every issue - initially just eight pages - contained a simple piece of choral music (alternating secular and sacred), which choral society members subscribed to collectively for the sake of the music. Its title was shortened to its present name from January 1904. Even during World War II it continued to be published regularly, making it the world's oldest continuously publ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Castile (historical Region)
Castile or Castille (; ) is a territory of imprecise limits located in Spain. The invention of the concept of Castile relies on the assimilation (via a metonymy) of a 19th-century determinist geographical notion, that of Castile as Spain's ("tableland core", connected to the Meseta Central) with a long-gone historical entity of diachronically variable territorial extension (the Kingdom of Castile). The proposals advocating for a particular semantic codification/closure of the concept (a '' dialogical'' construct) are connected to essentialist arguments relying on the reification of something that does not exist beyond the social action of those building Castile not only by identifiying with it as a homeland of any kind, but also ''in opposition'' to it. A hot topic concerning the concept of Castile is its relation with Spain, insofar intellectuals, politicians, writers, or historians have either endorsed, nuanced or rejected the idea of the ''maternity'' of Spain by Castile, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santiago De Compostela
Santiago de Compostela is the capital of the autonomous community of Galicia, in northwestern Spain. The city has its origin in the shrine of Saint James the Great, now the Cathedral of Santiago de Compostela, as the destination of the Way of St. James, a leading Catholic pilgrimage route since the 9th century. In 1985, the city's Old Town was designated a UNESCO World Heritage Site. Santiago de Compostela has a very mild climate for its latitude with heavy winter rainfall courtesy of its relative proximity to the prevailing winds from Atlantic low-pressure systems. Toponym ''Santiago'' is the local Galician evolution of Vulgar Latin ''Sanctus Iacobus'' " Saint James". According to legend, ''Compostela'' derives from the Latin ''Campus Stellae'' (i.e., "field of the star"); it seems unlikely, however, that this phrase could have yielded the modern ''Compostela'' under normal evolution from Latin to Medieval Galician. Other etymologies derive the name from Latin ''compositum'', ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rosine Stoltz
Rosine Stoltz (born Victoire or Victorine Noël) (13 January 1815 – 30 July 1903) was a French mezzo-soprano. A prominent member of the Paris Opéra, she created many leading roles there including Ascanio in Berlioz's '' Benvenuto Cellini'', Marguerite in Auber's '' Le lac des fées'', the title role in '' Marie Stuart'', and two Donizetti heroines, Léonor in ''La favorite'' and Zayda in ''Dom Sébastien''. Early life and training Stoltz was born Victoire Noël on the boulevard du Montparnasse in Paris, the daughter of the concierges Florentin Noël and Clara Stoll. She received her first vocal training as a pensionnaire at the École Royale de Chant et Déclamation directed by Alexandre-Étienne Choron. Early career Just short of her sixteenth birthday she left Choron's school to travel in the Low Countries under the name of Mlle Ternaux. Her principal biographer Gustave Bord speculates that she had run away from the school with the son of the famous merchant of shawls on th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eugène Scribe
Augustin Eugène Scribe (; 24 December 179120 February 1861) was a French dramatist and librettist. He is known for writing "well-made plays" ("pièces bien faites"), a mainstay of popular theatre for over 100 years, and as the librettist of many of the most successful grand operas and opéras-comiques. Born to a middle-class Parisian family, Scribe was intended for a legal career, but was drawn to the theatre, and began writing plays while still in his teens. His early years as a playwright were unsuccessful, but from 1815 onwards he prospered. Writing, usually with one or more collaborators, he produced several hundred stage works. He wrote to entertain the public rather than educate it. Many of his plays were written in a formulaic manner which aimed at neatness of plot and focus on dramatic incident rather than naturalism, depth of characterisation or intellectual substance. For this he was much criticised by intellectuals, but the "well-made play" remained established in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poliuto
''Poliuto'' is a three-act ''tragedia lirica'' (or tragic opera) by Gaetano Donizetti from the Italian libretto by Salvadore Cammarano, which was based on Pierre Corneille's play ''Polyeucte'' written in 1641–42. It reflected the life of the early Christian martyr Saint Polyeuctus. Regarded by one author as Donizetti's "most personal opera" with the music being "some of the finest Donizetti was to compose",Allitt 1991, pp. 177—187 ''Poliuto'' was written in 1838 for performances planned at the Teatro San Carlo in Naples later that year. However, close to the time for rehearsals to begin, King Ferdinand II refused to allow the martyrdom of a Christian saint to be seen on stage and forbade the production.Ashbrook and Hibberd 2001, p. 224 Angry at the decision and with a commission for the Paris Opéra due from the composer, Donizetti paid the penalty to the San Carlo for not producing an original work as a substitute, and left Naples for Paris arriving on 21 October. As his firs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bibliothèque-Musée De L'Opéra National De Paris
The Bibliothèque-Musée de l'Opéra National de Paris is a library and museum of the Paris Opera and is located in the 9th arrondissement at 8 rue Scribe, Paris, France. It is no longer managed by the Opera, but instead is part of the Music Department of the National Library of France (Bibliothèque nationale de France or BnF). The Paris Opera Library-Museum is open daily; an admission fee is charged. Emperor's Pavilion The Library-Museum is housed in the Palais Garnier in the Rotonde de l'Empereur, a pavilion on the west side of the theatre, which was originally designed to be the private entrance for Emperor Napoleon III. Thus, the Emperor's could directly enter in the building and avoid any assassination attempt. The library is located near the intersection of the rue Scribe with the rue Auber, streets which are named after the librettist Eugène Scribe and the composer Daniel Auber, both of whom had works performed by the Paris Opera., originally at the Paris Opera website. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucia Di Lammermoor
''Lucia di Lammermoor'' () is a (tragic opera) in three acts by Italian composer Gaetano Donizetti. Salvadore Cammarano wrote the Italian-language libretto loosely based upon Sir Walter Scott's 1819 historical novel ''The Bride of Lammermoor''. Donizetti wrote ''Lucia di Lammermoor'' in 1835, when he was reaching the peak of his reputation as an opera composer. Gioachino Rossini had recently retired and Vincenzo Bellini had died shortly before the premiere of ''Lucia'' leaving Donizetti as "the sole reigning genius of Italian opera".Mackerras, p. 29 Not only were conditions ripe for Donizetti's success as a composer, but there was also a widespread interest in the history and culture of Scotland. The perceived romance of its violent wars and feuds, as well as its folklore and mythology, intrigued 19th century readers and audiences. Sir Walter Scott dramatized these elements in his novel ''The Bride of Lammermoor'', which inspired several musical works including ''Lucia''.Mackerra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Das Liebesverbot
' (''The Ban on Love'', WWV 38), is an early comic opera in two acts by Richard Wagner, with the libretto written by the composer after Shakespeare's ''Measure for Measure''. Described as a ', it was composed in early 1836. Restrained sexuality versus eroticism plays an important role in '; themes that recur throughout much of Wagner's output, most notably in ''Tannhäuser'', ''Die Walküre'' and ''Tristan und Isolde''. In each opera, the self-abandonment to love brings the lovers into mortal combat with the surrounding social order. In ', because it is a comedy, the outcome is a happy one: unrestrained sexuality wins as the carnival of the entire population goes rioting on after curtain-fall. Wagner's second opera, and his first to be performed, has many signs of an early work: the style is modelled closely on contemporary French and Italian comic opera. It is also referred to as the forgotten comedy, in that only two of Wagner's works are comedies, the other being ''Die Meister ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Wagner
Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works. Initially establishing his reputation as a composer of works in the romantic vein of Carl Maria von Weber and Giacomo Meyerbeer, Wagner revolutionised opera through his concept of the ''Gesamtkunstwerk'' ("total work of art"), by which he sought to synthesise the poetic, visual, musical and dramatic arts, with music subsidiary to drama. He described this vision in a series of essays published between 1849 and 1852. Wagner realised these ideas most fully in the first half of the four-opera cycle ''Der Ring des Nibelungen'' (''The Ring of the Nibelung''). His compositions, particularly those of his later period, are notable for their complex textures, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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