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L'amor Coniugale
''L'amor coniugale'' (Conjugal Love) is an opera in one act by Simon Mayr set to an Italian libretto by Gaetano Rossi. It premiered at Padua's Teatro Nuovo on 26 July 1805. Background and performance history Like Beethoven's ''Fidelio'', the libretto of ''L'amor coniugale'' is based on Jean-Nicolas Bouilly's French libretto for Pierre Gaveaux's 1798 opera '' Léonore, ou l'amour conjugal''. Unlike ''Fidelio'' which focuses on the struggle for political liberty, Mayr's opera, also known as ''Il custode di buon cuore'' (The Good-hearted Jailer) and described in its libretto as a ''farsa sentimentale'', focuses more on the interpersonal relationships between the protagonists and contains comic elements.Lindner, ThomasLiner notes: ''L'amor coniugale''(English version by Neil Coleman), Naxos Records 8660198. Rossi condensed Bouilly's two-act libretto into one act containing 19 scenes and changed the setting from the Napoleonic Wars to 17th century Poland. ''L'amor coniugale'' premi ...
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Mayr - L'amor Coniugale - Title Page Of The Libretto - Venice 1805
Mayr is a German surname. Notable people with the surname include: * Andrea Mayr (born 1979), Austrian female long-distance runner * Ernst Mayr (1904–2005), German American evolutionary biologist * Georg Mayr (1564–1623), Bavarian Jesuit priest and Hebrew grammarian * Gustav Mayr (1830–1908), Austrian entomologist * Hans Mayr (canoeist) (born 1944), Austrian sprint canoer * Hans Mayr (trade unionist) (1921–2009), German trades unionist and politician * Hans Mayr, founder of the shoemaking company Ed Meier, Munich * Heinz Mayr (born 1935), German racewalker * Karl Mayr (1883–1945), German politician and officer * Michael Mayr (1864–1922), Austrian historian, politician and Bundeskanzler (1920/21) * Rupert Ignaz Mayr (1646–1712), German composer * Simon Mayr (1763–1845), German composer * Simon Marius (1573–1624), Simon Mayr in German, German astronomer * Stephanie Mayr (born 1965), German curler See also *Mayr-Melnhof AG, a Vienna-based company * Mayr-Harting * ...
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Bruno Moretti
Bruno Moretti (born 1957) is an Italian composer, pianist, and conductor. He has composed ballet music (as well as theatre, cinema and television music) working in collaboration with the choreographer Mauro Bigonzetti. He is also an accompanist of singers. Biography Moretti was born in Rome, and studied initially with Armando Renzi. Then he became Nino Rota’s assistant for the creation of the opera Napoli Milionaria at Spoleto festival in 1977. Later he studied conducting at Siena's Accademia Musicale Chigiana. He made his conducting debut in 1979 at the Teatro dell'Opera di Roma with ''Madama Butterfly'' by Giacomo Puccini. He has conducted throughout Italy and in England, Israel, the Far East and North America. Works Opera * ''Lady E'' (1999), opera in two acts to a libretto by Pasquale Plastino and Silvia Ranfagni Ballet *''Caravaggio'' (2008), a two-act ballet by Mauro Bigonzetti. Moretti wrote the score based on several works by Claudio Monteverdi. Moretti's int ...
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Italian-language Operas
Italian (''italiano'' or ) is a Romance language of the Indo-European language family that evolved from the Vulgar Latin of the Roman Empire. Together with Sardinian, Italian is the least divergent language from Latin. Spoken by about 85 million people (2022), Italian is an official language in Italy, Switzerland (Ticino and the Grisons), San Marino, and Vatican City. It has an official minority status in western Istria (Croatia and Slovenia). Italian is also spoken by large immigrant and expatriate communities in the Americas and Australia.Ethnologue report for language code:ita (Italy)
– Gordon, Raymond G., Jr. (ed.), 2005. Ethnologue: Languages of the World, Fifteenth edition. Dallas, Tex.: SIL International. Online version
Italian ...
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Operas By Simon Mayr
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ...
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Aparté
Aparté is a French classical music record label founded in 2010 by Nicolas Bartholomée, director of Little Tribeca recording studios. Bartholomée had earlier founded the recording studio Musica Numeris in the late 1980s, and the Ambroisie label in 1999, later sold to Naïve Records.Label Aparté
"Nicolas Bartholomée, directeur artistique de renom, fonde aujourd'hui le label Aparté."


Artists

Soloists : * Christophe Rousset (harpsichord) * Ophélie Gaillard (cello) * Michel Dalberto (piano) *
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David Stern (conductor)
David Stern (born May 21, 1963 in New York City) is an American conductor, director and founder of the ensemble Opera Fuoco. He has been the Chief Conductor of Palm Beach Opera since 2015. Life and career David Stern's musical leadership is spread across three continents. Whether conducting a major symphony orchestra, baroque opera, teaching vocal master classes or defending cultural activities, Stern keeps his musicians, students and audiences riveted by sharing his strong musical convictions, his flexibility of approach and his belief that music is relevant and indeed essential in today's world. He is the founder and director of the Paris-based opera studio and period-instrument ensemble Opera Fuoco, as well as artistic adviser and chief conductor of the Shanghai Baroque Festival and chief conductor of the Palm Beach Opera. In 2018, he was named the Program Director of thHeifetz International Music Institutes inaugural Baroque Vocal Workshop. Stern is known for his extensiv ...
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Opéra De Massy
This is a glossary list of opera genres, giving alternative names. "Opera" is an Italian word (short for "opera in musica"); it was not at first ''commonly'' used in Italy (or in other countries) to refer to the genre of particular works. Most composers used more precise designations to present their work to the public. Often specific genres of opera were commissioned by theatres or patrons (in which case the form of the work might deviate more or less from the genre norm, depending on the inclination of the composer). Opera genres are not exclusive. Some operas are regarded as belonging to several. Definitions Opera genres have been defined in different ways, not always in terms of stylistic rules. Some, like opera seria, refer to traditions identified by later historians,McClymonds, Marita P and Heartz, Daniel: "Opera seria" in '' The New Grove Dictionary of Opera'', ed. Stanley Sadie (London, 1992) and others, like Zeitoper, have been defined by their own inventors. Other fo ...
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Bad Wildbad
Bad Wildbad is a town in Germany, in the state of Baden-Württemberg. It is located in the government district (''Regierungsbezirk'') of Karlsruhe and in the district (''Landkreis'') of Calw. Its coordinates are 48° 45' N, 8° 33' E. About 10,130 people live there. The current mayor is Mauro Gauger. The current town of Bad Wildbad is an amalgamation of several communities brought together under local government reform in 1974. The member communities are Wildbad, Calmbach, Sprollenhaus, Nonnenmiß and Aichelberg, along with the hamlets of Hünerberg und Meistern. The town was named only Wildbad until 1991, when it was given its current name ("Bad" is German for "bath", a reference to the town's status as a spa town). It is picturesquely situated 420 m above sea level, in the romantic pine-clad gorge of the Enz, a tributary of the Neckar in the Black Forest. The town is 45 km west of Stuttgart, 50 km southeast of Karlsruhe, 30 km south of Pforzheim, and 23 k ...
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Carlo Angrisani
Carlo Angrisani (c. 1760 – ?) was an Italian operatic bass. He was born in Reggio Emilia. After singing at several theatres in Italy, he appeared at Vienna, where, in 1798 and 1799, he published two collections of ''Notturni'' ("nocturnes") for three voices. In 1817 he sang at the King's Theatre in London with Joséphine Fodor, Giuditta Pasta, Violante Camporese, Pierre Begrez, Naldi, and Giuseppe Ambrogietti. His made his first appearance at Covent Garden on 3 March, 1820 in a concert of selections from Mozart's Don Giovanni alongside John Braham and other English singers.Theatre Royal, Covent Garden - playbill for March 3, 1820 His roles in premieres include Sir John Falstaff in Salieri's ''Falstaff'' and Peters in Simon Mayr's ''L'amor coniugale''. The New Grove Dictionary of Music and Musicians ''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language ''Die Musik in Geschichte und Gegenwar ...
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Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ...
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Savino Monelli
Savino Monelli (9 May 1784 – 5 June 1836) was an Italian tenor prominent in the opera houses of Italy from 1806 until 1830. Amongst the numerous roles he created in world premieres were Giannetto in Rossini's ''La gazza ladra'', Enrico in Donizetti's ''L'ajo nell'imbarazzo'' and Nadir in Pacini's ''La schiava in Bagdad''. He was born in Fermo where he initially studied music. After leaving the stage, he retired to Fermo and died there five years later at the age of 52. Life and career Monelli was born in Fermo and received his early music training under Giuseppe Giordani who was the ''maestro di cappella'' of the Fermo Cathedral. His elder brother, Raffaele (1782–1859) likewise trained under Giordani and had a career as a tenor appearing in the world premieres of Rossini's ''La scala di seta'' and ''L'inganno felice''. One of Monelli's earliest performances was in 1806 when he appeared with Raffaele in a production of Marcello Bernardini's ''Furberia e puntiglio'' at the Tea ...
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Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ...
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