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L'abandon D'Ariane
(''The Abandonment of Ariane'' or, in German, ''Die Verlassene Ariadne''), Op. 98, is an opera in one act by Darius Milhaud to a French libretto by Henri Hoppenot, based on Greek mythology. It is the second of three ''Opéras-Minutes'' (Mini-Operas) that Milhaud composed. It came between ''L'Enlèvement d'Europe'', Op. 94, and '' La Délivrance de Thésée'', Op. 99, with librettos also by Henri Hoppenot (1891–1977), a French diplomat. The three operas together last about twenty-seven minutes. Performance history The first performance of the trilogy - ''L'Enlèvement d'Europe'', ''L'Abandon d'Ariane'' and ''La Délivrance de Thésée'' - was at the Hessisches Staatstheater Wiesbaden The Hessisches Staatstheater Wiesbaden ('Hessian State Theatre Wiesbaden') is a German theatre located in Wiesbaden, in the German state Hesse. The company produces operas, plays, ballets, musicals and concerts on four stages. Known also as the ..., Germany, on 20 April 1928. These pe ...
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Darius Milhaud
Darius Milhaud (; 4 September 1892 – 22 June 1974) was a French composer, conductor, and teacher. He was a member of Les Six—also known as ''The Group of Six''—and one of the most prolific composers of the 20th century. His compositions are influenced by jazz and Brazilian music and make extensive use of polytonality. Milhaud is considered one of the key modernist composers.Reinhold Brinkmann & Christoph Wolff, ''Driven into Paradise: The Musical Migr ...
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Phaedra (mythology)
In Greek mythology, Phaedra ( grc, Φαίδρα, ) (or Fedra) was a Cretan princess. Her name derives from the Greek word (), which means "bright". According to legend, she was the daughter of Minos and Pasiphaë, and the wife of Theseus. Phaedra fell in love with her stepson Hippolytus. After he rejected her advances, she accused him of trying to rape her, causing Theseus to pray to Poseidon to kill him, and then killed herself. The story of Phaedra is told in Euripides' play '' Hippolytus'', Seneca the Younger's ''Phaedra'', and Ovid's ''Heroides''. It has inspired many modern works of art and literature, including a play by Jean Racine. Family Phaedra was the daughter of Minos and Pasiphaë of Crete, and thus sister to Acacallis, Ariadne, Androgeus, Deucalion, Xenodice, Glaucus and Catreus and half-sister to the Minotaur. She was the wife of Theseus and the mother of Demophon of Athens and Acamas. Mythology Much of what we know about the mythology and story o ...
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Phaedra
Phaedra may refer to: Mythology * Phaedra (mythology), Cretan princess, daughter of Minos and Pasiphaë, wife of Theseus Arts and entertainment * ''Phaedra'' (Alexandre Cabanel), an 1880 painting Film * ''Phaedra'' (film), a 1962 film by Jules Dassin based on the Phaedra myth * Phaedra Cinema, a distributor of films in the USA of the late 20th century Music * ''Phaedra'' (album) (1974), by the electronic music group Tangerine Dream ** '' Phaedra 2005'', a later album by Tangerine Dream * ''Phaedra'' (cantata), a cantata by Benjamin Britten based on the Phaedra myth * Phaedra, a mysterious woman referred to in the song " Some Velvet Morning" sung by Nancy Sinatra and Lee Hazlewood * ''Phaedra'' (opera), an opera by Hans Werner Henze based on the Phaedra myth * Phaedra (Phèdre), a character in the opera ''Hippolytus and Aricia'' by Jean-Philippe Rameau * Phaedra (CD label), an independent classical CD-label, publishing Belgian and especially Flemish music Plays * ...
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Operas Based On Classical Mythology
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ...
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Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of singing: ...
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One-act Operas
A one-act play is a play that has only one act, as distinct from plays that occur over several acts. One-act plays may consist of one or more scenes. The 20-40 minute play has emerged as a popular subgenre of the one-act play, especially in writing competitions. One act plays make up the overwhelming majority of Fringe Festival shows including at the Edinburgh Fringe Festival. The origin of the one-act play may be traced to the very beginning of recorded Western drama: in ancient Greece, ''Cyclops'', a satyr play by Euripides, is an early example. The satyr play was a farcical short work that came after a trilogy of multi-act serious drama plays. A few notable examples of one act plays emerged before the 19th century including various versions of the Everyman play and works by Moliere and Calderon.Francis M. Dunn. ''Tragedy's End: Closure and Innovation in Euripidean Drama''. Oxford University Press (1996). One act plays became more common in the 19th century and are now a standa ...
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Operas By Darius Milhaud
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume Costume is the distinctive style of dress or cosmetic of an individual or group that reflects class, gender, profession, ethnicity, nationality, activity or epoch. In short costume is a cultural visual of the people. The term also was tradition ..., and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conducting, conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western culture#Music, Western classical music tra ...
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French-language Operas
French opera is one of Europe's most important operatic traditions, containing works by composers of the stature of Rameau, Berlioz, Gounod, Bizet, Massenet, Debussy, Ravel, Poulenc and Messiaen. Many foreign-born composers have played a part in the French tradition as well, including Lully, Gluck, Salieri, Cherubini, Spontini, Meyerbeer, Rossini, Donizetti, Verdi and Offenbach. French opera began at the court of Louis XIV of France with Jean-Baptiste Lully's ''Cadmus et Hermione'' (1673), although there had been various experiments with the form before that, most notably '' Pomone'' by Robert Cambert. Lully and his librettist Quinault created ''tragédie en musique'', a form in which dance music and choral writing were particularly prominent. Lully's most important successor was Rameau. After Rameau's death, the German Gluck was persuaded to produce six operas for the Paris, Parisian stage in the 1770s. They show the influence of Rameau, but simplified and with greater foc ...
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1928 Operas
Nineteen or 19 may refer to: * 19 (number), the natural number following 18 and preceding 20 * one of the years 19 BC, AD 19, 1919, 2019 Films * ''19'' (film), a 2001 Japanese film * ''Nineteen'' (film), a 1987 science fiction film Music * 19 (band), a Japanese pop music duo Albums * ''19'' (Adele album), 2008 * ''19'', a 2003 album by Alsou * ''19'', a 2006 album by Evan Yo * ''19'', a 2018 album by MHD * ''19'', one half of the double album ''63/19'' by Kool A.D. * ''Number Nineteen'', a 1971 album by American jazz pianist Mal Waldron * ''XIX'' (EP), a 2019 EP by 1the9 Songs * "19" (song), a 1985 song by British musician Paul Hardcastle. * "Nineteen", a song by Bad4Good from the 1992 album '' Refugee'' * "Nineteen", a song by Karma to Burn from the 2001 album ''Almost Heathen''. * "Nineteen" (song), a 2007 song by American singer Billy Ray Cyrus. * "Nineteen", a song by Tegan and Sara from the 2007 album '' The Con''. * "XIX" (song), a 2014 song by Slipknot. ...
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Choir
A choir ( ; also known as a chorale or chorus) is a musical ensemble of singers. Choral music, in turn, is the music written specifically for such an ensemble to perform. Choirs may perform music from the classical music repertoire, which spans from the medieval era to the present, or popular music repertoire. Most choirs are led by a conductor, who leads the performances with arm, hand, and facial gestures. The term ''choir'' is very often applied to groups affiliated with a church (whether or not they actually occupy the quire), whereas a ''chorus'' performs in theatres or concert halls, but this distinction is not rigid. Choirs may sing without instruments, or accompanied by a piano, pipe organ, a small ensemble, or an orchestra. A choir can be a subset of an ensemble; thus one speaks of the "woodwind choir" of an orchestra, or different "choirs" of voices or instruments in a polychoral composition. In typical 18th century to 21st century oratorios and masses, 'choru ...
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Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ...
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Theseus
Theseus (, ; grc-gre, Θησεύς ) was the mythical king and founder-hero of Athens. The myths surrounding Theseus his journeys, exploits, and friends have provided material for fiction throughout the ages. Theseus is sometimes described as the son of Aegeus, King of Athens, and sometimes as the son of the god Poseidon. He was raised by his mother, Aethra, and, upon discovering his connection to Aegeus, travels overland to Athens, having many adventures on the way. When he reaches Athens, he finds that Aegeus is married to Medea (formerly wife of Jason), who plots against him. The most famous legend about Theseus is his slaying of the Minotaur, half man and half bull. He then goes on to unite Attica under Athenian rule: the ''synoikismos'' ('dwelling together'). As the unifying king, he is credited with building a palace on the fortress of the Acropolis. Pausanias reports that after ''synoikismos'', Theseus established a cult of Aphrodite ('Aphrodite of all the People' ...
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